Top Tens – Poetry & Literature: Top 10 Poetry (2) Dylan Thomas – Do not go gentle into that good night

 

(2) DYLAN THOMAS –

DO NOT GO GENTLE INTO THAT GOOD NIGHT (1951)

 

“Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night”.

Wales’ leading poet, druid dude and pantheistic Jedi of the Force – “the force that through the green fuse drives the flower”. Also “prince of the apple-towns” in Fern Hill and the young dog in Portrait of the Artist as a Young Dog

“Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.”

A “roistering, drunken and doomed poet”, who left the world at 39 – “I hold a beast, an angel and a madman in me”. Don’t we all?

“And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.”

 

RATING: 5 STARS*****
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Top Tens – History: Top 10 Wars (Special Mention) (7) Bronze Age Collapse

 

Sea Peoples in their ships during battle with the Egyptians – relief from the mortuary temple of Ramesses III at Medinet Habu (public domain image – Wikipedia “Late Bronze Age Collapse”and “Sea Peoples”)

 

(7) BRONZE AGE COLLAPSE

 

Styled as World War Zero by some historians.

The Bronze Age Collapse – or more precisely Late Bronze Age Collapse – was the widespread societal collapse of Mediterranean Bronze Age civilization in the 12th century BC, argued to be worse than the collapse of the western Roman Empire or even the worst case of societal collapse in human history.

Minoan Crete and Mycenaean Greece – the Greeks of the Trojan War – were among the most famous casualties, ushering in the Greek Dark Ages for a few centuries.

However, they are among about a dozen ancient civilizations that collapsed or declined – foremost among them the Hittite Empire that collapsed in Anatolia, while Egypt’s New Kingdom and the Assyrians clung on by the skin of their teeth, in decline or weakened. “Almost every significant city in the eastern Mediterranean world was destroyed, many of them never to be occupied again.”

I don’t know much about the finer details of the Bronze Age Collapse, but then neither does anyone else ultimately, as it remains the subject of argument and theory.

However, war is often cited as the main culprit, typically at the hands of the mysterious and to some extent still hypothetical “Sea Peoples”, seaborne raiders to rival the more usual horse blitzkrieg of nomadic herding tribes in civilization-crushing effect.

I certainly think war played a major part, hence this special mention, although am less clear whether it was the cause of the collapse or an effect – with the latter involving the Sea Peoples and others effectively moving into the void left by collapsing civilizations.

Interestingly, the Sea Peoples are proposed to include a number of ethnic groups – one of which is identified as the ancestors of the Philistines faced by the Israelites in the Bible. The Israelites themselves rose in the vaccuum left behind by the retreat or collapse of Hittites, Egyptians and Assyrians – so that the Bible itself has origins in the Bronze Age Collapse, as does that other landmark of western culture, the Iliad and the Odyssey.

Apart from Sea Peoples and war, other causes are proposed for the collapse – political fragmentation or rebellion within societies, drought or famine, natural disasters such as earthquakes or volcanic eruption, plagues, and the collapse of trade for manufacture of bronze (or the emergence of iron among adversaries).

Or a combination of all of these – “the civilizations could have endured any one disaster, but not multiple at the same time, especially not when they were feeding into one another”.

 

RATING: 4 STARS****

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Top Tens – Poetry & Literature: Top 10 Literature (1) Joseph Heller – Catch 22

 

(1) JOSEPH HELLER – CATCH-22 (1961)

“There was only one catch and that was Catch-22…”

Yeah – this is the big one. This is the book that changed me forever. If you peel back the layers of my psyche, you’d find this book lodged deep in my mind. Even more than any fantasy or science fiction book, this book is the lens by which I see the world.

An absurdist and at times black comedy. Life is the laughter of the gods – but sometimes they have a black sense of humor.

A satirical antiwar novel – it focuses on Yossarian, an American bombardier in the Second World War, who would very much like to not be a bombardier in the Second World War.

