Perhaps the most iconic image of Jim Morrison – the photograph of him in a 1967 shoot by Joel Brodsky prior to The Doors releasing their debut self-titled studio album

(1) MOJO: THE DOORS (JIM MORRISON) – L.A. WOMAN (1971)
B-Side: The End (1967)
ALBUMS: The Doors (1967) – L.A. Woman (1971)

“Are you a lucky little lady in the City of Light
Or just another lost angel?”

And here we are at the apex of mojo – The Doors with their “dark, theatrical blues-influenced psychedelic rock”, led by the poetic lyrics, deep silky voice and charismatic persona of Jim Morrison “aka Mr. Mojo Risin’ aka The Lizard King”.

At the suggestion of Morrison, their name came from the title of Aldous Huxley’s The Doors of Perception, itself taken from William Blake – “When the doors of perception are cleansed, man will see things as they truly are, infinite” (from The Marriage of Heaven and Hell).

And for this entry, there can only be one song, the title track of their album with Morrison – a song with so much mojo that it famously features as Mr. Mojo Risin’, an anagram of Jim Morrison no less, in the song’s break with its rising crescendo of unmistakably sexual rhythm (and a figure I’ve adopted into my own pagan mythology – I believe in L.A. Woman and Mr. Mojo Risin’).

Mr Mojo’ Risin’, Mr Mojo Risin!. Whoa yeah!

For my B-side, what else but the sprawling trippy Oedipal epic The End

And as for the balance of my Top 10 The Doors (Jim Morrison) songs:
(3) Light My Fire (The Doors 1967)
(4) Queen of the Highway (Morrison Hotel 1970)
(5) Hyacinth House (L.A. Woman 1971)
(6) Break on Through (The Doors 1967)
(7) Touch Me (The Soft Parade 1969)
8) Peace Frog (Morrison Hotel 1970)
(9) Love Her Madly (L.A. Woman 1971)
(10) Riders on the Storm (L.A. Woman 1971)

Honorable mention – well for pretty much every song on their classic six albums from The Doors in 1967 to L.A. Woman in 1971 (for the hardcore Doors fan), or at least those two albums as their best albums.

But some highlights I missed from their Strange Days album and Waiting for the Sun album

Strange Days (1967) –
People Are Strange
Love Me Two Times

Waiting for the Sun (1968)-
Hello I Love You

RATING: 5 STARS*****
S-TIER (GOD-TIER)
SAINT OF PAGAN CATHOLICISM

(2) MOJO: JIMI HENDRIX –
VOODOO CHILD (SLIGHT RETURN) (1968)
B-SIDE: Purple Haze (Are You Experienced 1967)
ALBUMS:
Are You Experienced (1967)
Axis: Bold as Love (1967)
Electric Ladyland (1968)
(The Cry of Love – posthumous 1971)

“Well, I stand up next to a mountain
And I chop it down with the edge of my hand
Well, I stand up next to a mountain
Chop it down with edge of my hand
Well, I pick up all the pieces and make an island
Might even raise just a little sand
‘Cause I’m a voodoo child
Lord knows I’m a voodoo child”

It doesn’t get much more mojo than Jimi Hendrix.

Well, obviously it does in my first place entry, but not apart from that.

Hendrix could make that guitar sing (and sing the Star-Spangled Banner as he did at Woodstock). Or set it on fire – literally.

In the words of his Wikipedia entry, “he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century” – and “arguably the greatest instrumentalist in the history of rock music” according to the Rock and Roll Hall of Fame.

His three studio albums – Are You Experienced, Axis: Bold as Love and Electric Ladyland – are three of the best and most iconic albums in music.

Ultimately however, there is one song with the most mojo for me – “Voodoo Child”, or more precisely, “Voodoo Child (Slight Return)”, from his Electric Ladyland album in 1968.

Again to quote a review in Wikipedia – “Voodoo Child (Slight Return)” is “a perfect example of how Hendrix took the Delta blues form and not only psychedelicized it, but cast an even more powerful spell by delivering the lyric in the voice of a voodoo priest…”Opening with a simple riff on the wah-wah pedal, the song explodes into full sonic force, the guitarist hitting the crunching chords and taking the astral-inspired leads for which he became infamous. The real guitar explorations happen midway through the song, while the basic, thundering riff is unrelenting”.

Joe Satriani said it simpler – “It’s just the greatest piece of electric guitar work ever recorded. In fact, the whole song could be considered the holy grail of guitar expression and technique. It is a beacon of humanity.”

“I didn’t mean to take up all your sweet time
I’ll give it right back to you one of these days
I said, I didn’t mean to take up all your sweet time
I’ll give it right back to you one of these days
And if I don’t meet you no more in this world
Then I’ll, I’ll meet you in the next one
And don’t be late, don’t be late
‘Cause I’m a voodoo child
Lord knows I’m a voodoo child”

For my B-side, what else but his signature song Purple Haze?

