Top Tens – Tropes: Top 10 Golden Ages (Special Mention)

Gold bars (also called ingots or bullion) by Ariel Palmon for Wikipedia “gold” under license https://creativecommons.org/licenses/by-sa/3.0/deed.en

 

 

TOP 10 GOLDEN AGES

(SPECIAL MENTION)

 

But wait – there’s even more Golden Ages! Given that it has been adapted for common usage to connote peaks of history or culture, real or idealized, virtually everything has its own Golden Age. Indeed, too many to choose from that I had to narrow it down to twenty of the most golden for my usual number of special mentions.

 

(1) GOLDEN AGE OF ANCIENT EGYPT

 

Not surprisingly for a civilization spanning millennia, ancient Egypt had a number of golden ages, albeit apparently not sufficient for their own Wikipedia entry unlike other historical golden ages. The golden ages usually identified for ancient Egypt include the Fourth Dynasty during the Old Kingdom – 2613 to 2494, embodied (or is that entombed?) by the Great Pyramid of Giza built in the reign of pharaoh Khufu (Cheops) – and also the New Kingdom, when Egypt was an empire.

 

(2) GOLDEN AGE OF CHINA

 

China has multiple golden ages – prolific enough for their own Wikipedia entry, although this seems to identify a golden age for each imperial dynasty. Notably the golden age of China’s last imperial dynasty, the Qing is its peak from 1662-1779, prior to its spectacular decline in the nineteenth century or its Century of Humiliation. Apart from the Qing, the usual golden ages of China are identified as those in the Han, Tang, Song, and Ming dynasties.

 

(3) GOLDEN AGE OF INDIA

 

Much like China, numerous golden ages are proposed for India (again prolific enough for their own Wikipedia entry). I tend to prefer the Gupta empire (as the golden age of Hindu India) but others include the Mauryan empire, Vijayanagra empire, Chola empire, and Mughal Empire (as the last golden age of India)

 

(4) ISLAMIC GOLDEN AGE

 

The golden age of Islamic civilization, usually proposed as the reign of the Abbasid caliph Harun-al-Rashid from 786 AD to 809 AD, with the inauguration of the House of Wisdom in the imperial capital of Baghdad, with the city itself representative or symbolic of the golden age. Think the Arabian Nights and you have the legendary depiction of the Islamic Golden Age

Since 23 years or so seems short for a Golden Age, it is usually proposed extending beyond the reign of Harun-al-Rashid through to “the collapse of the Abbasid caliphate due to Mongol invasions and the siege of Baghdad in 1258”, although I think that understates the decline and fragmentation of the caliphate before that. Some extend it beyond that – to 1350 to include the Timurid empire or even to the 15th or 16th centuries to include the rise of the Islamic gunpowder empires. Sometimes a separate Golden Age is proposed for Spain under Islamic rule or Al-Andalus.

And yes – the Islamic Golden Age gets its own Wikipedia page in that name.

 

(5) GOLDEN AGE OF BYZANTIUM

 

The Byzantine Empire under the Macedonian dynasty – at least dubbed as such by the historian Robert Browning. It seemed only fair as I included the period of the Five Good Emperors as a Roman golden age in my Top 10 Golden Ages.

 

(6) PORTUGUESE GOLDEN AGE

 

My first special mention for the golden ages proposed for a whole host of European nations – I limited myself to five such special mentions (from sixth to tenth place special mentions) but it seems to be a common trope used for the political or cultural history of European nations or even regions such as Flanders so that was hardly exhaustive. I could readily have done a top ten (and perhaps even special mentions) just for golden ages proposed by European nations. As it was, my top ten included entries for the French golden age (Grand Siècle and Belle Epoque) and for the English or British golden age (Merrie England – with a shout out to the Elizabethan era for England and the Victorian era for Britain). If you count the Roman Empire and classical Greece or Athens, my top ten included entries for those as well.

Note also the usage for political or cultural history – the denomination of golden age tends to connote not just a zenith of power but also of culture, although those things tend to overlap with each other. Not always, however, as is the case with one of my European golden age special mentions.

The Portuguese Golden Age is usually proposed from 1415 to 1518, corresponding to when Portugal was at the forefront of the European maritime discovery and trade – “possibly the European power of the time most proficient in sailing” – and as such, the first European power to being building a colonial empire in the so-called Age of Discovery. Indeed, for a century or so, the Portuguese were effectively the Age of Discovery.

The Portuguese may have been eclipsed, both in history and popular imagination, by the subsequent and more spectacular Spanish role in the Age of Discovery (and Conquest of the Americas) and their empire may have been more modest – with the exception of Brazil – than Spain or other European powers but it endured from being the first to being one of the last, with its imperial holdings in Africa or East Timor lasting until the 1970s.

Speaking of Brazil, a second Portuguese Golden Age is often proposed revolving around its empire in Brazil and particularly the Brazilian gold rush from the late 17th century to the 19th century. Brazil was the crown jewel of the Portuguese empire – indeed, it was the ruling seat of the empire by the Portuguese royal family in exile during the Napoleonic Wars – and certainly the empire was not the same after Brazilian independence.

 

(7) SPANISH GOLDEN AGE

 

The Spanish Golden Age or Siglo de Oro – also known as the Golden Century, although it’s usually stated to be for a longer period, from 1492 to some point in the seventeenth century.

“The Spanish Golden Age is broadly associated with the reigns of Isabella I, Ferdinand II, Charles V, Philip II, Philip III, and Philip IV, when Spain was at the peak of its power and influence in Europe and the world.”

1492 of course coincided with the final defeat of the Muslims in the Reconquista, as well as Spain’s unification into a single state under the union of the Catholic Monarchs Isabella and Ferdinand II. 1492 also coincided with the discovery by Columbus of the New World – which was ultimately to result in Spain achieving heights of empire in the Americas and elsewhere previously undreamed of solely in Europe.

It’s in common enough usage to get its own Wikipedia page in that name.

 

(8) POLISH GOLDEN AGE

 

It’s somewhat surprising to think of a Polish Golden Age coinciding with or even commencing before the Spanish Golden Age, potentially in the fourteenth century or so, and similarly extending through to the seventeenth century – reflected in the territorial extent of the Polish-Lithuanian Commonwealth as one of the largest kingdoms of Europe – “at its peak…from modern-day Estonia in the north to Moldavia in the south and from Moscow in the east to Brandenburg in the west”.

And yes – it gets its own Wikipedia page.

 

(9) DUTCH GOLDEN AGE

 

The Dutch Golden Age resembles the Portuguese Golden Age – as the zenith of a smaller European nation punching above its weight in maritime trade and empire. 

The Dutch Golden Age “roughly lasted from 1588, when the Dutch Republic was established, to 1672, when the Rampjaar occurred” – the Rampjaar, or Disaster Year, following the outbreak of the Franco-Dutch war.

Another Golden Age that gets its own Wikipedia page – as does the Golden Age of Dutch Painting with which it largely coincides. There’s also the Golden Age of Dutch cartography, again largely overlapping the Dutch Golden Age in general.

 

(10) DANISH GOLDEN AGE

 

Something of an exception to the rule of Golden Ages for nations in that the Danish Golden Age usually connotes “a period of exceptional creative production in Denmark, especially during the first half of the 19th century” without coinciding with any corresponding peak of Danish political power or empire. (If it did refer to the latter, it would probably refer to the height of Danish power in the Viking Age or at least when Denmark had a colonial empire beyond Greenland and the Faeroes).

Yet another Golden Age with its own Wikipedia page.  

 

(11) GOLDEN AGE OF THE BARBARIANS

 

Sadly, not a term in popular use but one coined by James C. Scott in his book Against the Grain, in which he wrote that until about 400 or so years ago humanity was in the Golden Age of the Barbarians, an era in which the majority of the world “had never seen a tax collector”. In part, this was due to “barbarian zones” – areas where “states found it either impossible or prohibitively difficult to extend their rule”, typically due to geography or terrain. “Not only did this place a great many people out of the reach of the state, but it also made them significant military threats to the state’s power.”

I’m not entirely sure about Scott’s thesis although one might identify a Golden Age of the Barbarians in the Migration Period or barbarian invasions of the Roman Empire. More broadly, other historians have written of the recurring impact or military power of Central Asian steppe empires or peoples, the so-called steppe effect, punching well above their weight in population.

 

(12) GOLDEN AGE OF PIRACY

 

Scott’s Golden Age of the Barbarians prompts to mind a term that is in popular use (so much so that it gets its own Wikipedia page) – the Golden Age of Piracy, typically from 1650 to 1730, “when maritime piracy was a significant factor in the histories of the North Atlantic and Indian Oceans”.

 Apparently, some historians subdivide it into three periods – the buccaneering period from 1650 to 1680 or so (characterized by Anglo-French pirates based in the Caribbean attacking Spanish colonies and ships in the Caribbean and Pacific), the Pirate Round in the 1690s (characterized by longer voyages from the Americans to prey on East India Company shipping in the Indian Ocean and Red Sea), and the post-Spanish Succession period when former English sailors or privateers turned to piracy.

Of course, fans of the Pirates of the Caribbean franchise know the Golden Age of Piracy came to an end when the East India Company took control of Davy Jones and killed the Kraken.

 

 (13) GOLDEN AGE OF CAPITALISM & GILDED AGE

 

The Golden Age of the Barbarians and the Golden Age of Piracy naturally prompts to mind the Golden Age of Capitalism.

At first glance, it might seem somewhat surprising that the Golden Age of Capitalism, at least in the Wikipedia article of that name, is used for the twentieth century postwar economic expansion after the Second World War to the 1970s but it really shouldn’t. It was a period of unprecedented economic expansion in which North America, Europe and eastern Asia (particularly the “Four Asian Tigers”) “experienced unusually high and sustained growth”, including countries devastated by the war

It was period in which the term economic miracle came or has come to be commonly used – for Japan, for West Germany and Austria (the Wirtschaftswunder or Miracle on the Rhine), South Korean (Miracle on the Han River), Belgium, France (Trent Glorieuses), Italy (Miracolo economico), Greece, Sweden (Record years), and even Spain and Mexico.

However, it might have seemed that the Golden Age of Capitalism would apply to the rise of industrial capitalism in the nineteenth century, particularly when combined with laissez-faire free market political policy. And indeed, the term of the Gilded Age is used for the 19th century, at least for United States history from about 1865 to 1902 or between the Reconstruction Era and the Progressive Era. Apparently, historians in the 1920s sourced the term from one of Mark Twain’s lesser known novels contemporary with it, The Gilded Age: A Tale of Today in 1873. As the term gilded implies, it is not as complimentary as the term Golden Age – suggesting a thin gold gilding or veneer of economic expansion over robber barons, materialist excess, political corruption and social problems.

 

(14) GOLDEN AGE OF PHYSICS

 

Or rather Golden Ages of Physics, as more than one period of dramatic advancements or achievements in physics, including cosmology and astronomy or astrophysics, have been dubbed as golden ages, arguably going all the way back to Galileo or Newton.

Perhaps the most prolific use of Golden Age of Physics is for the first thirty years of the twentieth century, or even more narrowly the few years from 1925 to 1927 or so – although even this seems to have been immediately followed by a Golden Age of Nuclear Physics, potentially through to the fifties (in turn followed by a Golden Age of Non-Linear Physics or Golden Age of General Relativity from the 1950s or so to the 1970s). A Golden Age of Cosmology is often proposed from the 1990s to the present.

 

 

(15) GOLDEN AGE OF SF

 

From the Golden Age (or Ages) of Science (or Physics), it’s only a small step to the Golden Age of Science Fiction usually proposed from 1938 to 1946 or through to the 1950s – after the ‘pulp’ era of SF in the 1920s-1930s and ending with New Wave science fiction in the 1960s.

The start of the Golden Age of Science Fiction is usually identified with the editorship of the magazine Astounding Science Fiction by John W. Campbell and particularly the July 1939 issue – as well as SF authors Isaac Asimov and Robert Heinlein, who wrote stories for Astounding Science Fiction.

 

(16) GOLDEN AGE OF COMICS

 

The Golden Age of Science Fiction largely overlaps with the Golden Age of Comics, usually identified at least from 1938 to 1945 but variously through to the 1950s. Essentially, this was when comics in their modern form were born as well as the superhero archetype and the enduring holy trinity of comics (or DC Comics) – Superman, Batman, and Wonder Woman.

