Top Tens – Poetry & Literature: Top 10 Literature (2) Jeremy Leven – Satan: His Psychotherapy & Cure

 

 

(2) JEREMY LEVEN –
SATAN: HIS PSYCHOTHERAPY & CURE BY THE UNFORTUNATE DR KASSLER J.S.P.S (1982)

 

“The truth of the matter is, I am not the Father of Evil…I am not a seducer. Or an accuser. Or a destroyer…But let me tell you something. You never hear of a vengeful Satan, a Satan of wrath, a Satan who brings on pestilence and famine. That’s the other fellow. You should keep this in mind”.

Somewhat loosely a fantasy, but the titular character is primarily a plot device for black comedy and satire – a black comedy of life itself and a satire of religion. A theological version of my top entry and as indelibly planted in my adolescent psyche.

 

The raunchy cover of the edition I borrowed to read in my youth but sadly not the cover of the edition I bought later

 

Although devilishly funny in its entirety, the highlight (and centerpiece) of the book is the seven psychotherapy sessions with hapless psychologist Kassler, agreed by the latter in a literal deal with the devil in exchange for Satan’s revelation of the Great Secret of Life.

I and my sense of religion were never the same after reading this book – and Satan forever changed for me from a supernatural figure of childhood Catholic fear to a more mythic figure of the human condition, as forlorn and lost as any of us.

 

POETRY (DRAMA)

 

No poetry ranking but Leven does earn a drama ranking as an actual screenwriter. Sadly, while his first novel Creator – also a great read – was adapted to a film, this one wasn’t. Which is a pity as it would have made a cracking film.

 

FANTASY & SF (COMEDY)

Given its plot and premise, this book could well be argued to be fantasy – as indeed could all three of his books. And it is one of the funniest books in my top ten.

 

RATING: 5 STARS*****
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Top Tens – History: Top 10 Wars (Special Mention) (5) Russian Revolution & Civil War

Montage of photos made during the Russian Civil War – from Wikipedia “Russian Civil War” under licence https://creativecommons.org/licenses/by-sa/4.0/deed.en

 

(5) RUSSIAN REVOLUTION & CIVIL WAR (1917-1922)

 

That’s right – it’s the communist revolution, as in THE communist revolution. The origin or archetype of all subsequent communist revolutions, which in turn have made the word revolution itself virtually synonymous in modern history with communist revolution.

“Civilization is being completely extinguished over gigantic areas, while Bolsheviks hop and caper like troops of ferocious baboons amid the ruins of cities and corpses of their victims.”

I’ve included the two great eighteenth century revolutions or revolutionary wars – the wars of the American Revolution and the French Revolution – in my god-tier special mentions as wars that made the modern world.

However, they are only two of the four revolutions I rank as the god-tier revolutions of history pursuant to adding the two definitive twentieth century revolutions. I was going to reserve the latter two revolutions for my top ten revolutions but consider that they simply have too great a scale and impact, particularly in the fascinatingly convoluted civil wars fought because of them, to omit from special mentions for my top ten wars.

So following on from my special mentions for the American and French Revolutions, this is my special mention for the third of my four great revolutions or revolutionary wars – the Russian Revolution and Civil War, evolving from and overlapping with the Eastern Front of the First World War.

Whereas the American Revolution and French Revolution had been the vanguard of modern liberalism and nationalism, the Russian Revolution was the vanguard of modern Marxist socialism – literally in the ideology of its chief revolutionary Lenin, for which its strand of socialism came to be named as Marxist-Leninism.

Or in other words, communism, although technically communism was its professed theoretical end state – or rather, end-statelessness, since Marxism proclaimed its ‘temporary’ authoritarian state, the dictatorship of the proletariat, would wither away.

However, the Marxist authoritarian state proved much more durable than Marx had anticipated, particularly the new communist government or Soviet Union that emerged from the Russian Revolution and Civil War.

It also proved to provoke much more fervor, both for and against it, in a manner similar to Marx’s opiate of the masses, religion. I sometimes like to quip about the four great evangelizing or missionary religions in history – Buddhism, Christianity, Islam, and Marxist-Leninism. And of the other three, the Bolshevik revolutionaries in the Russian Revolution and Civil War most closely resembled the militancy of Islam – as observed by Paul Johnson, although Johnson also thought Lenin even closer to Jean Calvin, “with his belief in organizational structure, his ability to create one and then dominate it utterly, his puritanism, his passionate self-righteousness, and above all his intolerance”.

