Top Tens – Fantasy & SF: Top 10 Books (5) Joseph Fink & Jeffrey Cranor – Welcome to Night Vale

 

(5) JOSEPH FINK & JEFFREY CRANOR –
WELCOME TO NIGHT VALE (2012 – present)

 

“A friendly desert community, where the Sun is hot, the Moon is beautiful, and mysterious lights pass overhead while we all pretend to sleep. Welcome to Night Vale.”

Surreal horror and humor podcast styled as a community radio broadcaster in an American desert town – although my familiarity with it is more from the novels, which served as my introduction to the Night Vale setting, a desert town where all conspiracy theories are real as well as other urban myths and other surreal fantasies.

In other words, a fantasy and conspiracy kitchen sink setting, where the laws of time and space and nature in general don’t apply, or at apply only spasmodically. The citizens of Night Value simply roll with it, accepting surreal fantasy side by side with mundane reality.

“The news from Lake Wobegon as seen through the eyes of Stephen King”. Alternatively the Illuminatus Trilogy filtered through H.P. Lovecraft and crammed into one desert town. Or the surreal dream logic of David Lynch on crack or acid flashback (or both).

The Sheriff’s Secret Police along with all the other government surveillance agencies and spy satellites, Old Woman Josie surrounded by angelic beings all named Erika, the Glow Cloud (all hail the Glow Cloud!) and plastic pink flamingos that warp time and space.

And then you have the really dangerous entities and eldritch abominations – the car salesman loping like wolves through their yards, the mysterious hooded figures in the town’s forbidden dog park, the City Council (in the council building draped nightly in black velvet) and worst of all, the Library and its most dangerous part, the fiction section filled with lies…

 

SF & HORROR

 

As a fantasy and conspiracy kitchen sink setting, it pretty much throws SF and horror elements to mix them all together.

 

RATING: 4 STARS****
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Top Tens – History: Top 10 Wars (Special Mention) (16) Wars of Years & Days

Collage of paintings representing battles of the Hundred Years’ War by Blaue Max for Wikipedia “Hundred Years War” under licence https://creativecommons.org/licenses/by-sa/4.0/

 

(16) WARS OF YEARS & DAYS

 

Yes – all wars are literally wars of years or days (well, except for the Anglo-Zanzibar War of forty minutes or so) but this special mention is for the wars named by historians as such for their duration.

Of course, those titles may not be exact – the Hundred Years War lasted 116 years (intermittently).

Speaking of which, the Hundred Years War between England and France from 1337 to 1453 is one of the most prominent wars named for their duration, at least by years, famed for such things as Joan of Arc and the Battle of Agincourt.

Another would be the Thirty Years War, a war I have to concede that I know less well than I should, given that it is the definitive war of early modern history, largely ending wars of religion in Europe while also the origins of modern international law between states with the Peace of Westphalia.

There’s also the Seven Years War, which I similarly have to concede I know less well than I should, as no less than Winston Churchill claimed it as the first world war.

However, the Hundred Years War and Thiry Years have particular resonance as some historians have argued for a second Anglo-French Hundred Years War from 1689 to 1815, for no less prize than global predominance, while others have argued for the two world wars as the Second Thirty Years War from 1914 to 1945.

As for the most prominent war of days (or is that day war), the prize would have to go to the Six Day War, the third Arab-Israeli War in 1967 – in which Israel won a crushing victory and one which still shapes the Middle East today, among other things through the territory obtained by Israel from it.

 

RATING: 4 STARS****

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Top Tens – Fantasy & SF: Top 10 SF Books (6) Larry Niven & Jerry Pournelle – Inferno

 

(6) LARRY NIVEN & JERRY POURNELLE –
INFERNO (1976)

 

Another posthumous or afterlife fantasy which I rank in my Top 10 SF, because I make my own rules and break them anyway.

Also because Niven and Pournelle wrote extensively in SF, both separately and in collaboration with each other, and I read them there first – notably Lucifer’s Hammer, Footfall and The Legacy of Heorot (Beowulf IN SPACE!).