Distinctive non-linear or “non-chronological omniscient third person” narrative, with the plot seemingly an assortment of random events on base or shifting focus across several characters (among the most humorous character vignettes in literary fiction) – although linked by the main focus on Yossarian and recurring story arc of mysterious references to Snowden.

And of course the novel originated the titular expression to describe a no-win situation or a double bind.

“A wild, moving, shocking, hilarious, raging, exhilarating, giant roller-coaster of a book”.

 

POETRY (DRAMA)

 

No poetry ranking but Heller does get my drama ranking for writing plays and screenplays, including three plays based on Catch-22. Catch-22 has also been adapted to film in 1970 – it’s not bad but it’s not the book either – and a six-episode miniseries by George Clooney in 2019 – again not the book but not bad either, probably better than the film

 

FANTASY & SF (COMEDY)

 

The absurdism verges on fantasy but Heller can’t be ranked in the fantasy (or SF) genre, at least in this book – on the other hand, Catch-22 is the best comedic book in literary fiction.

RATING: 5 STARS*****
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Top Tens – Poetry & Literature: Top 10 Poetry (3) e.e. cummings – i carry your heart

 

(3) e.e. cummings – i carry your heart with me (1952)

 

“i carry your heart with me (i carry it in
my heart) i am never without it (anywhere
i go you go, my dear; and whatever is done
by only me is your doing, my darling)”

e.e. cummings – modernist free-form poet, delighting in the sheer exuberance of wordplay, idiosyncratic syntax and punctuation. yes – he even made punctuation sing.

“i fear
no fate (for you are my fate, my sweet) i want
no world (for beautiful you are my world, my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you”

what earns him god-tier ranking is my love of quips and koans, something i strive to emulate in my own writing – and he was the poet of quips and koans. he has some cracking one-liners – some of my favorites in literature or anywhere.

as in “Buffalo Bill’s” – “how do you like your blue-eyed boy Mister Death”

or “pity this busy monster, manunkind” – “we doctors know a hopeless case if – listen: there’s a hell of a good universe next door; let’s go”

while i was tempted to give the top spot to one of his erotic poems, i chose one of his more conventional – or as conventional as they get – love poems. indeed – perhaps his most classic love poem

“here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life; which grows
higher than soul can hope or mind can hide)
and this is the wonder that’s keeping the stars apart

i carry your heart (i carry it in my heart)”

 

RATING: 5 STARS*****
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Top Tens – History: Top 10 Wars (Special Mention) (6) Chinese Revolution & Civil War

Chairman Mao Zedong proclaiming the People’s Republic of China on 1 October, 1949, colorized (public domain image)

 

(6) CHINESE REVOLUTION & CIVIL WAR (1911-1949)

 

That’s right – it’s the other definitive communist revolution, and arguably the true model of communist revolution or insurgency in the Global South.

The fourth of the four revolutions I rank as the god-tier revolutions of history and include in my special mentions for my top ten wars from sheer scale and impact – but also in this case as it was more civil war than revolution.

It naturally follows on from my special mention for the Russian Revolution and Civil War, not least because of the role Soviet assistance played in it but also because it replayed many of the same beats, albeit over a much more protracted period – in at least two phases, or three if you count the initial warlord period.

Of course, the original Chinese Revolution – of which both the two largest warring parties in the civil war, the Communists and the Nationalists or Kuomingtang (KMT) saw themselves as the true successors – the one led by Sun Yat-sen (or Sun Yuxian) that overthrew the Qing dynasty as China’s last imperial dynasty, was in 1911-1912 and hence preceded the Russian Revolution in 1917.

However, as was often the case with the collapse of central state authority in China (or the mandate of heaven), it devolved into the usual competing warlords or warring states from 1916-1927 – in an exotic multi-party battle royale that might be compared to the Russian Civil War at the height of all its chaotic glory.

