Top Tens – TV: Top 10 Fantasy & SF TV Series

Poster art for Archer Season 10, titled Archer:1999 – a reference to the 1975-1977 SF TV series Space: 1999 (and hence a nod to the anachronistic retro vibe of Archer’s main continuity)

 

Sigh. My Top 10 Fantasy & SF TV Series may be the most fluid of all my top ten lists.

Many, perhaps most, simply miss the mark for me at the outset. Those that do hit the mark generally fall away quickly or don’t have an enduring quality – or they endure too long, waning until they limp into their final season and fail to stick the landing. The recent archetypal example, for me as it was for so many others, was Game of Thrones, in which the failure to stick the proverbial landing – or dare I say it, King’s Landing (heh) – in the final season left a bitter taste that filtered back throughout the series or at least its later seasons.

Hence, I tend to have a high turnover for shuffling or ranking entries into my special mentions, with so few entries having the consistent or enduring quality to rank in the top ten itself – or remain there. And to be honest, most of my present entries are pretty shaky.

In fairness to myself, there’s also my separate Top 10 Animated TV Series, in which my entries are somewhat more enduring – and animation by its nature tends to be fantasy or SF. Indeed, all but the top entry in my present top ten are clearly fantasy or SF, and the top entry (Archer) has so many substantial SF elements as to be borderline SF. (One season was outright SF and there’s a reasonable argument for the other seasons as alternate history given their anachronistic timeline and divergence from our own world in which they are nominally set.)

Like my Top 10 Fantasy & SF Films, my Top 10 Fantasy & SF TV Series leans predominantly towards SF. Only one entry is clearly fantasy, although the distinction between SF and fantasy seems far fuzzier in most of the other entries than it does for SF films. As I did for films, I will note each entry as fantasy or SF, but with a section (Fantasy or SF?) for the fuzziness of the distinction.

It’s also interesting how much supernatural or SF horror features in my Top 10 Fantasy & SF TV Series, as well as how many superhero comics adaptations – both of which I will note in each entry.  Four of the entries, including the top entry, arguably fall within the horror genre (with arguable horror elements in two or three of the others) – and two entries are adaptations from superhero comics.

Anyway, these are my Top 10 Fantasy & SF TV Series.

Top Tens – History (WW2): Top 10 Second World Wars (Special Mention): (2) Cold War

 

The Iron Curtain – map showing the political division of Europe after World War II ended up until the end of the Cold War by Semhur for Wikipedia “Iron Curtain” under license https://creativecommons.org/licenses/by-sa/4.0/deed.en

 

(2) COLD WAR – LONG WAR 1914-1991

 

Well this one’s also obvious, isn’t it?

Perhaps not as obvious as the First World War but close to it as the Cold War seamlessly evolved from, and in the immediate aftermath of, the Second World War – indeed perhaps inevitably, as in the colorful phrase (and essay title) of historian Joseph Lieberman comparing the Cold War combatants to “the scorpion and the tarantula in the bottle”.

I’m not sure whom Lieberman intended to be the scorpion or the tarantula – but the bottle was the Second World War and its aftermath in the opposing occupations of Europe by the United States and the Soviet Union. Sometimes you drink the bottle and sometimes the bottle drinks you…

Other commentators, commencing with Philip Bobbitt in The Shield of Achilles, have even combined the world wars and cold war into a single continuity, the so-called Long War of the twentieth century or 1914-1991.

On the other hand, the Second World War also cut across the continuity of the Cold War – a temporary interbellum or suspension of hostilities between the Western powers and the Soviet Union, as an alliance against Germany and the other Axis powers, albeit one that resembled a marriage of convenience.

Or rather, a shotgun marriage, one that was thrust upon them. Neither Cold War antagonist chose its involvement in the Second World War – or at least the manner or timing of that involvement, as both were attacked first (and in the case of the United States, had war declared on it by Germany).

Of course, the hostilities began to bubble back to the surface as Allied and Soviet defeat of Germany loomed ever larger, becoming more overt when there was no longer the common enemy of Germany or Japan to unite them.

However, the continuity with the Second World War is inescapable. While the Cold War may have originated from opposition to the Soviet Union from 1917 onwards, it took its particular shape from the Second World War, such that it is difficult to imagine otherwise.

The Cold War antagonists of the United States and the Soviet Union were effectively the two last men standing, with the other great powers defeated or exhausted from the war – although that had essentially been the reality of power in the world from 1917 onwards, albeit masked by their isolationism, self-imposed or otherwise.

And the battle lines or fronts were effectively drawn by the territory each occupied or controlled after the war.

The western front of the Cold War – Europe – was effectively drawn by the Soviet occupation of eastern Europe – such that it was the immediate source of conflict in the Cold War, infamously as the Iron Curtain. Even the exceptions to the rule of Soviet occupation, Austria and Finland – exceptional in that they avoided regimes imposed on them by the Soviets – had neutrality imposed upon them instead. (Yugoslavia was arguably another exception, but primarily because it had largely liberated itself outside of Soviet occupation and did not directly border the Soviet Union itself).

Similarly to the Western Front of the First World War, it was largely a static front of siege or stalemate – static not by millions killed in trench warfare but by the prospect of millions dead in nuclear war (or renewal of war on the scale of the Second World War), as well as the resources spent on opposing armed camps.

The eastern front of the Cold War – Asia – was far more volatile, having been effectively drawn by the Soviet occupation of Manchuria and Korea – firstly with the communist victory in the Chinese civil war (which made the eastern front even more volatile) and secondly with subsequent wars with communist governments in Asia, particularly in Korea and Vietnam.

 

 

RATING: 5 STARS*****

S-TIER (GOD TIER)