Top Tens – History (WW2): Top 10 Second World Wars (Complete & Revised Top 10)

 

Screenshot of collage of images used as feature image for Wikipedia “World War II” – some public domain (top right, middle left, bottom left and right) and others (top left and middle right) licensed from German archive footage under https://creativecommons.org/licenses/by-sa/3.0/de/deed.en

 

One of my favorite quips is that the Second World War is the American Iliad while the Cold War is the American Odyssey.

As usual, I’m joking and serious – but seriously, I’d go even further in that the Second World War is the modern Iliad, the modern historical epic of war.

And as such, I thought I’d compile my Top Second World Wars

Wait – what? Top 10 Second World…Wars? Plural?!

No – I’m not missing another noun there, such as Top 10 Second World War Battles, Top 10 Second World War Theaters, or Top 10 Second World War Campaigns. Those are subjects for their own top ten lists, indeed quite extensive ones, along with other Second World War subjects, albeit there is some overlap between theaters or campaigns and the present subject.

No – this isn’t some rhetorical sleight of hand, where I define some other previous conflicts as the first and second world war respectively. Again, the subject of conflicts that might be categorized as world wars – including but beyond the two world wars labelled as such – is surprisingly extensive, deserving of its own top ten.

So…what then? Wasn’t there only the one Second World War?

Well, yes – except perhaps when there wasn’t.

My tongue is (mostly) in my cheek – it’s one of my top ten lists where I look at a subject which has a fundamental continuity… but which also can be demarcated into distinct parts in their own right. If you prefer, you can think of it as my Second World War iceberg meme – in this case an iceberg of Second World War continuity. Hence, I won’t be doing my usual top ten countdown but just counting them out.

I can illustrate my point by posing a simple question – when did the Second World War start?

A simple question with what seems a straightforward answer – 1 September 1939, when Germany invaded Poland.

But is it so straightforward? Well, perhaps for the fundamental continuity of the war waged by and against Germany, but that is to focus on Europe rather than Asia. If one shifts to a historical focus on the latter, one might well substitute 7 July 1937, with Japan launching its full-scale war on China. Even then, one could look back to the earlier Japanese invasion of Manchuria on 19 September 1931 – or for that matter, even in Europe, to the background to the German invasion of Poland.

And that is my point. While wars may have a fundamental continuity that leads to them being described as a single whole in history with definitive starting or ending dates, they may also consist of – or evolve from or into – overlapping conflicts, particularly when they have a sufficient span or scale. Perhaps none more so than considering the largest war in history, at least in absolute terms, fought on a global scale for six years – the Second World War.

What is my baseline of the Second World War – or surface of the Second World War continuity iceberg? I define it according to the conventional historical frame and timeline of the Second World War – the war against Germany and its allies, subsequent to its invasion of Poland on 1 September 1939, outlasting the surrender of Germany itself for a few months against Germany’s last ally standing, Japan, until the formal surrender of Japan on 2 September 1945.

So that said, these are my Top 10 Second World…Wars.

 

S-TIER (GOD TIER)

 

German advances during the opening phases of Operation Barbarossa from 22 June 1941 to 25 August 1941 – public domain image map by the History Department of the US Military Academy

 

 

(1) NAZI-SOVIET WAR / GREAT PATRIOTIC WAR

(22 JUNE 1941 – 8 MAY 1945)

 

Wait – what?

Wasn’t the Nazi-Soviet War – called the Great Patriotic War by the Soviet Union and contemporary Russia – essentially just the Second World War, as in the central or primary theater of military conflict of the war? The First Front, as Winston Churchill readily admitted in his history of the war?

Yes – and that’s my point. The Nazi-Soviet War might well be viewed as THE Second World War – with all the other conflicts in the Second World War overlapping or as preludes or aftermath to the war between Germany and the Soviet Union.

And it is a war that can effectively be considered or studied in isolation from other theaters or conflicts, as a subject all of itself. Or indeed, many subjects, including as subject or subjects of its own top ten lists – notably battles, but arguably even of a top ten wars list or continuity iceberg like this.

It was fought, on land and in air, between the armed forces of the Soviet Union and those of Germany with its European allies – the latter often overlooked, albeit Germany remains of primary importance – with little overlap, at least in terms of military forces, with the other conflicts or theaters elsewhere. Yes – there were also naval forces involved but they were peripheral to the scale of conflict on land and in air.

The primary overlap – in terms of military forces was of course the increasing drain of military commitments imposed by the Western allies on Germany or its European allies in other fronts – albeit for Germany’s European allies that included their increasingly desperate search to desert their alliance with Germany for exit strategies from the war.

However, those commitments remained secondary, even arguably a sideshow, to Germany’s primary conflict on its Eastern Front. Sometimes I quip that the Second World War was, for the Western allies, a timely Anglo-American intervention in a Nazi-Soviet War. Timely that is, for the fate of western Europe and Germany itself, that might otherwise have seen more extensive Soviet occupation and one or two irradiated cities – as at the time of the Normandy invasion, the Soviet Union was quite capable of defeating Germany on its own.

Note that I am speaking in terms of military forces. The Western allies did of course also provide extensive economic support to the Soviet armed forces but I’m speaking strictly in terms of armed forces in actual fighting – as per Stalin, “how many divisions has he got?”. However, it is a pet peeve of mine when people attribute the survival of the Soviet Union in 1941 or even 1942 to Allied economic support or Lend-Lease. Such things are difficult to quantify and Allied economic support certainly aided Soviet victories from 1943 onwards, probably decisively – but that role is far less clear for the successful Soviet defense of itself in 1941 or 1942 as the large majority of Lend-Lease was delivered from 1943 onwards.

There is also its sheer scale of combatants and casualties – still the largest invasion and land war in history.

In terms of scale of combat, the Soviet Union mobilized over 34 million men and women for its armed forces – almost twice as many as the next largest combatant, Germany (as well as more than twice as many than either the United States or China.

Indeed, the Soviet Union represented more than a quarter of men or women mobilized in the entire war (over 127 million). And when one considers that the large majority of men mobilized by Germany (about 18 million) were for its war with the Soviet Union, as it was for its European allies, then easily over a third of all men and women mobilized for armed forces in the Second World War were or in for the Nazi-Soviet War.

Not to mention the scale of casualties – the Soviet Union had almost 27 million people killed, at least a third of the highest estimates for 80 million people killed in the whole war. When you consider once again the large majority of those killed for Germany and its European allies were in the Nazi-Soviet War, then you’d be getting close to half all casualties in the entire war – particularly if one were to include casualties for Poland (and I think there’s a strong argument for that).

There’s also the sheer scale of impact – which can be simply stated that on any account of it, the Nazi-Soviet war was the decisive conflict within the Second World War. It’s instructive to recall the ideologies underlying this impact – and perhaps a bit humbling to reflect how much the victory of liberal democracy in the twentieth century depended on the contigency of the casualties communism could sustain fighting fascism (as well as the concentration of economic power in the United States).

And then there’s the narrative of the Nazi-Soviet war, reasonably well known in broad outline albeit somewhat distorted or obscured in historiography until recently.

The broad outline essentially follows each year of the war. The first year of war – from 22 June 1941 to June 1942 essentially follows the German invasion of the Soviet Union in Operation Barbarossa – and its defeat in its advance on Moscow.

The second year of war – from June 1942 to June the following year – essentially follows the German campaign in Case Blue against Stalingrad and the Caucasus – and its defeat.

The first two years of the Nazi-Soviet War often seem to present something of a paradox, as observed by H.P. Willmott:

“From today’s perspective, it seems incredible that Germany could have conquered so much of the Soviet Union in 1941 and 1942 and that on two separate occasions could have brought her to within measurable distance of defeat. Hindsight provides the element of inevitability that suggests German defeat in his campaign was assured because the first time, Hitler raised the scale of conflict to levels that Germany could not sustain…and herein lies a paradox: before the campaign began there would seem to have been no means whereby Germany could prevail, yet once the campaign started it would seem impossible for her to lose”.

That paradox is resolved by a closer study of the war, but a large part of it is that the Soviet Union fought back from the outset, if not always well then certainly hard – imposing costs in casualties and time which Germany and its allies ultimately could not pay.

Something of this can be observed in the diminishing returns of Germany’s successive campaigns – that whereas the German campaign in 1941 was on all three parts of the front (north, central, and south – albeit shuffling between them as it went), the German campaign in 1942 was only on one part of the front, in the south.

Those returns diminished further with the German campaign that commenced the third year of the war – Operation Citadel against Kursk – where the German campaign was not only on one part of the front, the centre, but a smaller part even of that. And for the first time, the German campaign was defeated in the summer when it was launched.

Thereafter, the Germans were on the defensive or outright retreat from the relentless Soviet advances, albeit slowly in that third year. While it was the Soviet army that had originated (prior to the war) the true ‘blitzkrieg’ of the war – the concept of the ‘deep battle’ or ‘deep space battle’, a strategy aimed at destroying enemy command and control centers as well as lines of communication – it lacked the means to employ this strategy fully until the fourth year of war, when it had sufficient elite or experienced armored and mechanized formations as well as the logistics and mobility to support them.

And oh boy, it showed with the Soviet campaign that opened the fourth and final year of war – Operation Bagration, named for a Russian general in the Napoleonic Wars, on the anniversary of Operation Barbarossa on 22 June. The Red Army took one of Nazi Germany’s three army groups on the Eastern Front, Army Group Center in Belorussia and Poland, completely by surprise – effectively destroying it, while exposing Army Group North to siege in the Baltic states and Army Group South to attack in the Balkans.

Operation Bagration well deserves to be compared as equal to the success of Operation Barbarossa for Nazi Germany, but without the same sting of ultimate defeat as the latter – although at least one subsequent Soviet campaign was arguably even better.

Indeed, by 1945, it is possible to argue, as Willmott does, the complete transposition of the German and Soviet armies in terms of military proficiency. By 1945, “the operational and technical quality of the Soviet army was at least the equal of the Wehrmacht at its peak” (with the Soviet Vistula-Oder offensive in January 1945 “perhaps the peak of Soviet military achievement in the course of the European war”).

On the other hand, “the German army of 1944-45, for all its reputation, had the characteristics so meticulously catalogued when displayed by the Soviet army in 1941: erratic and inconsistent direction, a high command packed with place-men and stripped of operational talent, the dead hand of blind obedience imposed by political commissars upon an officer corps despised and distrusted by its political master, failure at every level of command and operations”.

 

 

Battle of Britain map – public domain image (Wikipedia – “Battle of Britain”)

 

 

(2) ANGLO-GERMAN WAR

(1 SEPTEMBER 1939 – 8 MAY 1945)

 

This is the big one – the war everyone thinks or talks about for the Second World War, mostly because of the predominance of Anglophone history and popular culture

The war that started with the German invasion of Poland and Britain’s declaration of war on Germany to honor its guarantee to Poland, with a familiar narrative after that – Dunkirk and the fall of France, the Battle of Britain and the Blitz, the war in the Mediterranean and Battle of El Alamein, and ultimately landings in north Africa, Italy, and France.

And yes – the Anglo-German war between Britain and Germany became what would more accurately be described as an Anglo-American war with Germany.

Even for the latter, however, the term Anglo-German war is apt as the Anglo prefix is as applicable to the United States as to Britain, whether in Anglophonic or Anglospheric terms (or both). Indeed, Hitler saw Germany’s ultimate contest for world power against the United States and its economic predominance – which he sought to offset by a Europe united under Germany and particularly by a German empire over the resources of the Soviet Union, with Russia in a similar role to Germany as India in the British Empire (at least as argued by historians such as Adam Tooze).

For that matter, that Anglo prefix is as applicable to the Dominions that were major combatants within the British Commonwealth – Canada, Australia, New Zealand, and even South Africa.

However, one should not overlook that for a year of the Second World War, from June 1940 to June 1941, the Second World War was almost entirely an Anglo-German war, with Britain as the only major combatant opposed to Germany, albeit with its Dominions and the Commonwealth.

That was a war very different from what might be characterized as the Franco-German war in the First World War – where France held the line on the Western Front and consequently remained the primary or supreme Allied combatant on land. Of course, Britain and France had the same hope for the Second World War, but the Franco-German component of the war effectively ended with the fall of France, with the primary contest no longer between French and German armies as in the First World War.

Instead, Britain found itself engaged in a war in which it relied predominantly on sea power and airpower against a German army which had won predominance in continental Europe. Of course, Britain had traditionally relied on sea power, as it did in both world wars – adding airpower in the Second World War – and sought to rely on allies with larger forces on land to bring to bear against its opponents.

On the one hand, Germany lacked the sea power and airpower to be able to defeat Britain. It might be observed that all of its major opponents in the Second World War, Germany was only able to defeat France – Britain had too much sea power and airpower, the Soviet Union was too big, and the United States combined the worst of both those worlds along with oceanic distance.

On the other hand, Britain could not defeat or even challenge German predominance on land, even with those allies briefly conjured up on the continent, Greece and Yugoslavia.

As H.P. Willmott noted in The Great Crusade:

“At no point could she challenge Germany’s control of western Europe. Never in British history, not even at the height of British naval supremacy, had British sea power been able to challenge, let alone defeat, a great continental power, and by 1940 the superiority of overland communication meant that German military forces could be moved in greater numbers and more quickly that any British force that attempted to establish itself on the mainland. In addition, the reality of the situation was that British naval power in 1940 was barely able to ensure Britain against defeat by the strangulation of her trade”.

In a sense, this was the war that both Britain and Germany had anticipated in the contest between them, both politically before the war and in the war itself – in which Britain stood as the guardian of the world order and of its world empire or power, secured by victory in the First World War, which Germany sought to challenge.

In The Winds of War, American author Herman Wouk has his German military analyst von Roon evocatively label the war as the War of British Succession – Germany’s bid for world empire to succeed Britain’s falling one – although even von Roon ruefully notes that all it (and the Soviet war effort) achieved was to see one Anglo-Saxon world empire replaced by another.

In that, it was arguably already too late – with the contest between Britain and Germany just shadowboxing over an illusion of world power that had already been eclipsed by the two true world powers, and which would only endure until those two powers ended their isolationism (or had it ended for them) to step into the conflict.

Britain’s strategic hope ultimately relied on the substitution of another power for France as ally with large forces on land to bring to bear against Germany. That hope was understandably focused on the United States but ultimately Britain saw not only one but two powers in that role, eclipsing Britain itself in the war and in the world – firstly the Soviet Union on the eastern front and secondly the United States on the western front.

However, even then it took some time for the United States to eclipse Britain in its army and air force in the European theater – the former in terms of American divisions engaged in combat shortly after the Normandy landings – although the British navy remained predominant in the Atlantic.

Speaking of scale, while even the Anglo-American war against Germany remained secondary to the Nazi-Soviet by a substantial margin, at least on land, it was still of an impressive magnitude – with the invasion of Normandy remaining as the largest seaborne invasion in history.

And speaking of the Normandy invasion, the Anglo-American landings throughout the war remain impressive, not least as that superiority of overland communications for Germany remained a factor to be overcome throughout the war. It is impressive that the Anglo-American alliance pulled off successful major landings not just once but three times – not counting the various minor landings on or about the same time – in north Africa in 1942, in Italy in 1943 (both Sicily and the mainland), and most of all in France in 1944, with the Normandy landings a military feat unequalled then or since.

Once again, while not so much a war in its own right as the previous entry – at least after 1941 given it overlapped with (and relied) on the Nazi-Soviet war to engage the majority of the German army – it is a war that can be a subject all of itself, or indeed many subjects, including that or those of its own top ten list or lists.

 

Map of the Pacific War 1943-1945 by user San Jose for Wikimedia Commons under license https://creativecommons.org/licenses/by-sa/3.0/deed.en

 

 

(3) PACIFIC WAR

(7 DECEMBER 1941 – 2 SEPTEMBER 1945)

 

The Eagle against the Sun!

And yes – that’s the title of a book by historian Ronald Spector, one of the best single volume histories of that war.

Like a mirror image of the Nazi-Soviet War on the opposite side of the world and in the vast expanses of sea rather than those of land, the Pacific War was the other central conflict of the Second World War, the war between the United States and Japan as the largest naval war in history.

And yes – again that’s my point, that the Pacific War might well be considered as a war in its own right and indeed having its own title as such, with which the other conflicts in the Second World War (and other wars in Asia) can be seen as overlapping or as prelude or aftermath.

As such, it is a war that can be subject all of itself. Or indeed, many subjects, including as subject or subjects of its own top ten lists – notably battles, but arguably even of a top ten wars list or continuity iceberg like this

It is a war that can effectively be considered or studied in isolation from other theaters or forces other than those of Japan and the United States – as indeed it was fought, with little overlap except the so-called CBI theater (for China-Burma-India) with which it merged to some extent.

Certainly, it was almost entirely separate from the conflict in Europe, except to the extent that it was a secondary commitment to that conflict for the United States in the guise of its Germany First strategy. It’s interesting to consider the possibility that it might have remained entirely separate, but for the German declaration of war on the United States after Pearl Harbor. Of course, on the other hand it is difficult to envisage how the United States would have entered the war but for Pearl Harbor.

However, as H.P. Willmott observes, the American Germany First strategy was somewhat belied by the disposition of American forces in 1943, which more resembled a Pacific First strategy. It was certainly not the case for the American navy, for which the Pacific War remained its primary theater of operations throughout the war – and for the Marines, for which it was their exclusive theater of operation.

While similar in scale, the Pacific War lacked the decisive impact of its Nazi-Soviet counterpart, as Japan was that much weaker than Germany and that much outmatched by its American opponent in the long term that the ultimate outcome was effectively a foregone conclusion.

However, while some parts of the narrative of the war are well known, there often seems to me a curious hiatus in popular culture or imagination about that narrative as a whole.

And that curious hiatus is the Pacific War in popular culture or imagination seems to leap from the dramatic victories of Japan at the outset of the war in the six months from December 1941, at Pearl Harbor and onwards through South East Asia through to its equally dramatic defeat and reversal of fortune in the Battle of Midway in June 1942 – to the dramatic victories of the United States in Iwo Jima or Okinawa in 1945, effectively within the home island territories of Japan itself, or perhaps in the Philippines in 1944 at earliest. Of course, it helps that the staged photograph of the Marines raising the American flag in victory at Iwo Jima is one of the most iconic photographs of the war, if not the most iconic photograph.

In other words, it seems to skip the hard-fought campaigns from 1942 to 1944 or 1945 that brought the United States to those home island territories of Japan – including one of the best and most hard-fought American campaigns in the whole Pacific War, fought in the most arduous circumstances before the American quantitative and qualitative material advantages became truly overwhelming against its Japanese opponent, the campaign in and for Guadalcanal.

