Top Tens – History (Rome): Top 10 Roman Empires (Special Mention) (7) Ostrogothic Kingdom

 

(7) OSTROGOTHIC KINGDOM (493 – 553 AD)

 

The immediate successor to Odoacer’s Kingdom of Italy in my previous special mention – the Ostrogoths led by Theodoric the Great took over the kingdom after killing and replacing Odoacer. The kingdom itself carried on much the same as before, including in territory – it’s the same picture as one might observe of maps of the two kingdoms.

That understates the brilliant ploy of the eastern Roman Emperor Zeno that lay behind it – a classic illustration of winning without fighting by having others do your fighting for you. In this case, having the Ostrogoths fight Odoacer.

The Ostrogoths had settled within the eastern empire in the usual manner of German allies or foederati – except that they retained more independence than the Romans preferred. If anything, the eastern empire was at some risk of becoming an Ostrogothic colony – with large numbers of Goths entering service in the Roman army, as well as comprising “a significant political and military power in the court of Constantinople”.

“The thought occurred to Zeno and his advisors to direct Theodoric against another troublesome neighbour of the Empire – the Italian kingdom of Odoacer”

That suited everyone at the time, except of course Odoacer – who despite being Zeno’s nominal viceroy in Italy, was menacing eastern Roman territory (among other things), although not any more once Theodoric was done with him.

Theodoric the Great assumed a similar position to Odoacer, nominally a subject of the eastern Roman emperor and ruling from Ravenna as their viceroy in Italy. “In reality, he acted as an independent ruler, although unlike Odoacer, he meticulously preserved the outward forms of his subordinate position”. An Ostrogothic Augustus, one might say – similarly appeasing the eastern roman empire as Augustus did the Senate by keeping up appearances of their rule. Speaking of the Senate, they continued to function mostly as before, as did the Roman administration, law, church and elite.

I have a soft spot for the Ostrogothic Kingdom ever since their starring role in L. Sprague de Camp’s SF novella, Lest Darkness Fall, in which the time travelling protagonist finds himself stranded there and seeks to stave off the pending Dark Ages.

We are accustomed to thinking of the Dark Ages kicking in with the fall of the western Roman Empire, but that is arguably premature of us, at least in Italy – with Roman Italy carrying on much as before until the destruction of the Ostrogothic Kingdom by the Byzantines in the Gothic Wars, which truly turned Italy into the Dark Age wasteland we see in our mind’s eye.

The Gothic Wars came about for Theodoric’s successors, when the Ostrogothic Kingdom’s relations with the eastern empire – always somewhat strained, even under Theodoric – finally ruptured into war and the eastern empire under Justinian the Great sought to reclaim the western half of the empire, a war fought for about two decades and that led to my next special mention entry…

 

RATING: 4 STARS****

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Top Tens – Philosophy & Science: Top 10 Books (4) Camille Paglia – Sexual Personae

 

(4) CAMILLE PAGLIA:

SEXUAL PERSONAE: ART & DECADENCE FROM NEFERTITI TO EMILY DICKINSON (1990)

 

Men are from Apollo and women are from Dionysus – or how I learned to stop worrying and love the Pag!

Camille Paglia that is – neo-Dionysian and prose-poet provocateur par excellence.

Her mythic milkshake of Frazer and Freud brings all the boys – and girls – to the yard!

She out-Nietzsches Nietzsche with uberman AND uberwoman, even if the latter is a bit of a bitch-goddess, to borrow from William James. Mind you, her uberman is also a creature of extremes – “there is no female Mozart because there is no female Jack the Ripper”.

But no one speaks better about herself – and most things really – than the consummate prose-stylist who is Camille Paglia.

“That symbolized everything I would do with my life and work. Excess and extravagance and explosiveness….”

Or of her book that is her magnum opus and my top ten entry accordingly, Sexual Personae – a book rejected by at least seven different publishers as too hot to handle before it was published by Yale University Press – “it was intended to please no one and offend everyone”. In other words, my kind of book.

“In the book, Paglia argues that human nature has an inherently Dionysian or chthonic aspect, especially in regard to sexuality…Following Friedrich Nietzsche, Paglia argues that the primary conflict in Western culture is between the binary forces of the Apollonian and Dionysian, Apollo being associated with order, symmetry, culture, rationality, and sky, and Dionysus with disorder, chaos, nature, emotion, and earth.”

Or in other words, Apollo is boring but practical and Dionysus is damn good fun or hot slice of crazy.

“The entire process of the book was to discover the repressed elements of contemporary culture, whatever they are, and palpate them”. Mmm…palpate. Hail to the p0rnocracy!

Apart from her Apollonian-Dionysian dichotomy, Paglia also celebrates the Christian-pagan dichotomy – with the latter flourishing in art, eroticism and popular culture.

She believes that the “amorality, aggression, sadism, voyeurism, and pornography in great art have been ignored or glossed over by most academic critics” and that sex and nature are “brutal pagan forces.”

 

RATING: 4 STARS****

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