Top Tens – Comics: Top 10 Comics (9) Charles Soule & Scott Snyder – Undiscovered Country

(9) CHARLES SOULE & SCOTT SYNDER –

UNDISCOVERED COUNTRY (Image 2019 – PRESENT)

 

O say can you see, by the dawn’s early…what the hell is that?!

 

Undiscovered Country starts from what might seem to be a familiar premise but one that becomes increasingly audacious…and beautifully weird. The titular Undiscovered Country is the United States or or what has become of it after it literally walled itself off from the rest of the world for thirty years (the Sealing) – land of the free and home of the brave become literal land of the lost. And by walling, I mean not just the massive physical walls but the ‘Air Wall’ of experimental force shield technology. Of course, there’s more than a few echoes of contemporary political events – and even more so in 2020 for the premise of its plot, a global pandemic that requires a team seeking a cure to breach its borders and venture into this strange and deadly ‘undiscovered’ country.

And that’s where things go “from prescient to Beyond Thunderdome: giant land sharks, tribal lunacy, jingoistic madmen galore…Forget the Land of the Free. This was Mad Max by way of the bastard son of Roald Dahl and Hunter S. Thompson. If they let the baby smoke crack a lot”. And then there’s the fact – evidenced by those mutated land sharks and jingoistic madmen – that as an effect of that force shield, much more time has seemingly passed in the lost United States than should actually be possible…

 

RATING: 4 STARS****

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Top Tens – Comics: Top 10 Comics (10) Kieron Gillen – The Power Fantasy (2024)

(10) KIERON GILLEN –

THE POWER FANTASY (Image 2024)

 

“Superpowered.” You have certain preconceptions. They’re incorrect. Here, that word has a specific technical definition. Namely, “any individual with the destructive capacity of the nuclear arsenal of the USA.”

 

Okay – I’ll admit that this entry is aspirational, in turn reflecting that it is my usual wildcard tenth place entry for the best of the present or previous year.

And by aspirational, I mean it is this year’s comic that I want to read but haven’t read yet.

In fairness to myself, the first issue was only just released in August 2024 – with issues to follow each month after that. So it will be some time before the first collected edition comes out – generally it take six issues or so before they are released together in a collected edition.

Also in fairness to myself, I have enjoyed previous series written by Kieran Gillon for Image Comics, so have high expectations for this one.

 

“You are of the Pantheon. You will be loved. You will be hated. You will be brilliant. Within two years, you will be dead.”

 

The first was The Wicked + The Divine from 2014 to 2019, a series I previously ranked in my top ten and still one of the best from Gillen or Image Comics. It featured the Pantheon, a shifting rotation of gods in the Recurrence – when twelve gods (and goddesses) return (or incarnate) as young people for a bright, shining two years before burning out, as they have every ninety years for millennia. Except, you know, God, because that would just be boring. We’re talking beautiful, sexy, pop-star pagan gods and goddesses here, although they change with each Recurrence. Or something like that because the rules are not entirely clear and keep changing.

 

The second was Die from 2018 to 2021, a series I would previously have ranked as my wildcard tenth place entry in my top ten. It featured “a pitch-black fantasy where a group of forty-something adults have to deal with the returning unearthly horror they barely survived as teenage role-players” – a concept the writer pitched as “Goth Jumanji” but was more using Dungeons and Dragons as an intriguing exploration of fantasy as a genre.

That extends to the character classes of the game in the story as an intriguing exploration of character classes in Dungeons and Dragons – Dictator (like a bard with mind control mojo), Neo (a cyberpunk mage powered by fairy gold), Godbinder (like a cleric cutting deals with gods), Grief Knight (paladin literally powered by emotion), and Fool (combination of rogue and bard powered by luck). Indeed, the classes and game mechanics were so intriguing that Gillen spun off an actual role-playing game for them.

 

“There are six such people on Earth. The planet’s survival relies on them never coming into conflict.

Come dance to the ticking of the doomsday clock…”

 

So I’m looking forward to the collected edition of Power Fantasy…although I also want to read We Called Them Giants released in collected edition in October 2024 – which also qualifies it for my wildcard tenth place entry.

 

RATING: 4 STARS**** (based on my ratings for his previous series)

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Top Tens – Poetry & Literature: Top 10 Poetry (1) T.S. Eliot – The Wasteland (1922)

 

 

(1) T.S. ELIOT – THE WASTELAND (1922)

 

“And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust”

 

Apocalyptic poet. Also one of the most name-dropped poets, including in Catch-22 (“Name me a poet who makes money!”)

Also Old Possum, as in Old Possum’s Book of Practical Cats. Yes – T.S. Eliot is the origin of the musical Cats.

 

 

Also – the Warrior of the Wasteland! The Ayatollah of Rock and Roll-ah! Well, not quite. That is the Lord Humungus from Mad Max: The Road Warrior. But Eliot was the Poet of The Wasteland.

It would be interesting to adapt The Wasteland in the style of Mad Max. Except it would involve a lot less BDSM leather kink and a lot more mind-screw.

