Free “divine gallery” art sample from OldWorldGods

But wait – there’s more mancy!

Of course, you knew that already.

There is a plethora of methods of divination (or types of magic) connoted by the suffix -mancy, indeed so many that I could have done my usual twenty special mentions several times over. Just look at the Wikipedia entry for methods of divination – or the TV Tropes entry for whatevermancy.

As I said in my introduction to the top ten, there is an almost overwhelming number of variants of divination (or magic) with that suffix -mancy, and their sheer abundance has always fascinated me. In part that reflects the ease by which one can coin such a word, usually by combining a Latin or Greek root word with -mancy. However, it predominantly reflects connoting forms of divination actually used by people as observed or recorded in history or anthropology – as people have used almost anything and everything as the magical means of divination.

Of course, some or even many are incredibly particular, esoteric or obscure as a result – to use just one example to illustrate, belomancy (or bolomancy) is the art of divination by use of arrows.

Accordingly, I have continued to prefer the broader brush strokes I used in my top ten for the special mentions as well, although as usual I splash out with some wilder entries in my special mentions.

And once again, it goes without saying that the top ten or special mentions does or do not reflect any personal beliefs in methods of divination or forms of magic, just my interest in them.

So here are my Top 10 Mancy special mentions, all in the one post compiled from their previous individual entries (and also in their own page).

Free “divine gallery” art sample from OldWorldGods

(1) GYNOMANCY

“Frenzied women from whose lips the god speaks”

Yes – there is no entry for gynomancy in the Wikipedia list of methods of divination and I made it up for special mention from the suffix gyno-, but it does have some basis in history or mythology and even more potential in fantasy, both enough for goddess-tier ranking.

But first, gynomancy might be defined in one of two ways – divination of women, or divination by women.

The first is essentially divination by observations of women or a woman – for example, perhaps along the lines of somatomancy or divination by the female body or its feminine aspects, which would make for a novel twist on those FBI female body inspector shirts. “Please undress – trust me, I’m a gynomancer!”

The second is of course divination or magic by women – one of few areas extending back in history and mythology prior to the modern period where women match or even exceed men in otherwise patriarchal societies.

Sure, the Bible is mostly a patriarchal prophet boys’ club, with prophets such as Jeremiah famously ranting about Israel as an unfaithful wife (and sleeping around with other gods), but even it does have female prophets, albeit usually without books to their name (with arguable exceptions such as Esther).

Elsewhere, however, divination had more equal opportunities. Walter Burkert observed that the “frenzied women from whose lips the god speaks” were recorded as far back as the Near East in the second millennium BC or Assyria in the first millennium BC, and there were similar female figures (heh) in Egypt. Often these female figures were associated with snakes, which puts a different spin on Eve and the Serpent in Genesis.

However, the most famous female figures of divination were from classical history. Foremost among them was the Pythoness or Pythia of the Delphic Oracle (there’s that snake association again), albeit as the mouthpiece of Apollo as god of prophecy. For Rome, there was the Sibyl and her Sibylline Books.

Yet female divination or gynomancy goes even further than this with the female figures that recur throughout European mythology and folklore as forces of fate or fortune, typically as a trinity, from the Fates of classical mythology to the weird sisters of Macbeth – at least speaking to human fate or fortune, if not actively making or shaping it, and enduring even as witches or fairies (or fairy godmothers) in fairy tales.

This female trinity varies, but one of the most popular conceptions of it is as the trinity of Maiden, Mother and Crone, occasionally styled as the phases of the moon (waxing, full and waning) or the trope of the Hecate Sisters – and there’s an argument for each of the trinity as definitively embodying the female aspect for divination or magic.

Perhaps the obvious female aspect is female sexuality, typically represented by the Maiden – although perhaps with characteristic irony (or duality), divination or magic may be associated with virginity, with one theme being the loss of such powers with the loss of virginity. Think Vestal Virgins but with divination or magic to go along with their sacred position – or Solitaire in the James Bond film Live and Let Die.

Of course, divination or magic may also be associated with active female sexuality (which raises a number of interesting possibilities for gynomancy in fantasy) – which may also take us from the Maiden to that figure with the most powerful ultimate expression of female sexuality, the Mother (which again raises a number of interesting possibilities for gynomancy in fantasy being based on pregnancy, or giving birth, or nursing, and so on). And of course mothers are generally known for prophetic pronouncements, particularly to their children.

“Two things, my lord, must thee know of the wise woman. First, she is…a woman. And second, she is…”
“Wise?”
“You do know her, then?”
“No, just a wild stab in the dark, which is, incidentally, what you’ll be getting if you don’t start being more helpful”

The Crone tends to involve female aspects other than active sexuality – but there’s a long history of weird sisters, wise women and witches that speak for her as a figure of divination and magic.

Speaking of the Hecate Sisters, there is Hecate herself as the literal goddess of magic in classical mythology, reflecting the recurring role of divine female figures for magic in mythology – Isis and Freya come to mind – although in fairness divine magic is distributed among both gods and goddesses as part of their nature. Odysseus is particularly reliant on the kindness of divine female strangers and their magic in the Odyssey, prompting speculation of female authorship for that epic.

Anyway, gynomancy has a lot of potential, particularly in fantasy, as either or both of a method of divination or school of magic. Bonus points if divination or magic is exclusively gynomancy – that is, only women can use divination or magic (or some similar variation, such as they are more attuned to or powerful in its use), which opens up considerable potential for equalizing sexes or powerful female characters in fantasy. Indeed, there’s a whole trope for it – Magic is Feminine.

RATING: 5 STARS*****
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Jane Seymour as Solitaire in the 1973 James Bond film “Live and Let Die” – my favorite depiction of the Tarot in film, for which they designed their own pack, the Tarot of the Witches. Also – Jane Seymour!

(2) CHARTOMANCY – CARTOMANCY (TAROMANCY)

“I stayed up late playing poker with Tarot cards. I got a full house and four people died” – Steve Wright

Special mention to the first of what I call my casino trinity of mancy – cartomancy or divination by cards, with the foremost of those being divination by Tarot cards, occasionally styled as taromancy.

That casino quip is not casual – I suspect there is a substantial overlap between methods of divination and gambling in games of chance or fortune, evolving to or from the other. However, it is not an area in which I have read (if such references exist), although Encyclopedia Britannica at least seems to endorse that gambling evolved from divination.

I have read that something of the reverse happened with Tarot cards. Tarot cards appear to have originated as the very subject of Wright’s joke – a more mundane medium for playing card games – but subsequently acquired their mystique as a means for divination, often in popular culture with dire portents Wright played on for his joke.

Less dramatically, cartomancy tends to use standard playing cards, which were introduced into Europe (from foreign origins, apparently ultimately from China) at about the same time as Tarot, albeit not necessarily in their contemporary form. I understand that the history (and historical forms) of playing cards is less than clear, as is the Tarot and any relationship between them – contrary to my former beliefs (from superficial reading) that playing cards evolved from the Tarot.

Cartomancy is itself a form of chartomancy, which is divination by…paper?! Well, not just any paper, but paper with things on it – which could potentially be as simple as paper with different colors on it (for example, drawn randomly by a querent) but more usually paper with words or visual symbols written or printed on it, hence cartomancy.

I suspect chartomancy is more a label of convenience for similar methods of divination using written or printed words or symbols on paper rather than a meaningful denomination for divination from paper of itself. Although apparently there was papyromancy for divination by folding paper – reading the creases from crumpled paper not unlike the lines in a hand in palmistry.

Writing (including writing visual symbols) probably did have an appearance of magic or at least some mystique to it with the advent of literacy which was passed on to its mediums including paper – arguably reflected in the enduring image of magic in books or scrolls.

Another example of chartomancy would be fortune cookies – used more now for casual entertainment, but apparently (or at least arguably) with a serious historical pedigree dating back to Mesopotamia and Greece, occasionally termed as aleuromancy or divination by the use of flour.

Yet another example would be stichomancy (occasionally styled as rhapsodomancy), divination by lines of verse (or poetry), or what I might call small-b bibliomancy, literally divination by books – of which the most famous is big-b Bibliomancy, or divination by the Bible, typically by lines or passages “taken at hazard” or at random.

Obviously other books can and have been used, although usually of equal significance – Homer’s Iliad and Oydssey (sometimes styled as stoichomancy or stoicheomancy), the works of Virgil and the mysterious Sybilline Books in Rome, the Koran (or Quran) and so on. I’d like to see dictiomancy – divination by words at random from the dictionary.

As a method of divination, the various forms of chartomancy have a power corresponding to what is used – standard playing cards might seem mundane but Tarot cards have the emotional resonance of their vivid, and violent, visual imagery.

And as a type of magic, there’s that enduring image of books and scrolls as the means for magic, including in Dungeons and Dragons. It would be intriguing to extend that to cards, perhaps adapted in different styles or schools of magic from card games such as poker or blackjack. Or perhaps conjuration using Tarot cards – although Dungeons and Dragons has done something of the sort with its Deck of Many Things.

Although knowing my luck, I’d mostly draw Swords, perhaps echoing Indiana Jones and snakes. “Swords – why did it have to be Swords?”.

RATING: 4 STARS****
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The various different sided dice designed and used for Dungeons & Dragons – particularly including the iconic and definitive d20

(3) CLEROMANCY – ASTRAGALOMANCY

God does play dice with the universe!

Or in other words a crapshoot…

The second of my casino trinity of mancy for special mention

Strictly speaking, cleromancy is divination by casting lots, as the prefix clero- derives from the Greek root for lot – a method of divination or random selection used frequently in ancient history, not least in the Bible where it even appears to be positively endorsed as a means to divine God’s will.

However, it is used more generally as a label of convenience for divination by other means of random selection – interestingly, for which casting also tends to be used as a verb, most definitively casting a die or dice, often styled as astragalomancy (for “dice” from bones).

