Top Tens – TV: Top 10 TV Series (7) Squid Game

 

 

(7) SQUID GAME (NETFLIX 2021-PRESENT)

 

I assume this TV series needs no introduction – the Korean survival drama series (created by Hwang Dong-hyuk) which became the most watched TV series on Netflix.

Interestingly, Wikipedia describes the series as a dystopian survival thriller action television series – I find the description as dystopian particularly interesting. It is not the archetypal futuristic or SF dystopian setting with its setting in contemporary South Korea – arguably the titular game would be open and official rather than secret and criminal to be dystopian in the strict sense. However, the series does succeed in casting contemporary South Korean as dystopian to a degree – that is, as a society in which the game could occur even in the secret and criminal way it does, as well as one with the economic desperation to drive players to the game. More than once as it turns out, even when they know what’s at stake.

You know how it goes – protagonist Seong Gi-hun (or player 456) is down on his luck in virtually every way, such that he finds himself in such economically desperate dire straits that he is happy to accept the offer to play games for monetary reward.

Of course, that offer should have seemed a lot less appealing when it involved being picked up in a proverbial black van by mysterious hooded and masked figures, gassed to unconsciousness, kidnapped to an unknown location, and waking to find onself as well as 455 other people in green tracksuits (in which they were all dressed while unconscious).

Initially, everything about the games and the setting seems childlike and brightly colored – indeed, the games played throughout the series are usually drawn from Korean children’s games. And that’s down to the guards in their pink hooded tracksuits – and faceless masks that only show triangles, squares and circles in the place of faces.

As they say, if it’s too good to be true, it usually is. It would seem odd that simply playing children’s games would pay such substantial monetary rewards – and it is. The very first game – Red Light, Green Light, with its creepy giant doll figure Young-Hee calling out the cues green light to move and red light to freeze – shows that while they are indeed children’s games, they are also death games, played with life itself as the stakes. Not surprisingly, that sees the first game devolve into mass panic – and massacre.

And so it goes from there, with players getting literally eliminated through the series of games until the final showdown game for the massive monetary prize, jackpotting with each player’s life.

There’s much to be traumatized from in this drama, although I still feel that player Kang Sae-byeok (Player 67) was cheated in the fifth penultimate glass-breaking game – and for that matter, that whole game was a massive cheat. No – I will not let it go. Justice for Sae-byeok!

Much of its appeal comes from its distinctive visual design – and that theme music – as well as the arduous physical and psychological twists it put its characters through, with the titular games a combination of trial by ordeal and trial by combat. The grand prize – 45.6 billion Korean won (or 100 million won for each player’s life), with a bonus of PTSD and survivor’s guilt.

The end of 2024 saw its second season released – while not to the standard of the first season and seeming like more a half season cliffhanger for the third season in 2025, it was still interesting and intriguing.

 

FANTASY & SF

 

As per that dystopian description used by Wikipedia, the series does invoke dystopian SF, or at least dystopian SF chic.

 

COMEDY

 

Arguably there are some comedic elements – albeit not surprisingly dark or black at best.

 

 

RATING: 4 STARS****

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Top Tens – Mythology: Top 10 Books (Special Mention – New Entry): (18) Wil Huygen & Rien Poortvliet – Gnomes

 

 

(18) WIL HUYGEN & RIEN POORTVLIET –

GNOMES (1977)

 

“Yeah, Rien Poortvliet just called. He wants you to pose for him…Oh come on, beloved illustrator of Gnomes? Jesus, read a coffee table book!”

Archer, “Sea Tunt: Part I”

 

It always surprises me that gnomes are of such recent vintage, compared to other legendary creatures – “A gnome is a mythological creature and diminutive spirit in Renaissance magic and alchemy, introduced by Paracelsus in the 16th century”.

He introduced them as earth elementals – to match sylphs as air elementals, undines as water elementals, and salamanders as fire elementals. Note to self – air and water are the s€xy ones.

Anyway, they were “widely adopted by authors, including those of modern fantasy literature” and “typically depicted as small humanoids who live underground”.

So what’s the difference from dwarves? The short answer is not much, at least in depiction (as opposed to origins in folklore), and any difference is really a matter of stylistic choice. Apparently kobolds or Germanic mine spirits also overlap with gnomes.

Although probably the most famous gnomes are garden gnomes – garden or lawn ornaments crafted as statues of gnomes, typically with beards and pointed conical caps (in the style of those old school dunce caps), that originated in the nineteenth century.