 

(17) GOLDEN AGE OF AMERICAN ANIMATION

 

The Golden Age of Comics prompts to my mind at least that related medium I associate with comics as a guilty pleasure, animation – although the Golden Age of Animation actually preceded the Golden Age of Comics, starting in 1928 (with the advent of sound in cinema) through to the 1960s when theatrical animated shorts started losing out in popularity to television. Many or most iconic animated characters originate in this period, most notably those in the Disney canon such as Mickey Mouse or the Warners Bros canon such as Bugs Bunny.

 

(18) GOLDEN AGE OF TELEVISION

 

Indeed – two Golden Ages of Television.

The first Golden Age of Television is proposed for the era of American television from 1947 to 1960 “marked by its large number of live productions”.

A second Golden Age of Television is proposed for American television in the 21st century as having “such a number of high quality, internationally acclaimed television programs”.

 

(19) GOLDEN AGE OF RACE QUEENS

 

Well, I just couldn’t resist special mention for the Golden Age of Race Queens or promotional models. Indeed, there are two Golden Ages of Race Queens – “the first was the swimsuit clad race queen bubble of the late 1980s to late 1990s and the miniskirted second golden age of race queen of the 2000s, when the influx of models came with the ability to draw the same as or bigger popularity than some of the drivers competing in the events.”

 

 

(20) GOLDEN AGE OF P0RNOGRAPHY

 

I tend to reserve my final twentieth special mention for a kinky entry. I believe I’ve fulfilled that obligation with this entry, but there is indeed such a proposed Golden Age and it even gets its own Wikipedia page.

The Golden Age refers to the period from 1969 to 1984, “in which s€xually explicit films experienced positive attention from mainstream cinemas, movie critics, and the general public”. It ended when video supplanted films or theaters as the predominant distribution medium.

 

TL;DR – TOP 10 GOLDEN AGES (SPECIAL MENTION) RECAP

 

(1) GOLDEN AGE OF ANCIENT EGYPT

(2) GOLDEN AGE OF CHINA

(3) GOLDEN AGE OF INDIA

(4) ISLAMIC GOLDEN AGE

(5) GOLDEN AGE OF BYZANTIUM

(6) PORTUGUESE GOLDEN AGE

(7) SPANISH GOLDEN AGE

(8) POLISH GOLDEN AGE

(9) DUTCH GOLDEN AGE

(10) DANISH GOLDEN AGE

(11) GOLDEN AGE OF THE BARBARIANS

(12) GOLDEN AGE OF PIRACY

(13) GOLDEN AGE OF CAPITALISM

(14) GOLDEN AGE OF PHYSICS

(15) GOLDEN AGE OF SCIENCE FICTION

(16) GOLDEN AGE OF COMICS

(17) GOLDEN AGE OF AMERICAN ANIMATION

(18) GOLDEN AGE OF TELEVISION

(19) GOLDEN AGE OF RACE QUEENS

(20) GOLDEN AGE OF P0RNOGRAPHY

 

Top Tens – TV: Top 10 Fantasy & SF TV Series (Complete Top 10)

 

Poster art for Archer Season 10, titled Archer:1999 – a reference to the 1975-1977 SF TV series Space: 1999 (and hence a nod to the anachronistic retro vibe of Archer’s main continuity)

 

Sigh. My Top 10 Fantasy & SF TV Series may be the most fluid of all my top ten lists.

Many, perhaps most, simply miss the mark for me at the outset. Those that do hit the mark generally fall away quickly or don’t have an enduring quality – or they endure too long, waning until they limp into their final season and fail to stick the landing. The recent archetypal example, for me as it was for so many others, was Game of Thrones, in which the failure to stick the proverbial landing – or dare I say it, King’s Landing (heh) – in the final season left a bitter taste that filtered back throughout the series or at least its later seasons.

Hence, I tend to have a high turnover for shuffling or ranking entries into my special mentions, with so few entries having the consistent or enduring quality to rank in the top ten itself – or remain there. And to be honest, most of my present entries are pretty shaky.

In fairness to myself, there’s also my separate Top 10 Animated TV Series, in which my entries are somewhat more enduring – and animation by its nature tends to be fantasy or SF. Indeed, all but the top entry in my present top ten are clearly fantasy or SF, and the top entry (Archer) has so many substantial SF elements as to be borderline SF. (One season was outright SF – the one I use for my feature image – and there’s a reasonable argument for the other seasons as alternate history given their anachronistic timeline and divergence from our own world in which they are nominally set.)

Like my Top 10 Fantasy & SF Films, my Top 10 Fantasy & SF TV Series leans predominantly towards SF. I’ve ranked four entries  as fantasy although the distinction between SF and fantasy seems far fuzzier in most of the other entries than it does for SF films. As I did for films, I will note each entry as fantasy or SF, but with a section (Fantasy or SF?) for the fuzziness of the distinction.

It’s also interesting how much supernatural or SF horror features in my Top 10 Fantasy & SF TV Series, as well as how many superhero comics adaptations – both of which I will note in each entry.  Half of the entries, including the top two entries, clearly fall within the horror genre (with arguable horror elements in the others) – and an entry is an adaptation from superhero comics, albeit far removed from the A-list characters of comics.

Anyway, these are my Top 10 Fantasy & SF TV Series.

 

 

Amazon Prime promotional poster art for Fallout

 

(10) SF: FALLOUT

(2024: SEASON 1+)

 

Yes, I’m running with this series and its 2024 debut on Amazon Prime as my wildcard tenth place entry as best of 2024.

For one thing, there wasn’t much else I saw by way of debut fantasy or SF TV series to outrank it in 2024. For another, as flawed as it was, it was fun, even if that fun was carried by its lead Ella Purnell (who, as voice actress for Jinx in Netflix’s Arcane really seems to be having a banger year or years recently on television) as well as the always reliable Walter Goggins as the Ghoul (also having a banger year or so in television as voice actor for Cecil in Prime’s Invincible). The two of them pairing up was the highlight of the series.

Yes, it’s cheesy, but then so are the games from which it is adapted and you could hardly expect high art from it. It’s your standard post-apocalyptic wasteland, albeit from nuclear war between the United States and China in an alternative twenty-first century with retro-futuristic 50s chic.

 

FANTASY OR SF?

 

Classic post-apocalyptic SF – after a nuclear war in an alternate history timeline to boot. Of course, post-apocalyptic SF can often have elements of fantasy

 

HORROR

 

And more often, elements of horror – as here, notably with the ghouls.

 

RATING:

X-TIER (WILD TIER) – BEST OF 2024

 

 

 

 

(9) FANTASY: HOUSE OF THE DRAGON

(2022 – PRESENT: SEASONS 1-2+)

 

For six seasons, Game of Thrones reigned supreme in my Top 10 Fantasy & SF TV Series, albeit the first four seasons set the gold standard while the fifth and sixth season started to show signs of silver or bronze wearing through.

Then came the seventh season in which it slipped from its supreme reign – but even worse, its eighth and final season, in which it definitely did not stick its Kings Landing, or perhaps, stuck it somewhere winter never comes and painfully at that. I don’t think it’s overstating just how bad this season was to state that it undid all the previous seasons – perhaps not to the point of erasing it from my memory but at least to shuffling it off into my special mentions instead for fond reminiscence of its golden seasons.

And there I thought Westeros and the world of Game of Thrones would remain, to be politely passed over for new fantasy fare.

So imagine my surprise that just when I thought I was out, the prequel series, House of the Dragon – or Hot D for short – pulled me back in. The first season seemed a return to the quality of the early seasons of Game of Thrones – or at least seasons 5-6.

In fairness, quality fantasy fare is hard to come by on screen – which is why my top tens for cinematic or television fantasy & SF is predominated by SF. For some reason – or indeed a number of reasons – directors and producers just seem to adapt SF better than fantasy to the screen, albeit usually with fantastic elements rather cold hard SF.

Also in fairness – once bitten, twice shy. I still have that taste in my mouth from Season 8 of Game of Thrones, particularly as I know that’s how it all ends up, even this prequel series set nearly 200 years earlier – and season 2 showed some signs of sagging or treading water.

But so far so good with that classic Westeros territory – wars of succession and civil wars. Also dragons – only more of them and bigger. And casting an Australian girl as the young Rhaenyra Targaryen, even if they then time jump to another actress for her as one of the two rival claimants for the throne (for the Blacks against the Greens, named for their house colors).

I’m at least in it for the next season.

 

FANTASY OR SF?

 

The most fantasy of my Top 10 Fantasy & SF TV Series. No SF to be seen!

 

HORROR

 

Perhaps some elements but not as many as the original Game of Thrones series, with its wights and White Walkers…

 

RATING: 4 STARS****

B-TIER (HIGH TIER)

 

Netflix promotional poster art

 

 

(8) FANTASY (HORROR): SWEET HOME

(2020 – 2024: SEASONS 1-3)

 

Monster apocalypse!

Adapted from a webtoon, apocalyptic horror hits South Korea, as people turn into monsters inside and outside an apartment building – with the second and third season expanding the setting from the original building, as well as featuring the remnants of the army and government studying the monsters in hope of finding a cure.

It’s distinct from a zombie apocalypse – as while the transformations have symptoms of onset, the transformations themselves are not contagious and don’t have the qualities of viral infection of your standard zombie apocalypse. Also, the monster transformations are metaphysical or even karmic in nature, usually reflecting some character trait in the person being transformed. Hence, some monsters are more monstrous than others, in appearance or in morality.

I mean, the first episode sets the tone with the series protagonist hears his neighbor complaining she’s hungry as she eats his ramen (ransacked from the package delivery outside his door) – and her cat.

 

FANTASY OR SF?

 

Unlike a zombie apocalypse which usually is more SF than fantasy, the monster apocalypse is a little too metaphysical for SF and so I’ve ranked it as fantasy. However, it still retains some SF trappings, for being set in the contemporary world with the government or military trying to study the monsters for a possible cure.

 

HORROR

 

What part of monster apocalypse did you miss? You can pretty much rank it as straight-up horror.

 

RATING: 4 STARS****

B-TIER (HIGH TIER)

 

Netflix promotional poster art

 

(7) FANTASY: GIRL FROM NOWHERE

(2018 – 2021: SEASONS 1-2)

 

A little like my previous entry Sweet Home – in that I’ve found myself dipping into east Asian fantasy televsion series…you know, in the absence of consistency of enduring quality (or in some cases initial quality) in Western fantasy television series.

I’ve only dipped into this Thai series on Netflix just a little, but enough to find it intriguing. It prompts to mind Japanese anime (or live-action adaptation) in its staple school setting – one wonders why an apparently immortal supernatural being spends her time hanging around high schools as one of their students but why not, I suppose?

That supernatural being is the titular trickster Girl from Nowhere, who seems to delight in serving up karma with a side of mind-screw to wrongdoers – made even better by her beaming smile in her guise of how nice she is helping them to their own self-destruction.

Funnily enough, it prompts to mind one of my special mentions, the forgotten gem of American Gothic, where Sheriff Buck played a similar role but more in the way of deals with the devil (with himself as the devil of course).

 

FANTASY OR SF?

 

Fantasy obviously – dark fantasy. Although it would be interesting as an SF variant of Nanno as a telepathic alien – or perhaps AI?

 

HORROR

 

More than a few horror elements – although perhaps in the sense that the creeping doom of tragic drama has always reminded me of horror.

 

 

RATING:

B-TIER (HIGH TIER)

 

 

 

(6) FANTASY (HORROR): THE HAUNTING OF HILL HOUSE

(2018: SEASON 1. Yes – I’m only counting the first season. It’s an anthology series anyway)

 

As the title indicates, it is an adaptation based loosely on the book of the same name by Shirley Jackson.

It is psychological and supernatural horror, working effectively as both. The supernatural horror – the ghosts of the titular haunting and house itself – are certainly chilling, particularly as the director placed ghostly figures in the margins or peripheral angles of scenes (notably involving the stairs). You often didn’t see them, at least directly, but they were still there, squirming in your subconscious mind to unnerve or disturb you. The ghosts that you do see are unnerving enough, from the titular ghost in the very first episode, “Steven Sees a Ghost” – and from there on in, it’s a white-knuckled ride of suspense and creeping fear. And then there’s the psychological horror of a broken family of broken people, not to mention the occasional existential horror of life itself (such as that speech – you know the one, thank you Theo).

The plot revolves around the Crain family – Hugh and Olivia with their five children – moving into Hill House twenty-six years previously, with the parents intending to renovate it for sale, but the House – and its, ah, family – have their own hungry plans. And to paraphrase my poetic musings elsewhere – the Crain family came back from the black abyss, but they did not come all the way back (or all come back), and worse, they brought it back with them (and left part of themselves or their family behind). The story flips between the past and the present, as the family struggles with the aftermath – and that the House is still hungry for those who escaped it.

