Friday Night Funk – Top 10 Music (Mojo & Funk): (6) Funk: The Prodigy – Smack My B*tch Up

 

 

 

(6) FUNK: THE PRODIGY – SMACK MY B*TCH UP (1997)

B-side: Firestarter (1996)

 

“Oh my god – that’s the funky sh*t!”

We flashback to my hardcore stark raving techno dance bunny days with The Prodigy and their ant logo, although my taste has mellowed somewhat since then.

The Prodigy are an enduring electronic music band, although their high point was as one of the most important bands of the “big beat” subgenre of the 1990’s – not coincidentally, one might recognize the others from other funk entries in my top ten.

The musical prodigy behind The Prodigy is Liam Howlett, with the actual prodigy behind the name being his Moog Prodigy synthesizer. The Prodigy’s early material was largely straightforward rave with humorous samples thrown in, as shown by their debut album Experience. They ramped this up for their second album, Music for the Jilted Generation, “cultivating an angry, heavy sound drawing from techno, breakbeat and industrial rock”. Although I like the sound of both albums, this entry can only go to this single from their landmark album, The Fat of the Land in 1997, in which Howlett openly aimed at an alternative rock audience, “making the beats heavier”.

Of course, it does have that somewhat unfortunate title and lyric (sampled from “Give The Drummer Some” by the Ultramagnetic MCs), although I’ve always assumed it to be metaphorical – for “doing anything intensely” as the band itself claimed, or the sort of drunken or drug-fueled excess in the controversially explicit video.

I particularly enjoy the female vocals, performed by Shahin Badar, with vocals and harmonies in turn based on “Nana (The Dreaming)” by Sheila Chandra (initially as a direct sample but later with the vocal re-sung after sample clearance issues). Some of you may also recognize it from the Charlie’s Angels film soundtrack, where it was used to great effect in the action or fight sequences.

 

“I’m the trouble starter, punkin’ instigator

I’m the fear addicted, a danger illustrated

I’m a firestarter, twisted firestarter

You’re a firestarter, twisted firestarter!”

 

And as for my B-Side, it’s finely balanced between the two other leading singles from that album (such that it may vary by day and my mood), but I’ll go with their first single from the album and their first big hit – Firestarter.

“It showcased Keith Flint, with punk rock-style vocals, as the group’s frontman and is an important crossover song, meshing electronic beats with industrial metal and punk rock”.

 

RIP Keith Flint 4 March 2019

 

And here’s my Top 10 Prodigy songs for hardcore fans:

 

(3) Breathe (Fat of the Land 1996)

(4) No Good (Start the Dance (Music for the Jilted Generation 1994)

(5) Voodoo People (Music for the Jilted Generation 1994)

(6) Music Reach (1,2,3,4) (Experience 1992)

(7) Wind It Up (Experience 1992)

(8) Your Love (Experience 1992)

(9) Their Law (Music for the Jilted Generation 1994)

(“What we’re dealing with here is a total lack of respect for the law”)

(10) Poison (Music for the Jilted Generation 1995)

(“I got the poison / I got the remedy”)

 

RATING: 4 STARS****

A-TIER (TOP TIER)

Top Tens – Mythology: Top 10 Books (Special Mention – New Entry): (10) Marina Warner – No Go the Bogeyman

 

 

(10) MARINA WARNER –

NO GO THE BOGEYMAN: SCARING, LULLING & MAKING MOCK (1998)

 

Marina Warner – or Dame Marina Warner to give her title as well – is an English mythographer, typically writing about mythology, folklore or fairytales.

Typically her focus is on female figures – literally in her book Monuments & Maidens: The Allegory of the Female Form. Indeed, she started with the ultimate female figure of Catholic veneration, the Virgin Mary (well, after a book on the Empress Dowager or Dragon Empress of the Qing Empire, Tz’u-his), which she followed with a book on Joan of Arc.

Perhaps her leading book on female figures of folklore and fairytales was the evocatively titled From the Beast to the Blonde: On Fairy Tales and Their Tellers).

In a sense, this book is the companion to that one and something of an exception to the rule of her usual female lens, focusing as it does on the figures of male terror in folklore, fairytales, and fiction – “ogres and giants, bogeymen and bugaboos” (which sadly omits my personal favorite terms of bugbear and bete noire).

Although of course Dame Warner has been prolific enough I could compile a top ten books just of those written by her. She also gets bonus points being identified as the “lady writer” of the Dire Straits song of that name – as the writer the singer sees on television “talking about the Virgin Mary” and who reminds him of his former lover.