It even had foreign intervention, albeit on a smaller scale than the Russian Civil War. The Soviets assisted the main warring party, the Nationalists seeking to reunify China under their Republic, as the Soviets saw them as the necessary prelude to socialism. Intriguingly, the Germans also assisted the Nationalists – and more intriguingly, that assistance continued from the warlord period to the first genuine phase of the Chinese Civil War, by both the Weimar Republic and Nazi Germany.

It is intriguing to ponder how world history might have turned out if Nazi Germany had continued to support Nationalist China, but they swapped to the foreign power that ominously loomed over China to exploit its weakness and ultimately was the one to intervene most decisively of all – Japan.

The warlord period is generally considered to have transitioned to the first phase of the Chinese Civil War proper from 1927 “when Chiang Kai-shek led the Socialist-Nationalist two thirds of the KMT’s military forces against Wang Jingwei’s Socialist-Communist/Internationalist third…the first time in the Republic’s history that two organisations with sufficient bases of popular support and military-economic power to potentially unify the country had fought one another”.

Wang Jingwei was subsequently eclipsed by the new Chinese communist leader who became virtually synonymous with the Chinese Civil War and for whom Chinese communist ideology was named – Mao.

However, the Chinese communists did not do too well in this first phase, with effective control of less than a twentieth of the population (compared to the third controlled by Chiang’s Nationalists) and were on the brink of complete extinction. “Their doom was, historians agree, imminent and inevitable” – until they were effectively saved by the Japanese in the Second Sino-Japanese War from 1937.

The Japanese had already indirectly given the Chinese communists some much needed reprieve with their invasion of Manchuria in 1931. In an episode which also showed that some of the warlord period chaos lived on in the Nationalists, the Xian Incident, two of Chiang’s generals kidnapped him to force him to form a united front with the communists against the Japanese.

Chiang subsequently reneged on the united front with renewed hostilities against the communists but the Sino-Japanese War from 1937 forced his hand again to put those hostilities on hold for a second united front against Japan, even if both he and the communists increasingly paid lip service to it in preference to the inevitable renewal of civil war against each other.

Despite the united front, Chiang’s Nationalists bore the brunt of Japan’s war in China, which arguably dealt them their mortal wound in China’s civil war. In 1944, Japan launched its last major offensive, Operation Ichi-go – the last successful offensive by it or any Axis power towards the end of the Second World War and yet largely unknown outside specialist historians – which severely weakened Chiang’s forces (as well as an economy increasingly ravaged by hyper-inflation). In general, “the demands of fighting the war essentially destroyed the KMT’s capacity to function as an administration”.

The civil war resumed “as soon as it became apparent that Japanese defeat was imminent” (at the hands of the Americans) “with the communists gaining the upper hand in the second phase of the war from 1945 to 1949, generally referred to as the Chinese Communist Revolution”.

This again saw foreign intervention along predictable Cold War lines – the Soviets on the side of the Communists and the Americans on the side of the Nationalists.

The Americans were notoriously cautious in their intervention – subsequently giving rise to accusations of “losing” China and communist infiltration of the American government. What is interesting is that the Soviets were equally cautious in their own intervention, perhaps from Stalin’s intuition that a united communist China would be their rival in the long term. Hence the Soviets consistently urged restraint on Mao to accept the north-south partition that was all the vogue in Cold War Asia – between a Communist north and a Nationalist south.

Mao ignored this and the Communists gained control of mainland China anyway, proclaiming the People’s Republic of China. However, the Communists ultimately had to accept a residual partition of a different kind with the Nationalists retreating to the island of Taiwan to proclaim their Republic of China there, as the Communists had no means to pursue them – particularly after the US gave their naval support to Taiwan. That partition of course continued even until today, remaining as a source of tension with no armistice or treaty signed between them.