Essentially, Poortvliet’s illustrations of gnomes in this book, written by Wil Huygen, follows the visual depiction of gnomes in the style of diminutive garden gnomes. Ironically, it distinguishes gnomes as always bearded from dwarves as always beardless, which is the opposite of their most popular contemporary depiction as character races in Dungeons and Dragons – arguably following the books of Tolkien, except with gnomes as similar to hobbits or halflings (without the hairy feet).

As for the book itself, it “explains the life and habitat of gnomes in an in-universe fashion, much as a biology book would do, complete with illustrations and textbook notes” – often with astonishingly intricate fictional detail. The titular gnomes are also depicted as living harmoniously with animals and nature, evoking contemporary environmental themes.

 

RATING: 4 STARS****

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Top Tens – Mythology: Top 10 Books (Special Mention – New Entry): (17) Book of the Sub-Genius

 

 

(17) BOOK OF THE SUBGENIUS (1983)

 

Eternal salvation or triple your money back!

Similar to Discordianism – with which it is often compared (and with which it arguably overlaps) – the Church of the SubGenius is either a joke disguised as a religion or a religion disguised as a joke, although in my opinion it doesn’t lend itself as much to the latter as Discordianism.

“The Church of the SubGenius is a parody religion described by some of its own members as an ‘insane bogus UFO mind-control cult’…elements of self-help groups, UFO cults, Scientology, apocalyptic Christianity, and utterly shameless money-grubbing antics”.

It purportedly originates from its revered prophet, J.R. Bob Dobbs, usually known simply as “Bob”. (When printing “Bob”‘s name, the “Bob” must always be surrounded by “quotes”). “Bob” is the prophet (as well as avatar and embodiment) of Slack, the cosmic spiritual quality as ineffable as the Tao for which the Church and all its members strive – and to which the Con or Conspiracy is opposed. Which conspiracy? Why, all of them of course – as the Conspiracy represents them all.

The ultimate goal of all SubGeniuses (SubGenii?) is to survive until X-Day, when godlike aliens “will arrive and Rupture all the dues-paying SubGenii to a never-ending tour” (pleasure tour?) “of the universe, while converting Planet Earth into the intergalactic equivalent of a greasy-spoon truck-stop”. For those left behind (anyone who isn’t a paid-up SubGenii), it’s not going to be fun as “human pain is apparently a very high-priced drug among the various gods, demons, and alien beings of the complex and ever-growing SubGenius Pantheon”. X-Day is prophesied to occur on 5 July 1998, at 7 AM – “the fact that that date apparently passed without the arrival of the Alien Fleet has forced SubGenii to come up with a multitude of excuses”.

The Book of the Sub-Genius is of course its foundational text, although the New(er) Testament, Relevation X, comes close!

 

RATING: 4 STARS****

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Top Tens – Mythology: Top 10 Books (Special Mention – New Entry): (11) H.A. Guerber – Myths of Greece & Rome / Myths of the Norsemen

 

 

(11) H.A. GUERBER –

MYTHS OF GREECE & ROME / MYTHS OF THE NORSEMEN (1908-1909)

 

“Hélène Adeline Guerber…also known as H.A. Guerber, was an American writer of books, most of which were lively retellings of myths, legends, folklore, plays, epic poetry, operas and history.”

There are scant details about H.A. Guerber herself, apart from being an American teacher and writer – even though her books, mostly retellings of myths or legends such as The Myths of Greece and Rome, remain in print as classics. Of course, her occupation as teacher would account for her books being accessible to children, as they were for me.

Her Myths of the Norsemen is one of my favorite books for Norse mythology – and a vintage one at that. It owes its status as my favorite to being one of two books I first read to learn about the Norse myths as a child – the other being Bulfinch’s Mythology, but to be honest this did it better, not least because of its exclusive focus and the art plates throughout the book. It still boggles my mind that they had this vintage book in my school library – although one advantage of its vintage publication is that it is freely available online.

The full title of this book is Myths of the Norsemen from the Eddas and Sagas – and Guerber shows her own poetic sense in the book:

“Northern mythology is grand and tragical. Its principal theme is the perpetual struggle of the beneficent forces of Nature against the injurious, and hence it is not graceful and idyllic in character, like the religion of the sunny South, where the people could bask in perpetual sunshine, and the fruits of the earth grew ready to their hand.

 

RATING: 4 STARS****

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Friday Night Funk – Top 10 Music (Mojo & Funk): (6) Funk: The Prodigy – Smack My B*tch Up

 

 

 

(6) FUNK: THE PRODIGY – SMACK MY B*TCH UP (1997)

B-side: Firestarter (1996)

 

“Oh my god – that’s the funky sh*t!”