And then there’s that red room…

The only flaw for me was the ending, which was somewhat divisive for audiences in its tonal shift – although some have speculated a much darker twist in it.

And yes – I’m only counting the first season. It had a second season, retooled into an anthology series with the second season as an adaptation of The Turn of the Screw (and other works by Henry James). It arguably had a third season, an adaptation by creator Mike Flanagan of the Fall of the House of Usher (and other works by Edgar Allen Poe). However, they just haven’t had the same magic for me as this first season.

 

FANTASY OR SF?

 

Dark fantasy – like all good ghost stories.

 

HORROR

 

Well, obviously – indeed, the entry in my Top 10 Fantasy & SF TV Series that is the most readily characterized as horror.

 

RATING:
B-TIER (HIGH TIER)

 

 

 

(5) SF (HORROR): THE STRAIN
(2014-2017: SEASONS 1-4)

 

It’s a vampire apocalypse in a box!

A vampire horror series that portrays vampires as the blood-sucking parasitic abominations they are. (Yes – I have fantastic racism against vampires. Stake them all in the sun, I say. Except hot vampire girls, of course. And there’s none of those in this series). In this case, vampirism is spread by the worm-like parasites that crawl from their bodies, one of which was depicted burrowing into an eye in an infamous promotional poster. (It’s reminiscent of the Lovecraftian vampire parasite things in the pulpy Necroscope book series by Brian Lumley).

It’s a welcome relief from the sexy (or worse, sparkly) vampires of True Blood (or worse, Twilight) and most vampires in popular culture these days – the vampires in The Strain are distinctly unsexy vile abominations of extreme body horror. It’s hard to be sexy when your (male) genitalia have atrophied and dropped off, while your excretory organs have fused together into a cloaca. Eww!

The series is the brainchild of Guillermo de Toro (yes, THAT Guillermo de Toro) and Chuck Hogan, based on their novel trilogy of the same name (albeit one originally conceived as a story line for a television series). The series opens with CDC medical staff called to an airliner in which everyone appears to have succumbed to a mysterious viral infection or disease. Or at least, so the authorities surmise – instead, it is worse. Much worse.

Soon, New York finds itself battling for its very existence against an ancient enemy with humanity itself at stake (heh).

 

FANTASY OR SF?

 

I actually hesitated over the genre classification of this one between fantasy or SF – let’s face it, it’s primarily horror and rivals The Haunting of Hill House as the most distinctively horror series in my top ten.

While it evokes the supernatural dark fantasy or horror of the Dracula novel in a number of points, notably in its opening scene and mystery basically as a modern version of Dracula coming to England, its depiction of vampires and vampirism is essentially more the SF trope of the Virus akin to the zombie apocalypse. It’s not just vampirism as viral infection of course – it’s also Lovecraftian parasitic infection to boot.

 

HORROR

 

Well, obviously.

 

RATING:
A-TIER (TOP TIER)

 

 

(4) SF: BLACK MIRROR
(2011 – PRESENT: SEASONS 1-6+)

*

Black Mirror – the cyberpunk Twilight Zone of the twenty-first century!

Okay, that cyberpunk label may be overstating it, but it certainly is a series of dark and satirical twists in the tale of the unanticipated or unintended consequences of technology and social media in modern society – or, in the words of series creator Charlie Brooker, “the way we might be living in 10 minutes’ time if we’re clumsy.”

It is an anthology series with no continuity between episodes – each episode has a different cast, a different setting or even a different reality, so you don’t have to watch them in order. Personally, I’d recommend starting with the later seasons and working your way backwards – particularly as the very first episode doesn’t extrapolate so much on technology or social media and can be a little confronting (although unforgettable – let’s just say you won’t feel about pork the same way again).

As for the premise and title of the series, it’s back to Charlie Brooker:

“If technology is a drug – and it does feel like a drug – then what, precisely, are the side effects? This area – between delight and discomfort – is where Black Mirror, my new drama series, is set. The ‘black mirror’ of the title is the one you’ll find on every wall, on every desk, in the palm of every hand: the cold, shiny screen of a TV, a monitor, a smartphone.”

 

FANTASY OR SF?

 

SF, as per its title premise – among the least fantasy of my Top 10 Fantasy & SF TV Series.

 

HORROR

 

As is typical for dystopian SF, it has a few borderline horror elements.

 

 

RATING:
A-TIER (TOP TIER)

 

 

 

(3) SF (COMICS): PEACEMAKER

(2022: SEASON 1)

 

“I cherish peace with all my heart. I don’t care how many men, women and children I have to kill to get it”

I mean, the opening credits sequence alone would earn a place in my top ten. And Eagly too of course.

Peacemaker was introduced – on screen at least – in James Gunn’s The Suicide Squad in 2019 (the good Suicide Squad film, not the bad one), along with his credo for “peace” quoted above.

I wouldn’t have guessed that out of all the characters in that film, Peacemaker would be the one to get his own spin-off TV series, also directed by James Gunn – but it totally works, as Gunn brings his blackly comic signature style from the film to the TV series, with added hair metal flair.

Of course, it helps that the titular anti-hero protagonist is having something of a crisis of faith, not least the whole-heartedness of his credo – notably including guilt and remorse over its casualties, one in particular. And we get to see his traumatic origin, particularly at the hands of his father – played with vile relish by Robert Patrick.

Once again, Peacemaker finds himself being used as a tool – or weapon – by Task Force X, against an invasion by mysterious entities known as Butterflies, prompting Peacemaker to compare it to Operation Starfish in The Suicide Squad.

And it’s not just Peacemaker’s show – the other characters, particularly the other members of Task Force X, bring their A-game as well. My personal favorite is the cheerfully sociopathic Vigilante, although I’m not sure how faithfully his screen incarnation is adapted from the comics.

And yes – this is the one entry that is an adaptation from superhero comics, albeit lesser known characters from DC Comics (including those it acquired from Charlton Comics, notably Peacemaker himself).

 

FANTASY OR SF?

 

I’m going with the genre classification of SF – after all, it does involve an alien invasion (and Gunn tends to lean more into the SF side of comics when adapting their properties). However, like most comics or works adapted from them, it’s the distinctly softer kind of SF.

 

HORROR

 

Gunn has roots in SF horror back to his film Slither and it often shows in his works – as here, where there are distinct SF horror elements in the Butterfly alien invasion. I’d argue it has elements of SF horror, but in the usual style of superhero comics and played more for black comedy.

 

RATING:
A-TIER (TOP TIER)

 

 

 

 

(2) SF (HORROR): FROM

(2022 – PRESENT: 3 SEASONS+)

 

An American SF horror series with labyrinthine twists – the closest comparison is usually with Lost, “as an improved second attempt at Lost” or “what if Lost got a healthy injection of horror”. I understand the comparison to Lost extends to Lost actor Harold Perrineau having a similar role in From, where he is the sheriff and de facto mayor of the town. Now that I think about it, the comparison extends to their titles as four letter words (with o as the vowel). Fortunately, I never saw Lost so I came in clean to this series with no such comparison.

The basic premise is introduced in the very first episode – while on a road trip, the Matthews family find themselves trapped in a “strange small town in middle America”. The town traps those who enter, as the Matthews family find that any attempt to drive away or back the way they came simply has them circling back to the town, in some sort of weird dimensional loop. It also is an eldritch location, drawing people in from different locations throughout the United States.

Worse, you don’t want to be outside – or inside without the protection of a mysterious amulet – at night. The town is literally nightmarish, stalked at night by mysterious shapeshifting but humanoid creatures that kill anyone they find and as gruesomely as possible, as we see in the very first opening scene.

And that’s just getting started…

 

FANTASY OR SF?

 

One of the hardest genre classifications in my Top 10 Fantasy or SF TV series – elements of it have a distinct fantasy or supernatural feel to it, but I ultimately leaned towards it having an extradimensional SF tone.

 

HORROR

 

Did you not see the SF horror reference in my opening line? It could readily be classified as SF horror – one of the clearest such entries in my top ten.

 

RATING: 5 STARS*****

S-TIER (GOD TIER)

 

 

 

(1) SF (HORROR): STRANGER THINGS
(2016 – PRESENT: SEASONS 1-4+)

 

I assume this Netflix series needs little introduction – but my top spot does illustrate my preamble that my Top 10 Fantasy & SF TV Series may be the most fluid of all my top ten lists. Even my other top ten TV lists are not quite as fluid, with more enduring first place entries. The problem for me is that many or most fantasy or SF TV series simply miss the mark at the outset – and those that do hit it are inconsistent or lack enduring quality.

For a long time, Buffy the Vampire Slayer was my top spot for fantasy or SF TV series, until I ultimately had to shuffle it off to special mention from recognition that while its writing quality and my nostalgia for it endured, it simply could not hold up against the production quality of contemporary TV series. Game of Thrones replaced it – for its first four to six seasons – before the calamity of its two final seasons befell it, particularly that final season.

And so Stranger Things rose to top spot, albeit precariously so, with my second top spot From looking hungrily towards it. However, it too absolutely hit the mark in its debut season but was inconsistent in its second and third season even if I still liked it – before bouncing back to hit the mark again in Season 4.

In the meantime, what’s not to love for fantasy and SF fans?

Eleven! The Upside Down! The Demogorgon and Mind Flayer! Steve Harrington’s magnificent hair (and its secret)!

More broadly, 1980’s nostalgia and pop culture references aplenty! Psychokinetic girls (reminiscent of Charlie, not to mention her adversary, the Shop, in one of my favorite Stephen King novels, Firestarter). Extradimensional alien invasion – evoking Alien and Aliens in Seasons 1 and 2 respectively with more than a touch of Lovecraft’s Cthulhu Mythos, particularly when it evokes The Thing in Season 3. Mysterious government agencies to rival the nastier versions of men in black (with their black helicopters) – so that’s what the Department of Energy does?

And of course there’s all those Dungeons and Dragons references for this fantasy fan – “I’m our Paladin, Will’s our Cleric, Dustin’s our Bard, Lucas is our Ranger, and El’s our Mage”.

To quote Wikipedia, series creators the Duffer brothers “developed the series as a mix of investigative drama alongside supernatural elements with childlike sensibilities, establishing its time frame in the 1980s and creating a homage to pop culture of that decade. Several themes and directorial aspects were inspired and aesthetically informed by the works of Steven Spielberg, John Carpenter, and Stephen King, among others”. Set in the fictional town of Hawkins, Indiana in the 1980’s, the first season focuses on the investigation into the disappearance of a young boy amid supernatural or rather paranormal events centered on the nearby Hawkins National Laboratory – and the subsequent seasons are even, ah, more upside downier, with the fourth season as the most upside downiest yet with its cliffhanger ending.

On the other hand, I can suspend disbelief in the Demogorgon and Upside Down – but no one ever made it that far in the Dragon’s Lair videogame…

 

FANTASY OR SF?

 

One of the harder series to classify from my top ten – it might readily have been classified as fantasy but I ultimately classified it as SF. It just doesn’t have the vibe of fantasy as it much more evokes the ambience of SF, even if of a more paranormal kind.

 

HORROR

 

The horror elements predominate to the extent that I have classified it as SF horror.

 

RATING: 5 STARS*****
S-TIER (GOD TIER – OR IS THAT UPSIDE DOWN TIER?)

 

 

 

 

TL; DR TIER LIST

 

S-TIER (GOD TIER)

 

(1) SF (HORROR): STRANGER THINGS (2016 – PRESENT: SEASONS 1-4+)

(2) SF (HORROR): FROM (2022 – PRESENT: SEASONS 1-3+)

If Stranger Things is my Old Testament of fantasy & SF TV series, then From is my New Testament

 

A-TIER (TOP TIER)

 

(3) SF (COMICS): PEACEMAKER (2022)

(4) SF: BLACK MIRROR (2011-PRESENT: SEASONS 1-6+)

(5) SF (HORROR): THE STRAIN (2014-2017: SEASONS 1-4)

 

B-TIER (HIGH-TIER)

 

(6) FANTASY (HORROR):  THE HAUNTING OF HILL HOUSE (2018)

(7) FANTASY: GIRL FROM NOWHERE (2018-2021: SEASONS 1-2)

(8) FANTASY (HORROR): SWEET HOME (2020-2024: SEASONS 1-3)

(9) FANTASY: HOUSE OF THE DRAGON (2022-PRESENT: SEASONS 1-2+)

 

X-TIER (WILD TIER) – BEST OF 2024

 

(10) SF: FALLOUT (2022: SEASON 1)

 

 

 

 

 

 

 

 

 

 

Top Tens – Mythology: Top 10 Books (Special Mention: Subject) (9) Egyptian Mythology

 

 

(9) EGYPTIAN MYTHOLOGY:

JOYCE TYDLESLEY – PENGUIN BOOK OF MYTHS & LEGENDS OF ANCIENT EGYPT (2010)

 

“I am a cowboy in the boat of Ra…
‘Who was that
dog-faced man? ‘they asked, the day I rode from town…
Go get my eyelids of red paint.
Hand me my shadow,
I’m going into town after Set”

I’ll never tire of quoting Ishmael Reed’s poem when it comes to Egyptian mythology – or of Egyptian mythology itself.

