Mega-City Law – Top 10 Judge Dredd Girls (Special Mention)

 

Compiling special mentions for my Girls of Judge Dredd…

Unlike special mentions for my Heroes of Judge Dredd and Villains of Judge Dredd, I’ve yet to compile my usual twenty special mentions, given the paucity of distinctive female characters that captured my eye or enduring interest up to Volume 19 for special mention. I was able to squeeze out a Top 10 Judge Dredd Girls as at Volume 19 but only ten special mentions – and technically only six or seven from the regular progs or episodes, as I got creative with the other three or four special mentions (one from the Dredd film, one also from the film but as an alternate version of a top ten entry, one as another alternate version in the comic of a top ten entry, and one which features in her own storyline from the Megazine).

However, it is a running list which I will update for each volume as I refresh myself of characters I missed – or art I couldn’t otherwise locate except by screenshots from the episodes. There’s some big names coming up in future volumes for top ten entries or special mention.

 

 

(1) MA-MA (2012):
(DREDD – FILM)

 

“Peach Trees, this is Ma-Ma. Somewhere in this block are two Judges. I want them dead. Until I get what I want the block is locked down.”

That pretty much sums up the plot of the 2012 Dredd film – and its antagonist, Madeline Madrigal or Ma-Ma played by Lena Headey, “a scarred, psychopathic prostitute turned drug kingpin with a trademark for excessive violence”.

She was an original antagonist for the film – and that film features a somewhat alternate version of Dredd in any event – but she did get her own origin comic.

 

 

(2) PSI-JUDGE CASSANDRA ANDERSON (2012):
(DREDD – FILM)

 

Yes – I already have her as the obvious top spot in my Top 10 Judge Dredd Girls but that was the version from the comics. This is the version from the 2012 Dredd film, played by Olivia Thirlby. Although she of course is based on the character in the comics, I feel she is sufficiently different – not least in her origin as Dredd’s rookie – to earn a special mention.

 

 

 

 

 

(3) FATHER EARTH GROUPIES (1979):
(CASE FILES 3 – FATHER EARTH: prog 122)

 

The two flower maidens that follow the mutant messiah Father Earth and literal embodiment of flower power, watering and pruning him. Surprisingly healthy and wholesome given they come from the Cursed Earth

 

 

(4) DOCTOR RODNINA (1979)
(CASE FILES 3 – BATTLE OF THE BLACK ATLANTIC: prog 129)

 

Disappointingly, Doctor Rodnina was a one shot character from The Battle of the Black Atlantic two-episode storyline.

Fortunately for Dredd, this hot Sov doctor – Doctor Rodnina, her name adapted from the Russian word Rodina for homeland – takes her Hippocratic Oath seriously and intervenes to save him from Black Atlantic poisoning

And is that Dredd getting frisky? Don’t worry it’s a ruse – his uncharacteristic attempt at seduction, admittedly framed in more political terms of defection are simply a ploy to steal her scalpel for his escape.

And escape he does, just in time to thwart the more belligerent Sov commander Judge Molotov’s more, ah, terminal diagnosis and treatment, as well as to make good on his declared arrest of the ship and its crew – not least saving Mega-City One from Sov attack. But only for now – as the Sov Judges will prove to be Mega-City One’s most effective recurring adversaries…

 

 

(5) JENNO MATRYX (1981)
(CASE FILES 4 – PIRATES OF THE BLACK ALTANTIC: prog 197)

 

“Nuke boffin” (as Chief Justice Griffin calls her) captured by the Pirates of the Black Atlantic. She chose poorly…

“You had a hard choice to make, Citizen Matryx. You made the wrong one. Take her away”

 

 

(6) THE EXECUTIONER / BLANCHE KOMINSKY (1982)
(CASE FILES 6 – THE EXECUTIONER: prog 291)

 

Ex-cadet turned vigilante to avenge her husband’s death in a tragic tale told without black humor or satire.

Part of her drama and tragedy revolve around its central plot and theme of vigilantism – something which seems to strike at the heart of the Law in Mega-City One, which as I have commented previously, seems to have an awful lot of limitations when dealing with organized crime or criminals. It always strikes me as odd that any self-respecting fascist police state can’t simply act against citizens who are well-known (or highly suspected) figures or even leaders of criminal organizations by, you know, just arresting them without awaiting such inconveniences as evidence or legal process. It goes to show that the characterization of Mega-City One’s Justice Department and Judges as fascist may not be quite so straightforward or without nuance.

