Top Tens – Film: Top 10 Horror Films (Special Mention) (3) Zombie Horror & Zombie Apocalypse Horror

Public domain image from George Romero’s 1968 Night of the Living Dead

 

(3) ZOMBIE HORROR & ZOMBIE APOCALYPSE HORROR

 

“Braaaiinnnns!”

If vampire horror is the blood of horror films, zombie horror is the flesh.

Zombie horror films, tending as they do to involve the trope (or tropes) of zombie apocalypse have become so prolific as to define their own film genre, one worthy of their own top ten list many times over just for their themes, tropes and types.

One thing that surprised me looking it up was that they originate almost as early as Dracula or vampire films – with the first zombie film often cited as White Zombie in 1932.

That surprised me as one usually associates zombies – at least in their cinematic incarnation as opposed to their origin “in the vodou beliefs of Haiti, referring to a body ‘revived’ and enslaved by a sorcerer” – with George A. Romero’s 1968 film Night of the Living Dead.

That film defined the cinematic incarnation of zombies – “usually portrayed as reanimated corpses or virally infected human beings” and commonly “cannibalistic in nature” (or “ghouls” as Romero preferred to call them in that film). Usually depicted as shambling en masse, invoking metaphors of mobs or proletarian masses.

However, “while Romero is responsible for most of the ‘general’ zombie conventions, the more specific and visible zombie tropes are more often inspired by the later works of John Russo, Night‘s co-writer. Most zombie movies mix-and-match conventions from the Romero and Russo canons. The Russo canon in particular…is the reason most people will respond with “Braaiinnnns” when zombies come up in conversation”.

Zombie horror films have subsequently ramped up the traditional slow zombies with fast ones – “super-fast and super-angry zombies” that make death (or viral infection) look like a positive boon for Olympic-level athletic performance, better than steroids. Not to mention other elite zombies, with other qualities such as intelligence.

 

Similarly to vampire horror, I’ll probably flesh this out but for now this is my zombie horror film top ten on the spot:

 

1 – EVIL DEAD (1981-1992 / 2013-2023)

 

Not really zombie horror as such since the titular evil dead are killed and reanimated by demonic possession…but I can’t not mention my favorite horror film franchise here now, can I? Particularly when there is a large overlap between the two, not least the reanimated corpses

 

2 – DEAD & BURIED (1981)

 

Fourth place in my top ten horror films – like the Evil Dead film franchise, not quite your archetypal cinematic zombies but close enough I have to mention it here

 

3 – SHAUN OF THE DEAD (2004)

 

“Go to the Winchester, have a nice cold pint, and wait for all this to blow over”.

Similar to my third place vampire horror entry Fright Night, Shaun of the Dead is probably my favorite zombie horror film to watch – classic pulp fun, but incredibly layered with easter eggs and shout-outs to zombie apocalypse horror.

Billed as a RomZomCom – or romantic comedy with zombies.

 

4 – 28 DAYS LATER (2002)

 

Arguably the most definitive modern zombie horror film after Romero and Russo – certainly bringing new life (heh) to the fast zombie trope. It helps speed them up that the zombies aren’t actually dead but virally infected. Also like other zombie apocalypse films in general that show the real enemy is not so much the zombies as one’s fellow humans – here it’s animal rights activists (and children in the sequel film 28 Weeks Later). Okay, fine – it’s also mad horny soldiers (and sheer military ineptitude on the same level of having a button marked push for zombies in the sequel).

But seriously, animal rights activists are to blame for the release of the virus in the first place. In fairness, I also blame the scientist for obtusely telling them the laboratory chimpanzees are infected with “rage” rather than a lethally contagious disease that can spread in seconds. It practically begs the skeptical response – “Yeah, I’d be pretty angry too!”

 

5 – LAST TRAIN TO BUSAN (2016)

 

Zombies on a train!

East Asian film and TV – in this case Korean film – have taken to the zombie genre with a vengeance.

 

6 – BRAIN DEAD (1990)

 

Before Peter Jackson did The Lord of the Rings, he did splatterpunk schlock like this – and it’s a hoot.

 

7 – CEMETERY MAN / DELLAMORTE DELLAMORE (1994)

 

Probably the most ”artsy” zombie horror film you’ll see (with Anna Falchi as one of the hottest female characters in a zombie film) – good luck keeping track of the plot.

 

8 – ZOMBIELAND (2009)

 

One of the better known zombie apocalypse films – and one of the most fun to watch.

 

9 – CARGO (2017)

 

Australian zombie horror films are surprisingly prevalent – this is one of the more highbrow (and emotional) ones, starring Martin Freeman

 

10 – ALIVE (2020)

 

Another fun zombie apocalypse horror film from Korea, using its highrise setting to good effect.

 

HONORABLE MENTION

 

(1988) THE SERPENT & THE RAINBOW

 

Stretching the definition of zombie horror film – going back to the origins of the zombie in Haitian vodou belief.

 

(2003-2014) UNDEAD & WYRMWOOD

 

More Australian zombie horror films – if Cargo is the highbrow end of the spectrum, these are more to the lowbrow end (and filmed on shoestring budgets to match). Pulp fun!

 

(2007) PLANET TERROR

 

Robert Rodriguez and Quentin Tarantino do for zombies what they did for vampires in From Dusk Till Dawn.