In fairness, those campaigns often seem like slogging matches over small islands, yet ironically without the decisive or big battles that capture popular attention or imagination. The latter was increasingly by design, particularly after the Marine casualties capturing the Tarawa atoll in November 1943, when the Americans improved their amphibious landing tactics – but even more so changed their strategy, substituting island-hopping or leapfrogging in which they bypassed Japanese strongholds such as Rabaul to “wither on the vine”.

As such, although they were often surprisingly resilient even when bypassed, many Japanese soldiers were simply left stranded without supplies, dying of starvation or disease without sighting an enemy soldier – or dying again without directly engaging any enemy combatant when their ships were sunk by American submarines.

In that, they reflected the situation of Japan itself, simply writ large for Japan as it was increasingly strangled by the American submarine campaign against its shipping. I often opine on the American submarines as the unsung victors of the war with their decisive contribution to American victory. With a smaller submarine fleet than Germany and initially defective torpedoes to boot (das boot? – heh), it managed to achieve what Germany did not – destroying the shipping of a maritime empire to bring that empire to its knees, albeit helped by Japan’s woeful neglect of anti-submarine warfare.

Japan’s problems were compounded in that it faced not one but two American campaigns in the Pacific – arising from the split between the American navy and army, which essentially saw two separate campaigns by them, the American navy campaign in the central Pacific, and the American army campaign in the south-west Pacific.

(Of course, Japan had its own issues with such a split, only much worse – which effectively saw a successful navy coup in 1944 against the army government under Tojo that had launched the war with the attack on Pearl Harbor).

It may have been better, as historian John Ellis opines, to have resolved the split and focus on the one campaign – the south-west Pacific with its shorter distances – but the fact remains that the Americans had the resources for both while Japan increasingly lacked them for either.

As H.P. Willmott observes, the Pacific War was the second such war fought by the United States as it mirrored an earlier war – the American Civil War:

“Between 1941 and 1945, Japan was to the United States what the Confederacy had been 80 years before, and the parallels between the two wars were very considerable. Both wars, each about four years in duration, saw the United States opposed by enemies that relied upon allegedly superior martial qualities to overcome demographic, industrial and positional inferiority, but in both wars the United States’ industrial superiority and ability to mount debilitating blockades proved decisive to the outcome. In both wars, the United States was able to use the advantages of a secure base and exterior lines of communication to bring overwhelming strength to enemies committed to defensive strategies, and which were plagued by divided counsels, while in the military aspects of both wars there were close similarities…

The Union drive down the Mississippi that resulted in the capture of Vicksburg in July 1863 and the separation of the Confederate heartland from Texas has its parallel in the drive across the south-west Pacific to the Philippines to separate Japan from its southern resources area. The battles in the two-way states that culminated in the march through Georgia were not dissimilar from the central Pacific offensive that took American forces to Iwo Jima, Okinawa, and the shores of the Japanese home islands”.

 

A-TIER (TOP TIER)

 

The extent of Japanese occupation of China in 1940 – public domain image Wikipedia “Second Sino-Japanese War”

 

(4) SINO-JAPANESE WAR

(18 SEPTEMBER 1931 – 27 FEBRUARY 1932 / 7 JULY 1937 – 2 SEPTEMBER 1945)

 

This is the other big one but in reverse to the Anglo-German war – the war no one thinks or talks about for the Second World War, despite its scale, not least reflected in Chinese casualties second only to the Soviets

That omission or oversight in popular culture or consciousness is reflected in the usual historiography of the Second World War commencing with the German invasion of Poland, rather than the Japanese war with China that commenced two years earlier – or arguably six years before that with the Japanese invasion of Manchuria.

Well, for Europeans or Eurocentric history at least – it obviously gets more attention in Asian history. More accurately, it was the Second Sino-Japanese War, after the First Sino-Japanese war fought between Qing China and Japan in 1894-1895.

In fairness, it was largely isolated to the combatant nations of China and Japan. The actual combat was isolated to China itself, given that the Chinese forces involved could barely defend themselves or their territory. By barely I mean with extensive losses and limited longer term prospects of continuing to do so without outside aid or intervention, let alone any prospects of ejecting Japanese forces or taking the war to Japan. And of course, isolated is a relative term, given the scale of war with China as the world’s most populous nation and one of its largest in size.

I say largely isolated because there were various degrees of foreign involvement in support to China or on the edges of the war itself. The former surprisingly included aid from Germany at the outset, until Germany aligned itself with Japan and started its own war in Europe – prompting much of the foreign involvement on the edges of the war with Japan seeking to cut off routes of supply to China or resources for its own war effort in south-east Asia, ultimately leading to the larger Pacific War.

Also in fairness, the war received reasonably widespread attention at the outset, both for the Japanese invasion of Manchuria in 1931 and for the Japanese war with China from 1937, the latter most infamously for the R*pe of Nanking or Nanjing, the Chinese southern capital that the Chinese Nationalist government could not defend and had to abandon.

I am only familiar with the basic highlights of the war until the European war in 1939 – the loss of Nanjing of course and the loss of Shanghai that preceded it, the Chinese Nationalist regime under Chiang Kai-shek deciding to blow up the dams of the Yellow River to flood the North China plain to slow the Japanese advance in 1938, and the Chinese government having to retreat first to Wuhan and second to Chungking as its capital.

Looking it up, the battle of Wuhan in 1938 was the largest battle of the war – Wuhan was lost but China managed to hold the city of Changsha through two battles in 1939 and 1941, as well as win victory at Taierzhuang in 1938. In fairness to myself, the major combat operations in this period of the war from 1938 to 1941 are usually not common knowledge.

And in fairness to world attention at the time, the Sino-Japanese war was not only overshadowed by the war in Europe, but also largely settled into stalemate – where Japan had mostly defeated Chinese forces in battle but lacked the forces to extend its occupation further beyond coastal cities or railways in a country that remained overwhelmingly hostile to it. At the same, Chinese forces lacked the ability for anything other than a defensive strategy – that is, avoiding open battle as much as possible while looking for salvation from outside forces, with the Nationalists and Communists also looking ahead to renewed civil war with each other.

However, Japan still had one surprise left for China, even while it was virtually collapsing in the Pacific War against the United States, and one that is almost entirely forgotten or overlooked in most Second World War histories – the Ichigo offensive in 1944. The largest Japanese army offensive of the whole war, it was also the last successful Japanese offensive – astonishingly so and on a scale unequalled for anything else by Japan or Germany at that late stage of the war.

It was the last of a series of Japanese blows that ultimately proved fatal for the Chinese Nationalist government in the subsequent civil war with the Communists – Japan arguably doing the most of anyone, including the Chinese Communists themselves, to win victory for the Communists in the civil war.

 

 

Occupation of Poland by Germany and the Soviet Union in 1939 by Lonio17 for Wikipedia “Occupation of Poland (1939-1945)” under license https://creativecommons.org/licenses/by-sa/4.0/

 

 

(5) FOURTH PARTITION OF POLAND / POLISH WAR

(1 SEPTEMBER 1939 – 8 MAY 1945)

 

The invasion and partition of Poland by Germany and the Soviet Union – in accordance with the Nazi-Soviet Non-Aggression Pact, which as popular historian Paul Johnson pointed out was something of a misnomer for what was more accurately a Nazi-Soviet aggression pact against Poland.

Speaking of Paul Johnson, he records an interesting vignette of how easy it was to forget Poland as casus belli of the European war. One guest swept his arm around at a London society wedding on 10 January 1946 to exclaim “After all, this is what we have been fighting for”, only for a female guest to retort “What, are they all Poles?”

And indeed, the invasion of Poland by Germany on 1 September 1939 was the commencement of the Second World War in Europe. The Soviet invasion followed on 17 September 1939, effectively to claim the Polish territory assigned to it under the Pact which in turn reclaimed the territory lost to Poland in the Polish-Soviet War of 1919-1921. But for the Pact, Germany could readily have occupied all of pre-war Poland. As it was, Poland ceased to exist as a state – and alone among the states occupied by Germany, did not have its own collaborationist government but instead the German-administered General Government.

The title of Fourth Partition of Poland is used by some historians in reference to the Three Polish Partitions – the three partitions of the Polish-Lithuanian Commonwealth from 1772 to 1795 by Russia, Prussia and Austria that progressively reduced the Commonwealth until it was eliminated as a state altogether by the third partition and completely divided up among the three partitioning parties.

However, other historians have pointed out that it might well be reckoned an even higher numbered partition – depending on how one reckons the subsequent restoration of Poland under Napoleon in 1807 and its partitions in 1815 (Congress of Vienna), 1832, 1846, 1848, and 1918 (Treaty of Brest-Litovsk).

I have classed the Fourth Partition of Poland as one of my top ten Second World Wars – indeed in top tier – as the German (and Soviet) war against Poland continued throughout the Second World War, albeit behind other active fronts, particularly in Poland itself behind the Eastern Front.

Active military fronts that is – Poland itself was the front line (or ground zero) of the war Germany fought against the populations of the nations it occupied, above all the Holocaust with it mostly occurring in camps in Poland and Polish Jews representing about half the tally for the Jewish population of Europe killed.

Of course, the most active part of the German war against Poland was its original campaign in September 1939 – which one book title christened as The War Hitler Won, and as H.P. Willmott observed in The Great Crusade, was a war Germany won before a single shot was fired due to its material and positional superiority over Polish forces.

The German victory still surprised observers at the time as being a matter of weeks rather than months. Poland might have had better prospects if weather – General Mud – had been more on its side, if its defense had been better planned or timed, and above all if Britain and France had properly planned or coordinated an offensive against Germany on the Western Front. The failure of the last has been considered as part of the larger Western Betrayal argued by Poles and Czechs from Munich to Yalta.

Even so, Polish forces defended Poland impressively – notably inflicting a similar proportion of casualties (for German personnel killed in action) as the French did in far better defensive circumstances the following year. That was despite the Soviet invasion on 17 September transforming the Polish situation from hopeless to completely hopeless – although as H.P. Willmott points out, it did little to change the military situation in reality other than to remove the Polish option of holding out in the so-called Romanian Bridgehead. As it was, some Polish forces held out even after the fall of Warsaw on 28 September, enduring until the last of them surrendered on 6 October, while others fled or escaped.

However, the war did not end there, either for Polish armed forces or in Poland itself.

With respect to the former, those Polish armed forces that managed to escape or flee continued fighting in Allied forces elsewhere (or in resistance within Poland), particularly as the Polish Armed Forces in the West, led by the Polish government-in-exile based first in France and then in Britain. Indeed, “Polish armed forces were the fourth largest Allied forces in Europe after the Soviet Union, the United States and Britain”, albeit reliant on arms and supplies from other allies.

Among the western allies, Poles served with distinction – perhaps the most famous examples being Polish airmen in the Battle of Britain and the Poles as the Allied “shock troops” in the Battle of Monte Cassino. The Polish navy and merchant marine also fought in the Polish Armed Forces in the West.

After the German invasion of the Soviet Union, the Soviets either released Polish personnel to serve in the Polish Armed Forces in the West or had them raise the Polish Armed Forces in the East, the latter more to Soviet ideological taste.

Arguably even more impactful was the Polish contribution to Allied intelligence. Apparently almost half “of all reports received by the British secret services from continental Europe in between 1939 and 1945 came from Polish sources” – and the Polish intelligence network described as “the only allied intelligence assets on the Continent” (after the French surrender).

Most impactful of all was the vital Polish intelligence contribution towards the decryption of the German Enigma codes, delivered to the western allies only five weeks before the war, and which underlay the British decryption known as ULTRA. Polish intelligence didn’t end there but also provided the Allies with key intelligence about the German camps, V-1 and V-2 rockets, and submarines, as well as an intelligence network for north Africa.

The Polish intelligence contribution to Allied victory has been described as “disproportionately large” and much more effective “than subversive or guerilla activities”.

Speaking of subversive or guerilla activities, finally there was the war in Poland itself – or rather the war on Poland itself. The German campaign may have ended but if anything that only represented an escalation in the German war on Poland – with far more Polish casualties from occupation than the military campaign in 1939. Poland has one of the highest casualties in absolute terms for those killed in the war – approximately 6 million, almost all civilians and over half of which were Polish Jews – and the highest as a proportion of its population, approximately 17%.

Of course, that wasn’t all the German occupation – a small proportion was from the Soviet occupation, most infamously the captured Polish soldiers killed by the Soviets at Katyn.

That prompted Polish resistance movements and the Polish Underground State, with an overall strength that was the largest or one of the largest resistance movements in Europe – in which the largest Polish resistance organization was the Home Army (Army Krajowa or AK), although there was a plethora of other organizations.

The Polish resistance fought two famous uprisings in Warsaw – firstly, the Warsaw Ghetto Rising by the Jews against deportation to the camps in April 1943, and secondly (even more famously and on a larger scale), the Warsaw Uprising in August 1944 as Soviet forces advanced on the city. Equally as famously, those Soviet forces sat it out while the Germans crushed the Uprising, destroying Warsaw far more thoroughly than the German campaign in 1939 did. The Soviet forces were at the limits of their supply and logistic chains, but they were also not inclined to do too much to address that (or otherwise assist the western Allied air forces to drop aid to the Poles), given the convenience of Germany destroying the non-communist Polish resistance.

H.P. Willmott observed the irony that Germany treated Poland atrociously and France leniently, while the reverse might have better suited Germany’s purpose. I have observed that I do not understand why Germany crushed the Warsaw Uprising, when it might have suited Germany better to withdraw to another defensive line, leaving it intact as a potential thorn in the side for the Soviets.

I’ve left the end date of this entry as the surrender of Germany but in effect part of the Polish resistance or underground war and indeed of the partition of Poland continued afterwards with respect to the Soviets – with the latter continuing to this day and onwards, as Poland never retained the loss of its territory from the Soviet part of the Pact.

 

 

The German advance to the English Channel between 16 May and 21 May of 1940, History Department of the US Military Academy, public domain image

 

 

(6) FRANCO-GERMAN WAR / THIRD FRANCO-PRUSSIAN WAR

(1 SEPTEMBER 1939 – 25 JUNE 1940)

 

This was the big one – until it suddenly and surprisingly wasn’t.

The war that was the focus of everyone’s attention at the outset – the war at the start and the heart of the Second World War in Europe, set to replay the Western Front of the First World War and synonymous with the Battle of France…until France fell and signed an armistice with Germany on 25 June 1940.

After then, it was replaced in western Europe, the Atlantic, and the Mediterranean by the Anglo-German war, which ultimately became the Anglo-American war with Germany.

Of course, the Anglo-German war commenced at the same time as the Franco-German war – with the German invasion of Poland – and both were fought side by side, literally with Britain and France as allies in western Europe against Germany. However, the Franco-German war predominated over the Anglo-German war, as France did the heavy lifting in terms of both being the Allied front line in western Europe and fielding the overwhelming majority of the Allied armies against Germany. While Britain did field an expeditionary force to France, its main strength was its navy, as had always historically been the case, as well as the newer addition of its air force.

The Franco-German war effectively ended with German victory and French defeat in the Battle of France, such that the primary contest was no longer between French and German armies but the Anglo-German war until 1941. Britain’s strategic hope relied on the substitution of another power for France as ally that could contribute similar large forces on land against Germany. That hope was understandably focused on the United States, which ultimately did replace France as larger army allied with Britain on the Western Front, but the Soviet Union played the role of France for both Britain and the United States as primary or supreme allied combatant on land, except substituting that role on the Eastern Front for France on the Western Front.

While some French forces fought on against Germany mostly from France’s colonies as the Free French, they effectively did so as a subordinate part of the Anglo-German war or Anglo-American war against Germany – as did the revived French forces after the Anglo-American liberation of France, the core of which were Free French forces in any event. As such, the Franco-German war very much ended with French defeat in the Battle of France.

The Franco-German war was more than just the Battle of France, albeit not much more as indicated by the title of Phoney War, or Sitzkrieg in German as an amusing contrast to blitzkrieg, from about September 1939 to May 1940. This title is a slight misnomer. Britain and France may not have conducted major military operations on the Western Front but they did implement economic warfare and waged naval warfare, including their naval blockade of Germany and targeting German surface raiders. They also planned operations, although the only one that saw any action was in Norway – when they came up against the German plans to invade and occupy that country and Denmark from April 1940.

The biggest lost opportunity by France was at the outset of the Franco-German war with the failure to launch a more robust and potentially decisive offensive against Germany while the latter only had weak forces in the west during its campaign in Poland – that is, other than the abortive Saar Offensive. Had France pursued or expanded that offensive more vigorously, it may well have won the Franco-German war and ended the Second World War right there.

For that matter, the Saar Offensive was simply the last in a long line of French inaction where even the most minimal action against Germany mght have won the war before it started, most notably with Germany’s remilitarization of the Rhineland in 1936.

However, it remains that the Franco-German war is defined by the Battle of France from 10 May 1940 to 25 June 1940 – and the French defeat in it. The reasons for the latter, as well as those for German victory, are perhaps best considered in a closer look at the Battle of France, but at least part of those reasons is from the same pusillanimity as shown by the French leadership in their Saar Offensive or any of their other failures to take more effective action against Germany when they held the advantage.

Although I feel obliged to point out that critique of pusillanimity and psychological defeatism should not extend to French military performance as a whole, unfairly the subject of caricature as “cheese-eating surrender monkeys”.

The Franco-German war was the third such war in seventy years, such that it should be considered the Third Franco-Prussian War, after the Franco-Prussian War in 1870-1871 and the First World War in 1914-1918, albeit the latter involved a Germany that been unified under Prussia and its monarchy after the former. The Prussian monarchy may have been forced to abdicate after the First World War, but Germany and even more so the German military or Wehrmacht effectively remained unified under a Prussian state. The Allies in the Second World War certainly thought so as they abolished the Prussian state after the war, identifying it with the German militarism of both world wars.

Although perhaps the Franco-German war of the Second World War should be considered the Second Franco-Prussian War – as the Germans managed to replay the same quick victory they had won in the Franco-Prussian War, achieving in only six weeks what they could not against France on the Western Front throughout the entire First World War.

That of itself, as well as the repetition of three Franco-German wars in effectively as many generations, is worthy of the Franco-German war being considered as its own separate war within the Second World War.