 

RATING: 4 STARS****

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Top Tens – TV: Top 10 TV Series (8) My Name

 

(8) MY NAME (NETFLIX 2021)

 

Funnily enough, I happened upon this Korean action thriller drama not through another Korean entry in this top ten at about the same time (my very next entry in fact), but because of the abject failure of the first season of The Rings of Power.

Not directly, that is, but through some Youtube commentator – that I can’t even remember – pointing to the failure of that series to depict its female lead Galadriel’s quest for revenge, at least plausibly or for any audience engagement in her character, in contrast to this series doing it right.

And My Name does the roaring rampage of revenge right – as well as a female lead that is not as insufferable as Galadriel in the Rings of Power, nor the proverbial “girlboss”. I don’t entirely agree with that term, given that it is too widely used in criticism – although if one character embodied the term, it was Galadriel in The Rings of Power (“both a Mary Sue and a Karen”), succeeding effortlessly and failing upwards.

Contrast the female lead in My Name, Yoon Ji-Woo, bent on avenging her father’s death by proving herself as a member of his criminal gang, who has to fight every step of the way, usually literally and at visceral price or at least high cost (to pretty much everyone involved) – indeed higher than she ever could have known, as is ultimately revealed.

 

 

 

RATING: 4 STARS****

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Top Tens – Mythology: Top 10 Books (Special Mention – New Entry) (8) Mircea Eliade – The Sacred & the Profane / Shamanism

 

 

(8) MIRCEA ELIADE –

THE SACRED & THE PROFANE / SHAMANISM (1957 / 1964)

 

“The nostalgia for Paradise…the desire to find oneself always and without effort in the center of the world, at the heart of reality”.

 

Behold the monomyth!

Campbell’s term of monomyth may be somewhat unfair for Eliade, since he established multiple paradigms in mythology or religion “that persist to this day” – hierophany, sacred space and time, the nostalgia for Paradise, the axis mundi or Center of the World, all myths as creation or origin myths, the eternal return, the terror of history, the coincidence of opposites, deus otiosus, and homo religiosus.

On the other hand, all of his paradigms might be considered permutations of his core concept of hierophany, the manifestation – or intrusion – of the sacred in the world, including but not limited to the earlier concept of theophany or manifestation of a god. In turn, it is hierophany that creates sacred space and time, or rather, divides the human experience of reality into sacred and profane space and time.

And the rest of his paradigms really flow from that. The mythic or religious connotes the nostalgia for Paradise or desire to return to sacred space or time, which is also the axis mundi or center of the world.

“Myth, then, is always an account of creation” – the primordial time “when the Sacred first appeared, establishing the world’s structure”. By enacting myths and rituals, one doesn’t simply commemorate them but participates in them – one “detaches himself from profane time and magically re-enters the Great Time, the sacred time”, or the eternal return.

On the other hand, “yearning to remain in the mythical age causes a terror of history” – the desire “to escape the linear succession of events” – “Eliade suggests that the abandonment of mythical thought and the full acceptance of linear, historical time, with its terror, is one of the reasons for modern man’s anxieties”.

As for the coincidence of opposites, “Eliade claims that many myths, rituals, and mystical experiences involve a “coincidence of opposites” or “twofold revelation” – “they express on the one hand the diametrical opposition of two divine figures sprung from one and the same principle and destined, in many versions, to be reconciled…the very nature of the divinity, which shows itself, by turns or even simultaneously, benevolent and terrible, creative and destructive, solar and serpentine, and so on”.

Deus otiosus – the inactive (or leisurely) god – is perhaps my favorite paradigm by Eliade. Contrary to those who proposed that religions evolve from polytheism to monotheism, Eliade argued that supreme heavenly beings were less common in advanced cultures.

“Eliade speculates that the discovery of agriculture brought a host of fertility gods and goddesses into the forefront, causing the celestial Supreme Being to fade away and eventually vanish from many ancient religions. Even in primitive hunter-gatherer societies, the High God is a vague, distant figure, dwelling high above the world. Often he has no cult and receives prayer only as a last resort, when all else has failed. Eliade calls the distant High God a deus otiosus (idle god)”.

His book on shamanism, Shamanism: Archaic Techniques of Ecstasy, is the second of his landmark duo of books after The Sacred and the Profane. It applied his ongoing ideas to shamanism, whicn in turn he saw as the ongoing death and resurrection of shamanic figures.