It tends to be forgotten that there were in fact two revolutions in the Russian Revolution, resulting in one of my pet peeves of history with the popular misconception that the Bolsheviks overthrew the Russian monarchy of the Tsar.

They did not. The first revolution or February Revolution did, instituting the new Provisional Government in the style of a parliamentary republic and closer to the liberalism or nationalism of the American and French Revolutions.

What the Bolsheviks overthrew, in the second revolution or October Revolution that is generally remembered as the Russian Revolution, was the first revolution’s Provisional Government – capitalizing (heh) on that Government’s single biggest weakness, the continuation of Russia’s war effort in the First World War.

Surprisingly, the Bolsheviks did this by mostly bloodless coup – at least at the outset. The resistance to their revolution and their reaction to that resistance proved very bloody indeed. The new Bolshevik regime, which ultimately became the Soviet Union, pulled out of the world war but fought a far-flung civil war on an even larger scale. It always seemed to me ironic that Russian war-weariness from the casualties of the First World War played such a large part in the revolution led by the Bolsheviks, only for the Bolsheviks to fight a civil war which involved even more casualties in the former Russian empire than the First World War.

And it’s that civil war which is particularly fascinating, albeit incredibly convoluted, as far removed from the more straightforward civil wars fought (at least largely) between two opposing sides. Instead, the Russian Civil War was what Wikipedia describes as a “multi-party civil war” and what I would describe as an all-out battle royale or pile-up.

Sure, there were the two largest combatants – the Bolsheviks or Reds, and the so-called Whites, “the loosely allied forces” in opposition to the Bolsheviks. Beyond the opposing Red and White Armies, there were the Blacks or anarchist forces, particularly those led by Makhno in Ukraine, and the non-ideological Greens or nationalist forces. Not to mention a Blue Army in there somewhere, rival militant socialists, village peasant factions, Baltic and Caucasian nationalist separatists, Poland, and more.

And beyond them were the foreign forces – the Allies intervening for the Whites or against the Red Army, “whose primary goal was re-establishing the Eastern Front of World War 1” and the Central Powers, chiefly Germany, intervening for the Reds or “rivalling the Allied intervention with the main goal of retaining the territory they had received in the Treaty of Brest-Litovsk with Soviet Russia”.

While the Allied intervention extended to a dozen or more nations depending on how you reckon them, it is another one of my pet peeves of history when people, usually left wing, bring this up as an indictment of capitalist states going all-out attempting to crush “the revolution”. While the Allies no doubt hoped to reopen the Eastern Front and therefore opposed the Reds, they were even less united than the Whites they ostensibly supported, and with a few notable exceptions never committed forces on any decisive scale – mostly more in the nature of a few guys as advisors or sitting around docks to protect them or the materiel they had shipped to their former Russian ally.

Ultimately the Bolsheviks or Reds won against all other combatants, among other things from their greater unity and fanatical purpose, as well as a greater ability to make promises and break them later – particularly the longstanding ability of communists to stab anarchists in the back. “Some historians have determined that the Black Army saved the entire war from the Whites at several points…However, they were betrayed three separate times by the Bolsheviks and defeated finally when they could turn their full force onto them”

 

RATING: 5 STARS*****

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Top Tens – Poetry & Literature: Top 10 Literature (3) Douglas Coupland – Generation X

 

(3) DOUGLAS COUPLAND –

GENERATION X (1991)

“Kind of scary, kind of sexy, tainted by regret. A lot like life, wouldn’t you say?”

Popularized the term Generation X with its title, as well as numerous other neologisms.

McJob – “a low-pay, low-prestige, low-dignity, low-benefit, no-future job in the service sector. Frequently considered a satisfying career choice by people who have never held one”.

Or ‘veal-fattening pens’ for office cubicles. Or ‘pull-the-plug, slice-the-pie’ for the “fantasy in which an offspring mentally tallies up the net worth of his parents”. I wonder if my mother still pops in here – hi, Mum!)

Essentially a latter day Canterbury Tales on the eve of the second millennium – a framed narrative of a story-telling contest by a group of youths of the titular generation and varying dysfunction.