 

Approximate map of southern Europe and northern Africa prior to the western Desert Campaign by Jackaranga for Wikipedia “Western Desert Campaign” licensed under https://creativecommons.org/licenses/by-sa/3.0/deed.en

 

(7) GUERRA PARALLELA –

FRANCO-ITALIAN, ANGLO-ITALIAN & GRECO-ITALIAN WAR

(10 JUNE 1940 – 6 APRIL 1941)

 

It might seem odd to see Italy’s initial role in the Second World War as waging its own ‘guerra parallela’ or parallel war to that fought by Germany, but that was indeed how Mussolini saw it – and what’s more, that is what it effectively was until Italian defeats necessitated German involvement in Italy’s war, at which point Italy became a subordinate in Germany’s war.

It was also of fundamental importance to the Second World War, transforming the Mediterranean from a literal backwater, neutral albeit Axis-friendly, to an active theater of the war – certainly disastrous to Italy itself, ultimately a battlefield in that theater, but arguably to the detriment of everyone involved, hence my favorite epithet for the Mediterranean in the Second World War as the sea of folly.

Apparently prior to Italy entering the war, the British War Cabinet considered whether it was more advantageous for Italy to remain neutral or be a millstone for Germany as ally (or for Germany to be “shackled to a corpse”, using the phrasing for Germany allied to Austria-Hungary in the First World War). They concluded that it would be better for Italy to remain neutral, correctly in my opinion, but by a narrow margin. Italy as active ally to Germany was not the war-breaker for Germany of which Hitler subsequently complained on the eve of final defeat, but it did contribute to German defeat. On the other hand, the Mediterranean was a drain on resources for all involved, arguably delaying Allied victory by at least a year or so, although they could more readily afford that drain on their resources more than a Germany which increasingly could not.

Mussolini initially sought to sit out the war that commenced with Germany’s invasion of Poland – firstly for the sensible practical reason that, as he had confided to Hitler, Italy was not ready for war until 1943 (similarly to German naval commanders who advised Hitler of the same year with respect to the German navy), and secondly for ideological opposition to the Nazi-Soviet Pact.

It is unfortunate for Italy and Mussolini personally that he did not maintain this sensible neutrality – as indeed it was that he did not maintain his original opposition to Hitler and Germany, being the only effective such opposition in the period of appeasement by Britain and France, notably by blocking Germany taking over Austria in 1934. It’s why I perceive Mussolini with some sympathy as a tragic figure despite his many flaws, not the least of which was fascism – that he might have redeemed himself in history but for the fatal flaw that he was twice corrupted from his correct initial instincts, firstly of opposition to Germany and secondly of neutrality in the war.

Mussolini abandoned his initial neutrality because he could not resist the temptation of the opportunity from the French defeat by Germany for Italy’s own expansion or empire in the Mediterranean. Although the opportunity came from the French defeat by Germany, Mussolini perceived that Italy could not do so simply by begging crumbs from Germany at the table of victory as a power friendly to it, but would have to assume an active role in the war when it was still meaningful – and what’s more, by its own war effort separate from Germany, hence the ”guerra parallela” or parallel war.

That saw Italy declare war on a dying France and a defeated Britain, although Italy was to find that the latter may have been defeated by Germany in western Europe but was to prove far more robust elsewhere.

Unfortunately for Mussolini and his guerra parallela, Italy’s separate war effort did not shape up to his hopes for it. It was probably inevitable that Italy’s war against Britain in the Mediterranean and Africa would merge with the wider Anglo-German war at some point, but Mussolini might have pulled off his parallel war if Italy had been more successful militarily. Instead, Italy was unsuccessful, infamously and spectacularly so.

Like I did for France in the Franco-German war, I feel obliged to resist the common caricature of Italy’s military performance as execrable, often pumped up as such by contemporary British propaganda – much to the anger of the British personnel who had to do the actual fighting when the Italian military did perform effectively. Italy’s military was not universally bad as so often caricatured but it was inconsistent. The reasons for that inconsistency are manifold, including that Italians did not share Mussolini’s enthusiasm for his guerra parallela on the German side but also the same reason Mussolini himself shared to Hitler – that Italy simply was not ready for war before 1943. Italian military performance often reflected that Italy went to war with a totally inadequate industrial base and wretched equipment to match, particularly outside its most prized military asset – its navy. When Italian forces were buttressed by better equipment and leadership, such as in Rommel’s Afrika Korps, they could fight very effectively indeed.

Mussolini’s parallel war got off to a bad start with the Franco-Italian war, fought in the last fortnight or so (10-25 June 1940) of dying French resistance in the Franco-German war that had commenced fighting in earnest a month before. Albeit Italy did not have the same mechanized or armored strength as Germany – and faced more difficult terrain that would have been a check to it even if it did – for the invasion of south France or the Battle of the Alps as it is called, but the resistance by the few divisions of the French Army of the Alps under General Rene Olry was the one shining light of effective French defense during the Battle of France. I’ve read at least one history that opined the French defensive success effectively preserved south France for the autonomous Vichy regime. I’m not so sure about that, as Vichy’s autonomy seemed more due to the larger bargaining chips of continuing the war through the French navy and colonial possessions, but it probably helped. It certainly limited Italian territorial claims to the minimal territory they had obtained prior to armistice.

Italy’s military performance may have been lackluster in the Franco-Italian war, but that was positively rosy compared to the defeats it suffered in the Anglo-Italian war. Those defeats were, as noted previously, most infamous and spectacular in north Africa where Italy was not only defeated by Britain in its invasion of Egypt but looked in real danger of losing its own territory of Italian Libya to the victorious British forces. However, Britain’s victories against Italian forces in north Africa often overshadow its victories against the Italian forces in east Africa (Ethiopia and Somalia) as well as its naval victories in the Mediterranean, most notably the British air attack on the Italian fleet at Taranto in the first carrier strike of history on 11 November 1940. The attack on Taranto was even more notable as a model the Japanese used for their subsequent attack on Pearl Harbor (along with their own attack on Port Arthur in the Russo-Japanese War) – and that Britain was notoriously deficient when it came to developing carrier aviation, particularly in comparison to Japan or the United States, with the air attack on Taranto being by the biplanes Britain used in naval aviation at that time.

However, the archetypal example of Italy’s parallel war was the Greco-Italian War it launched from 28 October 1940, attacking Greece from Albania. At least Germany was aware of Italian intentions in the Franco-Italian and Anglo-Italian wars, but Mussolini had deliberately not informed Germany of his intentions for the Greco-Italian War, resentful of what he perceived as German encroachment in the Balkans (by Germany negotiating between Hungary and Romania in conflict over Transylvania) as an Italian sphere of influence.

Once again, Italian forces faced difficult terrain, but also in the worst possible season for it, and were defeated by opposing Greek forces, only somewhat less spectacularly than in north Africa. A large part of the reason for the defeat of Italian forces in both Greece and North Africa was Mussolini splitting the Italian war effort between the two, something the British were to repeat in their victories by sending forces from north Africa to aid Greece.

As noted previously, Italy’s parallel war – the Anglo-Italian and Greco-Italian wars – effectively ended with German involvement to aid Italy at the latter’s request, reversing British or Greek victories with defeats by Germany, as well as subordinating Italy and its parallel war to Germany in the wider Anglo-German war. German involvement had commenced earlier in north Africa but commenced in Greece with the German invasion of Yugoslavia and Greece from 6 April 1941.

The latter has often been attributed as the fatal mistake that lost Germany the whole war, by delaying Operation Barbarossa until 22 June 1941, including by Hitler himself after the fact (and blaming everyone but himself). That has generally been revised by assessments that an unusually wet spring thaw would have delayed Barbarossa in any event, although it certainly didn’t help that the German units involved in their Balkans campaign were delayed in participating in Barbarossa – and the German airborne invasion of Crete deterred Germany from doing so to better effect elsewhere, most notably against Malta.

 

B-TIER (HIGH TIER)

 

 

Map showing the Soviet Union’s 1945 Invasion of Manchuria, also known as Operation August Storm – based on David Glantz’s maps in Levenworth Paper No 7 – Feb 1983 used in Wikipedia “Soviet invasion of Manchuria” under license https://creativecommons.org/licenses/by-sa/4.0/

 

 

(8) SOVIET-JAPANESE WAR

(11 MAY – 16 SEPTEMBER 1939 / 8 AUGUST – 2 SEPTEMBER 1945)

 

It has always struck me as somewhat anomalous that two of the major combatants of the Second World War, the Soviet Union and Imperial Japan, scrupulously avoided fighting each other for almost all the conflict, despite being on opposing sides and despite it obviously being to the detriment of Japan’s ally Germany.

Not that, on the latter point (and according to my reading), Germany particularly sought out Japanese involvement in its war against the Soviet Union – at least not until Germany’s initial victories began to wane to the point that Germany considered it might need Japanese involvement after all, by which point it was too little too late.

Hence Japan signed the Japanese-Soviet Non-Aggression Pact on 13 April 1941, a little over two months before Germany invaded the Soviet Union – reflecting how little Germany had coordinated with or even informed Japan with respect to its intentions. Hence also the term scrupulously I used for the Soviet Union and Japan avoiding fighting each other – scrupulously that is, in terms of abiding by the Non-Aggression Pact.

And as I stated before, despite that scrupulousness on Japan’s part obviously being to the detriment of Japan’s ally Germany – reflected in, among other things, about half of American Lend-Lease aid to the Soviet Union in the war against Germany being shipped through the Pacific, as long as the ships had Russian flags (which I anticipate would simply have been a matter of lending them those ships or assigning ships Russian flags).

It’s even more anomalous when one considers the long-standing Japanese hostility to the Soviet Union – and indeed the Russian empire before that, Japan’s first European military adversary. Japan had both the largest and longest military intervention in the Russian Civil War, which persisted until Japan finally withdrew from Siberia and the Russian Pacific Far East in 1922.

The initial target of the rise of Japanese militarism in the 1930s was also the Soviet Union – outside of course the Japanese annexation of Manchuria, from which Japanese militarists began looking towards the Soviet Union – before that particular party of militarists was suppressed by other militarists looking towards China and elsewhere, although that didn’t stop repeated minor clashes with the Soviet Union on the Manchurian border or in Mongolia.

One can see why the Soviet Union stuck scrupulously to the Japanese-Soviet Non-Aggression Pact in its existential struggle against Germany, but less so for Japan. One factor was of course that both the navy and Japan’s need for resources, particularly oil, advocated the “Southern Strategy” against European Asian colonies (and the United States) as opposed to the “Northern Strategy” (against the Soviet Union) that was the contending strategy proposed, typically by the army, in war councils.

The other factor was the healthy respect that Japan had for the Soviet forces opposing them – something I share in terms of my uncertainly whether any Japanese involvement against the Soviet Union in 1941, when it was most optimal for Japan (and Germany), would have actually made any different to the outcome.

That respect arose from the first of the Soviet-Japanese wars that did occur during the Second World War, interestingly enough with those two wars bookending the main conflict at start and finish.

Indeed, the first Soviet-Japanese war commenced six months before the commencement of the war in Europe with the German invasion of Poland and indeed continued for a fortnight or so into the European war. However, it was kept mostly secret by both combatants – the Soviet Union presumably to avoid undermining its position against Germany and Japan because its army was soundly defeated by that of the Soviet Union, notably at Khalkhin Gol.

The Japanese defeat in this war, particularly at Khalkhin Gol, has taken on some notoriety in history since the Second World War – rightly so in my opinion, as having an importance on the outcome of events in the Second World War that were somewhat obscured by its secrecy at the time. In some ways, it is a pity that it wasn’t publicized more widely – as it, and Japanese intelligence on the strength of Soviet forces, might otherwise had some impact on German decisions, at least if the latter had been in the minds of more rational actors.

The other Soviet-Japanese war bookend came at the end of the Second World War, after Germany had surrendered – and in the form of the Soviet Union honoring its promise to the United States to commit to war against Japan. Ironically – and somewhat incredibly – Japan at this time harbored delusions that, consistent with the Japanese-Soviet Non-Aggression Pact, the Soviets could help Japan negotiate a more lenient peace.

Instead, the Soviets scrapped the Pact and absolutely smashed Japan’s Kwangtung Army in Manchuria – indeed proceeding into Korea and Japan’s northernmost island possessions.

While the Japanese army had previously romped through China in the absence of the latter’s industrial capacity and hence armored forces, now it faced the Soviet army – pretty much defined by its armored forces or tanks – honed to perfection fighting and winning against Germany.

As the War Nerd (Gary Brecher) colorfully observed in a column on this war – “This was a campaign between two great empires—both gone now, it occurs to me—but one, the Soviet, was at the absolute top of its game, and the other, Imperial Japan, was dying and insane.”

 

 

Offensives of the four Soviet armies in the Winter War from 30 November to 22 December 1939 – public domain image in Wikipedia “Winter War”

 

 

(9) SOVIET-FINNISH WAR – WINTER & CONTINUATION WARS

(30 NOVEMBER 1939 – 13 MARCH 1940 / 25 JUNE 1941 – 19 SEPTEMBER 1944)

 

The Soviet-Finnish wars have an odd place in the continuity of the Second World War – almost like Schrodinger’s wars, at the same time both within and outside the main continuity, with the latter effectively saving Finland from the same fate of occupation and unconditional surrender as Germany.

The Winter War has quite the notoriety within Second World War history, primarily for the obvious Soviet expectations of a walkover only to be undone by the Finnish underdog against the odds.

The ultimate Soviet goals in that war are contested, although most seem to agree that it was the complete occupation of Finland – consistent with restoring other former Imperial Russian territory to the Soviet Union, as with Poland and the Baltic states.

Whatever they were, they had to evolve as a result of the skilful and stubborn Finnish resistance that is the stuff of legend, while the Soviets seem to double down on one disaster after another.

But evolve they did, to a more realistic strategy not based on Finland conveniently collapsing from the first push – and which had seen Soviet overconfidence in attacking at the worst time of year for it in terms of seasonal weather. Ultimately, Finland had to negotiate while they still had the means to avoid worse defeat.

The Soviet-Finnish wars weren’t done, however, as the Soviets reaped the harvest they had sown in the Winter War with what the Finns called the Continuation War – the Finnish participation in the German invasion of the Soviet Union. That title reflected the common perception or intention that the war was to reverse the losses of the Winter War and no more, though some Finns argued for more ambitious war aims of a Greater Finland.

Whatever the Finnish goals in the Continuation War, Finland held itself aloof from Germany as much as possible, even to the extent of identifying as co-belligerent rather than ally and not signing the Tripartite Pact – which resulted in the United States never formally declared war on Finland.

Finland also refused to advance beyond certain points and had to demobilize part of its army from economic necessity in 1942. Finland was also the first to see the logic of German defeat if Germany could not secure a quick victory, attempting to start peace negotiations with the Soviet Union as early as autumn 1941.

And once again Finland managed to save itself with the Soviets accepting a more limited outcome than the occupation or unconditional surrender of Finland. That outcome did however require the Finns to declare war on Germany and eject German troops from Finland.

That saw the third and final war fought by Finland, this time against Germany in the Lapland war – which mostly came to an effective end in until November 1944 although some German troops held out until 27 April 1945, shortly before the surrender of Germany itself.

 

 

Territories under partisan control in September 1944, public domain map in Wikipedia “World War II in Yugoslavia”

 

 

(10) YUGOSLAVIAN CIVIL WAR & WAR OF NATIONAL LIBERATION

(6 APRIL 1941 – 25 MAY 1945)

 

“In April 1941, the Axis powers conquered Greece and Yugoslavia and thereafter the real struggle for the control of those countries began.”

That’s how H.P. Willmott summed it up in The Great Crusade, his history of the Second World War. While Greece will earn a place in my special mentions, the partisan warfare in Yugoslavia deserves its place in my Top 10 Second World Wars.

That’s because of two reasons – its scale and the effectiveness of the partisans under Tito.

The former is reflected in its casualties, with Yugoslavia having one of the highest death tolls by population, usually estimated as at least one million (or approximately 7% of the population), of which over half were civilian.

The partisans were no slouches in number of combatants either – originally a guerilla force aided by their country’s mountainous terrain, they switched to a conventional force apparently numbering 650,000 in 1944 (and increasing to 800,000 in 1945) in four field armies in 52 divisions, with a navy and air force.

Their effectiveness is usually considered in terms of being Europe’s most effective anti-Axis resistance movement in the war – unique or almost unique among such movements or partisans to liberate their country with their own forces during the war.

(In its article on the Yugoslav Partisans, Wikipedia nominates Yugoslavia as “one of only two European countries that were largely liberated by its own forces during World War II” – I recall the other is Albania, although I also recall Greek partisans had liberated substantial parts of Greece).

Of course, they didn’t and probably couldn’t do without outside help. They were aided by joint operations with the Soviet operation against Belgrade, the national (and Serbian) capital. They were also aided throughout by logistics and air support from the western allies.

More substantially, they were aided by Germany’s priority to commit forces elsewhere against the Soviets or western allies, as well as by the desertion of Germany’s allies, both those allies surrendering to switch sides and of forces fielded in Yugoslavia itself, often literally deserting to join the partisans.

Even so, Germany and its allies came very close to destroying the partisans in spring and summer 1943 – that is, before the reversal of fortunes from the surrender of Germany’s most significant ally in Europe, particularly in terms of forces occupying Yugoslavia, Italy.

This illustrates that the Yugoslavian war of liberation was no simply two-sided affair, but rather a bitter battle royale on all sides – summed up by a quip from John Irving’s Setting Free the Bears to the effect that it was a hard war if you didn’t change sides at least once.

On what might be described as the Axis side, there was of course Germany, which had primarily defeated Yugoslavia in April 1941 but had then largely left the occupation of Yugoslavia to its allies – Italy, Hungary, Bulgaria and their various client regimes, most notoriously the Ustashe of Croatia. That is, until the surrender of Italy and the threat of Allied landings in the Mediterranean extending to the Balkans forced Germany to commit more substantial forces.

On what might be described as the Yugoslav side, there was actually a multi-side civil war, albeit primarily between Tito’s communist partisans and the royalist Chetniks, although there were also the collaborationist forces of Axis client regimes as well as, bizarrely, the White Russian émigré “Russian Protective Corps”. The Chetniks increasingly collaborated with the Axis forces, with the Allies ultimately abandoning them to support Tito’s partisans.

Tito and his partisans emerged victorious as Yugoslavia’s postwar communist or socialist government, naming the war they had won as the National Liberation War and Socialist Revolution. However, because they had won it largely with their own forces, they were able to remain outside the Soviet bloc – unlike the other eastern European communist states which had been essentially imposed by Soviet forces – effectively defecting from it in what was famously the first major split within the communist world, the Tito-Stalin split.