 

RATING: 4 STARS****

A-TIER (TOP TIER)

Top Tens – Tropes & Other: Top 10 Apes (Theories & Theses)

The iconic March of Progress (originally The Road to Homo Sapiens) by artist Rudolph Zallinger for the Early Man volume of the Life Nature Library – which has been widely imitated and parodied since (fair use image in Wikipedia “March of Progress”)

 

 

 

TOP 10 APES (THEORIES & THESES)

 

“I hate every ape I see

From chimpan-a to chimpanzee”

 

No – it’s not my top ten apes like that, as in my top ten species or types of ape. After all, there’s only five extant species of apes including us – the others being gibbons, orangutans, gorillas, and chimpanzees. I suppose I could easily do a top ten (and more) if I went by subspecies or added extinct species. Heck you could do a top ten entirely of hominids if you did the latter.

Instead, as usual for my trope top tens, this is for the use of the word ape as a trope – for which we humans are the ape. That is, a trope used for naming theories or theses of human evolution – an idea for a top ten which struck me when I realized just how many had ape in their name or title.

 

 

(1) NAKED APE

 

Possibly the most famous of ape treatises, as the title of the book by English zoologist Desmond Morris with subtitle “A Zoologist’s Study of the Human Animal”. The subtitle sums up the book – taking a look at humans as a species and comparing them to other animals. The exception to the rule of my top ten as it is not really an ape thesis of human evolution, apart from its overarching thesis of looking at humans as animals – the evolved apes of the title.

The adjective naked in the title refers to the distinctive hairlessness of humans compared to other apes, but I find it somewhat ironic as it is all other apes that are naked while humans are the only apes to invent and wear clothing, in part because of their hairlessness.

 

 

Taking the Aquatic Ape too far! Promotional art for the 2011 Animal Planet mockumentary “Mermaid: The Body Found”

 

(2) AQUATIC APE

 

Humans as beachcombers – or is that beach bums?

The Aquatic Ape Hypothesis or Theory, proposing that the ancestors of modern humans diverged from the other great apes by adapting to an aquatic lifestyle – or more precisely semi-aquatic or beachside lifestyle, as evidenced by the distinctive hairlessness of humans.

Desmond Morris – writer of The Naked Ape in my previous entry – was a proponent of the thesis, which was originally proposed by English marine biologist Alister Hardy. While it has a certain popularity with lay audiences – myself included, although I’m not ultimately persuaded by it – it is generally dismissed by anthropologists or other scholars of human evolution.

 

 

(3) KILLER APE

 

War, huh, yeah

What is it good for?

 

Well, us, for one thing. The killer ape theory or hypothesis is the theory “that war and interpersonal aggression was the driving force behind human evolution”, originated by Raymond Dart and developed further by Robert Ardrey (in his book African Genesis).

Basically, the theory is that we’re just more aggro apes – that our ancestors were distinguished from other primate species by their greater aggressiveness.

 

Shot from the opening credits of Netflix animated series Inside Job – which would seem to be clearly a gag on the Stoned Ape theory

 

(4) STONED APE

 

Or should that be shroomed ape

The Stoned Ape theory is the trippy hypothesis by Terrence McKenna in his 1992 book Food of the Gods – which proposed the “cognitive revolution” of modern humanity was caused by the addition of psilocybin mushrooms to the human diet, literally expanding their minds.

It’s not a theory taken seriously by many people, certainly within the wider scientific community, but I like it, mainly because it’s a hoot. I’d also like to think that it influenced the shot from the opening credits of the underrated conspiracy animated series Inside Job which I used for my feature image – in which homo sapiens owes its sapience to psychic mushroom organisms or their spores.

 

 

Carving of the Three Wise Monkeys in Nikko Toshogu, Japan – photograph by Jpatokat for Wikipedia “Three Wise Monkeys” under license https://creativecommons.org/licenses/by-sa/4.0/deed.en

 

(5) DRUNKEN MONKEY

 

Okay, it’s monkey in the name rather than ape, mainly for the rhyming structure with drunken, but I’m counting it.

It’s much less ambitious than the previous Stoned Ape theory and hence perhaps more probable – “The drunken monkey hypothesis proposes that human attraction to alcohol may derive from the dependence of the primate ancestors of Homo sapiens on ripe and fermenting fruit as a dominant food source”.

Robert Dudley from the University of California Berkeley proposed it – writing a book “The Drunken Monkey: Why We Drink and Abuse Alcohol” – suggesting that “whereas most addictive substances have a relatively short history of human use, attraction to and consumption of ethanol by various primates may go back tens of millions of years”.

 

 

(6) CANNIBAL APE

 

Instead of shrooms, it’s braaains!

