Daily Archives: October 11, 2024

Top Tens – Film: Top 10 Horror Films (1) Evil Dead

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Evil Dead poster art that I’d argue has transcended film iconography and become part of the Jungian collective unconscious

 

 

(1) EVIL DEAD (1981-1992 / 2013-2023)

 

Hail to the king, baby!

What else? The Evil Dead, the film and the following franchise, are not high art but they embody (in virtually every sense of that word) the archetypal B-grade horror movie in all its fun and glory, with tongue ever more firmly in cheek.

As stated by TV Tropes – “in 1979, a bunch of college dropouts got together in a cabin in Tennessee and made a film with a standard B-Movie plot; this film was The Evil Dead. The film, which was directed by Sam Raimi and starred (the chin himself) Bruce Campbell, succeeded through elaborate gore effects, slick cinematography, and sheer audacity to make enough money to warrant two sequels and get into the public consciousness”.

It is remarkable that a movie made by college dropouts on a shoestring budget – and effects that resemble claymation or plasticine at times – should have any impact upon public consciousness, let alone the enduring impact it and its sequels had upon mine.

“Join us, Ashleeeeey!”

You know you’re in a for a gory horror ride in the first movie, as the classic group of teenagers heads to the classic cabin in the woods. There they unfortunately locate the demonic Book of the Dead or Necronomicon (borrowing from Lovecraft) which was studied by the cabin’s previous occupant – and even more unfortunately play the tape of the recitation invoking the Sumerian demons (although something seems to have been stalking the cabin and woods even prior to that recitation). Those demons possess each of them in turn, turning them into the titular evil dead which then attack the others, until ultimately only one of them, Ashley, is left to fend off the demons (including his girlfriend). This first film works quite effectively as horror, particularly as Ashley or Ash becomes the lone survivor fending off the evil dead in the seemingly eldritch architecture of the cabin. I mean, it’s probably the frantic cinematography but how many rooms does that cabin have? It’s like the Tardis in there. And you know it’s going to get bloody (and oh boy does it ever) when a further playing of the tape reveals that the only way to destroy the evil dead is…bodily dismemberment! Ewww!

The second film (Evil Dead 2), a partial remake and partial sequel, was made with more money but lacks the pure horror of the first, as embracing the absurdity of the premise, it moved from horror to comedy (and Ash became more invulnerable to the demonic threat).

The third film (Army of Darkness) fully embraced all its cheesy goodness and rule of cool as it almost entirely abandoned horror altogether for dark fantasy comedy, yet utterly glorious as a result (while Ash completed his transition into a virtually indestructible superhero). It follows from the second film, which saw Ash magically transported through time to the Middle Ages (yeah, it’s like that), in medieval Europe or perhaps the Latin kingdoms of the Crusades, where he soon has to face off against an undead army. It had the biggest budget of the original trilogy, as well as being the most well-known and quoted, with its memetic one-liners.

The franchise saw a remake of the original film with the Evil Dead film of 2013 – decent enough but somewhat forgettable as lacking the same pulpy fun and tongue-in-cheek humor of the original. That changed dramatically with the fifth entry into the franchise, Evil Dead Rise in 2023, which returned to the spirit and style of the original trilogy (and Evil Dead mythos) but with its own fun twists – and also perhaps the only Deadite that’s strangely…arousing. Whose your mummy?

The franchise has also seen a TV series, comics adaptations, video games…and a theatre musical?

Groovy!

 

RATING: 5 STARS*****

S-TIER (GOD-TIER)

Top Tens – History (Rome): Top 10 Best & Worst Roman Emperors (6) Worst: Commodus

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Dovahhatty – Unbiased HIstory of Rome XIII: The Severan Dynasty

 

 

(6) WORST: COMMODUS –

NERVA-ANTONINE DYNASTY

(180 – 192 AD: 12 YEARS 9 MONTHS 14 DAYS)

 

Aptly enough in matching sixth place entry for the worst Roman emperors as his father Marcus Aurelius is for the best.

His accession was the exact moment Rome went from a kingdom of gold to a kingdom of iron and rust, according to contemporary historian Cassius Dio (and almost literally in the form of him debasing the currency)

I mean, you have seen the gospel according to Ridley Scott – Gladiator – haven’t you? Yes, it’s – ahem – not entirely accurate to history, but it does capture the essence of Commodus, even if that is turned all the way up to eleven (and combined with Caligula) in the film.

Joaquim Phoenix nailed it with a despicably oily performance as Commodus – it’s something he does well, as in the Joker film. Come to think of it, his Joker would adapt reasonably well to Commodus.

In real life, Commodus was not killed in the arena by Maximus, a vengeful ex-general sentenced whose family Commodus had executed but was strangled in his bath by his wrestling partner Narcissus as part of a wider plot. However, if the latter doesn’t smack of symbolism for his reign of dissolute narcissism, I don’t know what does.

He was the first emperor “born in the purple”, that is, as during his father’s reign as emperor, and remained the only one for about two more centuries, as well as the empire’s best advertisement for an imperial line of succession by adoption,

In fairness, “whereas the reign of Marcus Aurelius had been marked by almost continuous warfare, Commodus’ rule was comparatively peaceful in the military sense” – mainly because he flaked out on finishing his father’s wars along the Danube properly – “but was also characterised by political strife and the increasingly arbitrary and capricious behaviour of the emperor himself”.

Not that he was any more interested in peacetime imperial administration than he was in the empire’s military policy – he preferred role playing as Hercules or as a gladiator, the latter more akin to an abattoir for animals (when human gladiators weren’t taking a dive against him), which turned off even the usually bloodthirsty Roman audience.

Edward Gibbon’s title for his chapter on Commodus sums it up – the “cruelty, follies and murder of Commodus”. In it, Gibbon wrote “Commodus had now attained the summit of vice and infamy”.

Also – “But every sentiment of virtue and humanity was extinct in the mind of Commodus. Whilst he thus abandoned the reins of empire to these unworthy favourites, he valued nothing in sovereign power, except the unbounded licence of indulging his sensual appetites”.

 

MAXIMUS

 

He shared his father’s triumphs as Germanicus and Sarmaticus. He claimed the title of Germanicus Maximus from the victories of his generals, and Britannicus from the extension of Roman Britain to the Antonine Wall. Sigh

 

DAMNED & DEIFIED

 

After his death, the Senate declared him a public enemy, albeit without any formal damnatio memoriae. Subsequent emperor Septimus Severus, seeking favor from the family of Marcus Aurelius, had Commodus deified. Sigh.

 

EMPIRE DEBASER

 

According to Cassius Dio, THE empire debaser.

 

DID DOVAHHATTY DO RIGHT?

 

O yes – one of the vilest virgin depiction of any emperor in his unbiased history. Of course, it helps that he depicts the reign of Commodus with tongue in cheek as if Gladiator was real history.

Or does he? Also with tongue in cheek, in his sequel video about the Severan dynasty, he depicts the reign of Commodus again more accurately to recorded history but with Commodus as chad – before joking the “historian Ridley Scott already debunked all this garbage”.

 

RATING: 1 STAR*

F-TIER (FAIL TIER)