 

TOP 10 SECOND WORLD WARS (TIER LIST)

 

S-TIER (GOD TIER)

 

(1) NAZI-SOVIET WAR

(2) ANGLO-GERMAN WAR

(3) PACIFIC WAR

 

A-TIER (TOP TIER)

 

(4) SINO-JAPANESE WAR

(5) FOURTH POLISH PARTITION / POLISH WAR

(6) FRANCO-GERMAN WAR / THIRD FRANCO-PRUSSIAN WAR

(7) GUERRA PARALLELA – FRANCO-ITALIAN, ANGLO-ITALIAN & GRECO-ITALIAN WAR

 

B-TIER (HIGH TIER)

 

(8) SOVIET-JAPANESE WAR

(9) SOVIET-FINNISH WAR – WINTER & CONTINUATION WARS

(10) YUGOSLAVIAN CIVIL WAR & WAR OF NATIONAL LIBERATION

Top Tens – History (WW2): Top 10 Second World Wars (Revised Entry) (7) Guerra Parallela – Franco-Italian, Anglo-Italian & Greco-Italian War

Approximate map of southern Europe and northern Africa prior to the western Desert Campaign by Jackaranga for Wikipedia “Western Desert Campaign” licensed under https://creativecommons.org/licenses/by-sa/3.0/deed.en

 

(7) GUERRA PARALLELA –

FRANCO-ITALIAN, ANGLO-ITALIAN & GRECO-ITALIAN WAR

(10 JUNE 1940 – 6 APRIL 1941)

 

It might seem odd to see Italy’s initial role in the Second World War as waging its own ‘guerra parallela’ or parallel war to that fought by Germany, but that was indeed how Mussolini saw it – and what’s more, that is what it effectively was until Italian defeats necessitated German involvement in Italy’s war, at which point Italy became a subordinate in Germany’s war.

It was also of fundamental importance to the Second World War, transforming the Mediterranean from a literal backwater, neutral albeit Axis-friendly, to an active theater of the war – certainly disastrous to Italy itself, ultimately a battlefield in that theater, but arguably to the detriment of everyone involved, hence my favorite epithet for the Mediterranean in the Second World War as the sea of folly.

Apparently prior to Italy entering the war, the British War Cabinet considered whether it was more advantageous for Italy to remain neutral or be a millstone for Germany as ally (or for Germany to be “shackled to a corpse”, using the phrasing for Germany allied to Austria-Hungary in the First World War). They concluded that it would be better for Italy to remain neutral, correctly in my opinion, but by a narrow margin. Italy as active ally to Germany was not the war-breaker for Germany of which Hitler subsequently complained on the eve of final defeat, but it did contribute to German defeat. On the other hand, the Mediterranean was a drain on resources for all involved, arguably delaying Allied victory by at least a year or so, although they could more readily afford that drain on their resources more than a Germany which increasingly could not.

Mussolini initially sought to sit out the war that commenced with Germany’s invasion of Poland – firstly for the sensible practical reason that, as he had confided to Hitler, Italy was not ready for war until 1943 (similarly to German naval commanders who advised Hitler of the same year with respect to the German navy), and secondly for ideological opposition to the Nazi-Soviet Pact.

It is unfortunate for Italy and Mussolini personally that he did not maintain this sensible neutrality – as indeed it was that he did not maintain his original opposition to Hitler and Germany, being the only effective such opposition in the period of appeasement by Britain and France, notably by blocking Germany taking over Austria in 1934. It’s why I perceive Mussolini with some sympathy as a tragic figure despite his many flaws, not the least of which was fascism – that he might have redeemed himself in history but for the fatal flaw that he was twice corrupted from his correct initial instincts, firstly of opposition to Germany and secondly of neutrality in the war.

Mussolini abandoned his initial neutrality because he could not resist the temptation of the opportunity from the French defeat by Germany for Italy’s own expansion or empire in the Mediterranean. Although the opportunity came from the French defeat by Germany, Mussolini perceived that Italy could not do so simply by begging crumbs from Germany at the table of victory as a power friendly to it, but would have to assume an active role in the war when it was still meaningful – and what’s more, by its own war effort separate from Germany, hence the ”guerra parallela” or parallel war.

That saw Italy declare war on a dying France and a defeated Britain, although Italy was to find that the latter may have been defeated by Germany in western Europe but was to prove far more robust elsewhere.

Unfortunately for Mussolini and his guerra parallela, Italy’s separate war effort did not shape up to his hopes for it. It was probably inevitable that Italy’s war against Britain in the Mediterranean and Africa would merge with the wider Anglo-German war at some point, but Mussolini might have pulled off his parallel war if Italy had been more successful militarily. Instead, Italy was unsuccessful, infamously and spectacularly so.

Like I did for France in the Franco-German war, I feel obliged to resist the common caricature of Italy’s military performance as execrable, often pumped up as such by contemporary British propaganda – much to the anger of the British personnel who had to do the actual fighting when the Italian military did perform effectively. Italy’s military was not universally bad as so often caricatured but it was inconsistent. The reasons for that inconsistency are manifold, including that Italians did not share Mussolini’s enthusiasm for his guerra parallela on the German side but also the same reason Mussolini himself shared to Hitler – that Italy simply was not ready for war before 1943. Italian military performance often reflected that Italy went to war with a totally inadequate industrial base and wretched equipment to match, particularly outside its most prized military asset – its navy. When Italian forces were buttressed by better equipment and leadership, such as in Rommel’s Afrika Korps, they could fight very effectively indeed.

Mussolini’s parallel war got off to a bad start with the Franco-Italian war, fought in the last fortnight or so (10-25 June 1940) of dying French resistance in the Franco-German war that had commenced fighting in earnest a month before. Albeit Italy did not have the same mechanized or armored strength as Germany – and faced more difficult terrain that would have been a check to it even if it did – for the invasion of south France or the Battle of the Alps as it is called, but the resistance by the few divisions of the French Army of the Alps under General Rene Olry was the one shining light of effective French defense during the Battle of France. I’ve read at least one history that opined the French defensive success effectively preserved south France for the autonomous Vichy regime. I’m not so sure about that, as Vichy’s autonomy seemed more due to the larger bargaining chips of continuing the war through the French navy and colonial possessions, but it probably helped. It certainly limited Italian territorial claims to the minimal territory they had obtained prior to armistice.

Italy’s military performance may have been lackluster in the Franco-Italian war, but that was positively rosy compared to the defeats it suffered in the Anglo-Italian war. Those defeats were, as noted previously, most infamous and spectacular in north Africa where Italy was not only defeated by Britain in its invasion of Egypt but looked in real danger of losing its own territory of Italian Libya to the victorious British forces. However, Britain’s victories against Italian forces in north Africa often overshadow its victories against the Italian forces in east Africa (Ethiopia and Somalia) as well as its naval victories in the Mediterranean, most notably the British air attack on the Italian fleet at Taranto in the first carrier strike of history on 11 November 1940. The attack on Taranto was even more notable as a model the Japanese used for their subsequent attack on Pearl Harbor (along with their own attack on Port Arthur in the Russo-Japanese War) – and that Britain was notoriously deficient when it came to developing carrier aviation, particularly in comparison to Japan or the United States, with the air attack on Taranto being by the biplanes Britain used in naval aviation at that time.

However, the archetypal example of Italy’s parallel war was the Greco-Italian War it launched from 28 October 1940, attacking Greece from Albania. At least Germany was aware of Italian intentions in the Franco-Italian and Anglo-Italian wars, but Mussolini had deliberately not informed Germany of his intentions for the Greco-Italian War, resentful of what he perceived as German encroachment in the Balkans (by Germany negotiating between Hungary and Romania in conflict over Transylvania) as an Italian sphere of influence.

Once again, Italian forces faced difficult terrain, but also in the worst possible season for it, and were defeated by opposing Greek forces, only somewhat less spectacularly than in north Africa. A large part of the reason for the defeat of Italian forces in both Greece and North Africa was Mussolini splitting the Italian war effort between the two, something the British were to repeat in their victories by sending forces from north Africa to aid Greece.

As noted previously, Italy’s parallel war – the Anglo-Italian and Greco-Italian wars – effectively ended with German involvement to aid Italy at the latter’s request, reversing British or Greek victories with defeats by Germany, as well as subordinating Italy and its parallel war to Germany in the wider Anglo-German war. German involvement had commenced earlier in north Africa but commenced in Greece with the German invasion of Yugoslavia and Greece from 6 April 1941.

The latter has often been attributed as the fatal mistake that lost Germany the whole war, by delaying Operation Barbarossa until 22 June 1941, including by Hitler himself after the fact (and blaming everyone but himself). That has generally been revised by assessments that an unusually wet spring thaw would have delayed Barbarossa in any event, although it certainly didn’t help that the German units involved in their Balkans campaign were delayed in participating in Barbarossa – and the German airborne invasion of Crete deterred Germany from doing so to better effect elsewhere, most notably against Malta.

 

RATING: 4 STARS****

A-TIER (TOP TIER)

Top Tens – Mythology: Top 10 Books (Special Mention – Revised)

Free “divine gallery” art sample from OldWorldGods

 

 

I live in a mythic world – and I have special mentions!

 

That’s right – I don’t just have a top ten mythology books, I have a whole host of special mentions. My usual rule is twenty special mentions for each top ten, where the subject matter is prolific enough, as it is here – which I suppose would usually make each top ten a top thirty if you want to look at it that way. My special mentions are also where I can have some fun with the subject category and splash out with some wilder entries.

 

Just to remind you, these are my Top 10 Mythology Books (as at 2025):

 

S-TIER (GOD-TIER – OR IS THAT GODDESS TIER?)

(1) BIBLE

(2) HOMER – ILIAD & ODYSSEY

(3) BARBARA WALKER – ENCYCLOPEDIA OF MYTHS & SECRETS

 

A-TIER (TOP TIER)

(4) KATHERINE BRIGGS – DICTIONARY OF FAIRIES

(5) PETER DICKINSON – THE FLIGHT OF DRAGONS

(6) JOSEPH CAMPBELL – THE HERO WITH A THOUSAND FACES

(7) JEAN CHEVALIER & ALAIN GHEERBRANT – PENGUIN DICTIONARY OF SYMBOLS

(8) WESTON LA BARRE – THE GHOST DANCE

(9) RONALD HUTTON – THE TRIUMPH OF THE MOON

 

X-TIER (WILD TIER – BEST MYTHOLOGY BOOK OF 2024)

(10) NATALIE LAWRENCE – ENCHANTED CREATURES: OUR MONSTERS & THEIR MEANINGS

 

And here are my twenty special mentions:

 

0 The Fool – Rider-Waite Tarot (A.E.Waite & Pamela Colman Smith as artist)

 

 

(1) TAROT – RIDER-WAITE & CROWLEY-THOTH

 

The Tarot earns the top special mention in my Top 10 Mythology Books for the decks of cards, particularly the two iconic and definitive modern decks – special that is, because they are not books as such but decks of cards.

Of course, there are a plethora of modern Tarot decks, most of which originate from those two definitive modern decks (named for their creators) which were themselves substantial reconstructions from earlier tarot decks, pumping up their esoteric mystique – the Rider-Waite deck and the Crowley-Thoth deck, my Old Testament and New Testament of Tarot respectively. (And like Martin Prince in The Simpsons dismissively handwaving away Ray Bradbury from his ABC of science fiction with “I’m aware of his work”, I’m aware of the third most common modern Tarot deck – the Marseilles Tarot).

Interestingly, both these two definitive decks were by female artists, Pamela Colman Smith for the Rider-Waite deck and Lady Frieda Harris. My personal preference is for the artwork and themes of the Crowley-Thoth deck (even if Crowley himself was one generally weird dude and sick puppy), albeit still shaped by the influence of the Rider-Waite Tarot deck.

 

RATING: 5 STARS*****
S-TIER (GOD-TIER)

 

 

Netherlandish Proverbs – painting by Pieter Brueghel the Elder 1559

 

(2) FOLKLORE INDEX

 

Well, Folklore Indices to be precise – two of them, usually used in tandem, the Thompson Motif-Index of Folklore, and the Aarne-Thompson-Uther Index of folklore tale types.

Both are regarded as standard tools of folklore studies – and are endlessly fascinating to browse even for those outside folklore studies with a general interest in mythology or culture.

As its title indicates, the Thompson Motif-Index was compiled by American folklorist Stith Thompson (at the substantial length of 6 volumes) as a catalogue or index of motifs – the granular elements of folklore or folktales.

As Thompson himself defined it, “a motif is the smallest element in a tale having a power to persist in tradition. In order to have this power it must have something unusual and striking about it”.

Although in compiling the index, Thompson used a broader-brush approach to motifs as anything that goes to make up a traditional narrative.

Obviously a full summary even of the categories of the Thompson Index would be too exhaustive, let alone the thousands of motifs themselves, but the categories are organized by broader themes denoted by letters from A (Mythological Motifs) to Z (Miscellaneous Groups of Motifs).

This includes animals, taboos, magic, the dead (including ghosts and vampires), marvels, ogres (and monstrous figures in general), tests, deceptions, reversals of fortune, ordaining the future, chance and fate, society, rewards and punishment, captives and fugitives, unnatural cruelty, sex, the nature of life, religion, traits of character and humor.

And as its title indicates, the Aarne-Thompson-Uther Index (ATU or AT Index) also involved Thompson – but as originally compiled by Finnish folklorist Antti Aarne and as further expanded and revised by German folklorist Hans-Jorg Uther, classifying tales by their type.

As defined by Thompson, “a type is a traditional tale that has an independent existence. It may be told as a complete narrative and does not depend for its meaning on any other tale. It may indeed happen to be told with another tale, but the fact that it may be told alone attests its independence. It may consist of only one motif or of many”.

The Index divides tales into sections with an AT number for each entry, which also have their own broad title and including closely related folk tales – for example, 545B “The Cat as Helper” includes folk tales with other animal helpers. Similar types are grouped together – “tale types 400–424 all feature brides or wives as the primary protagonist”.

To illustrate further, 510A is their Cinderella entry (including other versions and similar variations), itself a subcategory of 510 Persecuted Heroine, and noting other entries with which it is commonly combined.

 

RATING: 5 STARS*****
S-TIER (GOD TIER)

 

 

Botticelli’s Birth of Venus

 

 

(3) THOMAS BULFINCH –

BULFINCH’S MYTHOLOGY (1867)

 

I believe in all the gods –
especially the goddesses.

We’re going old school for this one, as in nineteenth century old school – named for its American author Thomas Bulfinch and published as a collection of three volumes after his death in 1867. Yet Bulfinch’s Mythology still remains a classic reference (and handily in the public domain) – as indeed it was for me as my introduction as a child to the world of classical mythology. Well, technically that was the first volume – the Age of Fable – which also featured a briefer recitation of Nordic mythology, admittedly a close second to my love for classical mythology. (The second volume – The Age of Chivalry – featured Arthurian legend, while the third volume The Legends of Charlemagne is pretty much what it says on the tin).

Looking back to it now, it’s somewhat dated and has its flaws as a reference – particularly as his obituary noted, it was “expurgated of all that would be offensive”. Or in other words, half the fun of classical mythology or all the sex and violence. (Indeed, his Wikipedia entry includes an uncited reference that Bulfinch was an anti-homosexuality activist in his final years. If true, that would have made for some awkwardness when compiling classical mythology – those gods tended to swing all ways). Which is somewhat disappointing, because having learnt that Bulfinch was a merchant banker, I fondly imagined him as staid banker by day and Bacchanalian by night, similar to the hedonistic heathen imagined by Chesterton in The Song of the Strange Ascetic.

However, it remains one of the most accessible single-volume references to classical mythology for the general reader – as Bulfinch wrote in his preface:

“Our work is not for the learned, nor for the theologian, nor for the philosopher, but for the reader of English literature, of either sex, who wishes to comprehend the allusions so frequently made by public speakers, lecturers, essayists, and poets, and those which occur in polite conversation.”

Anyway, its impact as an introduction to classical mythology remains profound – if, deep within my psyche, there is any mythology that tempts me to actual religion, it’s classical mythology.

Yes – it’s the nymphs.

 

RATING: 4 STARS****
A-TIER (TOP TIER – OR IS THAT NYMPH-TIER?)

 

 

 

(4) BREWER’S DICTIONARY OF PHRASE & FABLE (1870)

 

Another nineteenth century old school entry, indeed only a few years after Bulfinch’s Mythology and ranking with it as classic reference.

I’m somewhat disappointed that the Brewer of the title is not a reference to brewers of alcohol, somewhat similar to the Guiness Book of Records originating from pub arguments, but from Reverend Ebenezer Cobham Brewer.

However, like Roget’s Thesaurus, the reference book has moved on from him – including into the public domain in its 1895 edition – but continues to be published in new editions, effectively retaining Brewer as a brand name.

It contains “definitions and explanations of many famous phrases, allusions, and figures, whether historical or mythical…The ‘phrase’ part of the title refers mainly to the explanation of various idioms and proverbs, while the “fable” part might more accurately be labelled “folklore” and ranges from classical mythology to relatively recent literature”.

 

RATING: 4 STARS****
A-TIER (TOP TIER)

 

 

Art by Simon Bisley for “Slaine: The Horned God” written by Pat Mills for the 2000 AD comic as one of my favorite adaptations of Frazer’s sacrificial sacred king in popular culture. Well, that and The Wicker Man (which also features in Slaine)

 

 

(5) SIR JAMES GEORGE FRAZER –

THE GOLDEN BOUGH (1890)

 

“Who are these coming to the sacrifice?” –
John Keats, Ode on a Grecian Urn

Behold the monomyth of the sacrificial sacred king.

That is – the monomyth of a recurring or universal mythic archetype, as used by Joseph Campbell for his archetypal hero’s journey. But it doesn’t get much more monomythic that one of the original monomyths – Sir James George Frazer’s The Golden Bough.

The Golden Bough proposed the monomyth or recurring mythic archetype of sacrificial sacred kings – or their surrogates once the kings wised up to it – as incarnations of gods or solar deities whose death and resurrection in turn represented fertility. And believe me, Frazer saw these sacred kings or fertility cults everywhere – including Jesus and Christianity, controversially at the time – such that he filled several volumes up with them, although more people (including me) tend to read his abridged single volume.

Now I think that Frazer was always entertaining and occasionally illuminating in The Golden Bough – his discussion of the principles of sympathetic magic, a term coined by himself, seems particularly definitive – but in terms of factual or historical accuracy…not so much as he’s much more mixed at best in this respect. As the old adage goes, when all you have is a hammer, everything begins to look like a nail – and when all you have is a theory of sacred kings, then by god or goddess, everything begins to look like a sacred king, even if you have to hammer everything into shape for it. After all, we all have to make sacrifices…

While Frazer is or was mostly dismissed as a footnote in academic study, The Golden Bough has been highly influential in literary culture, because whether or not it is true, his mythic archetype of the doomed hero or sacrificial sacred king has the elements of a ripping yarn.