What’s not to love about those funky animal-headed gods and those slinky goddesses? Especially the goddesses – lithe and svelte in their form-fitting dresses, with their golden skin and painted eyes, they would not look out of place as supermodels on a modern catwalk. Or what’s not to love how the gods kept shifting and swapping out with each other as they rose and fell within the pantheon?

So of course one of my special mentions for books of mythology by subject is for Egyptian mythology, particularly as my Top 10 Mythology Books or special mentions by book doesn’t feature any specific books on the subject. Yes – as usual Barbara Walker’s Women’s Encyclopedia of Myths and Secrets has numerous entries on subjects of Egyptian mythology, as does the Penguin Dictionary of Symbols.

Hence my keynote book for this special mention is a specific book on the subject of Egyptian mythology by Egyptologist Joyce Tyldesley, among her other books on Egyptian history and focus on Egyptian female figures.

 

RATING:
A-TIER (TOP-TIER)

Top Tens – TV: Top 10 Fantasy & SF TV (1) SF (Horror): Stranger Things

 

 

(1) SF (HORROR): STRANGER THINGS
(2016 – PRESENT: SEASONS 1-4+)

 

I assume this Netflix series needs little introduction – but my top spot does illustrate my preamble that my Top 10 Fantasy & SF TV Series may be the most fluid of all my top ten lists. Even my other top ten TV lists are not quite as fluid, with more enduring first place entries. The problem for me is that many or most fantasy or SF TV series simply miss the mark at the outset – and those that do hit it are inconsistent or lack enduring quality.

For a long time, Buffy the Vampire Slayer was my top spot for fantasy or SF TV series, until I ultimately had to shuffle it off to special mention from recognition that while its writing quality and my nostalgia for it endured, it simply could not hold up against the production quality of contemporary TV series. Game of Thrones replaced it – for its first four to six seasons – before the calamity of its two final seasons befell it, particularly that final season.

And so Stranger Things rose to top spot, albeit precariously so, with my second top spot From looking hungrily towards it. However, it too absolutely hit the mark in its debut season but was inconsistent in its second and third season even if I still liked it – before bouncing back to hit the mark again in Season 4.

In the meantime, what’s not to love for fantasy and SF fans?

Eleven! The Upside Down! The Demogorgon and Mind Flayer! Steve Harrington’s magnificent hair (and its secret)!

More broadly, 1980’s nostalgia and pop culture references aplenty! Psychokinetic girls (reminiscent of Charlie, not to mention her adversary, the Shop, in one of my favorite Stephen King novels, Firestarter). Extradimensional alien invasion – evoking Alien and Aliens in Seasons 1 and 2 respectively with more than a touch of Lovecraft’s Cthulhu Mythos, particularly when it evokes The Thing in Season 3. Mysterious government agencies to rival the nastier versions of men in black (with their black helicopters) – so that’s what the Department of Energy does?

And of course there’s all those Dungeons and Dragons references for this fantasy fan – “I’m our Paladin, Will’s our Cleric, Dustin’s our Bard, Lucas is our Ranger, and El’s our Mage”.

To quote Wikipedia, series creators the Duffer brothers “developed the series as a mix of investigative drama alongside supernatural elements with childlike sensibilities, establishing its time frame in the 1980s and creating a homage to pop culture of that decade. Several themes and directorial aspects were inspired and aesthetically informed by the works of Steven Spielberg, John Carpenter, and Stephen King, among others”. Set in the fictional town of Hawkins, Indiana in the 1980’s, the first season focuses on the investigation into the disappearance of a young boy amid supernatural or rather paranormal events centered on the nearby Hawkins National Laboratory – and the subsequent seasons are even, ah, more upside downier, with the fourth season as the most upside downiest yet with its cliffhanger ending.

On the other hand, I can suspend disbelief in the Demogorgon and Upside Down – but no one ever made it that far in the Dragon’s Lair videogame…

 

FANTASY OR SF?

 

One of the harder series to classify from my top ten – it might readily have been classified as fantasy but I ultimately classified it as SF. It just doesn’t have the vibe of fantasy as it much more evokes the ambience of SF, even if of a more paranormal kind.

 

HORROR

 

The horror elements predominate to the extent that I have classified it as SF horror.

 

RATING:
S-TIER (GOD TIER – OR IS THAT UPSIDE DOWN TIER?)

Top Tens – Mythology: Top 10 Books (Special Mention: Subject) (8) Celtic Mythology

 

 

(8) CELTIC MYTHOLOGY:

PETER BERESFORD ELLIS – DICTIONARY OF CELTIC MYTHOLOGY (1992)

 

My preceding special mention was for books on the subject of Arthurian legend. While Arthurian legend remains my favorite strand of Celtic mythology (although one might argue about how “Celtic” Arthurian legend is), it is far from the only one. Hence this special mention is for books on those other strands or subjects within Celtic mythology.

The mythology of Gaul – which I particularly know from the gods invoked in Asterix comics by Toutatis! The Wicker Man. Druids. The mysterious horned god Cernunnos and other Gallic gods or goddesses. The Celtic mythology that survived most in literary form (mostly as recorded by Christian monks) – in Brittany or coastal France, in Britain and above all in Ireland with its various mythological cycles. The Tuatha de Danann or the gods of Ireland. The Ulster Cycle and Cu Chulainn. The Fenian Cycle and Fionn Mac Cumhaill (sometimes awesomely translated as Finn McCool). And the fairy folklore into which much of the mythology in Ireland, Britain and elsewhere was recycled.

Books on the subject of Celtic mythology already feature as entries in my Top 10 Mythology Books or special mentions – perhaps foremost among them Katherine Briggs and her Dictionary of Fairies, albeit more for that aforementioned fairy folklore. Similarly, The Twilight of the Godlings by Francis Young looks at fairy folklore – but mostly eschews it as surviving Celtic mythology. From recollection, the first volume of Bulfinch’s Mythology or the Age of Fable has some brief reference to Celtic mythology, while the framing device of Robert Graves’ The White Goddess is from Celtic mythology – the Celtic tree alphabet (as well as other aspects of Celtic mythology running through the book, arguably including the White Goddess herself). More generally, Barbara Walker’s Women’s Encyclopedia of Myths and Secrets has numerous entries on subjects of Celtic mythology.

My keynote book for this special mention is the Dictionary of Celtic Mythology by British novelist Peter Beresford Ellis, because I just can’t resist a good dictionary as my favorite format for reference.

 

RATING:

A-TIER (TOP TIER)

Top Tens – History (WW2): Top 10 Second World Wars / Second World War Iceberg (Special Mention: Complete)

Map of participants in World War Two by Svenskbygderna – Wikipedia “World War” licensed under https://creativecommons.org/licenses/by-sa/4.0/deed.en


 

 

But wait – there’s more!!

I’ve compiled my Top 10 Second World Wars – one of my top ten lists where I look at a subject which has a fundamental continuity but which also can be demarcated into distinct parts in their own right. If you prefer, you can think of it as my Second World War iceberg meme – in this case an iceberg of Second World War continuity.

My usual rule is twenty special mentions for each top ten list, where the subject permits – and here it did, not surprisingly given the sheer scale of the Second World War.

Indeed, I could have had more entries. Other potential entries included the Lapland War, the war by Finland on Germany required as a condition of peace between the Finns and the Soviets, or the brief Franco-Thai war fought between the Vichy French colonial administration in Indochina and Thailand in 1940-1941. However, I noted the former in my top ten entry for the Soviet-Finnish war, and the latter just didn’t seem special enough for special mention.

Anyway, these are the special mentions for my Top 10 Second World Wars.

 

 

Map of the participants in World War One by Thomashwang for Wikipedia “World War” licensed under https://creativecommons.org/licenses/by-sa/3.0/deed.en

 

 

(1) FIRST WORLD WAR – GREAT WAR 1914-1945

 

I mean, this one’s obvious, isn’t it?

It’s impossible to consider the Second World War except as a continuation of the First World War, or at least originating in the latter’s aftermath. After all, it’s effectively implied in the names.

Indeed, their continuity has become a matter of serious historical study, possibly more so as time passes from the twentieth century, for the two world wars to be looked at as one.

Some have argued for the two world wars as the Second Thirty Years War. Others have argued for the two world wars as the war of 1914-1945, two periods of fighting with a twenty years armistice between them – indeed, as Marshal Foch, the French supreme commander of Allied forces on the Western Front, was said to have proclaimed upon the terms of the Treaty of Versailles.

Note that Marshal Foch’s proclamation was not, as fashionable historiography tends to these days, because those terms were too harsh, but because they were too lenient – a viewpoint that I am increasingly inclined towards, or at least that the Versailles Treaty was not that bad.

Note also that Marshal Foch’s proclamation is apocryphal, attributed to him variously by the subsequent French prime minister (during the Second World War) Paul Renaud or by Churchill.

The Great War 1914-1945 was indeed the title of a book compiled from different historians writing on the continuity or parallels between the two world wars, most strikingly (heh) in the first volume, subtitled Lightning Strikes Twice.

Some of those parallels or that continuity are or is obvious, particularly the role of Germany that, unreconciled to its defeat in the First World War, took another swing at re-fighting the same war again in the Second. I am a fan of the Fischer Thesis – the argument by German historian Franz Fischer that Germany essentially pursued the same aims in both world wars, that is an imperial policy (or weltpolitik) for Germany to transform itself into a world power by a continental empire in eastern Europe and Russia (or Mitteleuropa).

The other obvious parallel or continuity is the defeat of Germany in both – lending itself to the thesis by my favorite Second World War historian H.P. Willmott of the myth of German military excellence. As he paraphrases Oscar Wilde (from the Importance of Being Earnest) – to lose one world war might be counted as misfortune, to lose two looks like carelessness. As I like to quip, all German leadership achieved in both world wars was their encirclement and attrition by enemies with superior resources.

And indeed, I am persuaded by Willmott’s thesis that, as demonstrated by both world wars, German military genius lay in fighting not war. That is, that in both world wars Germany demonstrated a profound misunderstanding of war, particularly the limits of military and national power – something Willmott observes Bismarck understood, but his successors who led Germany did not.

Even here, though, there are key points of distinction – perhaps foremost among them that Germany appeared to do substantially better in the Second World War than in the First. Ironically, that is because Germany followed a more Bismarckian political diplomacy prior to and at the outset of the Second World War, although that began to unravel once Germany committed itself to war, aptly enough as something Bismarck himself strove to avoid in his foreign policy once Germany was united.

Ultimately, Germany’s initial success was because it had its Brest-Litovsk moment from the First World War at the outset of the Second – the Nazi-Soviet Non-Aggression Pact, securing economic resources from the east and a free hand in the west.

That is, as opposed to achieving it too little and too late as it did with the original Treaty of Brest-Litovsk with the newly formed Soviet Union in the First World War’s penultimate year of 1917 – after it had been effectively exhausted fighting on two fronts, and which ultimately led to decisive defeat on the Western Front.

On that point, the Soviet Union proved far more resilient and robust in the Second World War than its imperial Russian predecessor – and even its former self in 1917-1918 – in the First. Hence the ironic reversal that where Germany won on the Eastern Front and lost on the Western Front in the First World War, it won on the Western Front and lost on the Eastern Front in the Second.

Similarly, the United States had become stronger with a consequently larger role in the Second World War than it had in the First. One might quip that the Second World War was German romping about continental Europe crushing its smaller and weaker adversaries, until it drew the two true world powers in to crush it.

On the other hand, France proved far less resilient and robust in the Second World War, albeit something that was very much connected with the costs of fighting the First. That saw Germany achieve in a few weeks in 1940 what it failed to achieve in 1914 or indeed the four years of fighting that followed.

Another key distinction was in the roles of Italy and Japan that, formerly on the side of Allies in First World War, allied themselves with Germany in the Second – arguably a failure of Allied political diplomacy more profound than the appeasement of Germany itself, leading as it did to Italy and Japan each effectively adding a year to the war against Germany.