As for the balance of my Top Ten Jimi Hendrix songs – from the classic Hendrix album trinity of Are You Experienced, Axis: Bold as Love and Electric Ladyland (with wildcard tenth place entry from his posthumous Cry of Love album):

(3) 1983: A Merman I Should Turn to Be (Electric Ladyland 1968)
(4) The Wind Cries Mary (Are You Experienced 1967)
(5) Hey Joe (Are You Experienced 1967)
(6) Foxy Lady (Are You Experienced 1967)
(7) Little Wing (Axis: Bold as Love 1967)
(8) Castles Made of Sand (Axis: Bold as Love 1967)
(9) All Along the Watchtower (Electric Ladyland 1968)
(10) Angel (Cry of Love: 1971)

Honorable mention, well, for pretty much every other song on these albums. Seriously – they’re awesome! But my highlights

Are You Experienced:
Fire
The title track – Are You Experienced

Axis: Bold as Love –
Wait Until Tomorrow
The ‘title track’ – Bold as Love

Electric Ladyland –
The ‘title track’ – Have You Ever Been (To Electric Ladyland)

RATING: 5 STARS*****
S-TIER (GOD TIER)
SAINT OF PAGAN CATHOLICISM

(6) MOJO: DEPECHE MODE –
PERSONAL JESUS (1989)
B-SIDE: I Feel You (1993)

“Reach out and touch faith”

A song from my life soundtrack.

Depeche Mode might well have been a funk entry, with their bubble-gum synth-pop from the early 1980s, such as “I Just Can’t Get Enough” but then they took a turn to mojo later in the eighties with a harder sound as well as a darker and more sexual tone.

“Your own personal Jesus
Someone to hear your prayers
Someone who cares
Your own personal Jesus
Someone to hear your prayers
Someone who’s there”

Their new mojo brought them to world fame and their creative peak with albums Violator and Songs of Faith and Devotion – but for me their highlight was the 1989 single, “Personal Jesus”, from the former album, with a distinctly lapsed or pagan Catholic feel to it (or a play on that old evangelical refrain of a “personal relationship with Jesus”. She is the goddess and this is her body – o yes!)

“Feeling unknown
And you’re all alone
Flesh and bone
By the telephone
Lift up the receiver
I’ll make you a believer ”

It is also one of my ‘soundtrack’ songs for my story ideas. I was delighted that the music video evoked something of the neo-Western road movie in my mind’s eye, although I had imagined it a little differently.

“Take second best
Put me to the test
Things on your chest
You need to confess
I will deliver
You know I’m a forgiver ”

And I was also delighted when the man in black himself, Johnny Cash, covered the song in a stripped-back acoustic version in 2002 – “probably the most evangelical gospel song I ever recorded”.

“I feel you
Your sun it shines
I feel you
Within my mind
You take me there
You take me where
The kingdom comes
You take me to
And lead me through
Babylon”

My B-side is a single in a similar vein from their Songs of Faith and Devotion album – I Feel You.

As for the balance of my Top 10 Depeche Mode songs:
(3) Dream On (2001)
(4) Enjoy the Silence (1990)
(5) I Feel Love (2001)
(6) World in My Eyes (1990)
(7) Barrel of a Gun (1997)
( 8 ) It’s No Good (1997)
(9) Home (1997)
(10) John the Relevator (mainly for the name – the song is okay, I guess)

RATING: 4 STARS****
A-TIER (TOP-TIER)

(8) MOJO: LANA DEL REY –
SUMMERTIME SADNESS (2012)
B-side: Blue Jeans (2012)

“I got that summertime, summertime sadness”

You and me both, Lana del Rey, you retro pop queen – “self-styled gangsta Nancy Sinatra” and “L0lita lost in the hood”.

The music of Lana del Rey – or Elizabeth Woolridge Grant – has been noted “for its stylized cinematic quality; its preoccupation with themes of tragic romance, glamour, and melancholia; and its references to pop culture” Also – Hollywood sadcore, baroque pop, dream pop and “about music as a time warp, with her languorous croons over molasses-like arrangements meant to make clock hands seem to move so slowly that it feels possible, at times, they might go backwards”

And somehow all of this seems infused in her 2012 trip hop ballad hit, “Summertime Sadness” – so melancholy!

Also something of a crush of mine, although perhaps more as an idea

And as for my B-side, I’ll go with her characteristically mournful love song, Blue Jeans.

Love, like life, is the long lost last look back…

“I will love you till the end of time
I would wait a million years
Promise you’ll remember that you’re mine
Baby can you see through the tears?”

As for the balance of my Top 10 Lana Del Rey songs:

(3) Ultraviolence (2014)
(4) Video Games (2011)
(5) Born to Die (2011)

(6) Ride (2012)
(7) National Anthem (2012)
( 8 ) West Coast (2014)
(9) Did You Know There’s a Tunnel Under Ocean Blvd (2022)
(10) A & W (2023)

RATING: 4 STARS****
A-TIER (TOP-TIER)