Just for starters, there’s his influence on T. S. Eliot, who openly acknowledged the influence of Frazer on The Waste Land, although with the characteristic pessimism of that poem, proposed the cycle might be broken, leaving only violence and death without rebirth – and in which the dying god is just another buried corpse, perhaps even prompting to mind a Nietzschean murder victim or contemporary zombie apocalypse, rising writhing from their own resurrection – “That corpse you planted last year in your garden, has it begun to sprout?”

Or there’s his influence on Campbell’s own monomyth. Or on Sigmund Freud, lending itself to the segue of his influence on Camille Paglia, who described her primary influence as a fusion of Frazer and Freud (although doubling the inaccuracy of the former with that of the latter).

 

RATING: 4 STARS****
A-TIER (TOP TIER)

 

 

Art by Simon Bisley for “Slaine: The Horned God” written by Pat Mills for the 2000 AD comic as one of my favorite adaptations of Graves’ Goddess in popular culture, even more so than it was of Frazer – since it essentially adapted Graves, who in turn adapted Frazer

 

(6) ROBERT GRAVES –

THE WHITE GODDESS / THE GREEK MYTHS (1948 / 1955)

 

Graves saw Frazer’s sacred king and raised it with a queen, his titular White Goddess. For Graves, the monomyth was his theme, or rather the great mythic and poetic Theme:

“The Theme, briefly, is the antique story, which falls into thirteen chapters and an epilogue, of the birth, life, death and resurrection of the God of the Waxing Year; the central chapters concern the God’s losing battle with the God of the Waning Year for love of the capricious and all-powerful Threefold Goddess, their mother, bride and layer-out. The poet identifies himself with the God of the Waxing Year and his Muse with the Goddess; the rival is his blood-brother, his other self, his weird.”

However, The White Goddess is not as accessible in its prose as Frazer’s The Golden Bough and is essentially a compilation of poetic musings, which has its shining moments but can often become turgid or bogged down in Graves’ esoteric discussion of the Irish tree alphabet or the poems of Taliesin. And like The Golden Bough, it’s best read as poetry than for factual or historical accuracy.

And he was an apostle of the White Goddess again in his study of Greek mythology. However, it remains my favorite single volume study of Greek mythology.

Essentially it comes in two parts.

The first part is a conventional compendium of Greek mythology – literary retellings of the various myths from their sources – and it is this part that is the basis for the book as my favorite single volume study of Greek mythology, albeit somewhat dense in its prose style.

The second part – his interpretative notes or commentary – is where things get more wild, albeit all in good poetic fun. This is where Graves ‘decodes’ or reconstructs Greek mythology to his monomyth of the Goddess or prehistoric matriarchal religion – “Graves interpreted Bronze Age Greece as changing from a matriarchal society…to a patriarchal one under continual pressure from victorious Greek-speaking tribes. In the second stage local kings came to each settlement as foreign princes, reigned by marrying the hereditary queen, who represented the Triple Goddess, and were ritually slain by the next king after a limited period, originally six months. Kings managed to evade the sacrifice for longer and longer periods, often by sacrificing substitutes, and eventually converted the queen, priestess of the Goddess, into a subservient and chaste wife, and in the final stage had legitimate sons to reign after them”.

So there you go. Of course, the historical accuracy of Graves’ interpretation or commentary has been almost universally contested or considered to be idiosyncratic – “the interpretive notes are of value only as a guide to the author’s personal mythology”. His characteristic rejoinder was to plead poetic privilege, essentially rebuking his critics or classical scholars “You’re not poets!”. And it’s hard to argue with poetry.

 

RATING: 4 STARS****
A-TIER (TOP TIER)

 

 

Wiley-Blackwell, 1st edition

 

(7) WALTER BURKERT –
GREEK RELIGION (1985)

 

If Nietzsche’s The Birth of Tragedy and Robert Graves’ The Greek Myths are my Old Testament of classical mythology, Burkert’s Greek Religion is my New Testament. Alternatively, the three are my holy trinity of classical mythology (which I suppose would make Nietzsche the Father, Graves the Son and Burkert the Holy Spirit of classical mythology).

No, seriously. For me, Nietzsche and Graves are poles at the other end of a thematic spectrum from Burkert – which I suppose would make all three the points of a thematic triangle. Whatever.

The line from Nietzsche to Burkert is perhaps more obvious – both came from a long tradition of German classicists or classical philologists, indeed its most prominent figures in the English-speaking world (or at least authors of its most prominent books), but in some ways diametrically opposed from each other.

Nietzsche essentially extrapolated a recurring dichotomy of the Apollonian and the Dionysian from classical mythology, above all in its literary manifestation in Greek tragedy, hence his title The Birth of Tragedy. He wrote as an eccentric poet-philosopher, or as he himself described it, a ‘rhapsodizer’ (prompting thoughts of Nietzsche as rhap-artist), not unlike his own prophetic ‘madman’ and apostle of the death of God before his time – “I have come too early…my time is not yet”.

Graves strikes me as similar to Nietzsche – probably someone somewhere has studied or written of the influence of Nietzsche on Graves, if any, but I don’t know anything about that subject – writing as a fellow rhapsodizer or poet, but as an apostle of the Goddess rather than of the death of God, extrapolating his monomyth of the Goddess or prehistoric matriarchal religion from classical mythology.

Of course, the historical accuracy of either has been almost universally contested or considered to be idiosyncratic – “of value only as a guide to the author’s personal mythology”. But who cares? They’re fun! And it’s hard to argue with poetry.

Burkert’s The Greek Religion on the other hand, originally published in his native German in 1977 and translated into English in 1985, has been widely accepted as a standard work in the field. And unlike Nietzsche or Graves, Burkert pretty much extrapolates nothing, robustly sticking to the facts of his literary or archaeological sources.

Burkert presents classical polytheism as inherently chaotic in nature, but at the heart of classical religion was sacrificial ritual – “The term gods…remains fluid, whereas sacrifice is a fact”.

His section headings say it all about his comprehensive survey of Greek religion – Prehistory and the Minoan-Mycenaean Age; Ritual and Sanctuary; The Gods (the Olympian dirty dozen and the balance of the pantheon); The Dead, Heroes and Chthonic Gods; Polis and Polytheism; Mysteries and Asceticism; and Philosophical Religion.

“He describes the various rituals of sacrifice and libation and explains Greek beliefs about purification. He investigates the inspiration behind the great temples at Olympia, Delphi, Delos, and the Acropolis―discussing the priesthood, sanctuary, and oracles. Considerable attention is given to the individual gods, the position of the heroes, and beliefs about the afterlife. The different festivals are used to illuminate the place of religion in the society of the city-state. The mystery cults, at Eleusis and among the followers of Bacchus and Orpheus, are also set in that context. The book concludes with an assessment of the great classical philosophers’ attitudes to religion”.

 

RATING: 4 STARS****
A-TIER (TOP TIER)

 

 

 

 

(8) MIRCEA ELIADE –

THE SACRED & THE PROFANE / SHAMANISM (1957 / 1964)

 

“The nostalgia for Paradise…the desire to find oneself always and without effort in the center of the world, at the heart of reality”.

 

Behold the monomyth!

Campbell’s term of monomyth may be somewhat unfair for Eliade, since he established multiple paradigms in mythology or religion “that persist to this day” – hierophany, sacred space and time, the nostalgia for Paradise, the axis mundi or Center of the World, all myths as creation or origin myths, the eternal return, the terror of history, the coincidence of opposites, deus otiosus, and homo religiosus.

On the other hand, all of his paradigms might be considered permutations of his core concept of hierophany, the manifestation – or intrusion – of the sacred in the world, including but not limited to the earlier concept of theophany or manifestation of a god. In turn, it is hierophany that creates sacred space and time, or rather, divides the human experience of reality into sacred and profane space and time.

And the rest of his paradigms really flow from that. The mythic or religious connotes the nostalgia for Paradise or desire to return to sacred space or time, which is also the axis mundi or center of the world.

“Myth, then, is always an account of creation” – the primordial time “when the Sacred first appeared, establishing the world’s structure”. By enacting myths and rituals, one doesn’t simply commemorate them but participates in them – one “detaches himself from profane time and magically re-enters the Great Time, the sacred time”, or the eternal return.

On the other hand, “yearning to remain in the mythical age causes a terror of history” – the desire “to escape the linear succession of events” – “Eliade suggests that the abandonment of mythical thought and the full acceptance of linear, historical time, with its terror, is one of the reasons for modern man’s anxieties”.

As for the coincidence of opposites, “Eliade claims that many myths, rituals, and mystical experiences involve a “coincidence of opposites” or “twofold revelation” – “they express on the one hand the diametrical opposition of two divine figures sprung from one and the same principle and destined, in many versions, to be reconciled…the very nature of the divinity, which shows itself, by turns or even simultaneously, benevolent and terrible, creative and destructive, solar and serpentine, and so on”.

Deus otiosus – the inactive (or leisurely) god – is perhaps my favorite paradigm by Eliade. Contrary to those who proposed that religions evolve from polytheism to monotheism, Eliade argued that supreme heavenly beings were less common in advanced cultures.

“Eliade speculates that the discovery of agriculture brought a host of fertility gods and goddesses into the forefront, causing the celestial Supreme Being to fade away and eventually vanish from many ancient religions. Even in primitive hunter-gatherer societies, the High God is a vague, distant figure, dwelling high above the world. Often he has no cult and receives prayer only as a last resort, when all else has failed. Eliade calls the distant High God a deus otiosus (idle god)”.

His book on shamanism, Shamanism: Archaic Techniques of Ecstasy, is the second of his landmark duo of books after The Sacred and the Profane. It applied his ongoing ideas to shamanism, whicn in turn he saw as the ongoing death and resurrection of shamanic figures.

 

RATING: 4 STARS****

B-TIER (HIGH TIER)

 

 

 

 

(9) MARINA WARNER –

NO GO THE BOGEYMAN: SCARING, LULLING & MAKING MOCK (1998)

 

Marina Warner – or Dame Marina Warner to give her title as well – is an English mythographer, typically writing about mythology, folklore or fairytales.

Typically her focus is on female figures – literally in her book Monuments & Maidens: The Allegory of the Female Form. Indeed, she started with the ultimate female figure of Catholic veneration, the Virgin Mary (well, after a book on the Empress Dowager or Dragon Empress of the Qing Empire, Tz’u-his), which she followed with a book on Joan of Arc.

Perhaps her leading book on female figures of folklore and fairytales was the evocatively titled From the Beast to the Blonde: On Fairy Tales and Their Tellers).

In a sense, this book is the companion to that one and something of an exception to the rule of her usual female lens, focusing as it does on the figures of male terror in folklore, fairytales, and fiction – “ogres and giants, bogeymen and bugaboos” (which sadly omits my personal favorite terms of bugbear and bete noire).

Although of course Dame Warner has been prolific enough I could compile a top ten books just of those written by her. She also gets bonus points being identified as the “lady writer” of the Dire Straits song of that name – as the writer the singer sees on television “talking about the Virgin Mary” and who reminds him of his former lover.

 

RATING: 4 STARS****

B-TIER (HIGH TIER)

 

 

 

(10) JONATHAN KIRSCH –

THE HARLOT BY THE SIDE OF THE ROAD / A HISTORY OF THE END OF THE WORLD (1998 / 2006)

 

Jonathan Kirsch is the author of some of my favorite studies of the Bible. Not of the whole Bible, mind you – for one thing, he tends towards a Jewish focus on the Old Testament (with one notable exception), and for another, he has a particular focus on points of interest there as well.

The Harlot by the Side of the Road was his first such book and its subtitle says it all – Forbidden Tales of the Bible. As does the usual expression of shock he quotes in his introduction – do you mean THAT’S in the Bible?!

“The stories you are about to read are some of the most violent and sexually explicit in all of Western literature. They are tales of human passion in all of its infinite variety: adultery, seduction, incest, rape, mutilation, assassination, torture, sacrifice, and murder”

We’re talking Lot and his daughters in Genesis, then echoed by the Levite and his concubine in Judges, only worse. Much like Abraham preparing to sacrifice his son Isaac in Genesis is echoed, only worse, as Jephthah actually sacrificing his daughter in Judges. Which pretty much sums up those two bloody books of the Bible, which would do Quentin Tarantino or Game of Thrones proud.

Indeed, most of the book is from either Genesis or Judges. There is a couple of exceptions, including the one where God tries to kill Moses, until Moses’ quick-thinking wife Zipporah does a spontaneous circumcision of their infant son and smears Moses’ forehead with the bloody foreskin. Which is just odd, akin to of those weird variants of vampire that can be held at bay by some bizarre obsessive-compulsive ritual.

Which perhaps brings us to his book on Moses, although I just don’t find Moses as intriguing a character as the subject of his similar book on King David. After all, Exodus and its related books might easily have been summed up with the subtitle Are We There Yet?

I do like how he compares God and Moses to a constantly bickering old married couple. I mean, I’m only paraphrasing slightly with this exchange:

GOD: “I have had it with these Israelites! I’ll kill all of them and start over with you and your descendants!”
MOSES: “And what would the Egyptians say? That you saved the Israelites from slavery only to kill them in the desert?”
GOD: “Hmmm. Okay – I’ll just kill some of them.”

I’ve always imagined one Israelite turning to another as the God in a box starts yelling again from the Ark of the Covenant – “I preferred the calf”.

As I said, I prefer King David to Moses, because despite the former’s many flaws – and David could be a monumental ass at times – he’s just such a charming rogue, so much so that even God was charmed by him as God’s golden boy. Or at least, he charmed the original author of the Bible – I particularly like the theory Kirsch references that the nucleus of the Bible started as a court biography of David, to which preceding events were added almost as a legendary Hebrew Dreamtime.

However, my absolute favorite Kirsch book remains his study of the Book of Apocalypse or Revelations, not coincidentally my absolute favorite book of the Bible, in A History of the End of the World (and that one notable exception to his focus on the Old Testament I noted at the outset).

Again, the subtitle of the book sums it up – How the Most Controversial Book in the Bible Changed the Course of Civilization. Or for that matter, the scholarly quip he quotes in his introduction – “Revelations either finds a man mad, or leaves him so”.

 

RATING: 4 STARS****
B-TIER (HIGH TIER)

 

 

 

 

(11) BETTANY HUGHES –

HELEN OF TROY / VENUS & APHRODITE (2005 / 2019)

 

A thematic duo of books for my top two favorite female figures from mythology – Aphrodite Venus and Helen of Troy (which I understand to be adapted from or for TV series written and presented by Hughes).

And for those who think it a cheat to include two books within the one entry, I’d rank her Helen of Troy over her Aphrodite & Venus (despite ranking Aphrodite over Helen for my top female figure from mythology). Firstly because it was, well, first of the two (including in my reading order of them) and secondly because it seemed to me the more developed in depth. Don’t get me wrong – her Aphrodite book is an interesting presentation of the goddess in her many aspects, written in Hughes’ characteristic engaging style, but I just would have preferred it to be a little longer to consider its subject a little deeper.

“As soon as men began to write, they made Helen of Troy their subject; for nearly three thousand years she has been both the embodiment of absolute female beauty and a reminder of the terrible power that beauty can wield”. And that’s literally as soon as men began to write, as she was enshrined within the Iliad, Homer’s epic poem that is the foundation of Western literary culture.

The subtitle of the book sums up her aspects in myth and history – goddess, princess, whore. I was aware of her divine mythic aspect from other sources – including one referenced in this book that saw Helen as a semi-divine figure in a blissful life, ironically with Achilles, but aptly enough coupling the world’s most beautiful women with its greatest warrior. And of course her divine origin as a daughter of Zeus in the form of a swan with Leda, with Helen hatched from an egg.

However, I was intrigued by Helen of Sparta, “the focus of a cult which conflated Helen the heroine with a pre-Greek fertility goddess”. For that matter, I often tend to overlook that Helen was from Sparta (SPARTA!) – and Hughes is evocative in fleshing her out as a Spartan princess or Mycenaean aristocrat, as well as fleshing out Paris as delegate from Troy as Hittite satellite, doing the Bronze Age equivalent of sliding into her dms.

It reminded me of other reading – that while we moderns tend to query a casus belli as retrieving a stolen wife, substituting other theories for the Trojan War, when one looks at ancient or tribal war, that wars fought over women or a woman may not be so strange after all.

And that of course brings me to that other aspect of Helen – “the home-wrecker of the Iliad” and “bitch-whore of Greek tragedy”. It’s an aspect that evokes the original sin of Eve on a geopolitical scale, “held responsible for both the Trojan War and enduring enmity between East and West”. There’s even an apple in Helen’s myth!

As for Aphrodite & Venus, it’s summed up by its subtitle – history of a goddess. And what a goddess! It starts – aptly enough – with her mythic birth (or one of its versions at least), reminding us of something that Botticelli’s famous birth of Venus often charms us to forget, that Aphrodite wasn’t just born from the bubbles of sea foam, but the bloody foam formed by or around the severed genitals of a deposed divine ruler.

It evokes images of the Anatolian goddess Cybele imported into Greece and Rome, some of whose frenzied male devotees were reputed to have castrated themselves at the height of her ecstatic festivals – which I suspect at least of few them regretted in the distinctly, ah, un-ecstatic light of the next day.

I don’t know of any association or connection between Aphrodite and Cybele – the Greeks associated Cybele with mother goddess Rhea – but Aphrodite was certainly associated with ancient near Eastern goddesses of love and war like Ishtar, aptly enough for Aphrodite’s’ blood-foamed birth. Hughes explores this association, seemingly conflated with her origin in Cyprus, as demonstrative of a divine figure far more complex in all her aspects than the mere classical pinup or party girl to which she is often reduced.

One such aspect is as goddess of the Roman Empire itself – evoked in Hughes’ chapter Venus and Empire – as Romans traced their empire to legendary Trojan founder, Aeneas. Aeneas – leader of exiles from the Trojan War, heir to the Trojan royal lineage of Priam, Paris and Hector, and above all, son of Aphrodite. The Romans also looked more favorably on her consorting with the god of war, as while the Greek god of war represented the brutish violence of war (with Athena representing the art of war), the Romans saw their counterpart Mars as representing more martial virtue and honor.

 

RATING: 4 STARS****
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Reaktion Books 2021

 

(12) PAUL ROBICHAUD –

PAN: THE GREAT GOD’S MODERN RETURN (2021)

 

Io Pan! Io Pan Pan!

Pan, the original horny god with the groin of a goat or as Bill Hicks styled him, randy Pan the Goat Boy. God of nature, mountains, shepherds and sexuality – also the source of our word panic, for the divine mad fear he could inspire in people, including as savior of Athens, the invading Persian army at Marathon.

