Mega-City Law – Judge Dredd Case Files 2 (Epilogue)

 

JUDGE DREDD CASE FILES 2
Mega-City One 2100-2101
(1978-1979: progs 61-115)

Judge Dredd gets epic!

Judge Dredd: Complete Case Files Volume 2 essentially consists of the back-to-back Dredd epics, The Cursed Earth (progs 61-85) and The Day the Law Died (progs 86-108).

I consider these two epics to be Dredd’s first true epics – and more fundamentally, where the Judge Dredd comic came of age. This is classic Dredd.

Of course, the two epics had their precursors in the two longer story arcs (or mini-epics) of Volume 1 – The Cursed Earth in Luna-1 and The Day the Law Died in Robot Wars. Each of the epics (and their precursors) respectively set up the essential Judge Dredd epic plotlines – Dredd confronting some threat, usually existential, to Mega-City One (Robot Wars, The Day the Law Died), and Dredd venturing to some other, usually exotic, location (Luna-1, The Cursed Earth), or a combination of the two, Dredd venturing to some other, usually exotic, location TO confront some threat, usually existential, to Mega-City One (arguably The Cursed Earth, although it involved an existential threat to Mega-City Two, at least in the immediate sense).

Yes – there’s a few episodes at the end of Case Files 2 which serve as something of an epilogue to the epics, particularly Punks Rule as an epilogue to The Day the Law Died. It also effectively replays the very first episode with Dredd taking on the punk street gang that has arisen as a law unto themselves – with Dredd’s characteristic schtick of taking them on alone, to restore the authority of Justice Department that had lapsed in The Day the Law Died.

Otherwise, Case Files 2 is almost entirely the two epics – each of which deserve its own consideration in depth.

 

THE CURSED EARTH

 

THE DAY THE LAW DIED

 

 

JUDGE DREDD CASE FILES 2

PUNKS RULE (prog 110)

The Exo-Men (progs 111-112) / The DNA Man (progs 113-115)

 

“I’m a cheap punk!”

And here we are with those episodes at the conclusion of Case Files Volume 2 that are not part of either epic, although the first and best of these, Punks Rule, is effectively an epilogue to The Day the Law Died.

As the new Chief Judge Griffin explains in this episode, the war against Cal allowed street gangs to come back in force, with the worst of them – the Cosmic Punks, led by Gestapo Bob Harris – setting themselves up as ‘judges’ in Sector 41 and declaring it a no-go zone to the real judges. One judge proposes that they stamp it out by sending in a fifty man squad, but Dredd disagrees – “The street gangs have lost their fear of us. It’s time we gave it back to them…Let’s show them one judge is worth a hundred punks”. As I’ve said before, Dredd’s always doing this – going in as the ‘one judge’ to demonstrate the strength of the law against any number of potential antagonists. He did it in his very first episode and he’ll do it again – it’s kind of his shtick.

And so, Dredd heads into Sector 41 alone, with an automated garbage truck for prisoners. A nice symbolic touch – and sure enough, he fills it with the punks who are smart enough to surrender, gunning down those who prefer to take a shot at him. Ultimately, Dredd takes even Gestapo Bob prisoner – after making Bob declare himself a cheap punk.

It’s an episode with Brian Bolland art, always a delight to behold – and Bolland did the best Judge Dredd punks!

 

And yes – I skipped two storylines:

  • The Exo-Men (progs 111-112) featuring the titular gang that use demolition workers’ exo-skeleton powered suits for a bank robbery. However, the real fun in the story comes with two representatives of a citizen action group – the citizen’s committee for compassion to criminals (or CCCC) – who are monitoring Dredd as he pursues the exo-men. It was almost fun enough to feature in more detail, except that I think “Watchdogs” in Case Files 16 replays the same premise better.
  • The DNA Man (progs 113-115) replays Frankenstein but with the mad scientist character – literally named Frankenstein, Milton Frankenstein (with his first name perhaps a nod to Milton’s Paradise Lost featuring in the original book by Shelley) trying to recreate himself from one DNA molecule taken from his blood. It’s a little weird since the world of Judge Dredd has cloning – indeed, Dredd himself is a clone. Here, however, Frankenstein succeeds only in creating monstrous versions of himself – which he unleashes on Dredd as Dredd is on his trail for killing his lab assistant.
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