Top Tens – Film: Top 10 Horror Films (Special Mention) (5) King Horror

“Here’s Johnny!” – the iconic scene from The Shining

 

(5) KING HORROR

 

King horror – Stephen King horror, that is, for the cinematic adaptations from one of the most iconic and prolific horror writers of our time. Images, lines and scenes from his work reverberate throughout popular culture, particularly driven by their cinematic or screen adaptations.

There’s something of a trope that goes around that his work makes for bad cinematic adaptations. This trope seems wrong to me – the more correct statement would be that the cinematic adaptations are mixed. A number of films from his work are good or well regarded – hence this special mention – “while many others are not”.

Of course much depends on the director but one rule of thumb I have is that the better movies are based on his shorter or tighter works. Like most screen adaptations of literary works, the longer the book the messier the adaptation gets. Not too short though – short stories can have too little substance to them for a feature length film.

And for the worst Stephen King cinematic adaptation ever – The Lawnmower Man – they didn’t even use what little substance they had from the titular story for a feature film, choosing instead to go off on their own weird jaunt based on a single (misplaced) line. The film became notorious for King suing it to remove his name from it.

Anyway, here’s my King horror cinematic top ten on the spot:

 

1 – THE SHINING (1980)

 

“Here’s Johnny!”

Probably THE King horror film adaptation that everyone loves – ironically as King himself is not a fan given the different direction (heh) in which Stanley Kubrick took the film.

 

2 – CARRIE (1976)

 

It’s not nice to make fun of Carrie…it’s not safe either.

That’s the tagline I recall for the film. With a strong cast including Sissy Spacek in the titular role and taut direction by Brian De Palma, the film is consistently ranked a high place among King adaptations – even more so because it was the adaptation that allowed King to become a full time writer.

 

3 – CUJO (1983)

 

Who’s a good boy? Well, he was until…

 

4 – CHRISTINE (1983)

 

Probably the most famous possessed car in popular culture.

Well hello again, Mr Carpenter – although King himself wasn’t a fan of the film.

 

5 – CHILDREN OF THE CORN (1984)

 

He Who Walks Behind The Rows.

The first film was a cracker, based on the short story by King. The sequels or franchise? Not so much.

 

6 – PET SEMATARY (1989)

 

“No fair”

A monkey’s paw of a movie – in that sometimes getting what you wish for is the worst thing you can get.

They came back wrong. Classic pulp horror but that line and scene gets me each time – because evil Gage is telling the truth. Everything about his death, resurrection and, ah, re-death wasn’t fair.

 

7 – MISERY (1990)

 

“I’m your number one fan!”

Arguably the best and tightest of King’s cinematic adaptations, due to the dynamite duo performance of Kathy Bates and James Caan – Bates got an Oscar for her performance, making the film the only King adaptation to win one.

 

8 – THE MIST (2007)

 

One of the biggest wham endings of any horror film – which Stephen King liked so much he preferred it to his own ending.

 

9 – IT (2017-2019)

 

Ah – Pennywise!

One of the best known of King’s cinematic adaptations, due to the visually iconic depiction of the titular antagonist and all its creepy extensions of itself

 

10 – IN THE TALL GRASS (2019)

 

Where’s a mower when you need one?

 

RATING: 5 STARS*****

S-TIER (TOP TIER)

Top Tens – History (Rome): Top 10 Best & Worst Roman Emperors (2) Worst: Nero

Dovahhatty – Unbiased History of Rome XII: The Mad Emperors

 

(2) WORST: NERO –

JULIO-CLAUDIAN DYNASTY

(54-68 AD: 13 YEARS 7 MONTHS 27 DAYS)

 

What can I say? You just can’t argue with the Gospel of Suetonius. Or the Book of Apocalypse, with Nero literally as the Beast of the Apocalypse – or as I like to quip, that sixy beast, given that the Number of the Beast was alphanumeric code for Nero Caesar.

Well, Nero or some weird revenant superpowered uber-Nero, with one of the heads of the beast having healed from a fatal wound, matching the so-called Nero Redivivus Legend, or the widespread belief that Nero was either not dead after his apparent suicide or somehow would return.