Niven is perhaps most famouse for his SF novel Ringworld (and sequels or series) but he was also a deft hand at fantasy, most strikingly with The Magic Goes Away, in which a prehistoric fantasy Earth has a magical energy crisis (and which also named the trope in TV Tropes for magic waning from a fantasy world). I also have a soft spot for Pournelle’s Janissaries.

But back to their collaborative posthumous fantasy, the afterlife setting is the literal Inferno – as in Dante’s Inferno, literally updated in all its infernal glory of its nine circles of hell, from the perspective of SF author John Carpentier (or is that Carpenter?) who dies and finds himself in it.

However, abandon not all hope ye who enter there, as he is led on a quest from its outermost levels to its innermost depths with Satan himself – a quest for the way out of hell, as told in the original Inferno by Dante. And playing Virgil to his Dante is a figure that may catch some by surprise, although it was obvious to me at the outset from historical association and that he has read Dante in Italian, but even so was compelling (and I’d like to believe that he did indeed find redemption leading lost souls out of Hell).

 

FANTASY & HORROR

 

The protagonist – literally a posthumous SF writer – comes to realise that he is in fantasy rather than SF. And given that it is hell, there are elements of horror, even if they are not used as such.

 

RATING : 4 STARS****
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Top Tens – Fantasy & SF: Top 10 Fantasy Books – James Morrow: Godhead Trilogy

 

 

(6) JAMES MORROW –

GODHEAD TRILOGY (1994-1999)

 

Religious and philosophical satire clothed in absurdist Vonnegutian fantasy – Morrow takes the Nietzschean theme that God is dead and makes it flesh, literally in the form of a two mile long corpse – or Corpus Dei – in the Atlantic Ocean.

This is the premise of the trilogy as a whole – particularly the opening of the first novel, Towing Jehovah. God is dead and the Vatican charges Captain Anthony Van Horne to tow the Corpus Dei with a supertanker to the Arctic Circle, to preserve it from decomposition, for possible resuscitation or at least for time to ponder the theological questions of the Deity’s death.

My favorite is the second of the trilogy, Blameless in Abaddon, where theodicy is made flesh – theodicy being the theological study of the problem of evil or suffering in the manner of the biblical Book of Job. It turns out that there’s life in the old God yet – and He’s about to be prosecuted in the World Court for the suffering of His Creation.

In the third book, The Eternal Footman, the last remnant of the Corpus Dei, God’s grinning skull or Cranium Dei, is in geosynchronous orbit over Times Square and Western civilization is collapsing as a people become ‘Nietzsche positive’ with their awareness of impending death (literally embodied in their own double or ‘fetch’).

 

SF & HORROR

 

Not really – it’s pretty much pure absurdist fantasy, although that’s not uncommon in works that are nominally SF.

 

RATING: 4 STARS****

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Top Tens – History: Top 10 Wars (Special Mention) (15) British Colonial Wars – Anglo-Zulu & Anglo-Zanzibar Wars

The defense of Rorke’s Drift 1879 – painting by Alphonse de Neuville 1880

 

(15) BRITISH COLONIAL WARS –
ANGLO-ZULU & ANGLO-ZANZIBAR WARS (1879 & 1896)

 

The Battle of Rorke’s Drift.

That’s it – that’s the entry. Well that and the 1964 film Zulu which depicted it.

Also not quite, as British colonial wars are the archetypal wars fought by European maritime empires as they carved up the world, with the British Empire coming out in the top spot. Don’t worry – we’ll get back to Rorke’s Drift, but Britain fought numerous colonial wars.

Arguably, the most decisive colonial war or wars fought by Britain were the Napoleonic Wars. For one thing, with all the focus on their European theaters, we forget how much of the Napoleonic Wars were fought beyond Europe – and just how much of those were in essence colonial wars, with Britain coming out on top. For another, Britain’s victory in the Napoleonic Wars laid the foundations for its naval supremacy, Pax Britannica and what is sometimes called the second British Empire (to distinguish it from the first British empire until American independence).

Although its naval supremacy was the primary instrument of its empire, Britain was surprisingly versatile with a colonial army that tended to punch above its weight in numbers, which were surprisingly small, in part of course due to superior firepower (and plain old firing drill) over its colonial adversaries.