This one is way out there, usually considered pseudo-science. In that it resembles the Stoned Ape theory – indeed, it’s essentially the dark universe version of that theory, except instead of the human cognitive revolution originating from getting high on shrooms, it’s from slurping down other apes’ brains.

This claim was by Oscar Kiss Maerth (no, really) in his book The Beginning Was The End. He didn’t bother with pesky things like evidence, instead he just did the meme “it came to me in a vision” – and apparently eating raw ape brains in a restaurant in South East Asia. Clearly I’ve been doing it wrong just getting the usual noodle soup.

His theory is literally that modern humans evolved from a species of brain-eating apes, increasing their brain volume (as well as sex drive and aggression). Or more precisely, devolved – as “it suppressed their innate psychic ability, eventually causing insanity”.

Probably no one would remember it but for the band Devo. They loved it so much they picked it up and ran with it, incorporating “several elements of the book into their concept of de-evolution”.

 

 

Comparison of a wild wolf and a domesticated dog – by Cephas (dog) and Gillguori (pug) used by Wikipedia “Dog” licensed under https://creativecommons.org/licenses/by-sa/4.0/deed.en

 

(7) DOMESTICATED APE

 

Or more accurately, self-domesticated apes.

Yes – I’ve had to stretch my subject of ape theories and theses for human evolution to round out my top ten. While there’s no domesticated ape theory commonly known as such (compared to previous entries), there IS a theory of human self-domestication which really should be known by that name.

Human self-domestication is a theory that, “similar to domesticated animals, there has been a process of artificial selection among members of the human species conducted by humans themselves”, differentiating homo sapiens from Neanderthals or homo erectus.

Domesticated animals tend to be more docile and playful than their wild counterparts, as well as be less aggressive and show marked neoteny. For humans, throw in also language and emotional intelligence.

 

As a virtual kitchen sink of fantasy or SF tropes, Judge Dredd of course features uplift apes as citizens of Mega-City One

 

(8) UPLIFT APE

 

Okay, not so much a thesis or theory of human evolution but a trope of SF – in which uplift is the enhancement of a non-human animal species to a higher level of intelligence, usually similar to human intelligence (and usually by means of technology such as cybernetic or genetic engineering). The term uplift was popularized by David Brin in his series of books or stories known as the Uplift series – with humans uplifting chimpanzees and dolphins.

Of course, one of the most popular animal candidates for uplift are our ape relatives.

However, the trope of uplift apes might well serve as a theory of human evolution in much the same way as the theory of human self-domestication – that we are the ultimate uplift apes, having uplifted ourselves through culture and technology, with the latter increasing into the future.

Alternatively, there are some who propose that we are indeed uplift apes – but uplifted by aliens, in the style of that black monolith in 2001: A Space Odyssey, sometimes to the extent of our entire evolution.

 

 

Great Ape Project logo

 

(9) GREAT APE

 

Again, not so much a thesis or theory of human evolution but a term in taxonomy for the primates that include orangutans, gorillas, chimpanzees and us. None of those lesser apes, because screw those gibbons. Just kidding – gibbons are awesome.

Still, I like being a great ape, although I understand the term has fallen out of usage for hominidae instead. I don’t know – hominidae doesn’t exactly roll off the tongue, or have the same gravitas. Also, there remains the concept of great ape personhood, most notably in the Great Ape Project, which advocates that non-human great apes are persons and should be given basic legal or human rights.

 

1968 Planet of the Apes film poster, spoiling the twist ending

 

(10) PLANETARY APE

 

Okay, now this one’s my own creation – a play on Planet of the Apes, but more seriously a characterization of humans as the only apes with a planetary range, as opposed to other apes that are confined to a continent (chimpanzees and gorillas to Africa, orangutans and gibbons to Asia).

 

Top Tens – TV: Top 10 TV Series (9) Beef

 

 

(9) BEEF (NETFLIX 2023)

 

Beef was my favorite (non-genre) TV series of 2023 (and hence former wildcard tenth place entry as best of 2023).

It’s a series by Korean-American showrunner Lee Sung Jin, featuring an Asian-American cast led by Steven Yeun and Ali Wong – and is virtually a parable or fable of the all-consuming, self-destructive nature of vengeance as its two star-crossed leads escalate a feud originating from random road rage into a roaring rampage of revenge. And oh boy – that leads to some very dark place indeed.

Originally a mini-series, there’s a second season on the way – but by way of anthology series, with a new cast to a similar premise.