As a Capricorn goat boy myself, I’ve long been a Pan fan. And so too is Paul Robichaud, a devotee of Pan. Well perhaps not the Capricorn part, but he has written a whole book as a paean to Pan.

Ironically, the only classical Greek god reported as dead – in a historical legend by Plutarch, with a sailor during the reign of Tiberius reporting a divine proclamation from an island that “the great god Pan is dead” – but reports of his death, to paraphrase Mark Twain, were greatly exaggerated. Pan was the one god that endured more than all the others, even to the extent of embodying in horned and hooved form all classical paganism as a whole in modern romanticism and neo-paganism. Perhaps aptly enough, given the pun on Pan – as the word for “all” in Greek also being Pan.

Robichaud comes from a background as an English professor – it shows in his fluent prose style, but also a focus on literature as he explores how Pan has been imagined in mythology, art, literature, music, spirituality, and popular culture through the centuries. The chapter titles best demonstrate this odyssey of Pan from mythic Pan – through medieval and early modern Pan, Pan’s romantic rebirth, Pan in the twentieth century (and his Edwardian height of popularity) and Pan’s occult power – to contemporary Pan.

All the usual suspects are here as cultural or literary devotees of Pan, but most notably those from Edwardian children’s literature of all places – prompting Bill Hick’s joke about his Goat Boy being available for children’s parties (“Mommy, I want Goat Boy to come play at our house”). Kenneth Grahame’s Piper at the Gates of Dawn. Peter Pan’s namesake, as well as much of his persona – with the Lost Boys as his satyrs.

Sadly, no C.S. Lewis’ Narnia, despite its deliciously Dionysian portrayal, maenads and all. Pan did often pal around with Dionysus after all, but generally not so much the other gods – not to mention all those fauns in Narnia. Wait a minute…Mr Tumnus is Pan! Spread the word.

Of course, there are bound to be omissions – Bill Hicks’ Goat Boy for one, Rhys Darby’s fleeting Pan-like figure in Flight of The Conchords’ Prince of Parties song for another. There’s just too much Pan – or is that too many Pans? – out there.

Also sadly, Rochibaud does suggest one of my favorite historical legends of how Christianity embodied Pan as its devil – as being just that, a legend dating back only to the nineteenth century (following the hypothesis of Ronald Hutton to that effect).

I still prefer the legend. In one of my story ideas, a somewhat lost and forlorn Satan muses to the protagonist (with whom he has occasional chats) of his origin from Pan (as one of his multiple-choice origin stories). The protagonist calls him out on his conflicting origin stories, to which Satan replies “Do I contradict myself? Very well, I contradict myself. I am legion, I contain multitudes”. But then he becomes sadly wistful “I would give anything just to dance in the moonlight again, when I was not evil but only wild and free”.

 

RATING: 4 STARS****
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Cambridge University Press, 1st edition

 

(13) FRANCIS YOUNG –
TWILIGHT OF THE GODLINGS (2023)

 

Small god-shaped holes – or everything you know about fairies is wrong.

Well, perhaps not quite everything, but at least the belief that Britain’s fairies and supernatural beings are the direct preservations or survivals of pagan gods.

But they are small god-shaped holes – filling the niche through many cultures, particularly European folklore or mythology, for ‘godlings’ or what Francis Young dubs small gods (borrowing from Terry Pratchett), although I’d have been tempted to go with hemi-demi-gods.

Essentially those supernatural beings ranking beneath the top-tier gods or major cult figures, somewhere between the human and divine – such as fauns and nymphs in Roman culture, not coincidentally one of the influences Young traces for fairies.

Young argues that earlier folkloric beings (albeit probably only as far back as those Roman godlings) were reinvented within Christianity to fill the niche – or the small god-shaped holes of culture.

 

RATING: 4 STARS****
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(14) NATALIE HAYNES –

DIVINE MIGHT: GODDESSES IN GREEK MYTH (2023)

 

When it comes to classical mythology, I’m in it for the nymphs.

So naturally I’m up for the goddesses in this book by English classicist Natalie Haynes.

Where her previous book Pandora’s Jar celebrated the women of classical mythology, Divine Might playfully worships the goddesses, not surprisingly given the title (and subtitle) – “focusing on the goddesses whose prowess, passions, jealousies, and desires rival those of their male kin”.

As one might expect, the six Olympian goddesses – Hera, Aphrodite, Artemis, Demeter, Hestia and Athene – take center stage. Through the lens of these goddesses, it does detour into other female figures or more minor goddesses, notably (and again not surprisingly) the chapter on Demeter detours into Persephone and Hecate. I hope for a sequel or companion volume extending that detour through the many minor goddesses or demi-goddesses in classical mythology.

The book also reminded me of the odd fact that fully half of the Olympian goddesses – Artemis, Hestia, and Athene – were virgins, which Haynes notes is strikingly at odds with the usual status of women at that time as one in which marriage and children would be expected. But then, the divine make their own rules and break them anyway.

Speaking of virgin goddesses, her chapter gave me a new appreciation of Hestia, a goddess that all too often is told to stay in the hearth, when she is not forgotten or overlooked altogether for the more glamorous Olympian figures. One might extend that by way of alliteration from Hestia to Hera – as the latter’s chapter also gave me a new appreciation of a figure often seen, conveniently for Zeus, as something of a shrew (and bunny boiler).

Aptly enough, both for symmetry and as representative of divine female figures in classical mythology, the book started with the Muses and ended with the Furies – dare I quip, not unlike my ex-wife.

My only complaint? It needed more nymphs! One can only hope for a book of nymphs – perhaps even a dictionary of nymphs…

 

RATING: 4 STARS****

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(15) CHARLES FORT –

THE BOOK OF THE DAMNED / NEW LANDS / LO! / WILD TALENTS (1919-1932)

 

“Charles Hoy Fort, an eccentric American who meticulously collected and catalogued anomalous phenomena inexplicable or thought impossible by orthodox science – giving his name to ‘Fortean’ and ‘Forteana’ to characterize such phenomena, as in the ongoing online Fortean Times which effectively carries on Fort’s legacy.

I have a soft spot, as did Fort himself from evident from the prolific reports he compiled, for strange “falls” raining from the sky – fish (like on the book cover in my feature image), frogs, and so on.

They also are a good example of the anomalous phenomena Fort researched by visiting libraries in New York and London for more than 30 years “assiduously reading scientific journals, newspapers, and magazines” and compiling thousands of notes “on cards and scraps of paper in shoeboxes”. From this research, Fort wrote the four books in this special mention.

He was also ahead of his time, writing of UFOs – before 1947 and the usual start of “modern UFO allegations”. That might be reflected in why he wrote of triangle UFOs rather than the discs that were more in vogue from 1947, although triangle UFO sightings persist.

I also have a soft spot for his theory of a Super-Sargasso Sea to which he attributed strange falls and UFOs – a “sea” where all lost things go and occasionally rain back down on Earth – and an even softer spot for him effectively dismissing that and all other theories in his work (such as his “cosmic joker” theory), noting “I believe nothing of my own that I have ever written”.

Like H.P. Lovecraft (with whom he was effectively contemporaneous), he was not the best prose stylist – although unlike Lovecraft he had much more of a sense of humor about it, tongue firmly in cheek – but created a modern mythology similar to that of Lovecraft and became a similar cult figure.

 

RATING: 4 STARS****

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That’s one trippy cover – from a 2023 reprint edition by Martino Fine Books

 

 

(16) PRINCIPIA DISCORDIA (1963)

 

Or how I found Goddess and what I did to Her when I Found Her.

No really, that’s the subtitle of the book. The Goddess in question is the playful goddess of chaos in classical mythology, Eris or Discordia, but as the object of the Discordian “religion”, which is either a joke disguised as a religion or a religion disguised as a joke.

The Principia Discordia is the central Discordian “religious” text – and much briefer than other such texts. Written by the pseudonymous Malaclypse the Younger and Lord Omar Khayyam Ravenhurst, it is full of contradictions and humor:

“Is Eris true?”
“Everything is true.”
“Even false things?”
“Even false things are true.”
“How can that be?”
“I don’t know man, I didn’t do it.”

At the same time, as noted in its Wikipedia entry, it contains several passages which propose that there is serious intent behind the work, for example a message scrawled on page 00075: “If you think the PRINCIPIA is just a ha-ha, then go read it again.” Also, it is is quoted extensively in and shares many themes with the satirical science fiction book The Illuminatus! Trilogy by Robert Shea and Robert Anton Wilson, one of my top ten SF books.

“Notable symbols in the book include the Apple of Discord, the pentagon, and the “Sacred Chao”, which resembles the Taijitu of Taoism, but the two principles depicted are “Hodge” and “Podge” rather than yin and yang, and they are represented by the apple and the pentagon, and not by dots. Saints identified include Emperor Norton, Yossarian, Don Quixote, and Bokonon. The Principia also introduces the mysterious word “fnord”, later popularized in The Illuminatus! Trilogy”.

“I can see the fnords!”

I particularly enjoy how it deems every single man, woman and child on Earth as “a genuine and authorized pope of Discordia” – even including an official pope card that may be reproduced and distributed to anyone and everyone. Or that it has five classes of saint as exemplars and models of perfection – with the lowest class of saint being for real people, deceased or otherwise, as the higher classes of saint are reserved for fictional beings, who by virtue of being fictional, are better able to reach the Discordian view of perfection. The canonization of Discordian saints was a profound influence upon myself to canonize my own saints of pagan Catholicism – and apostles of the Goddess.

 

RATING: 4 STARS*****
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(17) THE BOOK OF THE SUBGENIUS (1983)

 

Eternal salvation or triple your money back!

Similar to Discordianism – with which it is often compared (and with which it arguably overlaps) – the Church of the SubGenius is either a joke disguised as a religion or a religion disguised as a joke, although in my opinion it doesn’t lend itself as much to the latter as Discordianism.

“The Church of the SubGenius is a parody religion described by some of its own members as an ‘insane bogus UFO mind-control cult’…elements of self-help groups, UFO cults, Scientology, apocalyptic Christianity, and utterly shameless money-grubbing antics”.

It purportedly originates from its revered prophet, J.R. Bob Dobbs, usually known simply as “Bob”. (When printing “Bob”‘s name, the “Bob” must always be surrounded by “quotes”). “Bob” is the prophet (as well as avatar and embodiment) of Slack, the cosmic spiritual quality as ineffable as the Tao for which the Church and all its members strive – and to which the Con or Conspiracy is opposed. Which conspiracy? Why, all of them of course – as the Conspiracy represents them all.

The ultimate goal of all SubGeniuses (SubGenii?) is to survive until X-Day, when godlike aliens “will arrive and Rupture all the dues-paying SubGenii to a never-ending tour” (pleasure tour?) “of the universe, while converting Planet Earth into the intergalactic equivalent of a greasy-spoon truck-stop”. For those left behind (anyone who isn’t a paid-up SubGenii), it’s not going to be fun as “human pain is apparently a very high-priced drug among the various gods, demons, and alien beings of the complex and ever-growing SubGenius Pantheon”. X-Day is prophesied to occur on 5 July 1998, at 7 AM – “the fact that that date apparently passed without the arrival of the Alien Fleet has forced SubGenii to come up with a multitude of excuses”.

The Book of the Sub-Genius is of course its foundational text, although the New(er) Testament, Relevation X, comes close!

 

RATING: 4 STARS****

X-TIER (WILD TIER)

 

 

 

(18) WIL HUYGEN & RIEN POORTVLIET –

GNOMES (1977)

 

“Yeah, Rien Poortvliet just called. He wants you to pose for him…Oh come on, beloved illustrator of Gnomes? Jesus, read a coffee table book!”

Archer, “Sea Tunt: Part I”

 

It always surprises me that gnomes are of such recent vintage, compared to other legendary creatures – “A gnome is a mythological creature and diminutive spirit in Renaissance magic and alchemy, introduced by Paracelsus in the 16th century”.

He introduced them as earth elementals – to match sylphs as air elementals, undines as water elementals, and salamanders as fire elementals. Note to self – air and water are the s€xy ones.

Anyway, they were “widely adopted by authors, including those of modern fantasy literature” and “typically depicted as small humanoids who live underground”.

So what’s the difference from dwarves? The short answer is not much, at least in depiction (as opposed to origins in folklore), and any difference is really a matter of stylistic choice. Apparently kobolds or Germanic mine spirits also overlap with gnomes.

Although probably the most famous gnomes are garden gnomes – garden or lawn ornaments crafted as statues of gnomes, typically with beards and pointed conical caps (in the style of those old school dunce caps), that originated in the nineteenth century.

Essentially, Poortvliet’s illustrations of gnomes in this book, written by Wil Huygen, follows the visual depiction of gnomes in the style of diminutive garden gnomes. Ironically, it distinguishes gnomes as always bearded from dwarves as always beardless, which is the opposite of their most popular contemporary depiction as character races in Dungeons and Dragons – arguably following the books of Tolkien, except with gnomes as similar to hobbits or halflings (without the hairy feet).

As for the book itself, it “explains the life and habitat of gnomes in an in-universe fashion, much as a biology book would do, complete with illustrations and textbook notes” – often with astonishingly intricate fictional detail. The titular gnomes are also depicted as living harmoniously with animals and nature, evoking contemporary environmental themes.

 

RATING: 4 STARS****

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Twitter account profile image as at 8 May 2024

 

(19) LEGENDARY CRYPTIDS

 

As “the biological equivalent of UFO sightings”, cryptids and cryptozoology are another modern mythology par excellence, hence my weird-tier special mention for the Legendary Cryptids X-Twitter account and Youtuber (because it is special mention for what is, after all, my top ten for mythology books).

Legendary Cryptids hasn’t published any books as far as I’m aware – but I anticipate would readily feature any books on cryptids or cryptozoology and has probably compiled enough material for a book.

My personal highlights are the cryptid maps he features for various countries and the ‘iceberg’ memes that in the style of such memes look at increasingly deep or esoteric cryptid lore the further you go below the surface.

 

RATING: 4 STARS****
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(20) CATHERINE JOHNS –

S€X OR SYMBOL: ER0TIC IMAGES OF GREECE & ROME (2002)

 

It is one of my rules in my top tens to throw in a kinky entry amidst my wilder special mentions, usually as my final (twentieth) special mention, at least where the subject matter permits.

And here it certainly does – it is not surprising given how large sexuality looms in human biology that it similarly looms large in our mythology.

I remember in high school that it was a running gag among my friends of drawing d!cks in each other’s textbooks, kind of like the end credits of the 2007 film Superbad. Juvenile, yes I know, or rather adolescent.

The Greeks and Romans were a lot like that – they had art of d!cks everywhere. Well, erotic art in general, but mostly a lot of d!cks. And no, we’re not just talking the ubiquitous nudity of classical art – we’re talking hardcore d!cks, literally in the sense of what is termed ithyphallic.

So much so that when Victorians – the prissy British of the historical Victorian period that is, not the residents of the Australian state – collected classical art in galleries or museums, they found themselves inundated by d!cks, like my high school textbooks or those Superbad end credits, which they then hid in restricted sections or basements.

And these were mythic d!cks! No, seriously – “many had a religious and apotropaic function”. Apotropaic, as in good luck charms or warding off evil, because nothing does that like a d!ck, albeit often depicted with wings or feet. We’re talking things like herms, statues with male genitalia used as boundary or crossroad markers, often invoking the (phallic) god Hermes or Mercury.

And this book has the extensive images of Greek or Roman art to prove it. Like looking through my high school textbooks…

 

RATING: 4 STARS****

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TOP TENS – MYTHOLOGY:

TOP 10 BOOKS (SPECIAL MENTION) – TIER LIST

 

S-TIER (GOD TIER)

 

(1) TAROT – RIDER-WAITE & CROWLEY-THOTH

(2) FOLKLORE INDEX

 

A-TIER (TOP TIER)

 

(3) THOMAS BULFINCH – BULFINCH’S MYTHOLOGY

(4) BREWER’S DICTIONARY OF PHRASE & FABLE

(5) SIR JAMES GEORGE FRAZER – THE GOLDEN BOUGH

(6) ROBERT GRAVES – THE WHITE GODDESS / THE GREEK MYTHS

(7) WALTER BURKERT – GREEK RELIGION

 

B-TIER (HIGH TIER)

(8) MIRCEA ELIADE – THE SACRED & THE PROFANE / SHAMANISM

(9) MARINA WARNER – NO GO THE BOGEYMAN

(10) JONATHAN KIRSCH – THE HARLOT BY THE SIDE OF THE ROAD / A HISTORY OF THE END OF THE WORLD

(11) BETTANY HUGHES – HELEN OF TROY / APHRODITE & VENUS

(12) PAUL ROBICHAUD – PAN: THE GREAT GOD’S MODERN RETURN

(13) FRANCIS YOUNG – TWILIGHT OF THE GODLINGS

(14) NATALIE HAYNES – DIVINE MIGHT: GODDESS IN GREEK MYTH

 

X-TIER (WILD TIER)

(15) CHARLES FORT – BOOK OF THE DAMNED / NEW LANDS / LO / WILD TALENTS

(16) PRINCIPIA DISCORDIA

(17) BOOK OF THE SUB-GENIUS

(18) WIL HUYGEN & RIEN POORTVLIET – GNOMES

(19) LEGENDARY CRYPTIDS

(20) CATHERINE JOHNS – S€X OR SYMBOL: ER0TIC IMAGES OF GREECE & ROME

Top Tens – Film: Top 10 Fantasy & SF Films: (1) SF: Alien

 

 

(1) SF: ALIEN

(1979-1986: ALIEN / ALIENS 1-2. That’s right – I mostly just count the first two films. Mostly)

 

Whereas Terminator is the definitive robot war franchise, Alien is the definitive, well, alien franchise – the direct descendant of H. G. Wells’ The War of the Worlds.

As I said in my previous entry, the heart of SF is still all Martians and Morlocks to me (or evolution and entropy, those recurring themes in Wells). We’ve looked at the machine Morlocks of the Terminator (and the Matrix) – the aliens in the Alien franchise are Martians. Not literally Martians of course, unlike the original Martians in The War of the Worlds, but still the sharp edge of evolution (Wells’ penultimate true villain), red in tooth and claw, pitted against humanity in the backdrop of cold, dead space (or Wells’ ultimate true villain of entropy).

And holy crap – the Martians are positively cuddly compared to their cinematic descendant aliens, or xenomorphs, in the Alien franchise! Sure, the original Martians may have been space vampires, sucking down human blood, but the Alien xenomorphs take it to a whole new level of body horror, with every possible bodily fluid and organ of Freudian subtext thrown in for kicks. Whereas the original Martians invaded our world, the xenomorphs invade our very bodies – in the most face-hugging, throat-thrusting, chest-bursting way possible.