In the words of Hillaire Belloc –
“Whatever happens, we have got
The Maxim gun, and they have not”

So which of Britain’s prolific colonial wars to pick for this entry? As you can see, I’ve gone with the Anglo-Zulu and Anglo-Zanzibar Wars, firstly because I like the alliterative effect, but also because they are aptly representative of Britain’s colonial wars.

The Anglo-Zanzibar War is, however, the archetypal British colonial victory through superior firepower. Not coincidentally, it also holds the title of the shortest war in history – 38 minutes to 45 minutes, depending on which record you go by.

It was proverbial gunboat diplomacy – bonus points for involving actual gunboats, two craft with that designation, among the five British ships. Essentially, the wrong sultan succeeded to the Zanzibar Sultanate. Wrong, that is, from the perspective of the British, who preferred another one – so they simply rolled up in their ships and shelled the palace until they got the right one. Yes – they also stormed the palace with a contingent of marines or sailors and pro-British Zanzibaris. The British suffered one casualty – a wounded sailor – to about 500 Zanzibari casualties.

And with remarkably wry humor, the British billed Zanzibar for the shells the British used, among the other terms of surrender, because the British built their empire on a budget. With its puppet sultan, Zanzibar continued to be absorbed into the British Empire, and was subsequently merged with the former German colony of Tanganyika to become British Tanzania.

Now back to Rorke’s Drift, if you’re a fan of the Battle of Helm’s Deep in The Lord of The Rings film (The Two Towers), then you’re a fan of the Battle of Rorke’s Drift, as the former was filmed in a manner deliberately reminiscent of the film Zulu according to Jackson.

Indeed, Rorke’s Drift was seen at the time as the Helm’s Deep of the British Empire, a victory snatched from the jaws of the crushing defeat by the Zulus at the Battle of Isandlwana (as well as the seedy origins of the Anglo-Zulu War).

Even if contemporary observers might see Britain and its empire more as Mordor (or Isengard to America’s Mordor) rather than the Shire as Tolkien did.

If anything, Rorke’s Drift was even more epic than Helm’s Deep – as a small company of less than 150 soldiers attached to the Royal Engineers (including a substantial number of sick and wounded) fought off a force of about 3-4,000 Zulus.

Taking a step back, Rorke’s Drift was a small albeit highly celebrated part of the Anglo-Zulu War, with the British soldiers finding themselves in the path of a Zulu force in the aftermath of the opening Zulu victory at Isandlwana.

The Anglo-Zulu War itself might be seen as the last of a series of Zulu wars, from the foundation of the Zulu Kingdom as a formidable military power under Shaka. Unfortunately for his successors, the Zulu Kingdom found itself against a bigger and even more aggressive tribe – the Anglo tribe of the British Empire – and Isandlwana proved itself to be the Zulu high point of the war.

Back to Rorke’s Drift, I tend to default to its depiction in the film Zulu, which while generally accurate to the historical battle, does of course have inaccuracies (with perhaps the most egregious involving the depiction of Private Hook, a model soldier, as a rogue redeemed in the battle). The film may also be seen as somewhat problematic in these times given its celebration of British imperial victory – I don’t care.

Indeed the film tends to glamorize both sides in the battle – with the Zulus depicted as a brave, intelligent, capable, resourceful and ultimately honorable adversary. And if anyone can resist the stirring orchestral theme by John Barry, I don’t know what to say.

The British soldiers were led by Lieutenant Chard, portrayed by Stanley Baker, and his second in command Lieutenant Bromhead, portrayed by a young Michael Caine in his breakthrough film role. Deciding that retreat isn’t an option as they will move too slowly with their sick or wounded and the Zulus will catch them out in the open, they have no option but to stand and fight behind improvised barricade defenses.

Throughout the day and night (into the following day) after the Zulu force surrounds them, wave after wave of Zulu attackers are desperately and narrowly repelled by the British defenders. At one point, the Zulus succeed in setting fire to the field hospital, leading to tense scenes of the evacuation of patients under fierce attack by Zulu warriors – and British Surgeon-Major James Henry Reynolds calmly continues his surgery on a wounded soldier with fighting all around him. And yes – he got a Victoria Cross.