It can extend to similar things such as the I Ching in China. One might also extend it to numismatomancy or divination by coins, although typically one flips or tosses a coin rather than casting it in modern parlance.

As a means of divination, it has the powerful simplicity of its random mechanic, arguably the most random of any method of divination, although it still boils down to how the diviner assigns the possible outcomes.

And as a school of magic – well, perhaps it’s not so random that the other thing for which the word cast or casting is frequently used is magic, as in casting a spell or spellcasting. Or that dice are famously used as the mechanics of gameplay for magic in games such as Dungeons and Dragons.

I also like the idea of magic as inherently random in nature – what I’d like to style as entropomancy, or the archetypal tropes of chaos magic or wild magic. Powerful perhaps but potentially dangerous or tricky, prone to turning in the hand, or wand as it were – with a will of its own that is more coaxed than controlled, and with unintended consequences even at the best of times when you can shape it to your purpose.

I mean – that’s kind of the point of magic, to indeed play dice outside or with the usual rules of the universe, albeit ideally to load those same dice in your favor. Funnily enough, it seems to me that human life (and biological life in general) is the reverse – brief moments snatched from the basic entropy of the universe.

RATING: 4 STARS****
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X Wheel of Fortune – Rider Waite Tarot (artist Pamela Colman Smith)

(4) CYCLOMANCY (GYROMANCY)

Wheel of Fortune!

No, seriously – as illustrated by the medieval concept of fate or fortune subsequently used in Tarot cards, although perhaps better known for the modern game show concept

Cyclomancy – or divination by wheels – is the third of my casino trinity of mancy for special mention, obviously invoking roulette.

Of course, it didn’t so much involve the wheel itself, but things inscribed on the wheel, and spinning the wheel as a means of randomizing selection of outcome – not unlike the game show concept.

“Bust a deal, face the wheel” – Mad Max Beyond Thunderdome might be my least favorite of the franchise but it did have some interesting (and memorable) concepts, one of which was its cyclomantic system of justice or law enforcement. Yet again, however, it illustrates that such things usually boil down to how the diviner assigns the possible outcomes – with Aunty Entity stacking the wheel heavily in her favor with a large part of it designated as Aunty’s Choice.

I don’t know how prevalent cyclomancy was as a means of divination in classical Greece – I suspect not very as against more dramatic or emotive methods of divination – but I’d like to imagine the Delphic Oracle as a game-show style of Wheel of Fortune, spun by a delectable Pythoness. Although probably the better game show model would be something like Family Feud, down to the actual feuding families – “we surveyed a hundred divine beings and if your answer is not up on the board…”

Cyclomancy is part of that stereotypical childhood or adolescent game of spin the bottle – as for that matter is gyromancy or divination by dizziness, except for games where you’re the thing being spun. Sometimes you spin the bottle and sometimes the bottle spins you.

As a method of divination, it shares the powerful simplicity of its random mechanic with cleromancy, albeit one readily cheated by not only stacking the wheel in your favor, but also with various carnival means of interfering with the spinning of it.

As a school of magic, it does not seem so readily applicable – although I like the image of wizards using spell wheels in the manner of prayer wheels or similar objects (or, for the Dungeons and Dragons class of cleric, using prayer wheels).

However, it has a thematic applicability similar to the random nature (or entropomancy) of cleromancy, except also the reverse – in that it is not so much random but cyclical, ultimately moved by a larger pattern or even cosmic balance. What goes up must come down – and part of the art of cyclomancy is riding the wave of the cycle in your favor.

Cyclomancy can even overlap with sacrificial hieromancy – in that you can spin the wheel of fortune in your favor but you have to pay a price, at least when the wheel spins back, or perhaps even to take a spin in the first place.

RATING: 4 STARS****
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Tetragrammaton in Palaeo-Hebrew, ancient Aramaic and modern Hebrew scripts created by Zappaz and Bryan Derksen for Wikipedia and licensed under Creative Commons Attribution-Share Alike 3.0 Unported license https://creativecommons.org/licenses/by-sa/3.0/

(5) NOMANCY / ONOMANCY

“The name is the thing, and the true name is the true thing.”

Yes – we’re talking the divination or magic of names. Although typically it involves not just any names, particularly the names we so casually toss about for ourselves in our daily lives, but true names or names of power, even if they have to be discovered through nomancy or onomancy itself, sometimes to those who have forgotten or don’t know their own true name or nature.

“A person’s true name might be self-determined, or bestowed on them by someone else — possibly in a religious or magical ritual, or it could be stolen, or given away”. It also tends to be something a person or being jealously guards or keeps secret – although that often applies to names in general, as with Odysseus with his name to Polyphemus.

A true name perfectly describes something’s essential nature – one might well say its soul or spirit – and knowing a true name gives one power over the owner of the name.

It is a concept with a long pedigree in mythology and folklore which I suspect originates in prehistory with human language itself and our ability to vocalise or for verbal thought, which often seem magical of themselves.

Some of the most striking illustrations of it are in the Bible, particularly in the creation myths of Genesis – from God essentially naming or speaking creation into existence to Adam naming the animals. True names might be said to reflect the divine language of heaven or the primal language of creation.

Interestingly, that goes for the name of God as well and there’s a whole running theme in or from the Bible about the power of God’s true name or names – from the Tetragrammaton (or four letters YHWH representing God) to the multiple or secret names of God giving power over creation, hence the various taboos revolving around the name (or names) of God (including one of the Ten Commandments).

I would argue that it also underlies the concept of Plato’s Forms – indeed, it might be argued that one’s true name essentially corresponds to one’s Form. It also perhaps underlies magic words or incantations in general.

There is even a myth, whether it has any historical truth or otherwise, that the city of Rome had a true name, safeguarded and kept secret lest her enemies learn of it to curse her or gain power over her.

All that is very well but it doesn’t seem to make for much by way of a method of divination – except of course to divine a true name as part of magic. Well, perhaps for things like those childhood or adolescent games in which one “calculates” the compatibility of a crush or love interest, although they tend to involve alphanumeric keys based on letters.

As a system or school of magic, it comes close even to oneiromancy as arguably the original source of all divination, as well as magic and religion in general – the ability to shape reality to our conceptual and verbal thought, perhaps even to define things into existence.

Not coincidentally, it is a concept that often underlies or is at least invoked by game mechanics for magic in Dungeons and Dragons – although not as a core mechanic given its potential power. Hence the class of truenamer, which on paper was a decent concept, but its actual mechanics in game play were so bad that it was widely acknowledged to be so hopelessly broken as the worst class of the game.

RATING: 4 STARS****
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Yes – it’s one of my favorite memes, the math lady / confused lady featuring Brazilian actress Renata Sorrah playing Nazare Tedesco in a scene from Senhora do Destino

(6) ARITHMANCY

Lucky numbers and sacred geometry!

Also Pythagoras – whom I used to think of as a grounded philosopher and mathematician from his theorem at school, because schools don’t teach how much of a mystical kook he was as well. Mind you, the same goes for Greek philosophers in general, as E.R. Dodds propounded in The Greeks and the Irrational.

And yes – apparently numerology was known as arithmancy prior to the 20th century, and frankly still should be rather than coopting a name more appropriate to a science to itself, similarly to astrology. Also – numeromancy was sitting right there!

In fairness, similarly to astrology contributing to astronomy, numerology may have contributed to science, albeit more numerology in the broader sense of numeric patterns – as per British mathematician I. J. Good, “there have been a few examples of numerology that have led to theories that transformed society…It would be fair enough to say that numerology was the origin of the theories of electromagnetism, quantum mechanics, gravitation….”

Arithmancy or divinatory numerology essentially involves “a belief in an occult, divine or mystical relationship between a number and one or more coinciding events” – or that certain numbers have certain mystical or symbolic properties. Or in short – lucky (and unlucky) numbers. The same concept can also be applied to the mathematical properties of geometry – hence sacred geometry.

As for the numbers themselves, they may come from some process of random selection (not unlike modern lotteries) or from assigning numeric values to other things, such as an alphanumeric system for letters in words or names (overlapping with my previous special mention for nomancy or onomancy).

That last is also known as gematria, a practice dating back to ancient history and (in)famously appearing in the Bible as 666 or the Number of the Beast in the Book of Apocalypse – or as I like to quip, that sixy beast – for which the scholarly consensus is that it is an alphanumeric key to the Roman Emperor Nero. (It’s a little more messy than that – I understand it wasn’t the actual Nero, but some sort of projected supercharged revenant Nero back from the dead, and could also be rendered alternatively as 616, as it was in some versions).

The strength of arithmancy or numerology as both method of divination and school of magic lies in the elegance and explanatory power of mathematics to explain the fundamental properties of our reality – something which is ever more so in modern science, where whole swathes of reality only seem explicable entirely as increasingly arcane mathematical formulae.

To the point that our physical reality often seems a coalescence or crystallization of mathematics or numbers – it is not so much that everything has a true name but a true number.

I can’t resist closing with two of my favorite incarnations of arithmancy in science fiction.

The first is the basic arithmantic principles underlying the Laundry series by Charles Stross – where the magic is essentially arithmancy or mathematics (and where the growing computing power of humanity and its machines will reach a threshold drawing the attention of hostile Lovecraftian entities).

The second is my favorite version of arithmancy in a charming (and characteristically horny) short story by Fritz Leiber – in which the number seven assumes a sexy female personification. Hot damn – that would have made maths classes more interesting at school!

RATING: 4 STARS****
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Lotus flower – public domain image

(7) BOTANOMANCY

“The force that through the green fuse drives the flower”

Sadly, botanomancy or divination by plants seems to get short shrift compared to theriomancy or divination by animals, even though both probably originate in prehistory – with prehistoric humans depending as much on observations of plant life as they did animal life.