 

POETRY (DRAMA)

 

No poetry ranking as he hasn’t written any poetry, although he does get lyrical in his prose. He does earn a drama ranking as he has written screenplays – although ironically not for this novel, which would seem to be eminently suited to stage at least.

 

FANTASY & SF (COMEDY)

 

Coupland hovers on the edge of fantasy and SF – at least in some of the stories his characters tell here. While not the most comedic entry in this top ten, he does have a dry comedic style.

RATING: 5 STARS*****
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Top Tens – Poetry & Literature: Top 10 Literature (4) Peter Carey – Bliss

 

(4) PETER CAREY –

BLISS (1981)

“Harry Joy was to die three times, but it was his first death that was to have the greatest effect on him”.

More than a touch of fantasy – or “magical realism” as they call it in literary fiction.

Indeed, almost my favorite subgenre of fantasy, posthumous fantasy, with that first death of Harry Joy. He gets better.

But his ‘afterlife’ takes a turn for the worse.

“Written as a dark, comic fable, the story concerns an advertising executive, Harry Joy, who briefly ‘dies’ of a heart attack. On being resuscitated, he realizes that the life he has previously drifted amiably through is in fact Hell – literally so to Harry”

Resonant with mythic and symbolic imagery – one of the biggest influences on my own imagination. Not to mention one of two Australian entries in my top ten – publishing his works through the University of Queensland Press, no less.

 

POETRY (DRAMA)

 

I don’t know about poetry but Carey earns my drama ranking for the film adaptation of Bliss in 1985 as something of a cult classic, albeit award-winning (in Australia). It has subsequently been adapted to stage.

 

FANTASY & SF (COMEDY)

 

Yes – Carey earns my fantasy ranking, for that aforementioned touch of (posthumous) fantasy or magical realism.

Not the most comedic entry in my top ten but Carey also earns my comedy ranking for his dry black comedy.

RATING: 4 STARS****
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Top Tens – Poetry & Literature: Top 10 Poetry (4) Alfred Lord Tennyson – Ulysses

 

(4) ALFRED LORD TENNYSON –

ULYSSES (1842)

“I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me”.

Well there’s a job description for you!

Alfred Lord Tennyson – archetypal poet of Victorian literature and poet laureate.

And his Ulysses – poem in blank verse and dramatic monologue. Dramatic monologue to whom is not clear, but by whom is of course the classical hero of Iliad and Odyssey, Odysseus, or as the Romans called him, Ulysses.

Companion poem to his similarly Homeric “The Lotus Eaters” but complete opposite in tone and thought – where “The Lotus Eaters” resists the heroic call to action for slacking off and, well, eating lotus (because we’re just so wasted, man), “Ulysses” accepts it and indeed issues it

“Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
‘Tis not too late to seek a newer world”

Tennyson often tended to the heroic, particularly in the Victorian mold – which can stick in the modern craw a little, as with “The Charge of the Light Brigade” (although it is damn fine poem and eminently quotable). Even Ulysses has been accused as “part of the prehistory of imperialism” and admittedly its protagonist does sound a little like a “colonial administrator”

However, Ulysses is particularly effective – and emotive – as that last call to heroic action, literally riding (or sailing) off into the sunset in one’s own twilight.

“We are not now that strength which in old days
Moved earth and heaven, that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield”.

RATING: 4 STARS****
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Top Tens – Poetry & Literature: Top 10 Literature (5) John Birmingham – He Died with a Felafel in His Hand

Poster of the 2001 Australian film adapted from the novel, directed by Richard Lowenstein (and distributed by Roadshow Entertainment) and starring Noah Taylor

 

(5) JOHN BIRMINGHAM –

HE DIED WITH A FELAFEL IN HIS HAND (1994)

 

I haven’t just read He Died with a Felafel in His Hand – I’ve lived it!

JB was first published in Semper Floreat, student newspaper at the University in Queensland, where he studied law among ‘rat-faced bastards’ who wouldn’t lend him their notes. Damn law students!

Fortunately he did not graduate to become a lawyer but instead became a published writer with his 1994 share-house living memoir He Died with a Felafel in His Hand – an eclectic gonzo collection of “colorful anecdotes” about living in increasingly squalid share houses in Australia and with increasingly dubious housemates (included the titular deceased felafel-holder).