The British defenders retreat to the shortened lines of their inner barricades. One tactic you see through the film is the use of multiple ranks of soldiers to maintain a nearly continuous volley of fire with their bolt-action rifles. None more so than the climactic scene with three such ranks used (after falling back from desperate hand-to-hand combat at an outer barricade) to defend a massive assault by Zulu warriors. And as the camera pans back, you see the fallen Zulu warriors mere inches away from the front rank of breathless British soldiers – an impressive feat of holding the line.

That’s when you start to think from the preceding sense of overwhelming doom that hangs over the British soldiers – holy crap, they’re actually going to make it! And then – no, holy crap, they’re not…as the Zulu force masses on the hill overlooking Rorke’s Drift, seemingly barely diminished, while the British are exhausted and running low on ammunition. Lieutenant van den Burgh, their Afrikaaner advisor serving with the Natal Native Contingent, sinks to his knees and rebukes the British officers (and arguably their imperialism as well) – “Haven’t you had enough? We’re all dead!”

And then, holy crap again – as the Zulus chant, raising their spears. “They’re taunting us!” Michael Caine’s character exclaims. Van den Burgh laughs – “You couldn’t be more wrong – they’re saluting us as fellow braves!”. And then the Zulus slowly turn and walk away, still chanting, until a lone warrior is left, before he too turns and leaves.

Sadly, the historical battle ended in a more prosaic way, without the Zulus saluting the British (but more withdrawing from strategic sense and an advancing British relief column). I prefer to think it ended the way it did in the film.

11 Victoria Crosses were awarded to the defenders of Rorke’s Drift, with 17 killed and 11 wounded from their number in the battle – having inflicted 20 casualties for every one of theirs, with 351 confirmed killed from the Zulu forces (and about 500 wounded).

Britain’s colonial wars – and European colonial wars in general – exemplified the less gallant but undeniably effective side of the art of war, picking curb stomp battles, albeit usually through superior firepower rather than superior numbers. All nations would like wars like the Anglo side of the Anglo-Zanzibar War, whether or not they like to admit it – they just usually lack the means. And even if the British occasionally got stomped rather than doing the stomping, as in the Anglo-Zulu War (although they ultimately won that too).

 

RATING: 4 STARS****
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Top Tens – Fantasy & SF: Top 10 SF Books (7) Mick Farren – Jim Morrison’s Adventures in the Afterlife

Perhaps the most iconic image of Jim Morrison – the photograph of him in a 1967 shoot by Joel Brodsky prior to The Doors releasing their debut self-titled studio album

 

 

(7) MICK FARREN –

JIM MORRISON’S ADVENTURES IN THE AFTERLIFE (1999)

 

The title alone should be enough to tantalize and titillate – even more so, as the subject of the novel is indeed Doors’ singer Jim Morrison’s adventures in the afterlife, effectively a posthumous fantasy replay of Mick Farren’s earlier psychedelic science fiction DNA Cowboys Trilogy.

In the DNA Cowboys, reality was plastic as a result of hyper-technology, that can effectively produce almost limitless amounts of anything at will – with the more dominant inhabitants of that reality shaping it to their beliefs, or more usually, will to power, so that it resembles a shifting fantasy landscape of human imagination, loosely arranged around various city-states (or perhaps more precisely mind-states), from technofantasy Western or kung-fu wuxia.

In Adventures in the Afterlife, reality is plastic simply as the nature of the afterlife, to much the same effect as in DNA Cowboys.

But “when you start building an existence” in the afterlife, “a billion other sons of bitches are trying to do the same thing” – add in supernatural entities (and aliens) and you have a roller-coaster ride of sex and violence through a fantasy landscape of the survival of the fittest, where various dystopian fantasy city-states, empires and adventurers strive for supremacy.

Not to mention the other half of Jim Morrison’s adventures – Semple, one of the sexiest female characters in science fiction and one half of the psyche of former evangelist, Aimee Semple McPherson, split between her two personalities in the Afterlife.