We flashback to my hardcore stark raving techno dance bunny days with The Prodigy and their ant logo, although my taste has mellowed somewhat since then.

The Prodigy are an enduring electronic music band, although their high point was as one of the most important bands of the “big beat” subgenre of the 1990’s – not coincidentally, one might recognize the others from other funk entries in my top ten.

The musical prodigy behind The Prodigy is Liam Howlett, with the actual prodigy behind the name being his Moog Prodigy synthesizer. The Prodigy’s early material was largely straightforward rave with humorous samples thrown in, as shown by their debut album Experience. They ramped this up for their second album, Music for the Jilted Generation, “cultivating an angry, heavy sound drawing from techno, breakbeat and industrial rock”. Although I like the sound of both albums, this entry can only go to this single from their landmark album, The Fat of the Land in 1997, in which Howlett openly aimed at an alternative rock audience, “making the beats heavier”.

Of course, it does have that somewhat unfortunate title and lyric (sampled from “Give The Drummer Some” by the Ultramagnetic MCs), although I’ve always assumed it to be metaphorical – for “doing anything intensely” as the band itself claimed, or the sort of drunken or drug-fueled excess in the controversially explicit video.

I particularly enjoy the female vocals, performed by Shahin Badar, with vocals and harmonies in turn based on “Nana (The Dreaming)” by Sheila Chandra (initially as a direct sample but later with the vocal re-sung after sample clearance issues). Some of you may also recognize it from the Charlie’s Angels film soundtrack, where it was used to great effect in the action or fight sequences.

 

“I’m the trouble starter, punkin’ instigator

I’m the fear addicted, a danger illustrated

I’m a firestarter, twisted firestarter

You’re a firestarter, twisted firestarter!”

 

And as for my B-Side, it’s finely balanced between the two other leading singles from that album (such that it may vary by day and my mood), but I’ll go with their first single from the album and their first big hit – Firestarter.

“It showcased Keith Flint, with punk rock-style vocals, as the group’s frontman and is an important crossover song, meshing electronic beats with industrial metal and punk rock”.

 

RIP Keith Flint 4 March 2019

 

And here’s my Top 10 Prodigy songs for hardcore fans:

 

(3) Breathe (Fat of the Land 1996)

(4) No Good (Start the Dance (Music for the Jilted Generation 1994)

(5) Voodoo People (Music for the Jilted Generation 1994)

(6) Music Reach (1,2,3,4) (Experience 1992)

(7) Wind It Up (Experience 1992)

(8) Your Love (Experience 1992)

(9) Their Law (Music for the Jilted Generation 1994)

(“What we’re dealing with here is a total lack of respect for the law”)

(10) Poison (Music for the Jilted Generation 1995)

(“I got the poison / I got the remedy”)

 

RATING: 4 STARS****

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Top Tens – Mythology: Top 10 Books (Special Mention – New Entry): (10) Marina Warner – No Go the Bogeyman

 

 

(10) MARINA WARNER –

NO GO THE BOGEYMAN: SCARING, LULLING & MAKING MOCK (1998)

 

Marina Warner – or Dame Marina Warner to give her title as well – is an English mythographer, typically writing about mythology, folklore or fairytales.

Typically her focus is on female figures – literally in her book Monuments & Maidens: The Allegory of the Female Form. Indeed, she started with the ultimate female figure of Catholic veneration, the Virgin Mary (well, after a book on the Empress Dowager or Dragon Empress of the Qing Empire, Tz’u-his), which she followed with a book on Joan of Arc.

Perhaps her leading book on female figures of folklore and fairytales was the evocatively titled From the Beast to the Blonde: On Fairy Tales and Their Tellers).

In a sense, this book is the companion to that one and something of an exception to the rule of her usual female lens, focusing as it does on the figures of male terror in folklore, fairytales, and fiction – “ogres and giants, bogeymen and bugaboos” (which sadly omits my personal favorite terms of bugbear and bete noire).

Although of course Dame Warner has been prolific enough I could compile a top ten books just of those written by her. She also gets bonus points being identified as the “lady writer” of the Dire Straits song of that name – as the writer the singer sees on television “talking about the Virgin Mary” and who reminds him of his former lover.