 

RATING: 5 STARS*****

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Top Tens – Poetry & Literature: Top 10 Literature (2) Jeremy Leven – Satan: His Psychotherapy & Cure

 

 

(2) JEREMY LEVEN –
SATAN: HIS PSYCHOTHERAPY & CURE BY THE UNFORTUNATE DR KASSLER J.S.P.S (1982)

 

“The truth of the matter is, I am not the Father of Evil…I am not a seducer. Or an accuser. Or a destroyer…But let me tell you something. You never hear of a vengeful Satan, a Satan of wrath, a Satan who brings on pestilence and famine. That’s the other fellow. You should keep this in mind”.

Somewhat loosely a fantasy, but the titular character is primarily a plot device for black comedy and satire – a black comedy of life itself and a satire of religion. A theological version of my top entry and as indelibly planted in my adolescent psyche.

 

The raunchy cover of the edition I borrowed to read in my youth but sadly not the cover of the edition I bought later

 

Although devilishly funny in its entirety, the highlight (and centerpiece) of the book is the seven psychotherapy sessions with hapless psychologist Kassler, agreed by the latter in a literal deal with the devil in exchange for Satan’s revelation of the Great Secret of Life.

I and my sense of religion were never the same after reading this book – and Satan forever changed for me from a supernatural figure of childhood Catholic fear to a more mythic figure of the human condition, as forlorn and lost as any of us.

 

POETRY (DRAMA)

 

No poetry ranking but Leven does earn a drama ranking as an actual screenwriter. Sadly, while his first novel Creator – also a great read – was adapted to a film, this one wasn’t. Which is a pity as it would have made a cracking film.

 

FANTASY & SF (COMEDY)

Given its plot and premise, this book could well be argued to be fantasy – as indeed could all three of his books. And it is one of the funniest books in my top ten.

 

RATING: 5 STARS*****
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Top Tens – History: Top 10 Wars (Special Mention) (5) Russian Revolution & Civil War

Montage of photos made during the Russian Civil War – from Wikipedia “Russian Civil War” under licence https://creativecommons.org/licenses/by-sa/4.0/deed.en

 

(5) RUSSIAN REVOLUTION & CIVIL WAR (1917-1922)

 

That’s right – it’s the communist revolution, as in THE communist revolution. The origin or archetype of all subsequent communist revolutions, which in turn have made the word revolution itself virtually synonymous in modern history with communist revolution.

“Civilization is being completely extinguished over gigantic areas, while Bolsheviks hop and caper like troops of ferocious baboons amid the ruins of cities and corpses of their victims.”

I’ve included the two great eighteenth century revolutions or revolutionary wars – the wars of the American Revolution and the French Revolution – in my god-tier special mentions as wars that made the modern world.

However, they are only two of the four revolutions I rank as the god-tier revolutions of history pursuant to adding the two definitive twentieth century revolutions. I was going to reserve the latter two revolutions for my top ten revolutions but consider that they simply have too great a scale and impact, particularly in the fascinatingly convoluted civil wars fought because of them, to omit from special mentions for my top ten wars.

So following on from my special mentions for the American and French Revolutions, this is my special mention for the third of my four great revolutions or revolutionary wars – the Russian Revolution and Civil War, evolving from and overlapping with the Eastern Front of the First World War.

Whereas the American Revolution and French Revolution had been the vanguard of modern liberalism and nationalism, the Russian Revolution was the vanguard of modern Marxist socialism – literally in the ideology of its chief revolutionary Lenin, for which its strand of socialism came to be named as Marxist-Leninism.

Or in other words, communism, although technically communism was its professed theoretical end state – or rather, end-statelessness, since Marxism proclaimed its ‘temporary’ authoritarian state, the dictatorship of the proletariat, would wither away.

However, the Marxist authoritarian state proved much more durable than Marx had anticipated, particularly the new communist government or Soviet Union that emerged from the Russian Revolution and Civil War.