 

FANTASY & SF

 

Not really – except for some literally toxic trippy moments

 

COMEDY

 

Yes, indeed – dark comedy

 

RATING: 4 STARS****

B-TIER (HIGH TIER)

Top Tens – TV: Top 10 TV Series (10) The Gentlemen

Netflix promotional art

 

(10) THE GENTLEMEN (NETFLIX 2024)

 

“Everything you want from a Guy Ritchie caper”.

 

My usual wildcard tenth place entry for best of the present or previous year – in this case, The Gentlemen as best TV series in 2024. (Disclaimer – I have yet to see Shogun, which from what I heard might well have eclipsed The Gentlemen for this spot).

The Gentlemen is a spin-off created by Guy Ritchie for Netflix from his 2019 film of that name. By spin-off, I don’t mean a spin-off from a character or characters in the film, or even the plot, but the premise of the film of English aristocratic estates fallen on hard times and seeking a reversal of fortune by high times instead, by growing cannabis on a plantation scale.

Like the film, it profits from a charismatic cast with good chemistry – and the usual Ritchie narrative twists or gags, such as that chicken suit from the standout (black) comedy scene of the series.

 

FANTASY & SF

 

Not really – Ritchie tends to steer clear of fantasy or SF elements, except perhaps for a certain comedic surrealism.

Speaking of which…

 

COMEDY

 

The works of Ritchie tend to be action-comedies – and The Gentlemen is no exception, albeit Ritchie’s comedy tends to be black, character-driven, and dry.

 

RATING: 4 STARS****

X-TIER (WILD TIER)

Top Tens – Mythology: Top 10 Books (Special Mention – Revised 2025): New Entry (4) Brewer’s Dictionary of Phrase and Fable

 

 

(4) BREWER’S DICTIONARY OF PHRASE & FABLE (1870)

 

Another nineteenth century old school entry, indeed only a few years after Bulfinch’s Mythology and ranking with it as classic reference.

I’m somewhat disappointed that the Brewer of the title is not a reference to brewers of alcohol, somewhat similar to the Guiness Book of Records originating from pub arguments, but from Reverend Ebenezer Cobham Brewer.

However, like Roget’s Thesaurus, the reference book has moved on from him – including into the public domain in its 1895 edition – but continues to be published in new editions, effectively retaining Brewer as a brand name.

It contains “definitions and explanations of many famous phrases, allusions, and figures, whether historical or mythical…The ‘phrase’ part of the title refers mainly to the explanation of various idioms and proverbs, while the “fable” part might more accurately be labelled “folklore” and ranges from classical mythology to relatively recent literature”.

 

RATING: 4 STARS****
A-TIER (TOP TIER)

 

 

Top Tens – TV: Top 10 TV Series

Yes – it’s an Emmy!

 

Exactly what it says on the tin – my Top 10 TV Series.

Well, perhaps not quite exactly as these are my top ten non-‘genre’ TV series – that is, excluding ‘genre’ TV series such as fantasy or SF, animated, or comedy series, all of which have their own top tens.

That said, occasionally fantasy or SF elements pop up in my non-genre TV series, just not enough as to rank them as fantasy or SF – but I will have a special section in each entry to note fantasy or SF elements. Also, almost every TV series has comedic elements or at least the odd gag – after all, one could classify almost every narrative work by the comedy-tragedy dichotomy of classical Greek drama – so I will also have a special section for comedy in each entry.

And yes – I know animation is more a medium than its own genre, although animated TV series are predominantly fantasy or SF genre.

Anyway, these are my Top 10 TV Series.

Top Tens – Mythology: Top 10 Books (Special Mention – Revised 2025)

Free “divine gallery” art sample from OldWorldGods

 

I live in a mythic world – and I have special mentions!

That’s right – I don’t just have a top ten mythology books, I have a whole host of special mentions. My usual rule is twenty special mentions for each top ten, where the subject matter is prolific enough, as it is here – which I suppose would usually make each top ten a top thirty if you want to look at it that way.

My special mentions are also where I can have some fun with the subject category and splash out with some wilder entries.

And as I’ve recently revised my Top 10 Mythology Books to include the best mythology book of 2024 (as well as promoting Homer’s Iliad & Odyssey from special mention to second place entry in my top ten), that also sees me shuffle some entries and add a few new ones.

I’m not going to repeat all the previous entries – I’ll reserve that for when I post the complete special mentions in one post – but I will note shuffled entries and post the new ones individually.

With the Iliad and Odyssey now in my top ten, that sees the Tarot as my new top special mention, with the Folklore Index shuffled into second top special mention. As the Iliad and Odyssey knocked Bulfinch’s Mythology out of the top ten, the latter now ranks as my third special mention – with a new entry as my fourth special mention to come…