 

RATING: 4 STARS****

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Top Tens – TV: Top 10 TV Series (8) My Name

 

(8) MY NAME (NETFLIX 2021)

 

Funnily enough, I happened upon this Korean action thriller drama not through another Korean entry in this top ten at about the same time (my very next entry in fact), but because of the abject failure of the first season of The Rings of Power.

Not directly, that is, but through some Youtube commentator – that I can’t even remember – pointing to the failure of that series to depict its female lead Galadriel’s quest for revenge, at least plausibly or for any audience engagement in her character, in contrast to this series doing it right.

And My Name does the roaring rampage of revenge right – as well as a female lead that is not as insufferable as Galadriel in the Rings of Power, nor the proverbial “girlboss”. I don’t entirely agree with that term, given that it is too widely used in criticism – although if one character embodied the term, it was Galadriel in The Rings of Power (“both a Mary Sue and a Karen”), succeeding effortlessly and failing upwards.

Contrast the female lead in My Name, Yoon Ji-Woo, bent on avenging her father’s death by proving herself as a member of his criminal gang, who has to fight every step of the way, usually literally and at visceral price or at least high cost (to pretty much everyone involved) – indeed higher than she ever could have known, as is ultimately revealed.

 

 

 

RATING: 4 STARS****

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Top Tens – Mythology: Top 10 Books (Special Mention – New Entry) (8) Mircea Eliade – The Sacred & the Profane / Shamanism

 

 

(8) MIRCEA ELIADE –

THE SACRED & THE PROFANE / SHAMANISM (1957 / 1964)

 

“The nostalgia for Paradise…the desire to find oneself always and without effort in the center of the world, at the heart of reality”.

 

Behold the monomyth!

Campbell’s term of monomyth may be somewhat unfair for Eliade, since he established multiple paradigms in mythology or religion “that persist to this day” – hierophany, sacred space and time, the nostalgia for Paradise, the axis mundi or Center of the World, all myths as creation or origin myths, the eternal return, the terror of history, the coincidence of opposites, deus otiosus, and homo religiosus.

On the other hand, all of his paradigms might be considered permutations of his core concept of hierophany, the manifestation – or intrusion – of the sacred in the world, including but not limited to the earlier concept of theophany or manifestation of a god. In turn, it is hierophany that creates sacred space and time, or rather, divides the human experience of reality into sacred and profane space and time.

And the rest of his paradigms really flow from that. The mythic or religious connotes the nostalgia for Paradise or desire to return to sacred space or time, which is also the axis mundi or center of the world.

“Myth, then, is always an account of creation” – the primordial time “when the Sacred first appeared, establishing the world’s structure”. By enacting myths and rituals, one doesn’t simply commemorate them but participates in them – one “detaches himself from profane time and magically re-enters the Great Time, the sacred time”, or the eternal return.

On the other hand, “yearning to remain in the mythical age causes a terror of history” – the desire “to escape the linear succession of events” – “Eliade suggests that the abandonment of mythical thought and the full acceptance of linear, historical time, with its terror, is one of the reasons for modern man’s anxieties”.

As for the coincidence of opposites, “Eliade claims that many myths, rituals, and mystical experiences involve a “coincidence of opposites” or “twofold revelation” – “they express on the one hand the diametrical opposition of two divine figures sprung from one and the same principle and destined, in many versions, to be reconciled…the very nature of the divinity, which shows itself, by turns or even simultaneously, benevolent and terrible, creative and destructive, solar and serpentine, and so on”.

Deus otiosus – the inactive (or leisurely) god – is perhaps my favorite paradigm by Eliade. Contrary to those who proposed that religions evolve from polytheism to monotheism, Eliade argued that supreme heavenly beings were less common in advanced cultures.

“Eliade speculates that the discovery of agriculture brought a host of fertility gods and goddesses into the forefront, causing the celestial Supreme Being to fade away and eventually vanish from many ancient religions. Even in primitive hunter-gatherer societies, the High God is a vague, distant figure, dwelling high above the world. Often he has no cult and receives prayer only as a last resort, when all else has failed. Eliade calls the distant High God a deus otiosus (idle god)”.

His book on shamanism, Shamanism: Archaic Techniques of Ecstasy, is the second of his landmark duo of books after The Sacred and the Profane. It applied his ongoing ideas to shamanism, whicn in turn he saw as the ongoing death and resurrection of shamanic figures.