 

RATING: 5 STARS*****

S-TIER (GOD TIER)

 

Top Tens – History (Rome): Top 10 Best & Worst Roman Emperors (3) Worst: Elagabalus

Dovahhatty – Unbiased History of Rome XIII: The Severan Dynasty

 

(3) WORST: ELAGABALUS –

SEVERAN DYNASTY

(218 – 222 AD: 3 YEARS 9 MONTHS 4 DAYS)

 

With great power comes great degeneracy.

Certainly one of the weirdest emperors, Elagabalus is what happens when you let an omnisexual teenager of dubious mental stability loose with absolute imperial power AND his own cult. It’s like Elagabalus read Suetonius’ The Twelve Caesars with its lurid depictions of imperial depravity and said hold my beer.

And so “Elagabalus developed a reputation among his contemporaries for extreme eccentricity, decadence, zealotry and sexual promiscuity” – “his short reign was notorious for sex scandals and religious controversy”.

It does however make for entertaining reading – indeed one of the most entertaining entries in either my top ten worst (or best) emperors. It’s a pity Suetonius wasn’t around to write the tabloid history of Elagabalus.

Elagabalus was his god name – literally. He was born Sextus Varius Avitus Bessianus, a relative (by marriage) of the Severan dynasty – a family connection which his grandmother (and emperor-maker) Julia Maesa boosted further by spreading the rumor that he was the illegitimate son of the emperor Caracalla. His family held hereditary rights to the priesthood of the syncretized Syrian-Greek-Roman sun of the same name (or variants of it) he adopted, having served as high priest from his early youth.

So naturally he brought his god with him to Rome, in the form of his pet rock – again literally, a black conical meteorite from the temple of the god in Emesa, Syria.

The new god of itself was not so weird, since it was readily assimilated to the Roman sun god Sol – the worship of whom had become increasingly prevalent under the Severan dynasty, becoming known as Sol Invictus or the Unconquered Sun (and which would be redeemed by far superior emperors).

What was weird was Elagabalus installing his god as the chief deity of the Roman pantheon and suborning that pantheon to his god – compounded by equivalent of forcing Roman Senators to go to his church and watch him as he danced around the god’s altar, which was hardly conducive to imperial dignity.

Speaking of the Severan dynasty, it’s something of a running theme in my top ten worst Roman emperors, with Elagabalus as the second entry from that dynasty.

Perhaps the most entertaining part of this emperor’s history are the lurid tales of his sexuality. However, “the question of Elagabalus’s sexual orientation and gender identity is confused” due to the salaciousness of the sources, which includes accounts of him asserting and adorning himself as a female, to the point of reputedly seeking out sex changing surgery (and offering half the empire to anyone who could pull it off). Hence some have asserted or claimed him or her as the transsexual Roman emperor.

I am not sure that one should want to claim Elagabalus as one’s poster boy or girl, but moreover, I am not sure that these accounts are accurate to that extent, smacking as they do of Roman hyperbole to characterize someone of, ah, unmanly conduct – un-Romanly conduct that is. However, I do think that the historical sources are clear enough to say that Elagabalus swung every which way, hence my omnisexual quip.

Which has gone down a treat with historical writers. As per Edward Gibbon – Elagabalus “abandoned himself to the grossest pleasures with ungoverned fury” – and Barthold Georg Niebuhr – “the name Elagabalus is branded in history above all others” because of his “unspeakably disgusting life”.

Even Sir James George Frazer, author of The Golden Bough, got in on the act – “The dainty priest of the Sun [was] the most abandoned reprobate who ever sat upon a throne … It was the intention of this eminently religious but crack-brained despot to supersede the worship of all the gods, not only at Rome but throughout the world”.

A more neutrally stated modern assessment is by Adrian Goldsworthy -“Elagabalus was not a tyrant, but he was an incompetent, probably the least able emperor Rome had ever had.”

Interestingly, some have sought to reclaim his reputation. It’s a running theme throughout my top ten worst emperors that almost every entry – or at least almost every entry of major significance – has some advocate for them, as indeed it is for my top ten best emperors to the converse of people querying their legacy or reputation, arising as it does for figures that lack the comprehensive documentation of their contemporary counterparts.

In particular, modern historian Warwick Ball has picked up the Elagabalus ball (heh) and run with it, describing him as “a tragic enigma lost behind centuries of prejudice” – and one whose religious syncretism was ultimately successful in the long term, “in the sense that his deity would be welcomed by Rome in its Sol Invictus form 50 years later” and “came to influence the monotheist Christian beliefs of Constantine, asserting that this influence remains in Christianity to this day”.

 

EMPIRE DEBAUCHER

 

No surprise there, surely?

 

MAXIMUS:

 

No victory titles as such but he did claim the title of Pontifex Maximus as high priest of his god – and did have something of a regular annual triumph for his god, parading his pet rock about the city.

 

DEIFIED AND DAMNED:

 

It was a fine line between the divinity he claimed for his god and that for himself. When marrying a Vestal Virgin – outraging Rome yet again – he claimed the marriage would produce god-like children. And of course after the usual assassination by the Praetorian Guard, the Senate rolled out a damnatio memoriae on him.

 

DID DOVAHHATTY DO RIGHT?

 

Dovahhatty had one of his (funniest) tongue-in-cheek portrayals of Elagabalus as a chad in drag.

“Why is it that divine emperors only rule for a couple of years, I wonder?”

 

RATING: 1 STAR*

F-TIER (FAIL TIER)