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(5) ADAM WARREN –
EMPOWERED (Dark Horse 2007 – present)
“A sexy superhero comedy (except when it isn’t)”
The titular heroine and her series, originated from commissioned ‘bondage’ sketches of a comics superheroine ‘damsel-in-distress’, which then became the basis for the episodic shorts for the commencement of the series, illustrated in Warren’s characteristic ‘manga’ influenced style. The series started (and still continues to some extent) as a playful deconstruction of superhero comics tropes, particularly those involving female superheroes, along with (in the words of TV Tropes) “healthy doses of bondage, fanservice and comedy”.
Indeed, it’s a fantasy kitchen sink of comics tropes and more – alien doomsday technology, clans of ninjas in New Jersey, grandiloquent interdimensional hell-beings (trapped in coffee table ornaments), deals with the devil, psi powers, undead superheroes (or the ‘superdead’) and catgirls (nyaan!)
Empowered herself is a “plucky D-list superheroine”, who is precariously dependent and constantly betrayed by the fragile, fickle source of her superpowers – her skin-tight ‘hypermembrane’ suit. As a consequence, Empowered spends most of her time with her suit in tatters or various states of undress, bound and gagged by supervillains or even common criminals, a joke to her superhero peers and supervillains alike (albeit something of status symbol as arm candy to the latter).
As the series has progressed however, it has developed deeper, darker and longer story arcs – and Empowered has emerged as an increasingly formidable superheroine, relying on her wits and strength of character to overcome the flaws of her suit. On the other hand, her superhero colleagues or ‘Capes’ have become increasingly darker – beware the Superman! Remember San Antonio!
RATING: 4 STARS****
A-TIER (TOP TIER)