Even the term botanomancy itself is read more narrowly, at least in the Wikipedia entry for it, as divination by burning particular plants (similarly to burning laurel wreaths or daphomancy), but this seems more in the nature of pyromancy.

There are also references to anthomancy or divination by flowers (as well as phyllorhodomancy or divination by rose petals), dendromancy or divination by trees, and phyllomancy or divination by leaves (as well as sycomacy or divination by fig leaves).

However, none of these references elaborate anything by way of divinatory practice in history, although the specificity of some of those references – rose petals or fig leaves – suggest some specific practice. One can imagine divination by scattering rose petals in much the same way as dirt in geomancy and it would make for a more romantic date, if nothing else.

At very least, there’s that romantic divinatory game of plucking petals from a flower – s/he loves me, s/he loves me not…

One can also imagine divination by spots in leaves or fruit and so on, or perhaps patterns of where they fall. There’s also that Celtic tree alphabet (or ogham), which was the weird focus in Robert Graves’ The White Goddess – although it’s hard to tell with that book – in a manner suggestive of divination or magic. In fairness, the Wikipedia reference to dendromancy does note particular trees – “especially oaks, yews, or mistletoe” – and druids seemed to go nuts for that last one.

Ironically, the (vaguely) botanomantic reference which is elaborated in most detail is tasseomancy or divination by patterns in tea leaves or coffee grounds – which however is both a relatively recent method of divination and also more akin to hydromancy by brewing.

As a method of divination, botanomancy just seems a little low tier in comparison even only to theriomancy – perhaps plant life operates on too long (or slow) a time scale for practical divination, or perhaps we just have more of an emotional attachment to animals. Unless you’re communing with the Green in the style of Swamp Thing or Poison Ivy.

As a school of magic, however, I rank it as top tier – again essentially combining the Dungeons and Dragons classes of wizard and druid. It’s arguably up there with the elemental schools of magic – indeed the Chinese had five classical elements, one of which was wood. That’s especially so if you can control or grow plants, again in the style of Swamp Thing or Poison Ivy.

Alternatively, with a little fantasy or imagination it’s up there with theriomancy, but as a literal way of plant powers – with one of many applications replicating the effects of plant-based toxins or drugs.

RATING: 4 STARS****
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Hopefully not that ominous – Ten of Swords, Rider-Waite Tarot illustrated by Pamela Colman Smith

(8) CRYPTOMANCY

It’s an omen!

According to Wikipedia’s list of methods of divination, cryptomancy is divination by omens, although the prefix crypto- designates hidden or secret, as in hidden or secret signs. Which begs one of the biggest questions for this method of divination – what is an omen?

And there’s the rub. The problem with this as a distinct method of divination is that most, if not all, methods of divination ultimately relied on what might be described as divining or interpreting omens from whatever it was they looked at for their subject matter.

Augury, for example, often used as a synonym for omen, originates in interpreting omens from the behaviour or flight of birds – or ornithomancy, as we saw in theriomancy. And so on.

Accordingly, omens can be somewhat mundane, but I prefer my omens to be portentous – as in portent, also often used as a synonym for omen. I also prefer my omens to be ominous – a word I understand to be derived from omen, and to convey foreboding.

In other words, I prefer my omens to be big and bad – and ideally weird. Comets and eclipses. Animals born with two heads or no eyes. Spontaneous animal or human combustion. Raving and gibbering hooded figures. And so on.

So as a method of divination, it’s not distinct from any other method of divination, except to the extent its omens might be bigger, badder or weirder.

It doesn’t exactly leap out as a school of magic either, but perhaps with a little imagination might be adapted to a school of magic powered by charms, curses, and hexes. I can imagine a luck-fuelled school of magic in urban fantasy, perhaps styled as tychomancy, based on superstitions, lucky symbols or signs of bad luck – perhaps even powered by channelling signs of bad luck (broken mirrors and so on) into good magic, like some sort of mojo judo.

RATING: 4 STARS****
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Yes – it’s that freaky oracle scene from the 2006 film 300, directed by Zac Snyder – oracles evoking the random or at least cryptic utterances that pop up in one form of cledonomancy

(9) CLEDONOMANCY (CLAMANCY & CHRESMOMANCY)

Serendipity and synchronicity.

Or crowd-sourcing your divination.

Cledonomancy is divination by chance events or overheard words, using the prefix cledon- from the Greek root for rumor.

“A kind of divination based on chance events or encounters, such as words occasionally uttered…rumor, a report, omen, fame, name.”

In some ways cledonomancy seems the inverse of cryptomancy or divination by omens, at least omens as big, bad or weird events. Instead cledonomancy involves mundane events of chance significance or synchronicity.

Apparently one example of cledonomancy was for the querent to whisper a question into the god’s ear at a shrine (presumably of a statue or something similar) and then listen for the god’s answer among chance words of pedestrians outside the shrine.

This is also styled as clamancy, divination by random shouts or cries heard in crowds, at night or so on – although I also have a soft spot for chresmomancy or divination by the ravings of lunatics, or its contemporary equivalent of Twitter.

As a method of divination, it has a certain appeal and force to it – serendipity in common parlance or what Jung styled as synchronicity. It also seems immensely practical – easy to do at home (especially through ‘surfing’ radio, television, or internet), at work, or generally out and about.

As a school of magic, it would seem to be in the same territory of entropomancy, chaos magic, or wild magic as cleromancy.

RATING: 4 STARS****
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Illustration of the Dutch explorer Joris van Spilbergen meeting King Vimaladharmasuriya I of Kandy (in modern Sri Lanka) from a 1602 book – used for the Stranger King article in Wikipedia

(10) XENOMANCY

“A prophet is never accepted in his home town”

The divination and magic of strangers, stranger kings, stranger things…and aliens?

Unlike gynomancy, Wikipedia’s list of methods of divination includes xenomancy or divination by strangers, but there is nothing beyond its mere inclusion in the list.

Similarly to gynomancy, however, it might be defined in one of two ways – as divination of strangers, or as divination by strangers. In other words, the stranger as omen or oracle, portent or prophet – the stranger as divinatory object or the stranger as divinatory (or magic) figure.

In the first, the querent divines their answer from the appearance or characteristics of strangers. And to be honest, it doesn’t seem to offer much as a method of divination, much less a school of magic, except as something akin to that game of anticipating the color of the next car one sees driving past.

Of course, strangers arriving at one’s home have more of an import, but it would probably be a safe bet for a diviner to foresee trouble, particularly if the strangers are armed.

The latter – where the stranger is the diviner or magical figure – has far more potential. The wandering stranger was basically Odin’s schtick – and he was hardly alone among gods, angels or kings in that. Even Jesus pulled this trick, accompanying two of his followers unrecognized after his resurrection, only to vanish when they recognised him.

My featured quote was also by Jesus, who turned out to be the biggest stranger prophet of all for the Roman Empire, among various cults of mysterious strangers from the east, and of course beyond that to the world.

In the Bible, Jonah played a similar role on a smaller scale as stranger prophet to the Assyrian Empire – everyone remembers him being swallowed by a “fish” but forgets why he was swallowed in the first place, because he was trying to shirk his role as a stranger prophet.

And then there’s the theory of stranger kings, a theory developed by anthropologist Marshall Sahlins, essentially as to ‘native’ peoples accepting foreign rulers (particularly in the context of European colonialism) – a theory which may well overlap with stranger prophets or strangers as magical figures.

Xenomancy has intriguing fantasy narrative potential as underlying either divination or magic – that people can practice divination or use magic but only as strangers away from their homeland, but the most common trope involves them being in another world altogether, from portal fantasy in literature to isekai in Japanese manga or anime. Two examples spring readily to mind – Narnia (although there they are more stranger kings or heroes) and the Thomas Covenant Chronicles.

It even has intriguing SF narrative potential, particularly when one uses xeno- for its most common contemporary application to aliens – aliens as divinatory or magic figures to humans (or perhaps vice versa). One could even conjure up a contemporary form of xenomancy of divination (or magic) using alien or UFO sightings or lore.

Of course, fantasy often does much the same, but for particular fantasy races with respect to humans – elves effectively being a magical or semi-divine race to the more mundane humans or hobbits in The Lord of the Rings. For that matter, divinatory or magical aliens in SF often tend to be effectively space elves.

RATING: 4 STARS****
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A dust storm blankets Texas houses, 1935 in a photograph by George Everett Marsh Jr – public domain image used in Wikipedia article “Dust”

(11) ABACOMANCY

“I will show you fear in a handful of dust”

“Ah what a dusty answer gets the soul
When hot for certainties in this our life”

I could do these dusty quotes all day, although apparently dusty answer has become a term used for unsatisfactory reply, which does not bode well for abacomancy or divination by dust. However, I just couldn’t resist special mention for it and not just because it was literally the first entry in alphabetical order in Wikipedia’s list of methods of divination.

Disappointingly, it didn’t involve oracles in temples full of dust and cobwebs, but apparently something akin to geomancy – divining patterns in dust, dirt, sand, silt or ashes after being thrown or dropped on a flat surface. Also, Jackson Pollack was into it, doing a series of paintings for it.

Of course, I prefer to cite abacomancy as my go-to excuse for not cleaning my home.

As a method of divination or school of magic, abacomancy seems a little, well, dusty. Although I’d like to imagine abacomancy as a school of magic in a post-apocalyptic fantasy setting – magic powered by dust and detritus, flotsam and jetsam, rust and ruins. Essentially, necromancy but for objects instead of living things (although the two could overlap), a Magic of Broken Things along the lines of the God of the Lost in Stephen King’s The Girl of Who Loved Tom Gordon (although again those could overlap).

Come to think of it, a Magic of the Wasteland – both in terms of the form and style of T.S. Eliot’s poem of that name, the source of my handful of dust quote.