Once allied to Germany, Italy played a similar role to the former Austria-Hungary as Germany’s major European ally (and ironically Italy’s traditional adversary in the First World War and before) – down to the Germany description of each alliance as being “shackled to a corpse” – as well as to the Ottoman Empire against Britain in the Middle East, albeit from the opposite direction (west rather than east against Egypt).

Japan however played an entirely new role in Asia and the Pacific from anything comparable in the First World War – hence the Second World War assumed a truly global character well beyond that of the First World War, the latter sometimes being dubbed as a European Civil War.

I can’t resist including the somewhat cryptic quip by H.P. Wilmott that, paradoxically, WW2 might be regarded as the last war of the 19th century and WW1 was the first war of the 20th century. I understand that to mean WW2 was closer to 19th century wars, in part because the technology and technique of offensive mobility won out over defensive firepower and attrition – albeit briefly and with waning effect through the war’s duration – while its predecessor was more characteristic of the static 20th century wars of attrition that followed it.

Or alternatively, my own observation that WW2 was closer to the model of the Franco-Prussian War, at least in its European opening, or the Napoleonic Wars in its continuation within Europe. On the other hand, WW1 was closer to the American Civil War as the true precursor of twentieth century warfare, with the western front of the latter resembling the eastern theater of the latter, only with even more lethal firepower. Ironically, however, WW1 finished by armistice in a manner closer to the Franco-Prussian War except with France and Germany reversed, while the WW2 was fought to unconditional surrender like the American Civil War.

 

RATING: 5 STARS*****

S-TIER (GOD TIER)

 

 

The Iron Curtain – map showing the political division of Europe after World War II ended up until the end of the Cold War by Semhur for Wikipedia “Iron Curtain” under license https://creativecommons.org/licenses/by-sa/4.0/deed.en

 

(2) COLD WAR – LONG WAR 1914-1991

 

Well this one’s also obvious, isn’t it?

Perhaps not as obvious as the First World War but close to it as the Cold War seamlessly evolved from, and in the immediate aftermath of, the Second World War – indeed perhaps inevitably, as in the colorful phrase (and essay title) of historian Joseph Lieberman comparing the Cold War combatants to “the scorpion and the tarantula in the bottle”.

I’m not sure whom Lieberman intended to be the scorpion or the tarantula – but the bottle was the Second World War and its aftermath in the opposing occupations of Europe by the United States and the Soviet Union. Sometimes you drink the bottle and sometimes the bottle drinks you…

Other commentators, commencing with Philip Bobbitt in The Shield of Achilles, have even combined the world wars and cold war into a single continuity, the so-called Long War of the twentieth century or 1914-1991.

On the other hand, the Second World War also cut across the continuity of the Cold War – a temporary interbellum or suspension of hostilities between the Western powers and the Soviet Union, as an alliance against Germany and the other Axis powers, albeit one that resembled a marriage of convenience.

Or rather, a shotgun marriage, one that was thrust upon them. Neither Cold War antagonist chose its involvement in the Second World War – or at least the manner or timing of that involvement, as both were attacked first (and in the case of the United States, had war declared on it by Germany).

Of course, the hostilities began to bubble back to the surface as Allied and Soviet defeat of Germany loomed ever larger, becoming more overt when there was no longer the common enemy of Germany or Japan to unite them.

However, the continuity with the Second World War is inescapable. While the Cold War may have originated from opposition to the Soviet Union from 1917 onwards, it took its particular shape from the Second World War, such that it is difficult to imagine otherwise.

The Cold War antagonists of the United States and the Soviet Union were effectively the two last men standing, with the other great powers defeated or exhausted from the war – although that had essentially been the reality of power in the world from 1917 onwards, albeit masked by their isolationism, self-imposed or otherwise.

And the battle lines or fronts were effectively drawn by the territory each occupied or controlled after the war.

The western front of the Cold War – Europe – was effectively drawn by the Soviet occupation of eastern Europe – such that it was the immediate source of conflict in the Cold War, infamously as the Iron Curtain. Even the exceptions to the rule of Soviet occupation, Austria and Finland – exceptional in that they avoided regimes imposed on them by the Soviets – had neutrality imposed upon them instead. (Yugoslavia was arguably another exception, but primarily because it had largely liberated itself outside of Soviet occupation and did not directly border the Soviet Union itself).

Similarly to the Western Front of the First World War, it was largely a static front of siege or stalemate – static not by millions killed in trench warfare but by the prospect of millions dead in nuclear war (or renewal of war on the scale of the Second World War), as well as the resources spent on opposing armed camps.

The eastern front of the Cold War – Asia – was far more volatile, having been effectively drawn by the Soviet occupation of Manchuria and Korea – firstly with the communist victory in the Chinese civil war (which made the eastern front even more volatile) and secondly with subsequent wars with communist governments in Asia, particularly in Korea and Vietnam.

 

 

RATING: 5 STARS*****

S-TIER (GOD TIER)

 

The infamous photograph of British PM Neville Chamberlain showing the Anglo-German Declaration from the Munich Agreement – public domain image used in Wikipedia “Peace for our time”

 

 

(3) APPEASEMENT – AXIS COLD WAR (1931-1941)

 

“Up to now, we’ve succeeded in leaving the enemy in the dark concerning Germany’s real goals…No, they let us through the danger zone. That’s exactly how it was in foreign policy too…They left us alone and let us slip through the risky zone and we were able to sail around all dangerous reefs. And when we were done, and better armed than they, then they started the war.”

That statement by Joseph Goebbels – transcribed by a participant in a secret briefing to selected German journalists and quoted in Paul Johnson’s A History of the Modern World – “is, on the whole, an accurate summary of what happened in the 1930s”.

My previous special mention entry for the Cold War within the Second World War (or vice versa) overlooks that there was, in effect, another cold war that was far more entangled with the Second World War – the three-sided cold war in which Nazi Germany and other fascist states, the western democracies, and the Soviet Union all maneuvered with or against each other.

Indeed, the conventional depiction of the Second World War from 1 September 1939 to 2 September 1945 overlooks that this was simply the ‘hot war’ as the culmination of the longer cold war before that, from 1933 to 1939 for Germany and from 1931 to 1941 for Japan.

And, as the statement by Goebbels indicates, it was a cold war that Germany largely won, outmaneuvering and wrong-footing Britain and France to a remarkable extent.

Yes, it’s arguable – as some historians have argued – that it was the Soviet Union that won it, with the subsequent outbreak of war fought on Stalin’s terms and to his intentions. While there’s some substance to this, I think it overlooks his catastrophic miscalculation that war between Germany and the western democracies would be more protracted and exhausting for the combatants to the advantage of the Soviet Union.

Back to Germany, it reflects my own belief that Germany has only succeeded in foreign policy or war when it has, knowingly or otherwise, followed Bismarckian strategy – with Germany’s diplomatic or political successes in the thirties essentially replicating Bismarck’s strategy unifying Germany under Prussia, down to Germany’s successes in annexing Austria and Czechoslovakia mirroring Bismarck’s victories in the Austrian-Prussian and Franco-Prussian Wars, except through diplomatic rather than military force.

Of course, Nazi Germany failed the fundamental part of Bismarck’s strategy – avoiding general war as opposed to a carefully limited one – which ultimately undid all their Bismarckian successes. Even then, Germany managed to succeed coasting on the fumes of Bismarckian strategy – friendly relations with Russia and limiting the scope of the war to successive individual campaigns that resembled Bismarck’s small wars – until 1941.

It has been observed that had Hitler concluded his ambitions with Munich, he might well have been hailed as one of Germany’s greatest statesmen. That certainly accords with my view that the occupation of Prague and what remained of Czechoslovakia was perhaps his fatal mistake, prompting as it did Britain’s guarantee to Poland and dashing any prospect of reclaiming Danzig and other German territory from Poland without war.

Of course, as it turned out, Hitler’s ambitions were not limited to reclaiming former German territory, and given the Germany he led resembled a Ponzi or pyramid scheme that relied on ongoing conquest, it is not at all clear to me whether he could have stopped even if he wanted to do so. I have read that Germany’s need for gold and foreign reserves, as well as the Czech armaments industry, drove Germany’s occupation of Czechoslovakia as much as Hitler’s sense of buyer’s remorse that – extraordinarily – Britain and France had cheated him of complete victory at Munich.

Azar Gat has also observed that conflict between the western democracies and the fascist nations was one of cold war. Indeed, he observes it to be part of the standard trajectory of liberal democracies facing hostile non-democratic states – “a pattern progressing on an upward scale from isolationism to appeasement, to containment and cold war, to limited war, and, only reluctantly, to fully fledged war”.

The diplomatic and political confrontation of Britain and France with Germany in the 1930s essentially corresponded to evolving from appeasement to containment and cold war within that standard trajectory, except that they didn’t pull the latter off as well as the Americans in the Cold War because they lacked a credible deterrent, particularly that of strategic airpower and the nuclear deterrent the Americans had.

Their deterrent was essentially that of the threat of war, ultimately enacted in the guarantee to Poland. In fairness to Britain and France, that should have been a credible deterrent, as they saw what Hitler did not, that war would ultimately be self-destructive for all of them, reinforcing their decline to the Soviet Union and the United States as the two superpowers.

That standard trajectory flows from the tendency of liberal democracies to eschew preventive war – something the Romans or other pre-modern states would happily do without qualms. “Historically, they have chosen not to initiate war even when they are under threat, hold the military advantage, and are in danger of losing it”.

In effect, the observation of Gat dovetails with the statement of Goebbels in that it is harder to imagine a more clear-cut example of this than against Germany in the 1930s. “The remarkable thing is that the western liberal democracies did not intervene by force during the 1930s to prevent Hitler’s Germany from rearming, even though this meant that the complete military superiority that they held over Germany would be lost, making it possible for Hitler to embark on his radical expansionist policy.”

It remains that Britain or at least certainly France and even Poland – both of which should have been strongly motivated to keep Germany from rearming to attack them – could easily have intervened against Germany without any serious repercussions from 1933 to 1935 when Germany broke the provisions of the Treaty of Versailles restricting its military forces, such as when it introduced conscription or its air force.

That window of opportunity for intervention without serious repercussions probably remained open to France (and Britain) until 1936, when it could – and should – have intervened against Germany remilitarizing the Rhineland, which would have decisively defeated Hitler’s regime and may well have seen its collapse. That’s even more striking given that France (and Belgium) had no issue intervening to occupy the Ruhr industrial area when a weakened Weimar Germany sought to resist reparations in 1923. The same action probably would have won the war without fighting in 1936.

Much the same observations might be made of the Soviet Union, particularly in its choice of the Nazi-Soviet Non-Aggression Pact without which Germany could not have started the war – as opposed to any other choice, such as collective security with Britain and France or even just neutrality, that would have deterred Germany from war.

Thereafter however, Britain and France faced the prospect of war when it came to opposing Germany, once Germany had rearmed and fortified its western borders sufficiently to move to the next phase of occupying its two neighbors, Austria and Czechoslovakia. The latter – with the Munich Agreement that accompanied it – has become synonymous with appeasement, particularly as a pejorative term. That seems somewhat unfair, particularly for Britain and Neville Chamberlain. It might well have been better for Britain and France to declare war on Germany over Czechoslovakia, but the competing arguments seem finely balanced to me and it is easy to imagine the potential outcome might have been even worse than what happened with Poland a year later.

It just illustrates the various ironies or paradoxes that can be argued with respect to appeasement. One is that Britain and France enforced the wrong provisions of the Treaty of Versailles (reparations as opposed to military restrictions), or appeased the wrong Germany (Nazi Germany as opposed to Weimar Germany). Another is that they practised appeasement from a position of military superiority or strength when it made no sense, only to abandon it from a position of weakness when they could not effectively deter Germany, let alone effectively defend Czechoslovakia or Poland, at least without Soviet participation.

Yet another irony or paradox is that they appeased the wrong nation, alienating Japan and Italy, allies against Germany in the first world war, to the extent that those nations allied with Germany against them instead.

The alienation of Japan as an ally commenced as early as the 1920s, with perhaps one of the worst foreign policy mistakes by Britain – failing to renew the Anglo-Japanese alliance. Japan is of course the reason this entry commences prior to the Nazi regime in 1933, with the Japanese invasion of Manchuria in 1931, and continues after the start of the European war in 1939, as the various nations opposed to Germany – increasingly and primarily the United States – also faced off Japan until 1941.

