Collage of images from the most iconic front of the war – from Wikipedia “Western Front (First World War”) under licence https://creativecommons.org/licenses/by-sa/3.0/deed.en

(2) FIRST WORLD WAR (1914-1918)

Before it was known as the First World War, it was the Great War – “the biggest, bloodiest, most expensive, most disruptive, most damaging and most traumatizing war the world had ever seen up to that point”.

It also tends to be seen in almost entirely negative terms, as one of the most unpopular and pointless wars in history, particularly when compared to its successor.

In the words of the Encyclopedia of Fantasy, “both World Wars were tragic, but World War I was remembered as an unmitigated tragedy, a grinding apocalyptic process whose outcome was always foreseeable, even though some of the details (like the USA’s entry into the conflict) might have been unexpected at the time”.

“World War II, on the other hand, has been remembered as a melodrama, full of strange and uncanny ups and downs, with terrifying new weapons galore, feats of derring-do on a daily basis, and protagonists who were not only monsters in real life but also, in fictional terms, highly effective icons of villainy”.

It does not help that the First World War was hailed at one point as “the war to end all wars” – an epithet doomed to fail and be replaced by the jaded cynicism that has seen the international agreement that brought it to an end dubbed as “the peace to end all peace”.

A slur for which, as a Treaty of Versailles fan, I will not stand! Well, perhaps fan is overstating it, but I do think the Treaty of Versailles is unjustly maligned, a topic worthy of its own top ten. To put it simply, the Treaty of Versailles was not that bad – while Germany should have spent a lot more time sucking it up and a lot less time bitching about it.

Much the same goes for the First World War itself, particularly in comparison to the Second World War – albeit the former is not so much unjustly maligned, as it earns much of its claim to futility and pointlessness. And much of that is of course the Western Front, the relentless slogging match that remained largely static despite millions of casualties.

Even that, however, is somewhat unfair to the Western Front, which finally showed some dynamism in 1918, although one might observe that took long enough.

More fundamentally, it is the Western Front that provides the enduring imagery of the war, and for that matter of modern war itself, of total war and trench warfare. Its battles, as costly and futile as they were, still read like a roll call of modern military history – with perhaps Verdun and the Somme as the most definitive. Not to mention much of the definitive technology of modern war had its debut or development in the Western Front – notably tanks and aircraft.

There is also the cultural impact of the Western Front – not least on modern literary fantasy (hence the Encyclopedia of Fantasy entry), notably through J.R.R. Tolkien. Such is the cultural impact that it might be summed up by the title of Paul Fussell’s The Great War and Modern Memory.

And speaking of modern memory, it is the First World War that looms larger in national commemorations honoring the day of its armistice – not to mention, nations such as Australia, for whom their national identity was essentially shaped in battle, even in defeat, during the war at Gallipoli, commemorated by Anzac Day.

The static stalemate of the Western Front obscures the war’s more dynamic nature elsewhere – on the Eastern Front (including the Russian Revolution), in the Balkans, in the Middle East (including the Arab Revolt), at sea, in the air, and my favorite as well as the most impressive military achievement through the entire war, the German guerilla warfare led by von Lettow-Vorbeck in Africa.

Arguably, the Germans fought better in the First World War than they did in the Second, despite succeeding in 1940 where they had failed in 1914 – while the Americans also arguably waged a better war, despite failing to do what they should have done in the peace after the First what they did after the Second. Japan and Italy also chose the better side in the First than in the Second, although that might be attributed more to failures in the interwar years.

But I stand by the First World War being unfairly contrasted with the Second World War – usually in terms of the comparison of casualty rates, with the former seen as pointlessly higher without the greater mobility or movement of the latter to show for it.

Firstly, that is not quite true. In blunt terms, the Western Front was just as static for most of the Second World War – it’s just that the trench was bigger, in the form of the English Channel. And also that the Western allies effectively outsourced their casualties to the Eastern Front, where casualty rates could be very high indeed. Even on the Western front from Normany onwards, casualty rates at the sharp end could also be high enough to compare to the First World War.

And in the air for that matter – it’s ironic that Bomber Harris saw the bombing campaign as a way of avoiding the high casualty rates of the Western Front in the First World War, only for the allies to replicate those rates during the bombing campaign.

Secondly, this comparison belies that, if anything, it was the Second World War that was anomalous, while the First World War was more truly characteristic of twentieth century wars as static wars of attrition – as reflected by my favorite historian, H.P. Willmott, when he quipped, seemingly as a paradox, that WW2 might be regarded as the last war of the nineteenth century and WW1 as the first war of the twentieth century. Partly this is that for a brief shining moment, the technology and technique of offensive mobility won out over defensive firepower, but as Willmott observed, it started swinging back as defensive firepower rebounded from 1942 onwards.

The Encyclopedia of Fantasy continues that “despite the attempts of propagandists on both sides, no wholly evil figure emerges from World War I to occupy the world’s imagination, no one of a viciousness so unmitigated that it seems almost supernatural; Hitler, on the other hand, has all the lineaments of a Dark Lord, and the Reich he hoped to found was a parody of the true Land”.

But it’s the Germans as bad guys – I’m a fan of the Fischer thesis.

RATING: 5 STARS*****
S-TIER (GOD TIER)