RATING: 4 STARS****
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A moonlight shadow of User:W.carter on a jetty at Holma Boat Club by Gullmarn fjord, Lysekil Municipality, Sweden – public domain image Wikipedia article “Shadow”

(12) SCIOMANCY

“And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you”

Literally a divination from or of shadows, although Wikipedia’s list of methods of divination also includes it as divination by spirits, presumably along the lines of the usage of shades for spirits or ghosts in the underworld, a meaning in use even today although it originates from usage in classical Greece and Rome.

Unfortunately, Wikipedia doesn’t elaborate on either in terms of method of divination, linking sciomancy to an article on theurgy. I’d like to imagine it involving oracles as some form of literal shadow play or shadows cast on a wall, perhaps even originating from the shadows cast from the flickering fires of prehistory.

One might even argue that Plato saw all but philosophers like himself as metaphorical sciomancers, as the reality of our perception effectively consists of shadows cast from the true metaphysical reality of ideal Forms.

Or in other words, the world of our perception is smoke and mirrors – although that seems an awesome combination with sciomancy as a method of divination or school of magic of shadows, smoke and mirrors, which would obviously lean heavily into illusion and perception. Throw in echoes as well and now we’re cooking.

Or for that matter combining sciomancy with the abacomancy of the previous entry – or with the necromancy of the more metaphorical use of shades or shadows. Or of darkness in general. Or all of the above.

Interestingly, Dungeons and Dragons has effectively featured sciomancy as part of its prestige or specialist classes of character, albeit typically as an arcane or magic enhancement of its rogue class.

RATING: 4 STARS****
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Chemical structure of LSD – public domain image Wikipedia article “LSD”

(13) NARCOMANCY

“And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread
For he on honey-dew hath fed,
And drunk the milk of Paradise”

And now we come to my wild-tier, more playful entries I (mostly) made up for special mention. And yes – that opening quote is from Kubla Khan, or Samuel Taylor Coleridge playing poetic narcomancer on opium.

Narcomancy is what I’ve coined for divination by drugs or more precisely divination by intoxication or the effect of drugs. I’m joking and serious – the serious part being is that this is how I tend to believe historical divination actually worked, because they’d slip in some drugs somewhere for visions or apparently profound insights.

While narcomancy would effectively work as a sort of drugged oneiromancy for divination, it would only be a mechanic for a school of magic, with the effective source of magic as another -mancy, but you can only tap into it while adversely affected, with fun fantasy potential for different drugs accessing different sources or types of magic.

RATING: 4 STARS****
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Mango margarita made and photographed by yours truly!

(14) DIPSOMANCY (MARGARITOMANCY)

Sometimes you drink the bottle and sometimes the bottle drinks you.

Essentially a narrower subset of narcomancy, dipsomancy is what I’ve coined for divination by alcohol or drunkeness – from the same Greek root (dipso- for thirst) that gives us dipsomania, a fancy word for alcoholism.

Again there’s some fun fantasy potential for dipsomancy as a magical way of the Drunken Master, in the style of the Jackie Chan film featuring a drunken martial arts style, but for divination or magic.

Bonus points for margaritomancy – finally a method of divination or school of magic for which I’ve spent my whole drinking life in training! Sadly, the actual definition of margaritomancy does not, in fact, involve the cocktail of my signature drink, but pearls – from the Greek root word for pearl. That won’t stop me continue to train as a cocktail margaritomancer

RATING: 4 STARS****
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The iconic disco scene of John Travolta dancing to the Bee Gees “You Should Be Dancing” in the 1977 film “Saturday Night Fever” by Paramount Pictures. By the way, the woman in the green dress behind him (whom he abandons for his dance solo) was Fran Drescher

(15) DISCOMANCY

Yes, I made this one up, for latter day dervishes as it were, prompted by my other invention dipsomancy – with which one suspects discomancy would commonly overlap.

Yes, it’s a playful reference to the visual or sensory ambience of participants in contemporary dance music having something of the same dramatic or ritual resonance of divination or magic.

Also shufflemancy – a contemporary neologism actually used by some people today essentially as a type of cledonomancy (or clamancy) from the random selection of music playlists.

But as usual with these playful entries, I’m joking and I’m serious – the serious part being the long history of ecstatic dance or music in magic or religion, probably going back into prehistory and often to the point of metaphysical significance of cosmos or life itself as a dance. After all, are we not all dancers to the beat of our own hearts?

Famously, there’s the depiction of Shiva as Nataraja or Lord of the Dance – and manic dancing was also the ecstatic schtick of Dionysus and the Maenads.

It’s even in the Bible – perhaps most famously with Salome and her Dance of the Seven Veils, albeit not so much in the text itself (which omits even her name), and which may or may not have its origin in myths of the goddess Ishtar.

There’s also King David dancing “before the Lord with all his might”, much to the disapproval of his wife as his dancing left little to the imagination of female viewers. That’s right – it’s the Old Testament meets Magic Mike.

In some ways, it would be a type of somatomancy, using the (dancing) human body and its movements as a source of divination or magic (by either participants or spectators). It could potentially be even a type of theriomancy, particularly for ‘dances’ that imitated or invoked animal movements, or one of the elemental forms of divination or magic for dance imitating the movements of air, fire or water. It’s not much of a conceptual leap from the martial arts style of movements for the bending in Avatar to dance.

In a nutshell, similarly to other entries, it would seem more a mechanism for invoking divination or magic from other sources – again with fun fantasy potential for different dances or dance styles accessing different sources or types of magic.

After all, there’s the whole Dungeons and Dragons class of bard for evoking magic (and other things) using music, which is pretty silly when you think about it. As Elan the bard said of his class in the webcomic The Order of the Stick – “You walk into dungeons and SING at people. Who could take that seriously?”

And I for one am all here for taking to that to the next level with dungeon dance-offs. (Although I’m pretty sure there’s prestige classes or rules for adapting bards to dance as it is in the game – even memes of orc bard dancers).

RATING: 4 STARS****
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Fritz Leiber “Our Lady of Darkness” – cover of edition published by Orb Books in 2010

(16) MEGAPOLISOMANCY

Are you a lucky little lady in the city of light?

I didn’t make this one up – fantasy and SF writer Fritz Leiber did, the plot concept behind his literal urban fantasy novel Our Lady of Darkness.

Essentially it’s a type of divination or magic formed from large cities (Leiber’s city of residence San Francisco), that essentially coalesced from the psychic energy (in the Jungian sense) of masses of people.

It’s proved a particularly resonant concept, both for me personally and for the fantasy genre since. Neil Gaiman did something of a spin on it with his magical underground London Below in Neverwhere – I particularly like how each city has its mystical Beast at its heart.

And I understand N.K. Jemisin is doing something similar with human avatars of cities in her Great Cities series.

RATING: 4 STARS****
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16th century German half-hour sand glass, Metropolitan Museum of Art (New York City) – public domain image Wikipedia article “Hourglass”

(17) CHRONOMANCY

“Mastery is achieved when telling time becomes telling time what to do”

Funnily enough, Wikipedia does feature chronomancy among its methods of divination in terms similar to geomancy but with respect to time rather than space – the divination of the best or most propitious time to do something, or the determination of lucky and unlucky days.

Although arguably all divination is ultimately a form of chronomancy – in so far as it looks through time to the past or future.

However, the more popular usage of chronomancy is with respect to magic for moving through or manipulating time – potentially the most ridiculously overpowered form of magic if given full force.

And with a little imagination, it can adapt or replicate the usual schools of magic in Dungeons and Dragons in some form or other. Divination is straightforward, but also conjuration of anything from any time, such as dinosaurs.

And so on through time transmutation even to some sort of weird time necromancy with enough imagination or lateral thinking – time ghosts or time zombies, anyone?

RATING: 4 STARS****
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Shadowrun tabletop game 1st edition cover – fantasy cyberpunk game which coined the term technomancer

(18) TECHNOMANCY

“Any sufficiently advanced technology is indistinguishable from magic”

Technomancy is an odd chimera of a beast, given that technology sort of goes against the whole point of magic – technology is functional magic that actually works.

As such, technomancy tends not to be used as divination but a form of magic or other ability that pops up in certain works of fantasy, usually contemporary or urban fantasy in settings with technology, or occasional SF.

Sometimes it is styled as technopathy (or to a lesser extent machine empathy) – “someone who can control machines and bend them to the user’s will, either through a physical or mental interface link. In some cases, this power also allows them to ‘hear’ what a machine is ‘thinking’ and establish a direct line of communication with the machine”.

It could also be used for magic from technology in SF– where technology is used to replicate magic, occasionally in ways unknown to or forgotten by the people using it – or potentially for where magic is used to power what otherwise appears as technology in certain fantasy settings.

Still, there is fun fantasy potential in combining technology with magic. I’d like to imagine it as a form of magic in a post-apocalyptic fantasy setting using relics from a technological past – or flipping it on its head with an anti-technopath, for someone (or something) that is magically destructive to technology.

RATING: 4 STARS****
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Neuromancer by William Gibson – cover art by Josan Gonzalez (Deathburger) for the Brazilian edition in 2016 (and French edition in 2020)

(19) NEUROMANCY

“What’s your name? Your Turing code. What is it?”
“Neuromancer…Neuro from the nerves, the silver paths. Romancer. Necromancer”.

I didn’t make this one up – the godfather of cyberpunk, William Gibson, did.

Well, technically, he only made up Neuromancer for the title (and titular character) of his landmark 1984 book, but I can’t compile a top ten and special mentions for -mancy without featuring it.

Neuromancer is an AI, in the SF superintelligence sense but neuromancy might well be regarded as the cyberspace hacking that drives the plot and is the forte of the protagonist console cowboy.

Or think the Matrix, since the film franchise borrowed much from Neuromancer, including the term matrix. Of course, it’s not actual magic but technology and skill – in Neuromancer at least, not so sure about the Matrix.