The response to Japanese expansionist policy deserves as much attention as that for Germany – and each could well be the subject of its own top ten list. The failure to respond effectively to the Japanese invasion of Manchuria in 1931 – which was at least possible by Britain and the United States in combination – was arguably as much a mistake as the failure to renew the Anglo-Japanese alliance and certainly compounded it.

Thereafter, a large part of Britain and France being out-maneuvered by Germany in Europe arose from their need to deal with Japan in Asia at the same time, particularly after Japan expanded its aggression to China in 1937. That continued to confront the allies with tough strategic choices after the commencement of war in Europe, obviously even more so once the allies also had to divide their resources between that war and the war with Japan. At very least, the war with Japan added a year to the war in Europe.

Britain and France repeated much the same errors with Italy in the 1930s, continuing to 1940 when Italy joined Germany to declare war on them allied – again to ultimate effect that the war with Italy or war in the Mediterranean arguably added a year or so to the war with Germany. Italy’s support also arguably made Germany’s war possible in the first place, by opening up Austria and Czechoslovakia to German occupation. Fortunately, that was offset to some degree by Italy’s weakness as strategic liability to Germany. Amusingly, the British War Cabinet considered whether they were better off with Italy as neutral or with Italy as actively allied to Germany, before concluding (probably correctly if only just) that it would be better if Italy remained neutral.

The errors alienating Italy to ally itself with Germany are even more striking as Mussolini’s Italy was strongly aligned towards the allies against Germany well into the thirties – and arguably remained so at the level of its populace and institutions, a large part of why its performance as German ally was so mediocre. Indeed, Italy was initially a stronger opponent to Germany’s expansionism than Britain or France, successfully blocking Germany from taking over Austria in 1934.

The turning point was the response of Britain and France to Italy’s conquest of Abyssinia, which saw them get the worst of both worlds – initially opposing Italy, antagonizing Italy without showing any real teeth (such as by the use of naval forces or use of sanctions on oil, to which Italy was particularly vulnerable), which they then compromised by the secret but abortive Hoare-Laval Pact to appease Italy by partitioning Abyssinia.

Thereafter, while Italy still aligned itself with Britain and France against the German remilitarization of the Rhineland in 1936, it increasingly and inevitably began to align itself with Germany.

And the rest, as they say, is history.

 

RATING: 5 STARS*****

S-TIER (GOD-TIER)

 

A map showing railroad traffic disruptions in the area of German Army Group Center in the Soviet Union, August 1943 – public domain image of the Historical Division, United States European Military Command (EUCOM), US Army Center of Military History

 

 

(4) UNDERGROUND WAR –

PARTISANS, RESISTANCE & GOVERNMENTS-IN-EXILE

(1931-1945)

 

Special mention has to go to what might be called the underground war – the war of partisans, resistance movements, and governments-in-exile against the Axis powers occupying their nations, primarily Germany but also Italy and Japan (as well as their lesser Axis partners).

Indeed, it is again Japan that is the reason this entry commences in 1931, with the first aggression by any Axis nation (prior to any of the pacts or treaties comprising the Axis from 1936 onwards) with Japan’s invasion and conquest of Manchuria. That saw numerous Chinese insurgents or resistance movements against Japan, as well as resistance movements within Japan itself – although one might identify dissent or resistance against the Japanese imperial government or military well before that in Japan and Korea.

Likewise, German anti-Nazi resistance movements started with the rise of the regime to power in 1933 (and again arguably before that), as did Italian anti-fascist dissent or resistance with the rise of Mussolini to power from 1922 onwards. Of course, the latter became much more substantial as partisans or armed resistance against the Germans (and the German puppet remnants of Mussolini’s government, including Mussolin himself), from 1943 after Italy surrendered to the Allies and the Germans occupied it.

However, the war of partisans, resistance movements, and governments-in-exile against the European Axis powers by the nations they occupied took definitive shape from the Italian conquest of Abyssinia or Ethiopia in 1935 onwards. The primary dichotomy of these combatants was between the communist-led ones, usually preferred by the Soviets, and the various nationalist ones – often resulting in civil war between them.

Most of the entries in my top ten have significant or substantial partisan warfare or armed resistance movements – most notably the Nazi-Soviet war with the partisans on the Soviet side, the partisans or resistance movements within Poland, and the Yugoslavian civil war and war of national liberation, particularly with Tito’s Partisans.

For the most part, partisans and resistance movements lacked significant or substantial military effect or impact, with the primary exceptions being those with the numbers or even more so the terrain for guerilla warfare – most notably in the Soviet Union and the Balkans, but also in Poland, Italy, and the Maquis in France.

That is not to say that partisans or resistance movements lacked any effect or impact where they did not have any such military effect or impact – one could well compile a top ten of forms of resistance, most notably contributions to Allied intelligence.

Even for those partisans or resistance movements that did have a significant or substantial military effect or impact, only those of two nations were able to liberate their nations largely with their own forces – Yugoslavia and Albania, albeit there were also uprisings and partial or temporary liberations achieved by partisans or resistance movements in Poland, France, Greece and Italy. Of course, Yugoslavia and Albania did have outside help, in the form of Soviet operations in the Balkans as well as Allied air support or supplies. They also had the benefit of a combination of terrain and the relative benevolence of Italian occupation, from which they also gained with the withdrawal or even desertion to them of Italian forces after the Italian surrender in 1943. Even with those advantages, they probably still could not have done so without Germany’s defeat by and need to commit forces elsewhere against the Soviets or western allies.

It is also impressive how many occupied nations maintained governments-in-exile, both in the war in Europe and the war against Japan, on both sides but predominantly on the Allied side and in exile in Britain or with British forces. Some of those, such as the governments-in-exile of Abyssinia and Czechoslovakia, predated the German invasion of Poland in 1939.

And it is also impressive just how many of the Allied governments-in-exile made significant or substantial contributions to the Allied war effort despite, you know, losing their nations to occupation.

The Polish government-in-exile, as we’ve seen, commanded Polish armed forces or underground armies that were the fourth largest Allied armed forces in Europe. While the Norwegian government-in-exile commanded more modest armed forces, the Allies gained the services of its merchant navy, the fourth largest in the world and of substantial importance for the Battle of the Atlantic. The Dutch government-in-exile brought with it the forces it had in the Dutch East Indies or Indonesia. The Belgian government-in-exile brought with it the Belgian Congo – and the uranium from there used for the first atomic bombs.

 

 

RATING: 5 STARS*****

S-TIER (GOD TIER)

 

 

Map of the Holocaust in Europe during World War II, 1939-1945. This map shows all German Nazi extermination camps (or death camps), most major concentration camps, labor camps, prison camps, ghettos, major deportation routes and major massacre sites – map by Dennis Nilsson for Wikpedia Äuschwitz concentration camp” licensed under https://creativecommons.org/licenses/by/3.0/deed.en

 

 

(5) HOLOCAUST (1933-1945)

 

Probably the best known and most disturbing “war” within the Second World War.

Of course, war might seem an entirely misplaced or sanitized term given how one-sided it was for Germany and her allies or collaborators – and how far it was removed from anything we normally accept as the field of battle, even including war crimes, hence the charge of crimes against humanity at the Nuremberg Trials.

It did, however, involve objectives, organization, personnel, logistics, and of course targets or intended casualties on the scale of a war – so much so that it might be argued to have cut across the war (or wars) Germany fought against actual enemy combatants, probably to the detriment of the latter, as cold-blooded or macabre as such historical analysis or study might seem.

The primary target was of course the Jewish population in Germany and the European countries controlled by or subordinate to it through its military victories – definitively so to the extent that the Holocaust is often defined in terms exclusive to that population, although that would be more accurate by its Hebrew name of Shoah.

However, it was much wider than that, including millions of non-Jewish Soviet civilians or prisoners of war (in addition to about 2 million Soviet Jews), close to 2 million non-Jewish Polish civilians (to add to about 3 million Polish Jews), and various other groups of people. Indeed, depending on how or whether you tally wider civilian casualties as part of the Holocaust, the Holocaust may extend upwards to the range of 11-17 million people, of which about half to a third were Jewish (in turn about one third of the world Jewish population or two thirds of the European Jewish population).

Nevertheless, Germany’s regime primarily identified it – and for that matter the world war itself – as, to borrow the title of the book by Lucy Dawidowicz, the war against the Jews. And as such, it was a war Germany largely won, given how one-sided it was.

It was, however, not entirely one-sided – there was some resistance, both passive and active, by some within the European Jewish population as well as by others coming to their aid. The primary passive resistance was of course hiding, fleeing or escaping from it – arguably the most effective form of any resistance in terms of numbers saved.

There was also active resistance by fighting against it, even with some uprisings in the camps themselves. The most famous revolt or uprising was the Warsaw Ghetto Uprising from 19 April to 16 May 1943, “the largest single revolt by Jews during World War II” and the closest it ever came to a war fought between two sides, however unevenly matched. The Uprising was fought desperately and tenaciously from block to block, even into the sewers, by people who knew “victory was impossible and survival unlikely”, fighting so as “not to allow the Germans alone to pick the time and place of our deaths”. I always remember reading somewhere that their resistance brought some grudging respect, if not mercy, in their opposing SS commanders that such “subhuman scum” could fight so well.

Sadly, such resistance when it occurred, passive or active, was tiny compared to the scale of forces and resources arrayed against it – and this war was largely fought through to its grim conclusion. That this grim conclusion left some surviving population is due in some small part to the resistance against it, overwhelmingly the passive resistance of hiding or flight from it, but more to Germany’s defeat in the wider war against enemy combatants – and also the extent to which it was at cross-purposes within itself or the wider war.

The largest cross-purpose perhaps reflected the extent to which the Holocaust cut across the wider war as an attempt to offset that extent – its use of industrial slave labor for war production. That also reflected the ambitions of Himmler to build the SS as effectively his own private empire within the German state and economy, something which was a strikingly recurring feature withing the inner circle of the regime – as indeed it was also for him and others raising what were effectively private armies within the Wehrmacht, of which SS combat units were one. As the tide of war turned against Germany, Himmler and others added a further cross-purpose to the use of industrial slave labor – the use of their prisoners as hostages for negotiations with or leniency from the Allies.

Some may query 1933 as the year of commencement but that reflects the history of its origins extending back at least to the rise of power of the Nazi regime in 1933, and arguably a prehistory well before that. Essentially, 1941 marks the commencement of it as a literal shooting war against Jewish and other civilian populations – with the invasion of the Soviet Union in Operation Barbarossa, albeit predominantly behind the lines, particularly as the Germans regarded communist and Jewish as synonymous. The Germans effectively had a policy of summary execution for both – in the colorful words of the War Nerd, they had a “pretty flexible definition” for either “and when in doubt, they killed”.

In the key event of that war, that remains surprisingly not well known, despite ultimately looming larger in casualties than any battle in the wider war – the Wannsee Conference of 20 January 1942, named for the Berlin suburb in which it was held – Germany extended that war throughout occupied Europe, literally under the official title of the Final Solution to the Jewish Question.

Of course, I say extended because it was a war that was not formally declared as such, indeed kept shrouded in euphemism or secret as much as possible, albeit that possibility was limited by Allied intelligence as well as its sheer scale and the number of people involved in it. Ultimately however it was to be the war that defined Nazi Germany the most.

 

 

RATING: 5 STARS*****

S-TIER (DEVIL-TIER)

 

Situation at the end of the Second World War – Japanese occupation (red) of eastern China and Communist bases (striped) in public domain map by US Army (West Point history department)

 

 

(6) CHINESE CIVIL WAR

(1911-1949)

 

Or how the Japanese won the Chinese Civil War for the communists.

The Second World War, or least the Second Sino-Japanese War part of it, cut right across the Chinese Civil War. The two largest warring parties in the civil war, the Communists and the Nationalists saw themselves as the true successors of the revolution led by Sun Yat-sen (or Sun Yuxian) and his Kuomintang or KMT party that overthrew the Qing dynasty as China’s last imperial dynasty in 1911-1912.

As was often the case with the collapse of central state authority in China, that revolution devolved into the usual competing warlords or warring states from 1916 to 1927.

The warlord period is generally considered to have transitioned to the first phase of the Chinese Civil War proper from 1927, as Chiang Kai-shek led two thirds of the KMT’s military forces under the mantle soon to be known as the Nationalists against Wang Jingwei’s socialist or communist third.

The Soviets assisted the main warring party, the Nationalists seeking to reunify China under their Republic, as the Soviets saw them as the necessary prelude to socialism.