And not just any writer – Australia’s own gonzo writer in the style of Hunter S. Thompson, albeit without the trunk full of acid and other drugs (or at least, not quite full).

 

POETRY (DRAMA)

 

No poetry ranking as such, but he does score my drama ranking – with Felafel adapted into the longest running stage play in Australian history, a cult film in 2001 and a graphic novel. It was also arguably adapted as its own sequel The Tasmanian Babes Fiasco, which was less a sequel than a more straightforward linear narrative fictionalization of the original (or ‘remake’).

 

FANTASY & SF (COMEDY)

 

Birmo scores high in my fantasy & SF ranking, as of late he’s taken to writing highly entertaining SF thrillers (including the so-called Birmoverse) and space opera.

Also one of the outright comedic entries in my top ten.

 

RATING: 4 STARS****

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Top Tens – Poetry & Literature: Top 10 Poetry (5) William Butler Yeats – The Second Coming

William Butler Yeats photographed by Alice Boughton in 1903

 

(5) WILLIAM BUTLER YEATS –

THE SECOND COMING (1919)

 

“Things fall apart; the center cannot hold”

The Apocalypse according to Yeats, which sees Christianity winding down (or is that up?) and something else about to take its place. Something not pretty – something with a lot of apocalyptic chaos and violence, drowning out the innocent and good.

“The best lack all conviction, while the worst
Are full of passionate intensity”

Well that or he predicted the internet.

And like any good apocalypse, the focus is its beast, modelled on Great Beast of the Apocalypse, or as I like to call it, that sixy beast. Spoiler alert – it’s the sphinx. Or some kind of apocalyptic Godzilla-sphinx, as featured in the most famous lines of the poem.

“And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?”

RATING: 4 STARS****
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Top Tens – Poetry & Literature: Top 10 Literature (6) Philip Roth – Portnoy’s Complaint

Yeah – I can see why they just used his name and the title on the cover. I mean, they couldn’t exactly just put a piece of liver on it…

 

(6) PHILIP ROTH –

PORTNOY’S COMPLAINT (1969)

 

“Doctor, this is my only life and I’m living it in the middle of a Jewish joke!”

And it even has a punchline. No, seriously.

Well, I suppose it could be worse – he could be undergoing a Kafkaesque transformation into a breast, the titular (heh) fate of Roth’s protagonist in a subsequent book, The Breast. No, seriously.

Philip Roth put the kink into my literary fiction. And he did it with this book – his fourth and most controversial novel that nevertheless gave him “widespread commercial and critical success”.

Portnoy’s Complaint is his magnum opus of kink, perpetually warring with the Freudian Jewish-American guilt from that kink – a confessional of unsatiated satyriasis. Or dare I quip of sexual Judaism – or a comedic spin on Chesterton’s Song of the Strange Ascetic, of one who does have the guilt and cannot have the fun.

Again no, seriously. The titular Portnoy’s complaint even has a clinical definition at the outset, virtually synonymous with satyriasis.

“The novel tells the humorous monologue of “a lust-ridden, mother-addicted young Jewish bachelor”, who confesses to his psychoanalyst in “intimate, shameful detail, and coarse, abusive language.”…Portnoy’s Complaint is a continuous monologue by narrator Alexander Portnoy to Dr. Spielvogel, his psychoanalyst”.

Apparently in the one session, albeit of a few hours or so – the bill from that had to hurt – and he’s still (literally) only just getting started.

And oh boy – Alex Portnoy is one sick puppy. Men will compulsively pursue one sexual misadventure after another before going to therapy.

Let’s just say you won’t forget one chapter title in particular – or one scene in a chapter of similar scenes of frenzied onanism that I’m sure was the inspiration for the titular scene in the American Pie film, except with the liver that was the family’s dinner.

 

POETRY (DRAMA)

 

“Roth is known for his distinctive writing style, which is at once analytical, empassioned, confessional, foul-mouthed and extremely verbose.” Now if that’s not poetry, I don’t know what is!

Also “several of his works have been adapted into films, but rarely with results considered satisfactory by critics”.