As a method of divination or type of magic, it is essentially cybermancy, which in turn is effectively a subset of technomancy narrowed to computers and computing.

Oh – and Neuromancer wasn’t kidding about the necromancer part, metaphorically at least, since it can create sentient copies or simulations of people’s consciousness in cyberspace, potentially persisting beyond the original.

RATING: 4 STARS****
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Theatrical release poster art by Boris Vallejo for National Lampoon’s Vacation (Warner Bros 1983) spoofing the trope of the Conan pose or leg cling and evoking the spirit of nymphomancy – certainly Chevy Chase seems to be something of a nymphomancer for Christie Brinkley in the film

(20) NYMPHOMANCY

Bow Chicka Wow Wow

Yes – I am a nymphomancer. No – I refuse to elaborate. I’ve already said too much.

For mine is the adventurous bed and questing beast, deus sex machina and hieros gamos.

And yes – it is part of my rule in my top tens to throw in a kinky entry amidst my wilder special mentions, usually as my final (twentieth) special mention, at least where the subject matter permits.

Although seriously, there is quite a bit of justification for sex in divination or magic – and even more potential for it in fantasy. I mean, I’m pretty sure I could adapt most of Dungeons and Dragons to nymphomancy.

RATING: 4 STARS****
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Free “divine gallery” art sample – OldWorldGods

TOP TENS – MYTHOLOGY:
TOP 10 MANCY
(SPECIAL MENTION)

And here are all twenty special mentions in one list

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(1) GYNOMANCY

“Frenzied women from whose lips the god speaks” – divination or magic of or by women

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My casino trinity of mancy:

(2) CHARTOMANCY – CARTOMANCY (TAROMANCY)

Divination or magic by paper – foremost cartomancy or divination or magic by cards (particularly taromancy – divination or magic by Tarot cards)

(3) CLEROMANCY – ASTRAGALOMANCY

Divination or magic by casting (lots) – foremost astragalomancy or divination or magic by casting dice

(4) CYCLOMANCY (GYROMANCY)

Wheel of Fortune!

Cyclomancy is where you spin the wheel (and gyromancy is where the wheel spins you)

Other top-tier special mention

(5) NOMANCY / ONOMANCY

“The name is the thing and the true name is the true thing” – the divination or magic of (true) names

(6) ARITHMANCY

Lucky numbers and sacred geometry – the divination or magic of numbers

(7) BOTANOMANCY

“The force that through the green fuse drives the flower” – divination or magic by plants

( 8 ) CRYPTOMANCY

Omens and portents

(9) CLEDONOMANCY (CLAMANCY & CHRESMOMANCY)

Serendipity and synchronicity – cledonomancy is divination by chance events or overheard words, foremost clamancy or divination by random shouts or cries heard in crowds (although I also have a soft spot for chresmomancy or divination by the ravings of lunatics, or its contemporary equivalent of X).

(10) XENOMANCY

“A prophet is never accepted in his home town”

The divination and magic of strangers, stranger kings, stranger things…and aliens?

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(11) ABACOMANCY

“I will show you fear in a handful of dust” – divination or magic by dust…or my excuse for not cleaning my home

(12) SCIOMANCY

“And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you”

Literally a divination or magic from or of shadows

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And now we come to my wild-tier, more playful entries I (mostly) made up for special mention

(13) NARCOMANCY

“And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread
For he on honey-dew hath fed,
And drunk the milk of Paradise”

Divination or magic by drugs or more precisely divination by intoxication or the effect of drugs

(14) DIPSOMANCY (MARGARITOMANCY)

Sometimes you drink the bottle and sometimes the bottle drinks you.

Essentially a narrower subset of narcomancy, dipsomancy is what I’ve coined for divination by alcohol or drunkeness

Bonus points for margaritomancy – finally a method of divination or school of magic for which I’ve spent my whole drinking life in training…sadly, the actual definition of margaritomancy does not, in fact, involve the cocktail of my signature drink, but pearls

(15) DISCOMANCY

Yes, I made this one up, for latter day dervishes as it were, prompted by my other invention dipsomancy – with which one suspects discomancy would commonly overlap. Divination or magic by dance

(16) MEGAPOLISOMANCY

Are you a lucky little lady in the city of light?

I didn’t make this one up – fantasy and SF writer Fritz Leiber did, the plot concept behind his literal urban fantasy novel Our Lady of Darkness for divination or magic formed from large cities.

(17) CHRONOMANCY

“Mastery is achieved when telling time becomes telling time what to do”

Divination or magic using time itself

(18) TECHNOMANCY

“Any sufficiently advanced technology is indistinguishable from magic” – or in this case, divination or magic using technology (or technopathy)

(19) NEUROMANCY (CYBERMANCY)

I didn’t make this one up – the godfather of cyberpunk, William Gibson, did.

(20) NYMPHOMANCY

Bow Chicka Wow Wow

Yes – I am a nymphomancer. No – I refuse to elaborate. I’ve already said too much.

Free ‘divine gallery’ sample art from OldWorldGods

It’s my top 10 mancy list. I’m talking the suffix -mancy, ultimately originating from the Greek manteia (of itself or through the Latin mantia), for divination.

I could have called it top ten methods of divination, but where’s the fun in that? A top ten mancy list is just more fun and I do indeed have my criteria that each entry must have the suffix. Also, while the suffix -mancy technically only connotes divination, it has been used more widely for systems or types of magic in general.

This conflation of the suffix -mancy to connote both divination in particular and magic in general is not entirely misplaced. After all, divination tends to operate by or be a type of magic.

Indeed, it is arguably the primary purpose for which people have sought to use magic, rivalled only by protective magic – apotropaic magic as it is more technically known, or abjuration as it is called as a “school” of magic in Dungeons and Dragons.

It is also not a stretch to regard all magic as ultimately originating in divination, divining the secret knowledge and cosmic power underlying magic itself. So much so in editions of Dungeons and Dragons, while one could pick and choose between schools of magic, the one compulsory school was divination.

But I digress – for the purposes of my top ten mancy list, I look at each -mancy in terms of ranking it both as a method of divination in particular and as a ‘school’ of magic in general.

And now to the suffix itself, there is an almost overwhelming number of variants of divination (or magic) with that suffix -mancy, and their sheer abundance has always fascinated me. In part that reflects the ease by which one can coin such a word, usually by combining a Latin or Greek root word with -mancy. However, it predominantly reflects connoting forms of divination actually used by people as observed or recorded in history or anthropology – as people have used almost anything and everything as the magical means of divination.

Of course, some or even many are incredibly esoteric or obscure as a result – to use just one example to illustrate, belomancy (or bolomancy) is the art of divination by use of arrows. I have preferred broader brush strokes for my top ten or special mention, although entries might include more specialized methods of divination within their general theme.

Finally, it goes without saying that the top ten or special mentions does not reflect any personal beliefs in methods of divination or forms of magic, just my interest in them. It’s one of my dreams to walk in on an appointment with a psychic, smack them in the head, and exclaim “didn’t see that one coming?” – or just for all purported psychics to be prosecuted for fraud.

So here is my Top 10 Mancy list, all in the one post compiled from their previous individual entries (and also in their own page).

Photo – Wikipedia “Palmistry” (Creative Commons licensing – www.psychic2tarot.com)

(10) SOMATOMANCY – CHIROMANCY

“Man is the measure of all things”

It’s perhaps not surprising that one of the first basic tools likely to have been used by humans for divination (or magic) is the human body itself – which is what somatomancy is, divination by the human form or body.

Of course, it tends to be more specialized to parts of the body. My top pick is chiromancy, divination using the palms of hands, or as it is better known, palmistry – which apparently had such a high profile that it was classified as one of the seven “forbidden arts” in the Renaissance and was actively suppressed by the Church.

As for the balance of a top ten within my top ten – a top ten for somatomancy – my nominations are…

2 Amniomancy – divination by the placenta (or caul)
3 Cephalonomancy – divination by the skull. (Historically it tended to use animal skulls but I’m adapting it to phrenology)
4 Maculomancy – divination by spots on the skin
5 Oculomancy or opthalmancy – divination by the eyes
6 Omphalomancy – divination by the navel (or the ultimate navel-gazing)
7 Onychyomancy – divination by fingernails and toenails
8 Podomomancy – divination by the soles of the feet
9 Trichomancy – divination by hair. Okay – I’ve just coined that using the Greek word for hair
10 Phallomancy – divination by the phallus (or swing of the phallus). Disappointingly, while Wikipedia includes phallomancy in its list of methods of divination, there is no further entry or details for it – but it is kind of how I divine everything in life…

Sadly, the various forms of somatomancy rank in the tail end of my top ten for a reason – and then by virtue of the prevalence of chiromancy or palmistry, even today.

As a method of divination, most forms of somatomancy seem somewhat limited to a one-off basis, given the fixed nature of the bodily attributes they use, and only to divine the future or qualities for the individuals to whom the parts of the body belong.

Similarly, somatomancy seems limited as a school of magic. After all, the whole point of magic is to transcend or at least extend human limitations (or those of nature), particularly those of the human body.

Although with a little imagination or fantasy, it has substantial potential. At very least, one can adapt somatomancy to a system of magic that uses bodily attributes, gestures or movements as the components of magic, whether for the wider schools of magic in Dungeons and Dragons, or something like the ‘bending’ of elements in Avatar incorporating martial art style movements.

Indeed, higher levels of magic could require higher levels of athleticism or physical ability, disposing of that “squishy wizard” trope in Dungeons and Dragons or similar fantasy. No more stats-maxxing intelligence at the expense of strength or dexterity. Building on that, with the almost infinite variety of physical attributes (or sports) from which to draw, one can propose that different physical attributes could underlie different types or schools of magic. Athleticism on land could underlie very different magic from that of skill in swimming or diving and so on. Similarly strength or endurance could involve very different magic from speed, agility or dexterity and so on, more so if one extends it to other qualities such as physical beauty.