Intriguingly, Sun Yat-sen had sent Chiang Kai-shek to train in Moscow – and Chiang then became head of the military academy training military leaders in China, with Soviet assistance in “teaching material, organization, and munitions”.

Even more intriguingly, the Germans also assisted the Nationalists – and more intriguingly, that assistance continued from the warlord period to the first genuine phase of the Chinese Civil War, by both the Weimar Republic and Nazi Germany. It is intriguing to ponder how world history might have turned out if Nazi Germany had continued to support Nationalist China, but they swapped to the foreign power that ominously loomed over China to exploit its weakness and ultimately was the one to intervene most decisively of all – Japan.

In the meantime, Wang Jingwei was eclipsed by the new Chinese communist leader who became virtually synonymous with the Chinese Civil War and for whom Chinese communist ideology was named – Mao.

However, the Chinese communists did not do too well in this first phase of the civil war, with effective control of less than a twentieth of the population (compared to the third controlled by Chiang’s Nationalists) and poised on the brink of complete extinction. “Their doom was, historians agree, imminent and inevitable” – until they were effectively saved by the Japanese in the Second Sino-Japanese War from 1937.

The Japanese had already indirectly given the Chinese communists some much needed reprieve with their invasion of Manchuria in 1931. In an episode which also showed that some of the warlord period chaos lived on in the Nationalists, the Xian Incident, two of Chiang’s generals kidnapped him to force him to form a united front with the communists against the Japanese.

Chiang subsequently reneged on the united front with renewed hostilities against the communists but the Sino-Japanese War from 1937 forced his hand again to put those hostilities on hold for a second united front against Japan, even if both he and the communists increasingly paid lip service to it. That lip service meant the Nationalists and Communists avoiding open battle with Japan as much as possible, looking for salvation from outside forces pending in the Pacific War while also looking ahead to renewed civil war with each other.

Despite the united front, Chiang’s Nationalists bore the brunt of Japan’s war in China, which arguably dealt them their mortal wound in China’s civil war.

Perhaps most of all in the one surprise Japan still had left for China, even while virtually collapsing in the Pacific War against the United States, and one that is almost entirely forgotten or overlooked in most Second World War histories – the Ichigo offensive in 1944. The largest Japanese army offensive of the whole war, it was also the most as well as last successful Japanese offensive – astonishingly so and on a scale unequalled for anything else by Japan or Germany at that late stage of the war.

It also severely weakened Chiang’s forces (as well as an economy increasingly ravaged by hyper-inflation), the last of a series of Japanese blows that ultimately proved fatal for the Chinese Nationalist government in the subsequent renewed civil war with the Communists – Japan arguably doing the most of anyone, including the Chinese Communists themselves, to win victory for the Communists in the civil war.

The civil war resumed soon enough – “as soon as it became apparent that Japanese defeat was imminent” (at the hands of the Americans) “with the communists gaining the upper hand in the second phase of the war from 1945 to 1949, generally referred to as the Chinese Communist Revolution”.

This again saw foreign intervention along predictable Cold War lines – the Soviets on the side of the Communists and the Americans on the side of the Nationalists, although each were cautious in their intervention, with that from the Americans notoriously resulting in accusations of “losing” China and communist infiltration of the American government.

However, the Soviets were equally cautious in their own intervention, perhaps from Stalin’s intuition that a united communist China would be their rival in the long term. Hence the Soviets consistently urged restraint on Mao to accept the north-south partition that was all the vogue in Cold War Asia – between a Communist north and a Nationalist south.

Mao ignored this and the Communists gained control of mainland China anyway, proclaiming the People’s Republic of China. However, the Communists ultimately had to accept a residual partition of a different kind with the Nationalists retreating to the island of Taiwan to proclaim their Republic of China there, as the Communists had no means to pursue them – particularly after the US gave their naval support to Taiwan. That partition of course continued even until today, remaining as a source of tension with no armistice or treaty signed between them.

 

RATING: 4 STARS****

A-TIER (TOP TIER)

 

 

Eritrea Campaign 1941 – map by Stephen Kirrage for Wikipedia “East Africa Campaign” under license https://creativecommons.org/licenses/by-sa/3.0/deed.en

 

(7) ITALO-ABYSSINIAN WAR / EAST AFRICAN CAMPAIGN

(1935 -1937 / 1940 – 1941)

 

Yes, everyone forgets (or overlooks) this war when it comes to the Second World War (or before it) – or indeed forgets or overlooks that any part of the Second World War was fought in Africa apart from North Africa.

Even if the Italo-Abyssinian War – or more precisely the Second Italo-Abyssinian War (or Second Italo-Ethiopian War to use its more modern but decidedly less glamorous nomenclature) – was fought on a scale to rival the Winter War, at least in numbers of troops, and for substantially longer.

Okay, the Italo-Abyssinian War received substantial attention at the time and since, as the second act of Axis aggression after Japan’s invasion of Manchuria and another stepping stone towards the breaking point of the postwar international order after the First World War – but not so much the details of the war itself.

Its sequel during the Second World War, the East African Campaign, is almost completely overlooked on the other hand, let alone in any detail, despite being “the first Allied strategic victory in the war” and not without its challenges.

I’m fond of quoting H.P. Willmott’s quip that, paradoxically, WW2 might be regarded as the last war of the 19th century and WW1 was the first war of the 20th century.

Whatever else you take that to mean, it seems most apt to describing the war in East Africa, as a throwback to the Scramble for Africa and contest between European colonial powers.

Indeed, the Second Italo-Abyssinian War was literally a throwback to the First Italo-Abyssinian War, that last gasp of the Scramble for Africa in which the only African polity to preserve its independence, Abyssinia, did so by soundly defeating Italy at the Battle of Adwa in 1896, one of the few African defeats of a European colonial power. (Yes, I’m aware of Liberia as the other “independent” state in Africa but it was effectively an American creation).

In the Second Italo-Abyssinian War, Mussolini’s Italy set out to use its massive superiority in weaponry to avenge – and reverse – its defeat in the First Italo-Abyssinian War, invading and occupying Abyssinia. The First Italo-Abyssinian War might have surprised the world (and inspired Africa) with an Abyssinian victory, the Second Italo-Abyssinian War did not with its Italian victory, albeit Abyssinian resistance and a government-in-exile under Emperor Haile Selassie persisted afterwards.

In the longer term, Italy’s choice to invade Abyssinia seems foolish, given how isolated and vulnerable even a victorious Italian occupation of Abyssinia would be to superior British and French naval power if war broke out. That perhaps should have been the case back in 1935 but certainly turned out to be the case with Britain’s East African campaign during the Second World War – which Britain won, against skilful and protracted Italian defense that is also often overlooked for a general and somewhat unfair caricature of Italian military competence during that war.

 

RATING: 4 STARS****

A-TIER (TOP TIER)

 

 

The how it started and how it’s going meme for the Spanish Civil War – with the areas controlled by the Nationalists (in pink) and Republicans (in blue) in September 1936 (left) and in February 1939 (right) as mapped by NordNordWest for Wikipedia “Spanish Civil War” under license https://creativecommons.org/licenses/by-sa/3.0/deed.en

 

(8) SPANISH CIVIL WAR

(1936 – 1939)

 

The war most seen as a precursor to the Second World War yet ironically not part of it, with the Nationalist victory in Spain on 1 April 1939 and Spain remaining neutral in the world war that erupted in Europe five months later. It was and is also seen as a Nazi-Soviet proxy war.

Also – George Orwell fought in it, reflecting that the Spanish Civil War “became notable for the passion and political division it inspired worldwide”, perhaps the most of any of the conflicts or events leading up to the war in Europe short of the outbreak of the latter war itself.

Ironically, its contemporary fame as political cause célèbre seems almost inversely proportional to its lack of actual impact in the Second World War, as Spain became something of a backwater to that war – no equivalent to the Peninsular War in the Napoleonic Wars to see here.

It always strikes me how much of an outlier the American Civil War is for civil wars in modern history, with its two neatly defined sides of the Union and the Confederates. The Spanish Civil War is more typical of most modern civil wars as a messy battle royale. Yes – again as in most civil wars, there were broadly two sides, but each side was chaotic or amorphous, to the point of at least one side almost as a civil war all on its own.

The war itself was also messy, although it was straightforward enough in broad outline. It originated from a military coup or revolt in July 1936 against the left-leaning Popular Front government of the Second Spanish Republic (which had been proclaimed in 1931). The coup failed as such but evolved into the Nationalists fighting to overthrow the Republic.

The Nationalists were a diverse alliance of groups “chiefly defined by their anti-communism” – and to a lesser extent, support for the Catholicism targeted by the Republic. Reflecting its origin in a military coup, the segments of the army and its officers opposed to the Republic predominated the Nationalists, among whom General Francisco Franco emerged as leader.

The Republicans were equally as diverse in their loyalty or allegiance to the Republic but reflecting the role of the Soviet Union as the primary source of support for the Republic, increasingly fell under the control of the more Stalinist elements, to the point of civil war within the civil war by them against anarchists and other factions on the Republican side.

From a combination of factors, the Republicans more consistently proved to be militarily ineffective, and the Nationalists ultimately won under Franco in 1939.

Of course, one of those factors – certainly the most famous and much of the reason for the war as cause célèbre – was the more effective foreign support for the Nationalists, above all from Italy and Germany in troops or advisors, munitions and armaments, and air support.

German air support – particularly in the form of the Condor Legion fighting in Spain – was arguably critical for the Nationalists by flying their troops that were otherwise stranded in Spanish Morocco to Spain in the early stages of the war. The Condor Legion also infamously bombed cities held by the Republicans, of which the bombing of Guernica led to international outcry against them (and a painting by Picasso that became iconic of the war itself).

International outcry perhaps but not too much support – with Britain and France declaring an official policy of non-intervention that was largely followed by the international community However, France and other nations covertly supported the Republicans, while tens of thousands of volunteers from non-interventionist countries fought in the war, mostly in the pro-Republican International Brigades.

“Only two countries openly and fully supported the Republic” – not surprisingly, the primary source of support was the Soviet Union, but I always find it surprising the second was Mexico. While Soviet support no doubt prolonged the resistance of the Republic, one might infer it was just not as effective as German or Italian support contributing to Nationalist victory.

And in some ways, it was a millstone around the Republic’s neck – as Soviet support brought with it Stalinist hardline organization or terror within the Republic and political commissars within its armed forces. Not to mention costing the Republic’s gold reserves in payment up front, diminishing Soviet interest in Republican victory when no longer expedient – as opposed to German or Italian interest in the Nationalists repaying their credit.

Franco ultimately led the Nationalists to victory in the civil war on 1 April 1939, although sporadic irregular or guerilla warfare persisted until 1965, and Franco’s government persisted for a decade after that until his death in 1975.

For all the furor during the civil war from 1936 to 1939, Franco’s Spain played little part in the world war that followed, remaining neutral if supportive to his Axis sponsors after they won his civil war for him – such as raising a volunteer division, the Blue Division, to fight as part of the German army against the Soviet Union.

However, despite the help Mussolini had given him in his civil war, Franco had more insight than Mussolini in recognizing that Spain would only achieve its self-destruction by anything more than token support in actively fighting on the German side or allowing German forces in Spain. Of course, a large part of that wisdom was born of necessity from Spain’s economic and military weakness recovering from its civil war.

However, Mussolini should have shared Franco’s insight as Italy was not much better than Spain in either economic strength or military readiness – which played a large part in its poor military performance and for which Italy’s own foreign adventures before the war, particularly including its support for Franco in the Spanish Civil War, contributed a large part.

As it was, Franco played the few cards he had extraordinarily well in dealing with a Germany and Italy that now expected a return on their investment in his civil war by Spanish participation on their side. He so frustrated Hitler at their meeting in Hendaye on 23 October 1940, with such extravagant preconditions for Spanish participation in the war as a German ally, that Germany essentially gave up on plans on using Spain to attack the British base in Gibraltar.

It is interesting to speculate that Germany might have been better off if the Republicans had won the civil war, since the communist Republicans would have come under pressure to aid Germany because of the Nazi-Soviet Pact at the time. However, I remain skeptical whether Soviet pressure would have extended to requiring Spain to effectively fight on Germany’s side when the Soviets themselves refrained from doing so – or whether a victorious Spanish Republican government would have been willing or able to comply with such pressure.

It might be said that Germany did not get a return on their investment in the Spanish Civil War when it counted in 1940, but that overlooks that Germany otherwise did very well for their investment of resources – notably in combat experience for their air force servicemen but also in securing its new alliance with Italy and destabilizing the European status quo for their diplomatic victories prior to 1939.