Like the original Terminator, the original Alien was at its core a horror film – the body horror of the alien itself in the claustrophobic intensity of a spaceship – and subject to a similar law of diminishing returns with each sequel away from its horror origins, although the intensity of action compensated for it in the immediate sequel.

 

HORROR

 

As I just said, the original Alien was at its core a horror film, arguably the SF horror film, and although the franchise moves away from that at times, it always retains some element of that SF horror, combining body and cosmic horror. Like The Thing, it’s another film that solves the haunted house problem but does The Thing one better by having the haunted house IN SPACE! Although, really, the xenomorph more resembles your classic slasher than your average ghost.

 

SF OR FANTASY

 

Pretty much pure SF – although some aspects of the xenomorph biology verge on fantasy. Acid blood, anyone? It would be interesting to see a magic xenomorph in a fantasy setting.

 

RATING: 5 STARS*****

S-TIER (GOD TIER – OR IS THAT ALIEN-TIER?)

Top Tens – History (WW2): Top 10 Second World Wars: Revised Entry (6) Franco-German War / Third Franco-Prussian War

The German advance to the English Channel between 16 May and 21 May of 1940, History Department of the US Military Academy, public domain image

 

 

(6) FRANCO-GERMAN WAR / THIRD FRANCO-PRUSSIAN WAR

(1 SEPTEMBER 1939 – 25 JUNE 1940)

 

This was the big one – until it suddenly and surprisingly wasn’t.

The war that was the focus of everyone’s attention at the outset – the war at the start and the heart of the Second World War in Europe, set to replay the Western Front of the First World War and synonymous with the Battle of France…until France fell and signed an armistice with Germany on 25 June 1940.

After then, it was replaced in western Europe, the Atlantic, and the Mediterranean by the Anglo-German war, which ultimately became the Anglo-American war with Germany.

Of course, the Anglo-German war commenced at the same time as the Franco-German war – with the German invasion of Poland – and both were fought side by side, literally with Britain and France as allies in western Europe against Germany. However, the Franco-German war predominated over the Anglo-German war, as France did the heavy lifting in terms of both being the Allied front line in western Europe and fielding the overwhelming majority of the Allied armies against Germany. While Britain did field an expeditionary force to France, its main strength was its navy, as had always historically been the case, as well as the newer addition of its air force.

The Franco-German war effectively ended with German victory and French defeat in the Battle of France, such that the primary contest was no longer between French and German armies but the Anglo-German war until 1941. Britain’s strategic hope relied on the substitution of another power for France as ally that could contribute similar large forces on land against Germany. That hope was understandably focused on the United States, which ultimately did replace France as larger army allied with Britain on the Western Front, but the Soviet Union played the role of France for both Britain and the United States as primary or supreme allied combatant on land, except substituting that role on the Eastern Front for France on the Western Front.

While some French forces fought on against Germany mostly from France’s colonies as the Free French, they effectively did so as a subordinate part of the Anglo-German war or Anglo-American war against Germany – as did the revived French forces after the Anglo-American liberation of France, the core of which were Free French forces in any event. As such, the Franco-German war very much ended with French defeat in the Battle of France.

The Franco-German war was more than just the Battle of France, albeit not much more as indicated by the title of Phoney War, or Sitzkrieg in German as an amusing contrast to blitzkrieg, from about September 1939 to May 1940. This title is a slight misnomer. Britain and France may not have conducted major military operations on the Western Front but they did implement economic warfare and waged naval warfare, including their naval blockade of Germany and targeting German surface raiders. They also planned operations, although the only one that saw any action was in Norway – when they came up against the German plans to invade and occupy that country and Denmark from April 1940.

The biggest lost opportunity by France was at the outset of the Franco-German war with the failure to launch a more robust and potentially decisive offensive against Germany while the latter only had weak forces in the west during its campaign in Poland – that is, other than the abortive Saar Offensive. Had France pursued or expanded that offensive more vigorously, it may well have won the Franco-German war and ended the Second World War right there.

For that matter, the Saar Offensive was simply the last in a long line of French inaction where even the most minimal action against Germany mght have won the war before it started, most notably with Germany’s remilitarization of the Rhineland in 1936.

However, it remains that the Franco-German war is defined by the Battle of France from 10 May 1940 to 25 June 1940 – and the French defeat in it. The reasons for the latter, as well as those for German victory, are perhaps best considered in a closer look at the Battle of France, but at least part of those reasons is from the same pusillanimity as shown by the French leadership in their Saar Offensive or any of their other failures to take more effective action against Germany when they held the advantage.

Although I feel obliged to point out that critique of pusillanimity and psychological defeatism should not extend to French military performance as a whole, unfairly the subject of caricature as “cheese-eating surrender monkeys”.

The Franco-German war was the third such war in seventy years, such that it should be considered the Third Franco-Prussian War, after the Franco-Prussian War in 1870-1871 and the First World War in 1914-1918, albeit the latter involved a Germany that been unified under Prussia and its monarchy after the former. The Prussian monarchy may have been forced to abdicate after the First World War, but Germany and even more so the German military or Wehrmacht effectively remained unified under a Prussian state. The Allies in the Second World War certainly thought so as they abolished the Prussian state after the war, identifying it with the German militarism of both world wars.

Although perhaps the Franco-German war of the Second World War should be considered the Second Franco-Prussian War – as the Germans managed to replay the same quick victory they had won in the Franco-Prussian War, achieving in only six weeks what they could not against France on the Western Front throughout the entire First World War.

That of itself, as well as the repetition of three Franco-German wars in effectively as many generations, is worthy of the Franco-German war being considered as its own separate war within the Second World War

 

RATING: 4 STARS****

A-TIER (TOP TIER)

Top Tens – Mythology: Top 10 Books (Revised)

Free ‘divine gallery’ sample art from OldWorldGods

 

I live in a mythic world.

Mythology has been a subject that has fascinated me since childhood, when I read it avidly – and still does as I read it now, hence my Top 10 Books of Mythology.

These are my books of myth and mystery. I’m not going to seek to define mythology for this top ten. It seems to me that people who have studied it far more than I have differ substantially in their definitions of it and I’m not sure that there’s any easy or singular definition in any event. By its nature, myth overlaps with mystery. It is what it is.

Nor am I going to seek to distinguish myth or mythology from overlapping categories such as folklore or legend. If I might use religious metaphor, mythology tends to be defined in a ‘high-church’ sense involving divine beings or sacred narratives, while folklore or legend tend to be defined in a more ‘low church’ sense involving figures or narratives closer to humans and nature. And while we’re on that point, I’m not going to seek to distinguish myth or mythology from the overlapping subjects of religion or ritual. To extend that metaphor, I’m going with a broad church approach here. I don’t have a religion – I have a mythology.

The only thing I would seek to distinguish myth or mythology from is the colloquial or popular usage of the word myth to connote some collectively or commonly held belief that has no basis in fact, or any false story. I use myth or mythology without any implication as to whether any belief or narrative may be understood as true or otherwise.

So that said, here are my Top 10 Books of Mythology. You know the rules – this is one of my deep dive top tens, counting down from tenth to first place and looking at individual entries in some depth or detail of themselves. Tenth place is my wildcard entry for the best entry from the previous year (2024).

But wait – there’s more! The subject is prolific enough for my usual twenty special mentions per top ten and for honorable mentions beyond that.

 

NOTE

 

I’ve revised this top ten to swap Joseph Campbell’s The Hero with a Thousand Faces back from special mentions into – spoiler alert! – sixth place

 

 

 

 

(10) NATALIE LAWRENCE –

ENCHANTED CREATURES: OUR MONSTERS AND THEIR MEANINGS (2024)

 

“I began as a scientist and became a hunter of monsters. It is only relatively recently that I have been able to fully articulate why they attracted me so much. I began with the monsters of hundreds of years ago, when the world was an almost alien place, but they taught me how to see what monsters do for us today.”

I tend to award my wildcard tenth place, if I can (or if my top ten subject permits), to best entry for the previous or present year – and this book by Natalie Lawrence was my favorite mythology book from 2024.

Natalie Lawrence taps into our universal fascination with monsters – the titular enchanted creatures from mythology to modern popular culture – and what they mean to (or for) us.

The book is divided into three thematic sections – Monsters of Creation, Monsters of Nature, and Monsters of Knowledge – each of which is divided in turn into thematic chapters.

For the Monsters of Creation, the chapters are The Horned Sorcerer (through the lens of the antlered shamanic figure in Palaeolithic cave art at the Cave of the Trois-Freres in France, a personal favorite of mine as well), Dragons of Chaos, and The Minotaur and the Labyrinth.

For Monsters of Nature, the chapters are Snake Women (through the lens of the recurring dangerous combination of woman and serpent from Eve onwards), Grendel, and Leviathans.

For Monsters of Knowledge, the chapters are Scaly Devils (featuring the fabulous beasts found by Europeans after the Age of Discovery, even if they had to stich them together) and Terrible Lizards (featuring dinosaurs and their fossils).

 

RATING: 4 STARS****

X-TIER (WILD TIER)

 

Oxford University Press

 

(9) RONALD HUTTON –
TRIUMPH OF THE MOON (1999)

 

The history of what Hutton portrays to be the only religion England has ever given the world, modern pagan witchcraft or Wicca.

Ronald Hutton is an English historian who specializes, among other specialties, in the history of the various strands of contemporary paganism – particularly in this book, which might be regarded as his magnum opus.

It may be somewhat deflating or disillusioning for those who like to imagine modern paganism or neopaganism as descending from an unbroken lineage or tradition back to historical paganism, but Hutton presents Wicca definitively as a twentieth century reconstruction, often artistic or literary in nature.

However, Hutton clearly writes from a respect for the new paganism, consistent with his paean to it as the only religion England has given the world (and I understand that he was actually raised as a pagan in his youth).

And for that matter, what does it matter that it is a reconstruction of historical traditions, rather than a genuine continuation of, as neopaganism likes to present itself, longstanding hidden pagan traditions? Scratch beneath the surface and much the same can be said of other religious traditions. After all, if a historian can characterize even Christianity, from a historical perspective, as a Greek hero cult devoted to a Jewish messiah, then what of reconstruction? And that’s setting aside how much of either side of that characterization – Greek and Jewish – might be further characterized as reconstruction, or at least synthesis of other traditions.

Among his other books prior to Triumph of the Moon, Hutton deflated much the same claims of the ritual year in English paganism or at least tradition in Stations of the Sun – demonstrating the various celebrations to be of much more recent vintage than is often claimed for them.

And after Triumph of the Moon, Hutton has gone on to look at other strands within modern paganism in a similar vein (as more reflecting modern reconstruction than genuine historical tradition) – shamanism, druids, and most recently, various ‘pagan’ goddess figures of folklore in his Queens of the Wild.

 

RATING: 4 STARS****
A-TIER (TOP TIER)

 

The Ghost Dance of 1889-1891 by Frederic Remington, 1890

 

 

(8) WESTON LA BARRE –
THE GHOST DANCE: THE ORIGINS OF RELIGION (1970)

 

A sweeping “psychoanalytic account of the birth of religion through the lens of his treatment of the ghost dance religion of native America”.

A sadly elusive and overlooked classic, particularly as anthropologist Weston La Barre regarded it as his magnum opus.

It’s also deliciously snarky, particularly about founding religious figures and classical philosophies.

Essentially, he presents all religion – not just native American – as shamanic in nature. All religions are ghost dances at heart. Indeed, this book led me to see the Bible as the Hebrew dreaming and the great messianic ghost dance.

Don’t get me wrong – I have a soft spot for the ghost dance, both the historical native American ghost dance and its metaphors. Hell – I usually feel my life has been one long ghost dance…

 

RATING: 4 STARS****
A-TIER (TOP TIER)

 

 

 

(7) JEAN CHEVALIER & ALAIN GHEERBRANT –
PENGUIN DICTIONARY OF SYMBOLS (1969)

 

The Penguin dictionaries are usually of high quality whatever the subject, but the Penguin Dictionary of Symbols is the standout for me.

That might be attributed to the collaboration of its original authors – French writer, philosopher and theologian Jean Chevalier, with French poet and explorer Alain Gheerbant. Their literary background shines forth in the lyrical quality or poetic resonance of the entries – although at times the entries can be somewhat overwhelming in the density of their style.

As for the book itself, well, it’s a dictionary…of symbols. Obviously. Although that understates just how comprehensive the entries are, both in quantity and quality – devoted to the symbolism of myths, dreams, habits, gestures, shapes, figures, colors, numbers, plants, animals and more found in mythology and folklore.

I’ll let Penguin’s own publishing entry speak for it – “This is a remarkable dictionary, exploring the vast and various symbols which abound in literature, religion, national identity and are found at the very heart of our dreams and sub-conscious…each entry is given its complete range of interpretations – sexual and spiritual, official and subversive, cultural and religious – to bring meaning and insight to the symbol”.

 

RATING: 4 STARS****
A-TIER (TOP TIER)

 

 

 

New World Library, Collected Works of Joseph Campbell, 3rd edition

 

(6) JOSEPH CAMPBELL –
THE HERO WITH A THOUSAND FACES (1949)

 

Behold the monomyth!

Joseph Campbell, arguably the leading scholar of mythology, developed the monomyth or Hero’s Journey as the archetypal heroic narrative in which the protagonist hero sets out, has transformative adventures and returns home. And it has been a favorite of comparative mythology and literary or writing studies ever since, particularly after George Lucas identified it as a major influence on his original Star Wars trilogy.

Campbell identified it as the monomyth because he saw it to be at least a recurring mythic structure to heroes, if not universal. Of course, it helps to be a monomyth if you pitch it in broad terms that apply to almost any story – the hero (ad)ventures into the mythic world – the supernatural or mysterious realm – and brings something back, not least himself in transformed form.

As per Campbell – “A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.”

Or even more broadly, a hero goes on an adventure, is victorious in a decisive crisis and comes home changed or transformed – which is almost any story.

It also helps to structure it in the basic modern dramatic format of three acts – which Campbell styled as departure, initiation (often featuring death and rebirth or resurrection) and return.

And it helps even more to combine this broad structure at the same time with a number of specific variations from virtually every story – which Campbell styled as stages – which themselves have an almost infinite number of permutations.

Even so, you can’t deny the poetic resonance of Campbell’s stages as he styled or titled them – from the Call to Adventure (often accompanied by a Refusal of the Call) that starts it all, through the Belly of the Whale and the Road of Trials as well as my personal favorite The Meeting with the Goddess, to the triumphant return as the Master of Two Worlds and the Freedom to Live.

Of course, the monomyth has its critics – from those who criticize that its very generality (or vagueness) detracts from its validity or usefulness, to those who criticize its male frame of reference (with some offering up the heroine’s journey as an alternative) or its inherently aristocratic (or autocratic) elitism.

Yet, who can deny the emotional resonance of the hero’s journey – and who hasn’t yearned for their own call to adventure?

 

RATING: 4 STARS****
A-TIER (TOP TIER)

 

 

Pierrot Publishing, 1st edition

 

(5) PETER DICKINSON –
THE FLIGHT OF DRAGONS (1979)

 

Here be dragons!

And how! It’s like Jurassic Park, only even more awesome – with dragons! This is a work of “speculative natural history”, which addresses that most awesome question – how dragons might have really existed?

Or more precisely, is there an evolutionary hypothesis that could explain the existence of dragons of mythology and lore?

In doing so, it addresses the question posed by the title – the flight of dragons. Clearly, something extra is needed for the mass of dragons to be lifted by their limited wing area – and if not magic, what?

The answer is the central hypothesis of the work – that dragons were essentially fantasy dirigibles, held aloft by sacs of hydrogen, produced from their own digestive hydrochloric acid. From that, we have their evolution from dinosaurs to most of the tropes of dragons in fantasy, not least their fiery breath, evolved to burn off excess hydrogen but finding use as a weapon – although it also offers explanations for their toxic (or more precisely acidic) blood, their hoards and most other dragon tropes, with an element of legendary embellishment thrown in (intelligence and speech for example).

It also offers explanation for the saddest dragon trope – their absence from reality. Obviously, they were hunted to extinction by humanity and their acidic blood dissolved any bodily remnants that remained behind (so no dragon fossils – alas!)

It’s a nice fantasy theory, even if it seems somewhat contrived or forced at times by standards of biology – but damned if I don’t half believe it, and even more damned if I don’t totally wish that somewhere here or there be dragons…

 

RATING: 4 STARS****
A-TIER (TOP TIER)

 

 

(4) KATHARINE BRIGGS – A DICTIONARY OF FAIRIES (1972)

 

What it says on the tin, the definitive guide to that classic subject of British folklore – fairies.

A classic book, alternatively titled An Encyclopedia of Fairies, which now seems sadly out of print (but still available online), by a classic British folklorist – indeed THE classic British folklorist.

Of course, the term fairies now conjures up images of cute little gossamer-winged pixies like Tinkerbell.

In British folklore, fairies were much different, most aptly styled as the Fair Folk, itself a euphemism for things that would flay you and walk around in your skin – because you sure as hell didn’t want to draw their attention or conjure them up by using names more true to their nature, or worse yet, their true names. In fairness (heh), they weren’t always as extreme as to literally flay you and walk around in your skin, only on occasion and only some of them. Some of them were more neutral or even nice, although even the nice ones were usually weird or had weird alien morality. Indeed, alien is an apt description, as in many ways, the fairies of British folklore have been replaced with the aliens of modern folklore. And this book is a fascinating exploration, arranged as a dictionary in alphabetical entries (cross-referenced to other entries) of the various beings, creatures, attributes, themes and tropes of fairy folklore.

Also there’s an annual Katharine Briggs Folklore Award from 1982, named and awarded by the Folklore Society in honour of Briggs (who served as their president).

 

RATING: 4 STARS****
A-TIER (TOP TIER)

 

 

 

(3) BARBARA WALKER – WOMEN’S ENCYCLOPEDIA OF MYTHS & SECRETS (1983)

 

She is the goddess and this is her body!

Also behold the monomyth! Not of Joseph Campbell’s universal hero, but of the universal goddess (although all heroes are her heroes). Or rather – the Goddess, since she is ultimately all goddesses. Virgin, mother, crone – god the mother and mother of god.

Now we get into my top trinity of my top ten books of mythology. Interestingly, Barbara Walker has also written a number of classic references to knitting. Obviously our interest here consists of her books in neo-pagan feminism, of which this entry was first and foremost – as an encyclopedia reference to mythology and religion through the lens, or rather the dance, of the Goddess. Essentially, throughout all entries there is Walker’s monomyth of the archetypal Goddess throughout mythology and history – or rather prehistory (or perhaps herstory), as the Goddess was displaced, firstly into many goddesses, and secondly by male gods or God.