 

RATING: 4 STARS****

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Top Tens – Tropes & Other: Top 10 Apes (Theories & Theses)

The iconic March of Progress (originally The Road to Homo Sapiens) by artist Rudolph Zallinger for the Early Man volume of the Life Nature Library – which has been widely imitated and parodied since (fair use image in Wikipedia “March of Progress”)

 

 

 

TOP 10 APES (THEORIES & THESES)

 

“I hate every ape I see

From chimpan-a to chimpanzee”

 

No – it’s not my top ten apes like that, as in my top ten species or types of ape. After all, there’s only five extant species of apes including us – the others being gibbons, orangutans, gorillas, and chimpanzees. I suppose I could easily do a top ten (and more) if I went by subspecies or added extinct species. Heck you could do a top ten entirely of hominids if you did the latter.

Instead, as usual for my trope top tens, this is for the use of the word ape as a trope – for which we humans are the ape. That is, a trope used for naming theories or theses of human evolution – an idea for a top ten which struck me when I realized just how many had ape in their name or title.

 

 

(1) NAKED APE

 

Possibly the most famous of ape treatises, as the title of the book by English zoologist Desmond Morris with subtitle “A Zoologist’s Study of the Human Animal”. The subtitle sums up the book – taking a look at humans as a species and comparing them to other animals. The exception to the rule of my top ten as it is not really an ape thesis of human evolution, apart from its overarching thesis of looking at humans as animals – the evolved apes of the title.

The adjective naked in the title refers to the distinctive hairlessness of humans compared to other apes, but I find it somewhat ironic as it is all other apes that are naked while humans are the only apes to invent and wear clothing, in part because of their hairlessness.

 

 

Taking the Aquatic Ape too far! Promotional art for the 2011 Animal Planet mockumentary “Mermaid: The Body Found”

 

(2) AQUATIC APE

 

Humans as beachcombers – or is that beach bums?

The Aquatic Ape Hypothesis or Theory, proposing that the ancestors of modern humans diverged from the other great apes by adapting to an aquatic lifestyle – or more precisely semi-aquatic or beachside lifestyle, as evidenced by the distinctive hairlessness of humans.

Desmond Morris – writer of The Naked Ape in my previous entry – was a proponent of the thesis, which was originally proposed by English marine biologist Alister Hardy. While it has a certain popularity with lay audiences – myself included, although I’m not ultimately persuaded by it – it is generally dismissed by anthropologists or other scholars of human evolution.

 

 

(3) KILLER APE

 

War, huh, yeah

What is it good for?

 

Well, us, for one thing. The killer ape theory or hypothesis is the theory “that war and interpersonal aggression was the driving force behind human evolution”, originated by Raymond Dart and developed further by Robert Ardrey (in his book African Genesis).

Basically, the theory is that we’re just more aggro apes – that our ancestors were distinguished from other primate species by their greater aggressiveness.

 

Shot from the opening credits of Netflix animated series Inside Job – which would seem to be clearly a gag on the Stoned Ape theory

 

(4) STONED APE

 

Or should that be shroomed ape

The Stoned Ape theory is the trippy hypothesis by Terrence McKenna in his 1992 book Food of the Gods – which proposed the “cognitive revolution” of modern humanity was caused by the addition of psilocybin mushrooms to the human diet, literally expanding their minds.

It’s not a theory taken seriously by many people, certainly within the wider scientific community, but I like it, mainly because it’s a hoot. I’d also like to think that it influenced the shot from the opening credits of the underrated conspiracy animated series Inside Job which I used for my feature image – in which homo sapiens owes its sapience to psychic mushroom organisms or their spores.

 

 

Carving of the Three Wise Monkeys in Nikko Toshogu, Japan – photograph by Jpatokat for Wikipedia “Three Wise Monkeys” under license https://creativecommons.org/licenses/by-sa/4.0/deed.en

 

(5) DRUNKEN MONKEY

 

Okay, it’s monkey in the name rather than ape, mainly for the rhyming structure with drunken, but I’m counting it.

It’s much less ambitious than the previous Stoned Ape theory and hence perhaps more probable – “The drunken monkey hypothesis proposes that human attraction to alcohol may derive from the dependence of the primate ancestors of Homo sapiens on ripe and fermenting fruit as a dominant food source”.

Robert Dudley from the University of California Berkeley proposed it – writing a book “The Drunken Monkey: Why We Drink and Abuse Alcohol” – suggesting that “whereas most addictive substances have a relatively short history of human use, attraction to and consumption of ethanol by various primates may go back tens of millions of years”.

 

 

(6) CANNIBAL APE

 

Instead of shrooms, it’s braaains!

This one is way out there, usually considered pseudo-science. In that it resembles the Stoned Ape theory – indeed, it’s essentially the dark universe version of that theory, except instead of the human cognitive revolution originating from getting high on shrooms, it’s from slurping down other apes’ brains.