 

FANTASY & SF (COMEDY)

 

Not so much on this book but Roth definitely flirts with fantasy, at least as magical realism – see the aforementioned transformation in (and into) The Breast. And science fiction, at least as alternative history.

As for comedy, one of the most comedic entries into my top ten. Portnoy’s Complaint reads up as stand-up comedy performance – and has been literally “likened to the stand-up performances of 1960s comedian Lenny Bruce”.

 

RATING: 4 STARS****

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Top Tens – Poetry & Literature: Top 10 Poetry (6) Samuel Taylor Coleridge – Kubla Khan

1795 portrait of Coleridge by Peter Vandyke. To be honest, it looks like he took some opium before this too

 

(6) SAMUEL TAYLOR COLERIDGE –

KUBLA KHAN (1816)

“In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.”

Samuel Taylor Coleridge – opium dope fiend, who attributed his best poem “Kubla Khan” as a “A Vision in a Dream. Or, a Fragment” and prefaced it to be part of a much longer epic poem upon waking from a literal opium dream, only to be sadly interrupted in writing it by “a person on business from Porlock”. Yeah sure, Coleridge – we know you just ran out of poem.

“But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e’er beneath a waning moon was haunted
By woman wailing for her demon-lover!”

 

A celebration of creative energy and the poet as shamanic figure. 1980s band Frankie Goes to Hollywood characteristically adapted it into a celebration of roving male (homo)sexual energy in their “Welcome to the Pleasuredome” – “In Xanadu did Kubla Khan a pleasure-dome e-RECT!”. But there’s nothing like that in the original, is there?…

“And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced”

Oh my! Welcome to the Pleasuredome!

As for the poet as shamanic figure –

“And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread
For he on honey-dew hath fed,
And drunk the milk of Paradise”.

RATING: 4 STARS****
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Top Tens – Poetry & Literature: Top 10 Literature (7) Kurt Vonnegut – Slaughterhouse Five

 

(7) KURT VONNEGUT –

SLAUGHTERHOUSE FIVE (1969)

“And so it goes”.

Kurt Vonnegut has his own eponymous literary adjectives – or adjectives, Vonnegutian as pertaining to Vonnegut or his works, and Vonnegutesque more broadly as reminiscent or in the style of Vonnegut’s works.

Of course, he earned his eponymous adjectives with his signature style and themes. For the former, I always think of his conversational prose or playful synchronicity, and for the latter, I always think of his absurdist satire.

Vonnegut definitely wandered into here from the science fiction section. Of course, the literary establishment tend to identify him as ‘proper’ literature rather than science fiction, despite the time travel and aliens in his most iconic work, Slaughterhouse Five.

“Satirical, anti-authoritarian, humanist, absurdist and often brutally depressing world-view” (although tempered by his recurring theme that love may fail but courtesy will prevail).

The focus of Slaughterhouse-Five, is the bombing of Dresden in the WW2 – as it was for Vonnegut himself as a prisoner-of-war in the city at the time (even if he understandably relied on over-estimates of the civilian casualties).

Hapless protagonist Billy Pilgrim, stand-in for Vonnegut as POW in Dresden, has come “unstuck in time”, due to being abducted by the four-dimensional Tralfamadorian aliens.

Among other things, they place Pilgrim in an alien zoo to mate with a fellow abductee, adult film star Montana Wildhack – which, incidentally, is my own fervent aspiration in the event of alien abduction or invasion. Or really just any excuse for it.

And it gets weirder from there – interspersed throughout with characteristic running gags of synchronicity or serendipity. In this case, the recurring first dirty photograph in the world, made a year after photography itself.

 

POETRY (DRAMA & ESSAYS)

 

Yeah – I can’t give Kurt a poetry ranking. He had one of the most, ah, prosaic prose styles of my top ten, albeit easy-going for the reader. Unless you count “So it goes”.

He did write plays however so I suppose he should get a drama ranking – but even more so he earns a ranking for essays if only for the conversational introductions to his books. I particularly liked his introduction to Jailbird – which I might rank higher than Slaughterhouse but for that book’s iconic status – in which he quips a student summed up all his writing in just seven words. “Love may fail but courtesy will prevail”.

 

FANTASY & SF (COMEDY)

 

As I said, he wandered into literary fiction from the SF section – and also is one of the more comedic writers in my top ten.

RATING: 4 STARS****
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