It would also be interesting to adapt The Wasteland into horror – it verges on it already. That fear in a handful of dust for one. For another, the titular theme of the mythic Waste Land as post-apocalyptic setting without redemption or resurrection – “That corpse you planted last year in your garden. Has it begun to sprout? Will it bloom this year?” The Wasteland as zombie apocalypse, perhaps? Or slasher film?

 

“This is the way the world ends
Not with a bang but a whimper”

 

Even The Wasteland is laid waste in The Hollow Men, a more straightforward and shorthand poem of the same themes. Shout-out also to The Love Song of J. Alfred Prufrock, the third of the Eliot holy trinity. The central bathos is there in the title – the juxtaposition of the lofty “love-song” with the commonplace and ludicrous banality of the protagonist himself.

 

“I have measured out my life in coffee spoons.”

 

RATING: 5 STARS*****
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Top Tens – History: Top 10 Wars (Special Mention) (8) Peloponnesian War

Destruction of the Athenian army at Syracuse – illustration from John Steeple Davis, The story of the greatest nations, from the dawn of history to the twentieth century, published 1900 (public domain image used in Wkipedia – “Pelopponesian War”)

 

(8) PELOPONNESIAN WAR (431-404 BC)

 

Greek against Greek – Athens vs Sparta.

There was a point when I cracked during the film 300. It was when Leonidas spoke about the necessity of Sparta fighting Persia because even “those boy-loving philosophers” in Athens were fighting Persia. “Screw you, Leonidas”, I yelled “the Peloponnesian War isn’t over!” And after the ushers bounced me from the cinema, I ruminated on this slur on the Athenians. There was of course the fact that they were the true Greek heroes of the Persian Wars.

But there was also, you know, the Peloponnesian War of Athens against Sparta (or Peloponnesian Wars, as there was first and second war with a brief peace between them).

And we’re still fighting it, in that the war between democratic Athens and oligarchic Sparta underlies the grand ideological conflict in Western civilization. Few things may actually have an ideal Platonic form, but Sparta did – Plato’s Republic, with its philosopher-kings or guardians who perceive the Forms of the true reality, trained from childhood to govern in the interests of the polity (by physical and moral regimen) and bound by stricter rules than the rest of the populace.

It has been argued that Plato’s Republic was a dystopian satire rather than a utopian ideal, but it is difficult not to see it intended as the latter – or worse, as Plato’s distaste for his own democratic Athens (which after all, executed his beloved teacher and philosophical mouthpiece Socrates) and idealization of a philosophical version of Athens rival, Sparta, although he and his ideas didn’t do too well when put into practice with attempts at a philosopher-king in Syracuse.

And so we are still fighting the Peloponnesian War against Plato’s mystical fascism or totalitarian Spartanism as it has recurred throughout Western political ideology – the General Will of Rousseau, the dictatorship of the proletariat and its revolutionary vanguard in Marxism or communism, the Fuhrerprinzip of fascism or Nazism, and so on.

Of course, I know this is mostly my projection. I’m not sure if Western political ideology has actually been influenced by Sparta or even Plato and his Republic to that extent (or how much Sparta and Plato influenced each other for that matter). But I’m not the only one to see such parallels and I’m sticking with it – it has a certain mythic resonance. Hence its god-tier special mention entry second to the Trojan War, which might otherwise seem extravagant for a war between Greek city-states.

And what about, you know, the historical Peloponnesian War, you ask? To paraphrase Martin Prince’s sneer from The Simpsons, I’m aware of its work – namely, that Sparta won, with a little help from their Persian friends, albeit to be humbled later by Thebes, before the Macedonians and Romans swept over all the Greek city states.

And that Athenian political ideas didn’t work too well in Syracuse either, with the disastrous Athenian Syracuse Expedition sometimes likened to the American experience in Vietnam, only a lot worse for the ultimate defeat of Athens in their not so cold war against Sparta.

As I said previously, Plato’s ideas – and Plato himself – didn’t fare too well in Syracuse, when he came closest to implementing his Republic and its philosopher-kings in practical reality through Syracuse and its tyrant. Closest that is, as in not at all, founding the time-honored tradition of how intellectuals fare when courting people in power or political tyranny – running afoul of tyrants and narrowly avoiding execution or literal slavery and imprisonment.

Of course, history is a lot messier than our black and white projections of it. Lest we think of the Spartans too much as the bad guys, while their allies wanted Athens destroyed and its population enslaved after its defeat, it was the Spartans with their warrior code of honor who declined to do so – particularly as they regarded that all of Greece owed Athens a debt of honor for its role in the Persian War. And screw you, Thebes and Corinth! I’ve got a letter for the Corinthians and this time there’s no love in it. I’m an Athenian fan.

And for that matter, even the Spartanism or mystical fascism of Plato in my projection may be more nuanced than that, given it has a recurring appeal to or arguments for it. Even I’m a fan of one of the many pop culture versions of Plato’s Republic – Judge Dredd’s Mega-City One. Mega-City One is essentially Plato’s Republic in twenty-second century America, with the Judges as its philosopher-kings or guardians and the Law as its Forms. Judge Dredd – he is the Forms!

 

RATING: 4 STARS****
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