This claim was by Oscar Kiss Maerth (no, really) in his book The Beginning Was The End. He didn’t bother with pesky things like evidence, instead he just did the meme “it came to me in a vision” – and apparently eating raw ape brains in a restaurant in South East Asia. Clearly I’ve been doing it wrong just getting the usual noodle soup.

His theory is literally that modern humans evolved from a species of brain-eating apes, increasing their brain volume (as well as sex drive and aggression). Or more precisely, devolved – as “it suppressed their innate psychic ability, eventually causing insanity”.

Probably no one would remember it but for the band Devo. They loved it so much they picked it up and ran with it, incorporating “several elements of the book into their concept of de-evolution”.

 

 

Comparison of a wild wolf and a domesticated dog – by Cephas (dog) and Gillguori (pug) used by Wikipedia “Dog” licensed under https://creativecommons.org/licenses/by-sa/4.0/deed.en

 

(7) DOMESTICATED APE

 

Or more accurately, self-domesticated apes.

Yes – I’ve had to stretch my subject of ape theories and theses for human evolution to round out my top ten. While there’s no domesticated ape theory commonly known as such (compared to previous entries), there IS a theory of human self-domestication which really should be known by that name.

Human self-domestication is a theory that, “similar to domesticated animals, there has been a process of artificial selection among members of the human species conducted by humans themselves”, differentiating homo sapiens from Neanderthals or homo erectus.

Domesticated animals tend to be more docile and playful than their wild counterparts, as well as be less aggressive and show marked neoteny. For humans, throw in also language and emotional intelligence.

 

As a virtual kitchen sink of fantasy or SF tropes, Judge Dredd of course features uplift apes as citizens of Mega-City One

 

(8) UPLIFT APE

 

Okay, not so much a thesis or theory of human evolution but a trope of SF – in which uplift is the enhancement of a non-human animal species to a higher level of intelligence, usually similar to human intelligence (and usually by means of technology such as cybernetic or genetic engineering). The term uplift was popularized by David Brin in his series of books or stories known as the Uplift series – with humans uplifting chimpanzees and dolphins.

Of course, one of the most popular animal candidates for uplift are our ape relatives.

However, the trope of uplift apes might well serve as a theory of human evolution in much the same way as the theory of human self-domestication – that we are the ultimate uplift apes, having uplifted ourselves through culture and technology, with the latter increasing into the future.

Alternatively, there are some who propose that we are indeed uplift apes – but uplifted by aliens, in the style of that black monolith in 2001: A Space Odyssey, sometimes to the extent of our entire evolution.

 

 

Great Ape Project logo

 

(9) GREAT APE

 

Again, not so much a thesis or theory of human evolution but a term in taxonomy for the primates that include orangutans, gorillas, chimpanzees and us. None of those lesser apes, because screw those gibbons. Just kidding – gibbons are awesome.

Still, I like being a great ape, although I understand the term has fallen out of usage for hominidae instead. I don’t know – hominidae doesn’t exactly roll off the tongue, or have the same gravitas. Also, there remains the concept of great ape personhood, most notably in the Great Ape Project, which advocates that non-human great apes are persons and should be given basic legal or human rights.

 

1968 Planet of the Apes film poster, spoiling the twist ending

 

(10) PLANETARY APE

 

Okay, now this one’s my own creation – a play on Planet of the Apes, but more seriously a characterization of humans as the only apes with a planetary range, as opposed to other apes that are confined to a continent (chimpanzees and gorillas to Africa, orangutans and gibbons to Asia).

 

Top Tens – TV: Top 10 TV Series (9) Beef

 

 

(9) BEEF (NETFLIX 2023)

 

Beef was my favorite (non-genre) TV series of 2023 (and hence former wildcard tenth place entry as best of 2023).

It’s a series by Korean-American showrunner Lee Sung Jin, featuring an Asian-American cast led by Steven Yeun and Ali Wong – and is virtually a parable or fable of the all-consuming, self-destructive nature of vengeance as its two star-crossed leads escalate a feud originating from random road rage into a roaring rampage of revenge. And oh boy – that leads to some very dark place indeed.

Originally a mini-series, there’s a second season on the way – but by way of anthology series, with a new cast to a similar premise.

 

FANTASY & SF

 

Not really – except for some literally toxic trippy moments

 

COMEDY

 

Yes, indeed – dark comedy

 

RATING: 4 STARS****

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