However, like neo-paganism or the goddess movement in general, Walker’s monomyth is not so much a matter of historical accuracy (as many of her historical sources and interpretations don’t hold up under scrutiny) as it is historical reconstruction – the goddess as sacred poetry rather than sacred history. Or as sacred dance – the ghost dance of the Goddess as it were.

Walker herself is an atheist, so she doesn’t believe in the Goddess as a supernatural entity but as a symbol – and one she proposes as healthier for our society.

As she quotes Eugene O’Neill in one of her entries:

“We should have imagined life as created in the birth-pain of God the Mother. Then we would understand why we, Her children, have inherited pain, for we would know that life’s rhythm beats from Her great heart, torn with the agony of love and birth, and we would feel that death meant reunion with Her, a passing back into Her substance, blood of Her blood again, peace of Her peace.” – Eugene O’Neill, “Strange Interlude”

Of course, Walker’s not just talking your New Age Goddess here, all sweetness and light or maiden and mother – baptized between her breasts. She’s also talking your Old Testament bitch-goddess, apocalyptic wh*re or classic White Goddess of Graves – crucified between her thighs.

But meh – that’s no different from my life anyway:

“Sometimes I am the sister who befriends you, sometimes I am the mother who holds you, and sometimes I am the lover who sticks one in your back.”

 

RATING: 5 STARS*****
S-TIER (GOD TIER – OR IS THAT GODDESS-TIER?)

 

 

Homer Simpson as Odysseus from “D’oh, Brother Where Art Thou?” in “Tales from the Public Domain” (episode 283 – S13 E14) – aptly enough given his namesake and still one of the best televised adaptations of the Odyssey

 

 

(2) HOMER – ILIAD & ODYSSEY

 

“Sing, Muse, of the wrath of Achilles”.

“Tell me, Muse, of the cunning man who traveled far and wide after he had sacked the famed city of Troy”

We’re going old school here, the oldest school there is – the Iliad and the Odyssey, the rosy-fingered dawn of Western literature, preceding even literacy as those two epic poems were performed or sung rather than written by their author Homer, with tradition holding that he memorized both and probably changed the story each time he told them. (And no, not that Homer, although I couldn’t resist using him as my feature image). Although everything about Homer – or is that Homers? – is contested, such as whether he was indeed illiterate, or blind, or a man (I do have a soft spot for the theory that while a male Homer authored the Iliad, a female Homer authored the Odyssey), or Greek, or indeed even existed at all, at least as a single person.

“The Greeks held Homer in something like reverence” – as they and everyone else damn well should have or should – “viewing his works as the foundation of their society, in much the same way as modern Europeans view the Bible”. As do I and have since childhood, in which they (or at least the Odyssey) have been hugely influential for me personally, such if you were to peel back the layers of my psyche you’d find them deep within it. Of course, that wasn’t because anyone sung them to me – although again they damn well should have – or even that I read them in their original poetic form, but as a prose adaption of the Oydssey for children (The Adventures of Ulysses by Bernard Evslin), which still remains the version of the Odyssey lodged within my psyche.

Indeed, the Iliad is my Old Testament and the Odyssey is my New Testament. Aptly enough, given the Bronze Age battle hymns of Iliad and Old Testament, or the hero’s return from death in Odyssey and New Testament.

And while we’re on such comparisons, the Second World War is the American Iliad and the Cold War the American Odyssey.

However, I have always preferred the Odyssey to the Iliad. When people think of the Iliad, they usually think of all the things that aren’t actually in it – the whole mythos of the Trojan War in what is usually referred to as the Trojan Cycle. Instead, the Iliad is an incredibly brief snapshot of the Trojan War – a few weeks or so in the final year of a legendary ten year war. And of course most of that is the greatest Greek warrior Achilles sulking in his tent, because the Greek leader Agamemnon deprived him of the booty, in both senses of the word, of a Trojan girl taken captive. Until of course Achilles’ boyfriend Patroclus is killed by the greatest Trojan warrior Hector – at which time, it’s personal. Well until the Trojan king Priam begs Achilles if the latter could please stop dragging Hector’s dead body behind him while doing victory laps in his chariot.

Ultimately though, the Iliad is just men killing each other and squabbling over women. The Odyssey on the other hand is a ten year maritime magical mystery tour – or dare I say it, Poseidon adventure, as the Greek hero Odysseus just tries to return to his kingdom Ithaca after the Trojan War, barely escaping death as he is tossed from flotsam to jetsam in one shipwreck after another from Poseidon’s wrath. I mean, seriously, he could have walked home faster from Turkey to Greece, although Poseidon probably still would have got him somehow. And he loses all his ships and men en route, returning home as lone survivor – and stranger, as even then he has to remain disguised as a beggar to infiltrate his own household and outwit his wife’s persistent suitors partying it up there. And let me tell you, every dog has its day. Literally and heartbreakingly, as he is recognized by his faithful dog Argos who has awaited his return for twenty years (only to finally pass away with that last effort). But also figuratively and with undeniable satisfaction as he outwits and defeats the suitors.

 

RATING: 5 STARS*****
S-TIER (GOD-TIER)

 

 

The title page to the 1611 first edition of the King James Bible

 

(1) BIBLE

 

The Hebrew dreaming and the great messianic ghost dance.

The holy book of smiting and begetting.

Chosen people and only son.

 

This is the big one – genesis and apocalypse, alpha and omega, allelujah and amen!

Readers of my top tens will be familiar with me playfully classifying the highest tier (or god-tier) entries as my Old Testament or New Testament – a tribute to the influence of the Bible. I do that in a few ways with my Top 10 Mythology Books (or Top 10 Mythologies), but of course at a fundamental level the Bible is itself my Old Testament and New Testament.

Of course, the Bible is helped into top spot in that for many people it is not just mythology but religion, in contrast to classical mythology or other ‘pagan’ mythologies it largely replaced . The Bible is also the heart, still beating in many ways, of ‘Judeo-Christian’ culture that is one of the two predominant cultural influences in what is often termed as Western civilization, along with the ‘Greco-Roman’ culture that vies with it as the other predominant cultural influence – sometimes in alignment and sometimes as rivals. Athens versus Jerusalem and all that – filtered through Rome. It is as the source for religion rather than mythology that most people come to it, as I did, even if I have lapsed from any religious belief in it.

However, it is the book that doesn’t stop giving, even after you stop believing. That is because of its enduring mythic resonance or narratives and language that in its best passages has an enduring lyrical or poetic quality.

In other words, I read the Bible as mythology rather than religion or in short, as poetry rather than history. Don’t get me wrong – my own hot take, to antagonize both believers and skeptics, is that the Bible is of course a lot less historical than fundamentalist believers usually maintain, but has more history than skeptics usually credit. This is a view influenced by Manfred Barthel’s What The Bible Really Says, which among other things proposes more naturalistic explanations of apparently supernatural miracles – even such things as the burning bush, and not in terms of what Moses was smoking. And also don’t get me wrong as to its literary quality – the Bible is an anthology after all, and one of uneven quality. It may be described by believers as the word of God but he could have used an editor. Or for that matter, better writers of a more modern novelistic style even for its better narrative parts, which tend to resonate more when adapted into more modern style – or screenplays.

I mean seriously, the Bible is the original Game of Thrones – people are often surprised just how much sex and violence is in it (or just how much sheer pagan enjoyment it can provide). It is the book of smiting and begetting after all. And as opposed to Game of Thrones, it finishes with a bang rather than a whimper with a much more sensational, if much trippier, finale, at least in the New Testament and the Book of Apocalypse, my personal favorite book in the Bible.

 

RATING: 5 STARS*****
S-TIER (GOD TIER – WHAT ELSE?)

 

 

 

 

MYTHOLOGY: TOP 10 BOOKS

(TIER LIST)

 

S-TIER (GOD-TIER – OR IS THAT GODDESS TIER?)

 

(1) BIBLE

(2) HOMER – ILIAD & ODYSSEY

(3) BARBARA WALKER – ENCYCLOPEDIA OF MYTHS & SECRETS

 

If the Bible and Homer are my Old Testament of my books of mythology, then Barbara Walker’s Encyclopedia of Myths & Secrets is my New Testament. And yes – I know that in a literal sense the Bible is both my Old Testament and New Testament, although in a figurative sense I also claim the Iliad as my Old Testament and the Odyssey as my New Testament. That’s just how mythology is, ok?

 

A-TIER (TOP TIER)

 

(4) KATHERINE BRIGGS – DICTIONARY OF FAIRIES

(5) PETER DICKINSON – THE FLIGHT OF DRAGONS

(6) JOSEPH CAMPBELL – THE HERO WITH A THOUSAND FACES

(7) JEAN CHEVALIER & ALAIN GHEERBRANT – PENGUIN DICTIONARY OF SYMBOLS

(8) WESTON LA BARRE – THE GHOST DANCE

(9) RONALD HUTTON – THE TRIUMPH OF THE MOON

 

X-TIER (WILD TIER – BEST MYTHOLOGY BOOK OF 2024)

 

(10) NATALIE LAWRENCE – ENCHANTED CREATURES: OUR MONSTERS & THEIR MEANINGS

 

 

 

 

 

 

 

 

 

 

 

 

Top Tens – Mythology: Top 10 Books (Special Mention) – New Entry (15) Charles Fort

 

 

(15) CHARLES FORT –

THE BOOK OF THE DAMNED / NEW LANDS / LO! / WILD TALENTS (1919-1932)

 

“Charles Hoy Fort, an eccentric American who meticulously collected and catalogued anomalous phenomena inexplicable or thought impossible by orthodox science – giving his name to ‘Fortean’ and ‘Forteana’ to characterize such phenomena, as in the ongoing online Fortean Times which effectively carries on Fort’s legacy.

I have a soft spot, as did Fort himself from evident from the prolific reports he compiled, for strange “falls” raining from the sky – fish (like on the book cover in my feature image), frogs, and so on.

They also are a good example of the anomalous phenomena Fort researched by visiting libraries in New York and London for more than 30 years “assiduously reading scientific journals, newspapers, and magazines” and compiling thousands of notes “on cards and scraps of paper in shoeboxes”. From this research, Fort wrote the four books in this special mention.

He was also ahead of his time, writing of UFOs – before 1947 and the usual start of “modern UFO allegations”. That might be reflected in why he wrote of triangle UFOs rather than the discs that were more in vogue from 1947, although triangle UFO sightings persist.

I also have a soft spot for his theory of a Super-Sargasso Sea to which he attributed strange falls and UFOs – a “sea” where all lost things go and occasionally rain back down on Earth – and an even softer spot for him effectively dismissing that and all other theories in his work (such as his “cosmic joker” theory), noting “I believe nothing of my own that I have ever written”.

Like H.P. Lovecraft (with whom he was largely contemporaneous), he was not the best prose stylist – although unlike Lovecraft he had much more of a sense of humor about it, tongue firmly in cheek – but created a modern mythology similar to that of Lovecraft and became a similar cult figure.

 

RATING: 4 STARS****

X-TIER (WILD TIER)

Top Tens – TV: Top 10 Fantasy & SF TV Series (2) SF: From

 

 

(2) SF (HORROR): FROM

(2022 – PRESENT: 3 SEASONS+)

 

An American SF horror series with labyrinthine twists – the closest comparison is usually with Lost, “as an improved second attempt at Lost” or “what if Lost got a healthy injection of horror”. I understand the comparison to Lost extends to Lost actor Harold Perrineau having a similar role in From, where he is the sheriff and de facto mayor of the town. Now that I think about it, the comparison extends to their titles as four letter words (with o as the vowel). Fortunately, I never saw Lost so I came in clean to this series with no such comparison.

The basic premise is introduced in the very first episode – while on a road trip, the Matthews family find themselves trapped in a “strange small town in middle America”. The town traps those who enter, as the Matthews family find that any attempt to drive away or back the way they came simply has them circling back to the town, in some sort of weird dimensional loop. It also is an eldritch location, drawing people in from different locations throughout the United States.

Worse, you don’t want to be outside – or inside without the protection of a mysterious amulet – at night. The town is literally nightmarish, stalked at night by mysterious shapeshifting but humanoid creatures that kill anyone they find and as gruesomely as possible, as we see in the very first opening scene.

And that’s just getting started…

 

FANTASY OR SF?

 

One of the hardest genre classifications in my Top 10 Fantasy or SF TV series – elements of it have a distinct fantasy or supernatural feel to it, but I ultimately leaned towards it having an extradimensional SF tone.

 

HORROR

 

Did you not see the SF horror reference in my opening line? It could readily be classified as SF horror – one of the clearest such entries in my top ten.

 

RATING: 5 STARS*****

S-TIER (GOD TIER)

Top Tens – History (WW2): Top 10 Second World Wars (Special Mention): (20) Indochina Wars / Vietnam War

CIA map of “dissident activities” in French Indochina as at 3 November 1950, Page 8 of the Pentagon Papers – public domain image

 

 

(20) INDOCHINA WARS / VIETNAM WAR

(1940-1979)

 

“In Indochina, a nativist political movement rose up to oppose the resumption of French colonial rule; one of the factions that struggled for supremacy was the Communist Viet Minh led by Ho Chi Minh.”

You knew this one was coming – the iconic twentieth century war after 1945 and second only to the Second World War itself as visual image in popular culture or imagination, and as metaphor or archetype in history or politics.

Of course, it serves as the counterpoint to the Second World War in those things, particularly in moral terms, highlighted by the defeat of the United States and its allies in Vietnam, with the diminished number of its allies as further counterpoint to the Second World War.

It also serves as counterpoint in its nature, both as a limited war and as insurgency or guerilla warfare, contrasting with the Second World War as both unlimited and as more straightforward conventional warfare. Indeed, a common criticism of American military proficiency or strategy in the Vietnam War is that it essentially sought to fight an unconventional war by conventional means more suited to the Second World War and hence entirely misplaced in the Vietnam War, resulting or at least contributing to defeat.

Few things encapsulate the unconventional Vietnam War wrongly fought by conventional Second World War strategy in popular culture or imagination more than American bombing during the war, usually seen as futilely dropping bombs on jungle.

In popular culture or imagination, the Vietnam War is typically that involving the United States in varying levels of engagement from about 1954, with the height of its military engagement from about 1965 to 1972. However, that war was actually the Second Indochina War, which followed almost directly from the First Indochina War from 1945 to 1954 against the French colonial regime – and the First Indochina War commenced immediately as the last shots were fired in the Second World War.

The First Indochina War in turn took shape in the Second World War itself. The Vietnamese resistance to French colonial rule predated the Second World War but took its definitive shape in that war – as the Vichy French colonial administration effectively had to concede control to Japanese occupation from 1940 onwards until Japan “had extended its control over the whole of French Indochina”.

Interestingly, the Japanese occupation and control of French Indochina was the trigger point for the United States to embargo Japan, which in turn led to war with the Japanese attack on Pearl Harbor. Interestingly that is, because it illuminates Vietnam as another American trigger point for the Cold War in Asia.

During the Pacific War, however, the United States placed little weight on French Indochina – with President Roosevelt even offering it to Chiang Kai-Shek. In fairness, this may have reflected the predominant role of China for Vietnamese resistance – “most of the Vietnamese resistance to Japan, France, or both, including both communist and non-communist groups, remained based over the border, in China”.

One exception was Ho Chi Minh and the underground communist resistance he led within Vietnam from 1941 onwards – gaining mass support from the effects of the 1945 Vietnamese famine on the populace.

In March 1945, the Japanese effectively sought to salt the earth of the remnants of the French colonial administration – which the Japanese revoked, imprisoning French administrators and taking full control of Indochina, nominally under Vietnamese emperor Bao Dai who proclaimed the Empire of Vietnam.

As Japan lurched to its surrender, the communists or Viet Minh under Ho Chi Minh launched firstly their August Revolution from Hanoi and secondly declared Vietnamese independence. The latter had little real effect as the Allies had agreed to China occupying north Vietnam while the British occupied the south.

The Viet Minh remained largely intact under Chinese occupation of the north – such that they were even able to purge non-communist nationalist resistance – but British occupation of the south was another matter. I always recall reading how the British, having accepted the surrendering Japanese garrisons laying down their arms, then immediately rearmed them to keep order in Vietnam – which essentially translated to keeping order for the return of French colonial rule.

However, the Vietnamese communist resistance under Ho Chi Minh came out swinging against the restoration of French colonial rule from the outset and the First Indochina War took shape, along similar north-south lines as the postwar occupation and the subsequent Second Indochina War with the United States, with the Third Indochina War against China in 1979 echoing the postwar Chinese occupation of northern Vietnam.

 

RATING: 4 STARS*****

X-TIER (WILD TIER)

Top Tens – Mythology: Top 10 Books (Special Mention: Subject) (5) Norse Mythology

 

(5) NORSE MYTHOLOGY:

H.A. GUERBER – MYTHS OF THE NORSEMEN (1909)

 

“Northern mythology is grand and tragical. Its principal theme is the perpetual struggle of the beneficent forces of Nature against the injurious, and hence it is not graceful and idyllic in character, like the religion of the sunny South, where the people could bask in perpetual sunshine, and the fruits of the earth grew ready to their hand.”

Norse mythology – or more broadly Germanic and Scandinavian mythology – is one of the best known, even outside its European continent of origin and centuries after its displacement by Christianity, with the days of the week still named in English for the Norse gods and Thor as one of the Marvel Cinematic Universe’s highest profile characters. It is also arguably one of the most hardcore mythologies, ranking in third top spot in my Top 10 Mythologies

So of course it also scores special mention as a subject for my books of mythology. Books on the subject already feature as entries in my Top 10 Mythology Books or special mentions. There’s the first volume of Bulfinch’s Mythology, albeit not as much as classical mythology which is the predominant subject of that volume. More generally, Barbara Walker’s Women’s Encyclopedia of Myths and Secrets as well as the Penguin Dictionary of Symbols have numerous entries on subjects of Norse mythology.

Myths of the Norsemen by American teacher and writer Hélène Adeline Guerber remains one of my favorite books for Norse mythology – and a vintage one at that. It owes its status as my favorite to being one of two books I first read to learn about the Norse myths as a child – the other being Bulfinch’s Mythology, but to be honest this did it better, not least because of its exclusive focus and the art plates throughout the book. It still boggles my mind that they had this vintage book in my school library – although one advantage of its vintage publication is that it is freely available online.

 

RATING: 4 STARS****

A-TIER (TOP TIER)