Similarly, one might propose different schools of magic that are specialized by aspects or parts of the body – it doesn’t take too much to adapt the magic school of illusion (or divination for that matter) in Dungeons and Dragons to one of eyes and ears (or more widely the senses), or the magic school of enchantment to one of mouth and voice, and so on.

Even if we stick to somatomancy as a school of magic in a more literal sense, one might propose it effectively as a form of conjuration of (or transmutation to) any peak human ability or attribute. That is, to conjure up for oneself the peak ability of any Olympic athlete, the peak immunity or resistance to disease, and so on, at any time or in any combination.

Even more so if we extend somatomancy as a form of fantasy transhumanism – to extend, project or perfect bodily attributes or abilities beyond existing peaks, as indeed is often attributed to Asian mystical arts. For example, to achieve longevity or even immortality, “diamond body” and so on…

RATING: 4 STARS****
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Photo Canadian geese flying in V-formation (“Bird” – Wikipedia) by John Benson on Flickr -Creative Commons Attribution Generic 2.0 Licence https://creativecommons.org/licenses/by/2.0/deed.en

(9) THERIOMANCY – ORNITHOMANCY

The way of animal powers

Similarly to my previous entry for somatomancy, theriomancy, or divination by animals, is likely one of the first methods of divination in human history – or prehistory.

After all, prehistoric humans depended on closely observing animal behavior, including in effect to divine patterns from that behavior, so it was not much of a conceptual leap to divine patterns beyond animal behaviour altogether to other things or forces in the natural or supernatural worlds.

And of course there is the contemporary ritual theriomancy of Groundhog Day.

Again similarly to my previous entry for somatomancy, theriomancy tends to be more specialized to particular animals or types of animal.

My top pick has to go to ornithomancy & alectryomancy – the former is divination by birds (or the flight of birds), with the most famous being the Roman practice of augury (from Latin for looking at birds) and the latter is literally divination using a rooster or roosters, but also more broadly chickens or other fowl.

This is because of its historical documentation or prevalence, particularly in classical Greek or Roman history, in turn perhaps reflecting how birds have always seemed to earthbound humans as liminal beings between heaven and earth.

One form of alectryomancy involved divination using a bird or number of birds, ideally a rooster or cockerel, pecking at grains which are scattered on letters and interpreting meaning from the letters or words spelt out. Something of that may survive in the apocryphal story of the western Roman emperor Honorius and his favorite chicken.

Close runner-up is apantomancy, or divination by chance or random encounters with animals.

As for the balance of another top ten within my top ten – a top ten for theriomancy – I’m going to stick to alphabetical order as their individual details are somewhat scant

3 Ailuromancy – cats
4 Arachnomancy & entomomancy (myrmomancy) – the former is divination by spiders and the latter is divination by insects (with myrmomancy being divination by ants). The former is something I’d imagine as being used by the arachnophile Drow in Dungeons & Dragons – and as an arachnophobe, I see it as the most evil method of divination, even more so than my top ten entry famed for being evil
5 Batrachomancy – frogs
6 Canomancy & ololygamancy – divination by dogs, with the latter as divination by the howls or howlng of dogs
7 Hippomancy – horses
8 Ichthyomancy – fish
9 Myomancy – rodents, particularly mice or rats. Much like modern science and its lab testing, amirite?
10 Ophidiomancy – divination by snakes

What adders came to shed their coats?
What coiled obscene
Small serpents with soft stretching throats
Caressed Faustine?

Although I’d like to imagine it extends to delirious visions from snakebite, a la snake-handling.

Shout-out to dracomancy – included in Wikipedia’s list of methods of divination as divination (or magic) by dragons, obviously limited outside of fantasy or mythology (arguably an example of the latter is Sigurd or Sigfried gaining divinatory powers from the heart of the dragon Fafnir).

Also honorable mention to conchomancy or divination by shells.

As a method of divination, theriomancy seems to be of much wider versality than somatomancy and the same seems to go for it as a school of magic, which would seem to combine the Dungeons and Dragons class of wizard with that of druid (or perhaps medieval witches with their animal familiars).

And with a little fantasy or imagination, it has even wider potential – even if we confine ourselves to theriomancy as being a literal way of animal powers, as being able to replicate the abilities (or form) of any animal, particularly if we extend that throughout the animal kingdom including extinct animals or even microscopic fauna. There’s a reason the Dungeons and Dragons spells of polymorph or shape change are considered broken by being ridiculously overpowered. Of course, one could restrict this by proposing different schools of magic for different taxonomic divisions (or for different habitats or biomes).

RATING: 4 STARS****
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Free ‘divine gallery’ sample art – OldWorldGods

(8) PYROMANCY

Burn, baby, burn!

But seriously, we come to the first of the four classical elements, with pyromancy as divination by fire or flames.

Similarly to somatomancy and theriomancy, it is likely that pyromancy was one of the first methods of divination in human history or prehistory, reflecting the importance of fire itself in human prehistory.

Fire was the first major human tool or technology – game-changing in the power it gave humans to change or shape their environment (and indeed themselves, by the ability to cook or prepare food), such that it might be compared to the Industrial Revolution. And that’s before its use in other technologies that might be similarly compared to the Industrial Revolution, such as pottery or smelting. For that matter, the Industrial Revolution itself revolved around combustion – and much of human technology before and since might be compared, literally and figuratively, to humanity holding up its flaming torch in the clearing it has made for itself with fire or combustion.

SF writer Arthur C. Clarke famously observed that any sufficiently advanced technology is indistinguishable from magic. Typically, we tend to apply that to our contemporary technology or projections from it, but it has also applied to technological thresholds in our history or prehistory – the use or smelting of metal for one was often compared to magic, and even more so fire itself, portrayed as magic or even divine.

“The most basic form of pyromancy is that in which the diviner observes flames, from a sacrificial fire, a candle, or another source of flame, and interprets the shapes that he or she sees within them”. However, there are several variations on pyromancy, particularly when combined with burning or casting particular substances into fire (such as salt, in one variation of alomancy or divination by salt).

There’s probably enough variations of pyromancy for yet another top ten within my top ten, but I’ll just go with some major ones here – capnomancy or divination by smoke (or movements of smoke), causimancy (or causinomancy or causimomancy) and empyromancy or divination by burning, and lampadomancy or divination by a flame or flames.

Shoutout also to carromancy (divination by melting wax) and ceromancy (divination by dripping wax in water) – which I would like to adapt to my obsession with lava lamps (lavomancy?)

As a method of divination, pyromancy would seem to have considerable potency and versatility – particularly if one combines it with visions from burning, ahem, particular substances, or smoke inhalation.

As a school of magic, it would seem to be powerful but limited in versatility – pretty much like the school of evocation in Dungeons and Dragons. Sure, it feels reassuring to stride into a dungeon loaded up with fireball spells to shoot from your fingertips, but there’s not much else one can do with that except, well, shoot fire from your fingertips.

On the other hand, one can imagine pyromancers being at the forefront of fantasy Industrial Revolutions – as firebenders and the Fire Nation were in the animated Avatar series. Also, pyromancy becomes somewhat broader if one extends it to other forms of energy, heat and light, particularly in more metaphorical senses (such as life energy or heat of passion).

RATING: 4 STARS****
A-TIER (TOP TIER)

Free ‘divine gallery’ art sample from OldWorldGods

(7) HYDROMANCY

Glug glug glug…

But seriously, hydromancy or divination by water has one of the longest pedigrees of any method of divination, no doubt reflecting the importance of water for human survival or life in general, and of bodies of water to human civilization or societies.

Divination by water should be distinguished from divination for water, most famously that of dowsing – or attempting to divine the location of water, typically wells or other underground bodies of water.

Just as divination for water tends towards forms of dowsing, divination by water or hydromancy tends towards forms of scrying by looking at water or bodies of water, particularly those identified as divine or sacred.

Think Galadriel’s Mirror in The Lord of the Rings – except why couldn’t it have been Galadriel’s Jacuzzi? I’m sure I’d have had many meaningful visions, particularly with Galadriel in it.

The permutations of hydromancy are almost endless, including observations of color, ebb or flow, tides or currents, ripples from pebbles or other objects cast into water, or the movement (or flotation) of objects in water.

Again, one could probably squeeze out enough drops of hydromancy for their own top ten within my top ten, but I’ll just mention two here as worthy of distinction – cryomancy or divination by ice or snow, and hydatomancy or divination by rain or rainwater. To which I’d add my own invention of flotsamancy and jetsamancy, for divination by flotsam and jetsam.

As a method of divination, hydromancy would appear to be as or even more versatile than pyromancy, although perhaps lacking quite the same potency for visions, at least from burning particular substances.

As a school of magic, hydromancy would similar seem more versatile than pyromancy – particularly if one extends it throughout all forms of water from snow and ice to clouds or mist, not to mention the full volume of it as the surface area of our planet and within our bodies or all life (in the style of blood-bending within water-bending in the Avatar series), even more so if one extended it in more metaphorical senses of cleansing, healing and life. Or ebb and flow, rhythm and tides – in the style of the metaphorical comparison of the Tao to water.

RATING: 4 STARS****
A-TIER (TOP TIER)

Free ‘divine gallery’ sample art from OldWorldGods

(6) AEROMANCY

What the thunder said.

Aeromancy is not so much divination from the classical element of air, given that air is invisible and intangible of itself, but more divination from atmospheric conditions or weather.

As such, it has a long pedigree in history. Obviously, humans have always been concerned with atmospheric conditions or weather, albeit perhaps more to divine those atmospheric conditions or weather themselves rather than divining other things from them – particularly for agriculture.