Anyway, in this case the vigilante is female, as both the narrative reveals to the reader and the evidence surrounding her actions to the Judges. Indeed, the narrative drops a clue to her motive when we first see her, although the significance of it is only revealed later – she tells a restaurant that she is waiting for her husband, effectively a cover as she excuses herself before scaling the walls to the penthouse and killing her criminal targets, only to depart that her husband won’t be coming. And as the story reveals, the female vigilante – dubbed the Executioner – is seeking her justice against the organized crime figures that killed her husband (albeit indirectly as he committed suicide to avoid loan sharks) and left her two children without a father.

Unfortunately for her, Judge Dredd surmises – correctly – that the Executioner has the professionalism of training consistent with a Judge. Initially – and incorrectly – he reviews female Judges as suspects, before correctly realizing that the Executioner is not a Judge but a former rookie or cadet Judge. And so he narrows it down to ex-cadet Blanche Kominsky, expelled for an “unauthorized liaison with a male citizen”.

And so we come to the tragic part of the tale. As the saying goes, when you plan revenge, first dig two graves – one for your enemy and one for yourself. Of course, Blanche had more than one enemy in mind, but otherwise knew that she was doomed when pitted against both her criminal targets and the Judges, yet can’t let it rest nor wants to live afterwards. As she tells her children goodbye (and that she loves them before sending them to their grandmother) as she knows she is seeing them for the last time, “I have to…I have a job to finish”. And finish it she does, executing the last crime figure responsible for her husband’s death, but not without evading the Judges – including Dredd – who rush to the scene. But she had planned even for this, drawing her gun on Dredd with an apparent threat “It’s all over, all right”, forcing him to shoot (and kill) her. As one of the other Judges exclaims – “Her gun, Dredd – it wasn’t loaded. I guess she wanted to die”. To which Dredd responds, with it seems a touch of pity – “She got her wish”.

 

 

(7) VAMPIRE HERSHEY (1984)
(CASE FILES 8  – CITY OF THE DAMNED: prog 395)

 

Yes – like Anderson, I already have Judge Hershey in the equally obvious second top spot in my Top 10 Judge Dredd Girls, but this is vampire Hershey. Mmm…vampire Hershey. The alternate future version of her in 2120 that has been transformed by the Mutant along with all other Mega-City Judges into vampires.

 

 

(8) JUDGE BLUE (1989)
(CASE FILES 13  – THE CONFESHUNS OF PJ MAYBE: prog 632)

 

Stop the press! Who’s that?

Yes – I noticed Judge Blue, the headbanded Tek-Judge (I think) assisting Dredd with his interrogation of PJ Maybe, even though we saw only a few glimpses of her in this storyline, including one of her badge naming her as Blue.

That’s her on the right in the panel above – and as a treat, I’ll throw the other anonymous antennaed Tek-Judge on the left of the panel into this special mention as well.

 

 

 

(9) XENA LOWTHER (1990)
(CASE FILES 14  – NECROPOLIS / DEAR ANNIE: prog 672)

 

I have to give special mention to poor Xena, as well as feature this panel again – that’s her in the upper right being confronted by Judge Death. She…takes a turn for the worse from here.

That’s the happiest (and prettiest) we see her from here onwards – although she narrowly escapes death at, well, Death’s hands, she’s left gravely psychologically and psychically injured, deteriorating into a corpse-like Death fangirl and ultimately conduit for the Sisters of Death to invade Mega-City One.

 

 

(10) AIKO INABA (1993)
(MEGAZINE 2.37)

 

Okay – she just squeezes into my special mentions as at Case Files 19, as she featured in a separate storyline in the same Megazine episodes as those with Dredd compiled in Case Files 19. It’s also special mention because as far as I’m aware she doesn’t feature in any regular Judge Dredd episode as far as I’m aware, although Dredd does mention her in one so he must have crossed paths with her or at least know of her.

Hondo City’s first female Judge Inspector – one could see her as the Hondo City predecessor and equivalent of Judge Beeny, wanting to change the system from within.

Top Tens – Mythology: Top 10 Subjects of Mythology (Special Mention)

Free “divine gallery” sample art from OldWorldGods

 

 

But wait – there’s more!

Yes – I’ve done my shallow dip into the Top 10 Subjects of Mythology but there’s yet more subjects for my usual twenty special mentions, albeit also with my usual wilder entries the further I go.

Indeed, there were enough subjects that I could do my first round of special mentions (from first to tenth special mention) entirely by alliteration with the letter m from mythology – mmm! I even had a couple to spare so I threw them in as well.

So here we go with my first round of shallow dip special mentions in one go or on the spot.

