Poster for the 2015 film The Witch directed by Robert Eggers

(7) WITCHCRAFT

Wouldst thou like to live deliciously?

Just a girl and her goat. Or in the case of European witch folklore, of many girls and their great goat

Witchcraft – traditionally defined as the malevolent “use of magic or supernatural powers to harm others” – is something that seems well-nigh universal in mythologies or beliefs throughout the world. Perhaps not surprisingly, as cultures that saw the world in terms of magical or supernatural forces would then see harm or misfortune in terms of such forces malevolently used by some individuals against others.

Nor are beliefs in witchcraft confined to pre-modern history – or more precisely, early modern history, as trials for witchcraft declined in Europe in the late eighteenth century. They persist even today, and even in the form of active witch hunts, apparently with body counts far exceeding those of the European witch hunts, most notably in Africa and India.

Arguably however, witch folklore reached its highest or most definitive form (indeed, giving us the word for witch) in European witch folklore, particularly that of the early modern witch hunts and trials – and it certainly is the witch folklore that is the source of endless fascination for me.

The witchcraft attributed to witches in or by the hunts and trials evolved into a mythos with remarkable complexity and depth. There were the witches themselves, predominantly but not exclusively female (with men as the primary targets of accusations of witchcraft in some areas), with all the various features attributed to them or protections against them – magic and spells of course, the evil eye, flying ointment, necromancy (as with the Biblical Witch of Endor), animal familiars, imps, witch’s marks (to be distinguished from witch marks to ward off witches), witch’s teats, witch’s ladders, and witch balls or bottles (again to ward off witches).

And then there was the witchcraft ‘religion’ itself, usually styled as an anti-religion of service to the Devil in exchange for magic or supernatural power, with its ritual of the Witches Sabbath or Sabbat and all its various elements, not least the great goat himself, the Devil in caprine form, referenced as the Sabbath Goat (as in Goya’s famous paintings) or Baphomet – or Black Phillip to his friends. And of course all the lurid sexual details that went with it – with the osculam infame being particularly hard to dislodge from one’s mind after reading about it.

The historiography of the origins of these elements of witchcraft has evolved into almost as much a mythos as that of witchcraft itself. The standard historical explanation tends towards the various elements of witchcraft being projections from the lurid fantasies of those conducting the witch hunts or trials, which they confirmed by “confessions” extracted under torture (aided by circulation of those same lurid fantasies in popular belief).

Interestingly, the medieval Catholic Church had disdainfully dismissed belief in the existence of witches or witchcraft as pagan superstition (although heresy was another matter) – and it was the advent of Protestantism, and the religious warfare that went with it, that saw the height of the witch hunts and trials.

And then there are the more exotic historical explanations that become something of a mythology of themselves – with the foremost as the witch-cult hypothesis, that saw the elements of witchcraft as the survival of a pagan cult, distorted and persecuted by Christianity. The witch-cult hypothesis reached its sensational height with Margarat Murray in the early twentieth century – possibly influencing modern neo-pagan witchcraft or Wicca, but has since largely been discredited – although some scholars such as Carlo Ginzburg contend that “surviving elements of pre-Christian religion in European folk culture influenced early modern stereotypes of witchcraft”.

And on the topic of Ginzburg, I have a soft spot for his and others’ conjecture of witchcraft including surviving shamanic elements, most notably the use of hallucinatory or psychedelic substances to essentially conjure the Witches Sabbath out of dreams or drug hallucinations – flying ointment as getting high, or tripping witch balls.

RATING: 5 STARS*****
S-TIER (GOD TIER – OR IS THAT GOAT TIER?)