I mean, you can’t argue with legendary cruelty and depravity that is so legendary as to give rise to the further legend of coming back from the dead to keep doing it. After his death, at least three leaders of short-lived, failed rebellions presented themselves as “Nero reborn” – Pseudo-Nero, or is that pseudo-uber Nero?

In other words, you just can’t argue with the legend – legend that lends him notoriety as one of Rome’s two archetypes of evil emperor, even if that notoriety exceeds the historical reality and is likely exaggerated, by the Roman elites who hated him and wrote his histories, as well as the Christian writers who saw him as “one of their earliest and most infamous villains”.

I am inclined to accept that his legendary cruelty and depravity was exaggerated, particularly in its most lurid details. However, I just can’t go past that name recognition or iconic status…and I’m also inclined to accept that “he was really off his rocker”, albeit probably later in his reign.

Dare I say it – there’s just a little too much smoke for there not to have been fire (heh). Just perhaps not the Great Fire as it was attributed to him as arsonist – or that he fiddled while Rome burned as the saying goes, or that he sang or played the lyre as the legend went. However, it does seem plausible that he was tone deaf (heh) to placing too much priority on lavish palaces for himself in the reconstruction or used it as an opportunity to scapegoat Christians.

“Most Roman sources offer overwhelmingly negative assessments of his personality and reign. Most contemporary sources describe him as tyrannical, self-indulgent, and debauched”. Or as Suetonius wrote, in his chapter on Nero that is the second most entertaining chapter in The Twelve Caesars – “his acts of wantonness, lust, extravagance, avarice and cruelty”.

Unlike the empire breakers in this top ten, he did have some basic competence as emperor, notably with respect to wars and revolts, even if that was more his generals (and there was little that could realistically challenge an empire then at the top of its game) – the general Corbulo who fought the Roman–Parthian War of 58–63 and the general Suetonius Paulinus who quashed the famous revolt in Britain led by queen Boudica (even if he went so beserk on the Britons afterwards that Nero had to recall him). During his reign, the client Bosporan Kingdom was also annexed to the empire, and the First Jewish–Roman War began (albeit finished by the Flavian dynastic duo, Vespasian and Titus, that fought it for Nero).

But we are talking about someone who killed his own mother, even if that mother was the infamous Agrippina and she was scheming against him (as she had originally schemed for him and against his predecessor Claudius). It took him a few attempts too, which I like to think of as the original source of that legend of Nero being hard to kill permanently. Like mother, like son.

His early reign was decent enough – it seems modern scholars follow Roman historians in seeing his mother’s death as the point he lost the plot. Which is where those lurid details come in – “he started to become more preoccupied with leading a decadent life…drank and ate a lot, and immersed himself in perverted sexual behaviour, both with men and women”.

My favorite is the reference in Suetonius that forever burnt itself into my adolescent mind when I read it – that he “devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched”.

And there was his infamous persecution of the Christians, swallowing up even Saints Peter and Paul – including that he “had many of them tied up on poles next the road, then covered in tar and set on fire, so they could function as street lighting during parties.

He also “fancied himself a wonderful poet, singer and lyricist” – hence the last words attributed to him, “what an artist the world is losing!”.

Those last words came after the Senate had Nero declared a public enemy and condemned to death in absentia – his death at his own hand sparking Rome’s first succession crisis, which might be dubbed the crisis of the first century but for the empire being too stable and secure at that time, as well as a brief civil war between rival claimants known as the Year of the Four Emperors.

 

EMPIRE-DEBAUCHER

 

One of the most debauched

 

MAXIMUS

 

No victory titles as far as I’m aware.

 

DAMNED

 

Not a formal damnatio memoriae but he was declared public enemy by the Senate.

 

DID DOVAHHATTY DO RIGHT?

 

One of the two mad emperors for which he named the episode in which they appear, it’s another tongue-in-cheek depiction by Dovahhatty as divine chad emperor, no doubt as Nero would have seen himself.

 

RATING: 1 STAR*

F-TIER (FAIL TIER – OR IS THAT BEAST TIER?)