Still, the sky and weather readily lend themselves to expressions or perceptions of the divine or supernatural reality – storms particularly so. Even now, for me one of the primary aspects of modernity is how we have harnessed the divine power of lightning for our own use, as our prehistoric ancestors harnessed the divine power of fire.

Yet again, there’s probably enough variations of aeromancy for their own top ten, but I’ll focus on those corresponding to different atmospheric or weather conditions.

Anemomancy or austromancy – divination by wind (depending on whether one goes by the Greek or Latin root for wind)

Ceraunomancy – divination by thunder and lightning. Of course, one can divide that further into divination by lightning or astropomancy, and divination by thunder or brontomancy.

Nephomancy – divination by clouds, no doubt replicating much of that favorite childhood game of seeing shapes in clouds, as humanity was also to do with the stars (but more on that later).

Wikipedia also lists chaomancy for divination by aerial visions, and uranomancy for divination by the sky, in its long list of methods of divination, but these would seem to largely correspond with one or another of the above.

As a method of divination, aeromancy would appear to be almost as versatile as hydromancy, particularly in combination of all its variations, although similarly lacking quite the same potency for visions as pyromancy. On the other hand, divination by thunder or lighting would seem more dramatic than hydromancy – similarly to the use of thunder or lightning as effects in stage or film.

As a school of magic, aeromancy would seem similar in versatility to hydromancy, particularly if one extends it through all atmospheric or weather conditions, although they also seem to overlap in such things as clouds, fog, mist, rain, sleet and snow.

I always thought that the airbenders in Avatar were unfairly nerfed to being essentially just windbenders – anemomancers or austromancers rather than true aeromancers in our parlance of mancy. At very least, I call shenanigans in the series giving lightning to firebenders.

Indeed, there are few things in nature with such raw elemental power as storms, up there with tsunamis (for hydromancers) or volcanic eruptions and earthquakes (for pyromancers and our next entry).

Similarly to pyromancy and hydromancy, aeromancy becomes even more potent if one extends it to sound, or more metaphorical uses of air as a medium such as breath (including the breath of life) and voice.

RATING: 4 STARS****
A-TIER (TOP TIER)

Free ‘divine gallery’ art sample – OldWorldGods

(5) GEOMANCY

O sweet spontaneous
earth… how
often have religions taken
thee upon their scraggy knees
squeezing and

buffeting thee that thou mightest conceive
gods…
thou answerest
them only with
spring”

Standing stones, ley lines and feng shui (although technically the latter translates as wind-water)

“Geomancy is a method of divination that interprets markings on the ground or the patterns formed by tossed handfuls of soil, rocks, or sand” – which prompts me to speculate if it had origins in prehistoric tracking.

It might also extend to lithomancy, or divination by stones – or crystals, including scrying into crystals or crystal balls. Or to spelunking for visions in caves – or climbing for them on mountains (oromancy or divination by mountains). Shoutout also to topomancy or divination by geography or geological formations.

As a method of divination, geomancy seems somewhat, well, meh – lacking the versatility, potency or intensity of the other methods of divination in our top ten so far, which begs the question of its ranking above them.

To be honest, part of its top ten ranking was to complete the set of four classical elements – although that still begs the question of why it is ranked over pyromancy, hydromancy and aeromancy. However, the major part of its ranking is more as a school of magic or mysticism – channeling or harnessing the magical or mystical energy of the earth itself.

Of course, there is something of an overlap with divination, but what might be considered a more proactive form of divination – not passively attempting to divine good fortune from physical features, but actively attempting to channel or harness their energy to make good fortune, literally grounding the expression that you make your own luck.

The archetype of this active creation of good fortune is the Chinese tradition of feng shui – “manipulating the flow and direction of energy based on aesthetics, location, and position of objects and buildings”.

At its widest, that archetype of geomancy is extended to things that are broadly dubbed “Earth mysteries” in Western popular culture – including those projected back to megalithic or monumental history or prehistory. The megaliths or standing stones of Europe, pyramids in general and particularly in Egypt, so-called ley lines, and so on.

As a school of magic harnessing the power of the earth itself, geomancy ranks high in potency, even more so if one combines it with actual geology – not to mention such things as earthquakes, volcanoes, lava or earth’s molten core, geological time, tectonic plates, earth’s electromagnetic field, and gravity. Or the metaphorical or symbolic meanings of earth and ground.

RATING: 4 STARS****
A-TIER (TOP TIER)

Free ‘divine gallery’ art sample – OldWorldGods

(4) ASTROMANCY

The fault in our stars.

Yes – I’m talking astrology, except it should be called astromancy rather than coopting a suffix that should rightly be applied to an actual science, instead of forcing that science to go by astronomy instead.

Astromancy – divinatory astrology – needs little introduction, as it sadly persists even today, although we often overlook distinctions between different traditions of astrology. The predominant tradition is that of Western astrology, which can be traced back to Mesopotamia, although Eastern or Chinese astrology is also popular. Year of the Dragon and all that.

And as opposed to other forms of divination or magic, often seen as grubby, particularly by Christianity, astrology has always seemed to command a respectable status, even an elevated one, perhaps consistent with the heavenly bodies of its subject, typically seen as divine or gods of themselves, or at least reflecting the design of gods or God.

Again, it is likely to be one of the first methods of divination, certainly as demonstrated by its pedigree in recorded history or archaeology, but probably in prehistory.

The sensory power of the night sky and stars may be somewhat diminished to the average inhabitant of modern cities with artificial illumination (and corresponding light pollution), but its raw elemental vision loomed large to our ancestors – such that historian Geoffrey Blainey in his History of the World devoted a chapter to the impact of the night sky in history.

The night sky and stars are literally heavenly and hence archetypally divine – a compelling Rorschach test upon which humanity has avidly projected meaning.

While its root Greek word would strictly only apply to divination by the stars or their movements, astromancy or astrology (sigh) typically extends to other heavenly bodies (such as the planets). As such, it includes things that are occasionally styled as more specialized – such as heliomancy or lunamancy for sun and moon, or cometomancy for comet or their tails, and so on.

As a method of divination, astromancy is undoubtedly popular, reflecting the emotional power of the sight of heavenly bodies, but it would also seem to have the problem of its sheer scale – that is, how cosmic movements or positions can relate to individual events or people.

As a school of magic, it varies on interpretation. If limited to invoking the quality of the stars themselves, as visually impressive as they are, they don’t do much else other than shine, at least as we experience or see them, and then only at night (mostly). Although even conjuring starlight in darkness can be potent, as Frodo and Sam found in Shelob’s Lair.

Of course, astromancy become more potent if it extends to conjuring or invoking stars in all their stellar or astral symbolism or metaphor – often dreamlike, fey or ethereal in nature.

Once you throw in the moon and even more so the sun, astromancy starts playing with power. That’s particularly so if it extends to lunar symbolism or metaphor – lunacy, tides and so on. Or literal or figurative solar power – light, heat, growth, fertility (or aridity).

Ironically, if one combines the cosmic conjuration of astromancy with the actual science of stars of astronomy or astrophysics, astromancy potentially becomes ridiculously overpowered on godlike levels.

For example, conjuring cosmic forces of nuclear fusion, radiation, the speed of light and electromagnetic spectrum, gravity, time, entropy, the vacuum of space, absolute zero, supernovae, black holes and singularities. Not to mention either end of the Big Bang or heat death of the universe – and all the various theories of cosmology.

RATING: 5 STARS*****
S-TIER (GOD-TIER – OR SHOULD THAT BE STAR-TIER?)

Free ‘divine gallery’ art sample – OldWorldGods

(3) HIEROMANCY

“Who are these coming to the sacrifice?”

No doubt some are wondering what could exceed the cosmic power of the previous entry, astromancy? Or the elemental power of the preceding methods of divination or schools of magic?

And yes – astromancy might top the scale for sheer raw power, even absurdly so, but it lacks the conceptual force that underlies hieromancy, which is that divination or magic COSTS. When it comes to either, there is no such thing as a free lunch – particularly when it comes to breaking the normal rules of reality as they do. No snatching the secrets from the stars just by looking at them as in astrology – that’s just cheating or cutting corners.

There’s a price to be paid, in full – and very often in blood. And we all have to make sacrifices. The world is indeed a vampire, at least when it comes to divination or magic.

That can be the case even combined with other methods of divination or schools of magic. For example, one can still channel or harness power from some cosmic, elemental or other source but it needs a hieromantic payment or sacrifice, as a trigger or ignition point, as a focus or means, or as a key to unlock it.

This concept that divination or magic requires some payment or sacrifice has a logic and therefore potency to it, to avoid being reality-breaking or story-breaking if magic is too easy. For example, it is striking just how low magic The Lord of the Rings is compared to the high magic of your average Dungeons and Dragons setting. If The Lord of the Rings was a Dungeons and Dragons campaign, it could be over in a few turns by casting some sort of divination spell on the ring and magically teleporting to Mount Doom.

Strictly speaking, hieromancy is divination by sacred or holy means or objects (from the Greek root hiero- for sacred or holy), although typically that is by sacrifice. I mean, have you read all the sacrifices at the Temple prescribed by the Bible in Leviticus and those books? The place sounds like an abattoir.

The archetypal hieromancy is divination by entrails from animal sacrifices, or as it was known from Latin, haruspicy (performed by a haruspex). One might say that hieromancy is like hydromancy, except that it involves scrying blood and guts rather than water. The liver was of particular interest – hence hepatoscopy or hepatomancy.

Of course, when the chips were down, the ultimate form of hieromancy was anthropomancy – or divination from human sacrifice, again particularly by entrails of the dead or dying sacrificial victims. Perhaps it worked best if you ate the liver with some fava beans and a nice Chianti? I’d also like to imagine that when Aztec priests dressed up and danced around in the flayed skin of their sacrificial victims, that anything they said would be taken as oracular utterances.