It also proved to provoke much more fervor, both for and against it, in a manner similar to Marx’s opiate of the masses, religion. I sometimes like to quip about the four great evangelizing or missionary religions in history – Buddhism, Christianity, Islam, and Marxist-Leninism. And of the other three, the Bolshevik revolutionaries in the Russian Revolution and Civil War most closely resembled the militancy of Islam – as observed by Paul Johnson, although Johnson also thought Lenin even closer to Jean Calvin, “with his belief in organizational structure, his ability to create one and then dominate it utterly, his puritanism, his passionate self-righteousness, and above all his intolerance”.

It tends to be forgotten that there were in fact two revolutions in the Russian Revolution, resulting in one of my pet peeves of history with the popular misconception that the Bolsheviks overthrew the Russian monarchy of the Tsar.

They did not. The first revolution or February Revolution did, instituting the new Provisional Government in the style of a parliamentary republic and closer to the liberalism or nationalism of the American and French Revolutions.

What the Bolsheviks overthrew, in the second revolution or October Revolution that is generally remembered as the Russian Revolution, was the first revolution’s Provisional Government – capitalizing (heh) on that Government’s single biggest weakness, the continuation of Russia’s war effort in the First World War.

Surprisingly, the Bolsheviks did this by mostly bloodless coup – at least at the outset. The resistance to their revolution and their reaction to that resistance proved very bloody indeed. The new Bolshevik regime, which ultimately became the Soviet Union, pulled out of the world war but fought a far-flung civil war on an even larger scale. It always seemed to me ironic that Russian war-weariness from the casualties of the First World War played such a large part in the revolution led by the Bolsheviks, only for the Bolsheviks to fight a civil war which involved even more casualties in the former Russian empire than the First World War.

And it’s that civil war which is particularly fascinating, albeit incredibly convoluted, as far removed from the more straightforward civil wars fought (at least largely) between two opposing sides. Instead, the Russian Civil War was what Wikipedia describes as a “multi-party civil war” and what I would describe as an all-out battle royale or pile-up.

Sure, there were the two largest combatants – the Bolsheviks or Reds, and the so-called Whites, “the loosely allied forces” in opposition to the Bolsheviks. Beyond the opposing Red and White Armies, there were the Blacks or anarchist forces, particularly those led by Makhno in Ukraine, and the non-ideological Greens or nationalist forces. Not to mention a Blue Army in there somewhere, rival militant socialists, village peasant factions, Baltic and Caucasian nationalist separatists, Poland, and more.

And beyond them were the foreign forces – the Allies intervening for the Whites or against the Red Army, “whose primary goal was re-establishing the Eastern Front of World War 1” and the Central Powers, chiefly Germany, intervening for the Reds or “rivalling the Allied intervention with the main goal of retaining the territory they had received in the Treaty of Brest-Litovsk with Soviet Russia”.

While the Allied intervention extended to a dozen or more nations depending on how you reckon them, it is another one of my pet peeves of history when people, usually left wing, bring this up as an indictment of capitalist states going all-out attempting to crush “the revolution”. While the Allies no doubt hoped to reopen the Eastern Front and therefore opposed the Reds, they were even less united than the Whites they ostensibly supported, and with a few notable exceptions never committed forces on any decisive scale – mostly more in the nature of a few guys as advisors or sitting around docks to protect them or the materiel they had shipped to their former Russian ally.

Ultimately the Bolsheviks or Reds won against all other combatants, among other things from their greater unity and fanatical purpose, as well as a greater ability to make promises and break them later – particularly the longstanding ability of communists to stab anarchists in the back. “Some historians have determined that the Black Army saved the entire war from the Whites at several points…However, they were betrayed three separate times by the Bolsheviks and defeated finally when they could turn their full force onto them”

 

RATING: 5 STARS*****

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Top Tens – Poetry & Literature: Top 10 Literature (3) Douglas Coupland – Generation X

 

(3) DOUGLAS COUPLAND –

GENERATION X (1991)

“Kind of scary, kind of sexy, tainted by regret. A lot like life, wouldn’t you say?”

Popularized the term Generation X with its title, as well as numerous other neologisms.