 

FANTASY & HORROR

 

The first of four posthumous fantasies by SF writers in my top ten.

No substantial horror elements.

 

RATING: 5 STARS*****

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Top Tens – Fantasy & SF: Top 10 Fantasy Books (7) William Browning Spencer – Resume with Monsters

 

 

(7) WILLIAM BROWNING SPENCER –

RESUME WITH MONSTERS (1995)

 

Great Cthulhu in a cubicle!

Yes – we’re talking a light fantasy evocation of Lovecraft’s Cthulhu Mythos.

Spencer delightfully combines a playful comedic style and observational humor to fantasy themes, as in Resume with Monsters, which combines the Cthulhu Mythos with satire of the corporate cubicle drone workplace.

Philip Kenan may not be the most reliable narrator of his experience as a worker in dead-end office cubicle drone jobs – between bouts of therapy and his unrequited quest to win back his ex-girlfriend Amelia, although he saved her (and quite possibly the world) from some…thing at their mutual previous employment (“the Doom That Came to MicroMeg”). Now he is routinely alert to signs of otherworldly incursions at his workplace.

Or perhaps he is simply lapsing into mental breakdown or outright insanity, symptoms of his obsession with H.P. Lovecraft’s “monsters” (his therapist noting that Lovecraft “was not in the pink of mental health”). An obsession born of his father’s own obsessive narration to him of the stories of Lovecraft, identifying it with the ‘System’ – “don’t let the System eat your soul”. An obsession that Philip Kenan tries to keep at bay by the equally obsessive emotional talisman of his own Lovecraftian novel, “The Despicable Quest”, which he has been constantly rewriting over twenty years until it has swollen to two thousand pages. Or perhaps all of the above.

It has a special resonance for those, like myself, who have always suspected a connection – nay unholy collusion! – between the soul-destroying corporate workplace and the soul-destroying dark entities of the Cthulhu Mythos. In my own experience as corporate cubicle drone, I suspected that the mind-numbingly boring files simply could not exist for their own purpose but had to have a more substantial and sinister purpose in inducing a receptive state or lack of resistance to otherworldly invasion. Of course, I was too smart for them, as I simply didn’t do my files…

 

SF & HORROR

 

It’s the Cthulhu Mythos – of course there’s an overlap with SF and (cosmic) horror!

 

RATING: 4 STARS***

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Top Tens – History: Top 10 Wars (Special Mention) (14) Chinese Civil Wars – Taiping & Boxer Rebellions

US Marines fight rebellious Boxers outside Beijing Legation Quarter, 1900 – copy of painting by Sergeant John Clymer

 

(14) CHINESE CIVIL WARS – TAIPING & BOXER REBELLIONS
(1850-1864 & 1899-1901)

 

China has such a long history of wars within itself that one really could do a Top 10 list merely for Chinese civil wars or rebellions. Indeed, one could round up a Top 10 for rebellions in Qing China alone. Few things were as spectacular in modern history – or loom as large in the hindsight of a Chinese revolutionary regime succeeding it – as the decline and fall of the Qing Empire, fighting endless rebellions within itself, until it was ultimately overwhelmed by the final one.

And by spectacular, I mean on a scale of international wars for casualties, or even world wars in the case of the Taiping Rebellion. The Taiping Rebellion might well be styled China’s world war, in the same way that the Second Congo War is styled as Africa’s world war. It was effectively a world war fought within China – on a scale of casualties exceeding the First World War, or even matching the Second World War by some estimates. Although characteristically of Chinese wars, the overwhelming majority of casualties was not from actual violence in war, but from the famine and disease that invariably accompanied the disruption of the delicate balance or supply chains of Chinese peasant agriculture.

I’ve heard it said that the Qing Empire literally faced a peasant rebellion an average of every hour or so. I don’t know the truth of that assertion, which probably tallies up the hours in the numerous historical rebellions against the Qing, although I also suspect that many or most rebellions were too limited or localised to have any serious consequence.