 

(1) MAGIC & MIRACLES

 

Yes – I have a separate special mention for magic for my Top 10 Mythologies, but magic seems such a definitive quality of mythology that it earns special mention as subject of mythology as well. That flows from mythology being so intimately intertwined with the supernatural, for which magic is a quintessential trait.

Mythology typically has a magical setting – or at least backdrop – of an otherworldly or supernatural realm, beyond time and space with their natural laws. It also typically is populated by supernatural beings – including gods. Hence magic in mythology overlaps with miracles – the supernatural intervention of gods or other such beings into the natural world.

Which perhaps overlaps with…

 

(2) MYSTERY

 

My myth and mystery

By its nature, mythology is mystery. It is what it is. It may be seen or spoken at its surface but at its heart it is mysterious.

That can be seen in the Greek origin of the word mystery in the various religious denominations known as mystery religions, mystery cults, sacred mysteries, or mysteries that proliferated throughout the Greek-Roman world, most famously the Eleusian Mysteries.

Sometimes I feel we would be better off if we still called our religions mysteries – and even more so kept to their essential nature as mysterious with beliefs as somewhat loose rather than to something to be defined with endlessly more precision from which others are excluded.

For example, if Christianity proclaimed itself as the Christian mysteries – perhaps aptly enough as the Greek-Roman mysteries are sometimes argued to be an influence or source for no less than Christianity itself, “a Greek hero cult for a Jewish messiah”.

The mystery religions are also sometimes delineated as one of the three main types of Hellenistic religion, along with the imperial cults or ethnic religions of particular states or tribes, and philosophical religion – a tripartite classification that still holds for mythology or even more so religion today.

Which brings me to…

 

(3) MYSTICISM

 

God-tripping!

The natural expression of the inherently mysterious quality at the heart of mythology or religion. Mysticism is typically known as becoming one with the divine or supernatural – at-one-ment as it were – but more generally “any kind of ecstasy or altered state of consciousness”, “attainment of insight into ultimate or hidden truths”, and “human transformation” or apotheosis.

 

(4) MYSTIQUE

 

Mystery and mysticism lead by alliteration and theme to mystique, that combination of mystery and charisma.

Mythology might well be summed up as mystique or supernatural charisma, but I intend it here also to connote mythology as aesthetic or art.

On the flip side, there is also mythology as…

 

(5) MORAL

 

As in the moral of the story, that definitive quality of fable – but also of morality. Mythos is ethos. All too often the defining trait of mythology is the morality it codifies, implicitly or explicitly.

Which is perhaps a subset of mythology as…

 

(6) MEANING & METAPHYSICS

 

Yes – arguably the primary subject of mythology is its expression of the search for meaning of life, the universe and everything.

Or dressed up in fancy philosophical terms – its metaphysics.

Although that can often lead to the sense of the world as illusion or ‘veil’ or…

 

(7) MASKS & MASQUERADE

 

The world as masquerade – a common trope used also in fantasy in which the fantasy ‘world’ is hidden from our own by various degrees of masquerade, as demonstrated by the trope of Masquerade in TV Tropes.

The mythic world – the divine or supernatural – often has the same quality of masquerade in mythology.

For that matter, it’s intriguing how often masks or being masked occurs as motif in mythology, literally or figuratively. The former tends to overlap with at ritual and drama in my top ten. Joseph Campbell used the latter in his magnum opus The Masks of God

 

(8) MATTER

 

As in The Matter of Britain – Arthurian and other British legend – and the various ‘Matters’ as that term is used for foundational legendary history of various nations.

The Matter of Britain is the most famous but there’s also the other two classic Matters – the Matter of Rome, and the Matter of France.

 

(9) MYTHOPOEIA

 

Leading on from fantasy as subject of mythology in my top ten, there’s the term coined as mythopoeia or mythopoeisis – “a narrative genre in modern literature and film, where an artificial or fictionalized mythology is created by the writer of prose, poetry or other literary forms…the authors in this genre integrate traditional mythological themes and archetypes into fiction. Mythopoeia is also the act of creating a mythology”.

Although it preceded him, it was famously popularized by Tolkien – in a poem of that title but even more so in his legendarium that became The Lord of the Rings, written as a modern mythology for England.

There’s even a Mythopoetic Society, which also awards annual Mythopoetic Awards in fantasy and SF.

Which leads me to…

 

(10) MYTHOS

 

To an extent synonymous with the previous entry but with a focus more on delineating the elements or motifs of a mythology, typically a fictional mythology or universe – for example the Cthulhu Mythos.

Also used as a modern synonym for myth or myths because of the latter’s contemporary usage in a pejorative sense.