McJob – “a low-pay, low-prestige, low-dignity, low-benefit, no-future job in the service sector. Frequently considered a satisfying career choice by people who have never held one”.

Or ‘veal-fattening pens’ for office cubicles. Or ‘pull-the-plug, slice-the-pie’ for the “fantasy in which an offspring mentally tallies up the net worth of his parents”. I wonder if my mother still pops in here – hi, Mum!)

Essentially a latter day Canterbury Tales on the eve of the second millennium – a framed narrative of a story-telling contest by a group of youths of the titular generation and varying dysfunction.

 

POETRY (DRAMA)

 

No poetry ranking as he hasn’t written any poetry, although he does get lyrical in his prose. He does earn a drama ranking as he has written screenplays – although ironically not for this novel, which would seem to be eminently suited to stage at least.

 

FANTASY & SF (COMEDY)

 

Coupland hovers on the edge of fantasy and SF – at least in some of the stories his characters tell here. While not the most comedic entry in this top ten, he does have a dry comedic style.

RATING: 5 STARS*****
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Top Tens – Poetry & Literature: Top 10 Literature (4) Peter Carey – Bliss

 

(4) PETER CAREY –

BLISS (1981)

“Harry Joy was to die three times, but it was his first death that was to have the greatest effect on him”.

More than a touch of fantasy – or “magical realism” as they call it in literary fiction.

Indeed, almost my favorite subgenre of fantasy, posthumous fantasy, with that first death of Harry Joy. He gets better.

But his ‘afterlife’ takes a turn for the worse.

“Written as a dark, comic fable, the story concerns an advertising executive, Harry Joy, who briefly ‘dies’ of a heart attack. On being resuscitated, he realizes that the life he has previously drifted amiably through is in fact Hell – literally so to Harry”

Resonant with mythic and symbolic imagery – one of the biggest influences on my own imagination. Not to mention one of two Australian entries in my top ten – publishing his works through the University of Queensland Press, no less.

 

POETRY (DRAMA)

 

I don’t know about poetry but Carey earns my drama ranking for the film adaptation of Bliss in 1985 as something of a cult classic, albeit award-winning (in Australia). It has subsequently been adapted to stage.

 

FANTASY & SF (COMEDY)

 

Yes – Carey earns my fantasy ranking, for that aforementioned touch of (posthumous) fantasy or magical realism.

Not the most comedic entry in my top ten but Carey also earns my comedy ranking for his dry black comedy.

RATING: 4 STARS****
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Top Tens – Poetry & Literature: Top 10 Poetry (4) Alfred Lord Tennyson – Ulysses

 

(4) ALFRED LORD TENNYSON –

ULYSSES (1842)

“I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me”.

Well there’s a job description for you!

Alfred Lord Tennyson – archetypal poet of Victorian literature and poet laureate.

And his Ulysses – poem in blank verse and dramatic monologue. Dramatic monologue to whom is not clear, but by whom is of course the classical hero of Iliad and Odyssey, Odysseus, or as the Romans called him, Ulysses.

Companion poem to his similarly Homeric “The Lotus Eaters” but complete opposite in tone and thought – where “The Lotus Eaters” resists the heroic call to action for slacking off and, well, eating lotus (because we’re just so wasted, man), “Ulysses” accepts it and indeed issues it

“Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
‘Tis not too late to seek a newer world”

Tennyson often tended to the heroic, particularly in the Victorian mold – which can stick in the modern craw a little, as with “The Charge of the Light Brigade” (although it is damn fine poem and eminently quotable). Even Ulysses has been accused as “part of the prehistory of imperialism” and admittedly its protagonist does sound a little like a “colonial administrator”

However, Ulysses is particularly effective – and emotive – as that last call to heroic action, literally riding (or sailing) off into the sunset in one’s own twilight.

“We are not now that strength which in old days
Moved earth and heaven, that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield”.

RATING: 4 STARS****
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