 

Territories of the Taiping Heavenly Kingdom held at various times during the rebellion by M. Bitton for Wikipedia “Taiping Rebellion” licensed under https://creativecommons.org/licenses/by-sa/4.0/deed.en

 

Not so the Taiping Rebellion. I’ve always been fascinated by millennialist or messianic movements – and it fascinates me that Qing China, formerly one of the most powerful imperial states in the world, if not the most imperial state, would find itself struggling and slogging it out for over a decade (or two if you count holdouts until 1871) with…a cult.

That’s right – a cult, one with a leader who proclaimed himself the younger brother of Jesus and declared his own Taiping Heavenly Kingdom. A cult which one would not anticipate to be particularly convincing or credible, but obviously tapped into popular unrest against the Qing.

It’s also amusing that this cult leader was effectively the equivalent of a university dropout, failing the examination for the imperial state bureaucracy. Declaring yourself the messianic leader of a heavenly kingdom and waging war against the state that failed you sounds totally like an admirable career goal in those circumstances. Why don’t more guidance counsellors recommend it?

The Taiping Rebellion marked the inexorable decline of Qing China, which was to prove terminal within half a century – and helped inspire the revolution that terminated it.

 

Movement of Boxers and Alliance forces during the Boxer Rebellion by SY – Wikipedia “Boxer Rebellion” licensed under https://creativecommons.org/licenses/by-sa/4.0/

 

I also find the Boxer Rebellion almost as interesting as the Taiping Rebellion, because it fascinates me that Qing China could again find itself thrown into turmoil by…a secret society of mystical martial artists, generally known in English as the Boxers, but known in Chinese by the even more awesome name of the Society of Righteous and Harmonious Fists.

It’s like that mysterious secret organization under crime lord Han in the Bruce Lee film Enter the Dragon – which seemed to spend all its time pointlessly drilling in martial arts to take over the world, rather than, you know, training with guns or something, existed in historical real life.

Or perhaps the Jedi in Star Wars, as like the Jedi, the Boxers claimed magical force or supernatural power, particularly invulnerability to bullets (much like the Jedi deflecting lasers)

Unlike the Taiping Rebellion which pitted itself against the Qing state and was inspired by foreign influences, particularly Christian missionaries, the Boxer Rebellion declared its slogan of supporting the Qing state and exterminating foreigners, particularly Christian missionaries.

One might consider the Boxing Rebellion as essentially the Chinese version of its near contemporary by eerie coincidence, the Ghost Dance (although the Taiping Rebellion could also be argued to be a Chinese Ghost Dance).

The Qing state found itself on the horns of a dilemma, but with those Righteous and Harmonious Fists stroking its ego, sided with the Boxers – at least by the decree of the Imperial Dowager. The Chinese imperial officialdom and military were more split, some supporting the decree and others opposing it.

The Boxer Rebellion and the Qing imperial state that supported it did as well as might be expected for combatants who placed their faith in their invulnerability to bullets. That is to say, they lost – handily defeated by the Eight Nation Alliance of Britain, France, Russia, the United States, Germany, Austria-Hungary, Italy and Japan, who found rare solidarity with each other in curb stomping the Qing Empire and the Boxers.

My friends and I had a joke that it’s ironic that China, the nation of Sun Tzu and The Art of War, should have such a consistent lack of military competence (similar to Italy, the nation of Machiavelli and The Prince, with its consistent lack of political competence).

Like most jokes, it’s an overstatement – but China did top The Book of Lists’ 10 Most Defeated Nations in Modern History, and about half of its entry was Qing China. So not surprisingly its wars against rebellions were slogging matches.

 

RATING: 4 STARS****
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Top Tens – Fantasy & SF: Top 10 SF Books (8) Neal Stephenson – Snow Crash

 

 

(8) NEIL STEPHENSON –

SNOW CRASH (1992)

 

“Until a man is twenty-five, he still thinks, every so often, that under the right circumstances he could be the baddest motherf*cker in the world… Hiro used to feel this way, too, but then he ran into Raven. In a way, this was liberating. He no longer has to worry about being the baddest motherfucker in the world. The position is taken.”

How can you not love a book whose hero protagonist is literally named Hiro Protagonist? As he replies to when it’s mocked as a “stupid name” – “but you’ll never forget it”.