As a method of divination, it doesn’t seem particularly instructive, other than telling that whatever was sacrificed is dead.

As a school or even more so system of magic, it has a conceptual force to it. Much like the rest of life, you get what you pay for – by exchange, payment, or sacrifice. That would also extend to contracts or Faustian pacts with divine or infernal powers.

Perhaps the archetypal hieromantic magic is the trope of blood magic (which I suppose technically might be haematomancy or hemotomancy).

“Spilling of blood is a potent force in the working of magic. It may be a token sacrifice, but it may also be the loss of life that fuels the spell. Expect mages who practice blood magic to be portrayed as evil, or at least charcoal grey, with possible exceptions made for druid like nature cults that may be considered amoral…Some blood may be indicated to be more powerful than others. Common types are human blood, monster blood, the blood of royalty, the blood of a special line, the blood of an innocent, a child’s blood, the caster’s own blood, or virgin’s blood. Sometimes only a single person’s blood has power, and any other blood is powerless. Sometimes it also makes a difference whether the blood being used was offered willingly or taken unwillingly”.

RATING: 5 STARS*****
S-TIER (GOD TIER – although ironically the gods and similar beings usually get their magic for free as part of their being or nature)

Free “divine gallery” art sample – OldWorldGods

(2) NECROMANCY

Dead men do tell tales!

That’s right – it’s the mancy everyone knows, virtually synonymous with evil and death or the undead in popular culture, hence its high ranking although I refuse to give it top spot.

For example, Sauron styles himself as the Necromancer in The Hobbit, although he doesn’t seem to do much actual necromancy – he probably would have done better with armies of the undead in The Lord of The Rings. Of course, he was also a vampire AND a werewolf at various points, because the First Age was trippy.

Necromancy has a far older literary pedigree – indeed the oldest, at least for the two sources of Western literary culture, the Bible and the epics of Homer, albeit the Odyssey rather than the Iliad.

The Bible has the Witch of Endor, whom Saul consults to raise the prophet Samuel from the dead. Interestingly, it is presented as working, although both Samuel and God seem pissed about it. It could also be argued to present with the same deception or trickery as a séance.

The Odyssey has the archetypal journey into the underworld by its protagonist to consult the shade of the prophet Tiresias, with the nice necromantic component of pouring out sacrificial blood to attract the dead – also perhaps demonstrating the substantial overlap with hieromancy and blood magic from the previous entry.

Interestingly, in both cases, while the necromancy involved raising or summoning the dead person, but the actual divination or prophecy part did not originate from them being dead, but that they had been prophets in life. Although Odysseus’ dead mother also has useful information for him – and I have read (and prefer) adaptations that extend the divination to other shades.

Necromancy has a pedigree older than literature or writing, as its inclusion in the Odyssey, originally an oral epic, suggests. Indeed it has probably the oldest, likely one of the first methods of divination in history or prehistory – originating from when humans first associated death or the dead with a mystical or supernatural realm, from which one could see things not seen by the living.

Strictly speaking, necromancy is defined not as the hardcore zombie apocalypse type of necromancy we see in popular culture, but only calling on or communicating with the dead for divination – divining things beyond the knowledge of the living, whether past, present or future. After all, the dead reside in eternity as opposed to time.

As such, it was not necessarily evil in origin – indeed, quite the contrary, seeking out or summoning the spirits of ancestors or dead heroes for guidance. To the extent that it extended beyond communing with ancestors or heroes, it probably involved positive aspects of keeping balance between life and death, or with the spirit realm or souls, for purposes such as healing.

“But since that’s not nearly as interesting as zombies”, necromancy in popular imagination and culture is, as I said, virtually synonymous with evil and death, or rather, the undead – the ultimate crossing lines that were not meant to be crossed between life and death, animating or controlling the dead (or generally playing with dead things).

“The career of necromancer is an excellent choice for evil-doers who are not a ‘people person’. Though some might say there is not much point to turning the earth into one gigantic graveyard, these people are fools and will never understand anyway. Good career entry points for becoming a necromancer include occultists, dabblers in voodoo, grave diggers, morticians, possessed eight-year-old girls, and inheritors of scary books wrapped in human flesh.”
— Neil Zawacki, How to be a Villain

As TV Tropes points out, necromancy commonly overlaps with the trope of necromantic (a pun of necromancy and romance) – bringing back a loved one lost to death. Also, “it’s not unheard of for a necromancer to be one of the undead themselves, often a lich. Even if they aren’t liches or other forms of undead themselves, they are likely to have unlocked other ways of prolonging their own lives to unnatural lengths. Furthermore, they may become partially undead.”

As a means of divination, it’s up there with the original and the best, the dead perhaps being second only to the divine or infernal (and often overlapping with those) in secret knowledge. Speaking of infernal, necromancy definitely overlaps with the more rarely used necyomancy (or divination by summoning damned souls) or demonomancy (or divination by demons).

As a school of magic, it is similarly one of the most powerful, if distasteful. It was notoriously overpowered in Dungeons and Dragons, such that opting out of it was effectively nerfing your wizard – although ironically the class of cleric made for better necromancers than wizards, which certainly makes me think differently of the average priest.

RATING: 5 STARS*****
GOD-TIER (OR IS THAT DEVIL-TIER – OR DEATH-TIER?)

Art from Neil Gaiman’s The Sandman graphic novel series – one of the best depictions of what is essentially oneiromancy

(1) ONEIROMANCY

“Your young men will see visions and your old men will dream dreams”.

Oneiromancy, or divination by dreams, may not have the brand recognition of necromancy in second top spot, but it takes out the top spot all the same.

That’s somewhat like Neil Gaiman’s Sandman series, where Dream gets top billing as the titular protagonist. In fairness, Death remains his older and more powerful sister, but she’s also nice and not at all necromantic.

On the subject of fantasy in popular culture, one of my favorite depictions of oneiromancy as the core for a fantasy or SF series is that of Robert Silverberg’s Majipoor series, particularly in the first book Lord Valentine’s Castle.

However, its top spot here goes beyond my enjoyment of Sandman or Silverberg, and for that matter a preference for dreams over death or the undead.

It can be argued – and effectively has been by anthropologist Pascal Boyer – that oneiromancy probably was the original source of all divination, not least of necromancy, or indeed, of magic and religion in general, and for much the same reason as for necromancy. That is, that we see dead people in our dreams – prompting us to believe that they live on or have some continuity in a spirit realm or supernatural reality.

As Joseph Campbell famously opined, mythology overlaps with dream – “myths are public dreams, dreams are private myths”.

Prophetic dreams and their interpretation recur surprisingly frequently in the Bible, from Genesis to the Gospels and arguably to Apocalypse. And when they are not actual dreams, it is striking how often God or angels reveal themselves by night rather than day – in divine dream-like revelations. Unlike other methods of divination, oneiromancy seems respectable or even ordained in the Bible, to the point that God himself might be styled the god of dreams.

Biblical oneiromancy is only one of many throughout world mythology – with written or literary records including manuals of dream interpretation dating back to the beginning of recorded history in Mesopotamia.

And one might say we’re still at it – with modern psychology originating as a form of oneiromancy, not least with that landmark work The Interpretation of Dreams by that leading modern (sexual) oneiromancer, Freud.

In turn, this originates with the raw and vivid emotional power of dreams for each of us. Who among us does not secretly believe that our dreams are true or meaningful in some transcendent way? Although, I always recall a quip that dreams can mean everything and nothing – or that dreams are the bowel movements of the brain.

It does not seem an exaggeration to suggest that all divination is ultimately a form of oneiromancy, whether by way of using dreams and visions as a focus for divination, or by similar means of symbolic interpretation.

Nor does it seem an exaggeration to suggest that all magic is also ultimately a form of oneiromancy – essentially acts of lucid dreaming to shape reality to our imagination, or to impose dream-logic on reality to make it fluid like dreams.

At very least, oneiromancy would seem to be a straightforward one-on-one correspondence to the schools of enchantment and illusion in Dungeons and Dragons, but readily also adapts every other school of magic, perhaps most vividly conjuration and transmutation by dream-logic. Also abjuration – necromancy too if one counts nightmares.

Nor does it seem exaggeration to style all supernatural reality as the Dreaming, as in indigenous Australian culture, which has been widely adopted by popular culture well beyond its original context.

The versatility and power of oneiromancy was perhaps best stated in the Sandman, where the titular personification of dream confronts the powers of hell, mocking him that he has no power there. He replies simply what power would hell have if those in it could not dream of heaven? And of course one might say that heaven and hell are but themselves dreams, albeit fever dreams for the latter.

RATING: 5 STARS*****
S-TIER (GOD-TIER – OR IS THAT DREAM-TIER?)

TOP TENS – MYTHOLOGY:
TOP 10 MANCY (TIER LIST)

S-TIER (GOD-TIER)

(1) ONEIROMANCY
Divination or magic using dreams

(2) NECROMANCY
Divination or magic using the dead…and undead

(3) HIEROMANCY
“Who are these coming to the sacrifice?” – sacrificial divination or blood magic

(4) ASTROMANCY
The fault in our stars – divination or magic using stars, planets and other celestial phenomena

A-TIER (TOP TIER)

Divination or magic using the classical elements

(5) GEOMANCY
Earth – standing stones, ley lines and feng shui

(6) AEROMANCY
Air or atmospheric conditions / weather

(7) HYDROMANCY
Water

(8) PYROMANCY
Fire

(9) THERIOMANCY – ORNITHOMANCY
The way of animal powers – divination or magic using animals (with ornithomancy using birds or augury)

(10) SOMATOMANCY – CHIROMANCY
“Man is the measure of all things” – divination or magic using the human form or body (with chiromancy using the palms of the hands or palmistry)