And yes – my feature quotation might well apply to readers of Snow Crash. Until someone has read Snow Crash, they still think that they could read – or perhaps write – the coolest and most badass book in the world. But then you read it and know that position is taken.

You have Hiro Protagonist – “a sword-slinging hacker who teams up with an extreme skateboarder in a post-cyberpunk disincorporated USA to fight Snow Crash – a computer virus for the brain”.

And by disincorporated USA, I mean some of the most blackly comic worldbuilding in SF. A United States whose government has ceased to exist – apart from vestigial organizations like the FBI or “Fedland” which monitor their employees to a ridiculous extent including three-page emails regarding the proper use of toilet paper in an office environment. Other parts of the government have become been privatized to or out as corporations or entrepreneurs – the CIA merging with the Library of Congress as the for-profit CIC, or the Army and Navy as competing private security corporations (General Jim’s Defense System and Admiral Bob’s Global Security).

A United States whose currency has inflated past billion-dollar notes (which some of those aforementioned Fedland employees are tempted to use for toilet paper) to trillion dollar notes – which most people eschew for yen or Kongbucks.

A United States whose economy has receded to only four things Americans do better than anyone else – music, movies, microcode or software, and high speed pizza delivery. The latter the monopoly of the Mafia or Cosa Nostra, who “in an anarcho-capitalist world gone mad” are “just another corporation, no more or less ruthless than anyone else…sure, they have hired killers on their payroll and will whack employees who screw up” – notably pizza delivery drivers who fail to deliver in their pizza in half an hour – “but this isn’t particularly unique in a world where franchised neighborhoods are guarded by killer cyborg dogs.”

A United States whose former territory is “now a patchwork of autonomous corporate franchises and Burbclaves”, the latter essentially neighbourhoods franchised to extraterritorial “nations” run by corporations, such as Mr Lee’s Greater Hong Kong (not affiliated with mainland China or the island of Hong Kong).

Also a United States where you can have the aforementioned Raven – “baddest motherf*cker in the world” – as a literal one-man nuclear power, with a hydrogen bomb in his motorcycle sidecar and rigged to blow to “EEG trodes embedded in his skull”, probably near the tattoo on his forehead POOR IMPULSE CONTROL.

And then you have the Metaverse, “the internet becoming cyberspace for real” – and where Hiro, one of its creators, owns some prime real estate on the Street.

Oh – and you have the Tower of Babel and Sumerian mythology in there as well, complete with Sumerian pictographs.

“Apart from its frenetic action sequences and overt use of the Rule of Cool, the book is surprisingly deep, with a substantial portion of the plot given over to exploring metaphysical interpretations of the Tower of Babel myth. Typical for a Stephenson novel, the plot juxtaposes action sequences, lengthy humorous digressions, and extremely detailed infodumps seemingly at random”.

Where is the film or TV adaptation?! (Short answer – bouncing around in development hell).

 

RATING: 4 STARS****

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Top Tens – Fantasy & SF: Top 10 Fantasy Books (8) Garth Nix – Keys to the Kingdom

 

 

(8) GARTH NIX –

THE KEYS TO THE KINGDOM (2003 – 2010)

 

Cosmic fantasy by an Australian writer.

Creation is coming undone – not just the universe, but the entire multiverse, is slowly falling apart into Nothing in the absence of its Creator, the Architect. And at the center of it all, the cosmic structure called The House, divided up into seven domains or worlds by its seven most powerful denizens, the Morrow Days.

But the Architect left his Will (in more than one sense of the word) and where there’s a will, there’s a way – for mortal Rightful Heir to the Keys to the Kingdom, the aptly named Arthur Penhaglion, who has to ascend all seven domains of The House to reclaim the Will and the Keys to the Kingdom from each Morrow Day – Mister Monday, Grim Tuesday, Drowned Wednesday, Sir Thursday, Lady Friday, Superior Saturday and Lord Sunday.

Also somewhat reminiscent of the cosmic fantasy of one of my favorite webcomics – Kill Six Billion Demons

 

SF & HORROR

 

Definitely overlaps with multiverse SF – not so much horror, except perhaps for occasional elements.

 

RATING: 4 STARS****
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