Not so much for Italy as we’ve seen – as they expended somewhat more resources than Germany, particularly in soldiers deployed to the Spanish Civil War, which with the resources spent in other foreign misadventures strained or exhausted Italy’s military readiness for wider war. In 1939, Mussolini advised Hitler that Italy was not ready for war before 1943 – interestingly the same advice down to the year that Hitler’s naval commanders gave him for their navy – and subsequent events showed that advice to be right (for both Italy and the German navy).

 

RATING: 4 STARS****

A-TIER (TOP TIER)

*

Map of Albania in WW2 by Nakko for Wikipedia “World War II in Albania” under license https://creativecommons.org/licenses/by-sa/3.0/deed.en

 

 

(9) ALBANIA – OCCUPATION & RESISTANCE

(1939 – 1944)

 

Everyone forgets about Albania in the Second World War – or that it was occupied by Italy in April 1939.

It’s easy to forget Italy’s occupation of Albania among the higher profile German occupations of Austria or Czechoslovakia, particularly the latter as Germany had effectively finished it off only the month before in March 1939, prompting Britain’s guarantee to Poland in April 1939.

It’s easy to forget even for Italy, overshadowed as it is by Italy’s invasion of Ethiopia or intervention in the Spanish Civil War.

That everyone forgets about Albania is striking because it had important knock-on effects for the course of the whole war as it provided the platform or springboard for Italy’s ill-considered and ill-fated invasion of Greece. Without Albania as a base right next to Greece, it is difficult to see that Italy would have had the motive, means or opportunity for its invasion of Greece.

However, apart from its role in the Italian invasion of Greece, Albania was a backwater of Italian occupation, effectively as its own separate corner of the war.

There was Albanian resistance to occupation, which everyone also forgets about because it essentially followed the same lines as Yugoslavia, just on a smaller scale. Again, that everyone forgets about Albania is striking because it is the only nation other than Yugoslavia that can claim to have liberated itself through its own resistance, except even more so than Yugoslavia. Also, the Albanian resistance achieved the rare feat of saving most of Albania’s Jews.

Like Yugoslavia, it had a royal government-in-exile but the communist partisans and their political leader Enver Hoxha emerged as predominant among the rival resistance movements. Also like Yugoslavia, the Albanian resistance got a boost from the Italian surrender and desertion to it of Italian soldiers, only more so due to Italy’s larger and exclusive occupation, as well as Germany’s more pressing priorities than maintaining the occupation of Albania after that. The Albanian resistance liberated Albania from German occupation by 29 November 1944.

After the war, Albania and its communist government went from being its own strange separate corner of the Second World War to being its own strange separate corner of the Cold War – firstly with a ‘split’ from Yugoslavia aligning itself with the Soviets, then splitting off from the Soviets to align itself with China, before the inevitable Sino-Albanian split and aligning itself with no one.

 

RATING: 4 STARS****

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Attack on Mers-El-Kebir harbor 3 July 1940 by Maxrossomachin for Wikipedia “Attack on Mers-el-Kebir” under license https://creativecommons.org/licenses/by-sa/3.0/

 

 

(10) ANGLO-FRENCH WAR

(1940 – 1942)

 

It’s another war that tends to be forgotten or overlooked when it comes to the Second World War, similarly to the Italo-Abyssinian War and East Africa Campaign – perhaps not coincidentally because it was the other war within the Second World War that involved fighting in sub-Saharan Africa.

It was also something of a historical throwback but even further back than to the nineteenth century and the Scramble for Africa. Instead, it was throwback to the Anglo-French wars fought from 1689 to 1815 – dubbed the Second Hundred Years War.

Of course, it was a pale shadow of the former Anglo-French rivalry for nothing less than global dominion – evoking the quip of Marx that history repeats itself, the first time as tragedy and the second time as farce. Yes, it was fought as part of a war effectively for global dominion – but not so much by Britain or France, and the fighting between them was at the fringes or periphery of the larger war.

Indeed, Britain only fought France to pre-empt Germany (or Japan) – and was mostly limited to fighting France or Italy at the fringes or periphery of its war with Germany because it lacked the ability or means to attack Germany directly. Or as historian H.P. Willmott observed – “In this initial period, Britain, expelled from the continental mainland and unable to carry the war to Germany, was obliged to fight where she could rather than where she would”.

The war was technically not Anglo-French war but Anglo-Vichy war, which effectively was also a civil war between the German puppet Vichy regime in France and the Free French government, contested not in France itself but in – and for control of – the French colonies. With the safety of distance and the lack of strategic importance, most of the French colonies aligned with the Free French – with the significant exceptions of French North Africa and Indochina.

It was also not continuous but sporadic, with fighting isolated to brief campaigns in dispersed locations.

The first of these campaigns was the British naval attack on French navy ships at Mers El Kebir in Algeria on 3 July 1940, “the main part of Operation Catapult, the British plan to neutralize or destroy French naval ships to prevent them falling into German hands” after France surrendered to Germany. That played a large part in Vichy hostility to Britain that saw Germany court the Vichy regime – and Spain – as active allies against Britain in 1940 but fortunately both Vichy France and Spain declined to abandon their neutrality for war against Britain.

On 23 September 1940, Britain and Free French forces under de Gaulle launched Operation Menace to take the Vichy port of Dakar in French West Africa, but withdrew on 25 September 1940 when they met fierce resistance from Vichy forces – the one British defeat in the Anglo-Vichy war.

Otherwise, French colonies in Africa aligned themselves with the Free French, although one colony – French Equatorial Africa or Gabon – had to be occupied by Free French forces with British support in a campaign from 27 October 1940 to 12 November 1940 before the Vichy colonial government surrendered.

From 8 June to 14 July 1941, British and Free French forces fought and won the Syria-Lebanon campaign to capture those Vichy territories, effectively to pre-empt Germany (and Italy) exploiting them against Britain in the Middle East, as with the coup Germany had sponsored in Iraq to install an anti-British regime – which Britain crushed in May 1941.

From 5 May to 6 November 1942, British forces fought the Battle of Madagascar to capture that Vichy territory for Free French control, effectively to pre-empt Japan using it as a base for naval forces to seal off the Indian Ocean – something of a missed opportunity by Japan.

The final campaign in the Anglo-French war – which also included a brief Franco-American war – was of course Operation Torch, the Anglo-American invasion of French North Africa. The Vichy regime in North Africa initially resisted before by good fortune the Vichy commander Admiral Darlan was captured and effectively defected to the Allies, nominating himself as the leader of French North Africa and West Africa with their forces now on the Allied side. Vichy France itself effectively ceased to exist as Germany now occupied all France, although Germany kept up some semblance of the puppet regime in occupied France and subsequently as government-in-exile in Germany.

The Anglo-French war prompts to mind the snide observations by historian Gerhard Weinberg which he posed as questions for World War Two historians – why Britain was so consistently defeated by German and Japanese forces until the Battle of El Alamein (such that its only consistent victories were against French and Italian forces), and why Vichy France strongly resisted Allied incursions but so readily gave up Germany or Japan without resistance.

 

RATING: 4 STARS****

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Map of Iraq during WWII by Kirrages for Wikipedia “Anglo-Iraqi War” under license https://creativecommons.org/licenses/by-sa/3.0/deed.en

 

 

(11) ANGLO-IRAQI WAR

(1941)

 

Everyone forgets about the Middle Eastern theater in the Second World War. Granted, it wasn’t much of a theater in terms of actual fighting, but that was because Britain moved quickly behind the scenes to secure the Middle East under its control – behind the scenes that is, of Britain’s defeats fighting Germany elsewhere in the Mediterranean at the same time.

One part of that was the British taking over Syria from the Vichy French government in the successful Syrian campaign in June-July 1941. However, before that was the Anglo-Iraqi war in May 1941 which was the central part or ground zero of the Middle Eastern theater – not least because it then enabled (and led to) both the Syrian campaign as well as my next special mention entry.

Britain had taken over Iraq from the former Ottoman Empire, ostensibly as a mandate under the League of Nations, but effectively in real terms as a colony or protectorate. Iraq nominally became independent in 1932 but the British had been careful to lock in a pro-British government with the Anglo-Iraqi Treaty of 1930.

Iraqi nationalists as well as the Axis nations of Germany and Italy saw the opportunity of the war for a coup to oust the pro-British government in April 1941. As usual, German political diplomacy and material support counted for little beyond the effective projection of its military power, although it (and Italy) did supply material and even aircraft through Vichy French Syria (hence the subsequent Syrian campaign).

If it’s one thing Britain could still do well, even at this late stage of empire, it was to crush colonial revolts – which it did by quickly mobilizing forces from the neighboring parts of its empire, notably including Indian troops, and stamping out the Iraqi coup in four weeks from 2 May 1941 to 31 May 1941.

Thereafter, Iraq served Britain as its base of operations within the Middle Eastern Theater.

 

RATING: 4 STARS****

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Map legend shows origins and direction of Russian and British attacks as the two nations invade Iran to protect oil fields from sabotage by German agents who they claim have infiltrated there – Iowa City Press Citizen Newspaper Archives August 26, 1941 Page 1 (public domain image)

 

 

(12) ANGLO-SOVIET INVASION OF IRAN & IRAN CRISIS

(1941-1946)

 

Another part of the Middle Eastern theater that everyone forgets about when it comes to the Second World War. Following on the heels of Britain’s successful campaigns in Iraq and Syria, as well as the new Anglo-Soviet alliance in the wake of Operation Barbarossa, Britain and the Soviet Union jointly invaded and occupied the neutral state of Iran in the six days from 25 August 1941 to 31 August 1941.

Britain invaded from Iraq to the west while the Soviet Union invaded from its border to the north. Hopelessly outmatched, Iran largely did not oppose the Anglo-Soviet invasion and surrendered on 31 August 1941.

Its primary purpose was to secure Allied supply lines to the Soviet Union – and indeed the so-called Persian Corridor turned out to be the most reliable route for Lend-Lease aid to the Soviets.

Other purposes included securing the Iranian oilfields – although the Middle East in general had a lot less prominence for oil during the war than it was to have later – as well as blocking German influence in Iran (understandably enough from the Iranian perspective of a history of being stood over by Britain and Russia) or pre-empting an Axis through Turkey (and later the Caucasus), albeit unlikely.

Not pictured among those purposes – concern for what was, after all, a neutral nation, or for the effects of the occupation on Iran, which manifested primarily in that recurring handmaiden of both British and Soviet empires, famine, with the disruption of food supplies and transport.

For their part, the Soviet Union and Britain signed a treaty with Iran ruling that Iran was not to be considered occupied by the Allies, but in alliance with them. They also declared that they would remain in Iran until six months after the end of the war. Once in the war, the Americans were also drawn into Iran, helping to man the Persian Corridor (and providing Lend-Lease to Iran itself) while effectively guaranteeing the Anglo-Soviet withdrawal from Iran after the war.

That led to the Iran Crisis in 1946 – the first crisis of the Cold War and one in which the Americans succeeded in forcing the Soviets to back down. While the British withdrew according to schedule after the war, the Soviets did not – refusing to relinquish their occupied territory, and worse, supporting pro-Soviet separatist states of the Azerbaijan’s People’s Government and the Kurdish Republic of Mahabad.

Those states actually fought against Iran, but ultimately intense pressure from the United States forced Soviet withdrawal and the dissolution of the Azerbaijani and Kurdish separatist states.

 

RATINGS: 4 STARS****

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US propaganda poster 1942-1943, Franklin D. Roosevelt Presidential Library and Museum / US National Archives & Records Administration – public domain image

 

 

(13) PHILIPPINES – WAR OF OCCUPATION & RESISTANCE

(1941-1945)

 

The fighting Filipinos!

The role of the Philippines in the Pacific War has always struck me as similar to that of Poland in Europe. While not playing the same role as casus belli – which is more properly assigned to Pearl Harbor – it was effectively the front line or ground zero for commencement of the war, and then a center of resistance behind the lines of occupation in that war.

Indeed, the parallel with Poland continues in that, similar to the Anglo-French planning that effectively foresaw writing off Poland to liberate it after German defeat, so too did American planning effectively to write off the Philippines.

As I understand it, particularly from my reading of Ronald Spector’s The Eagle Against the Sun, while War Plan Orange – the original American plan for war against Japan which was largely followed in the actual war – did not explicitly plan to abandon American and Filipino forces in the Philippines, its hope for those forces to hold out on their own until relieved by the American naval counter-offensive was unrealistic.

As it turned out, whatever hope there was of the forces in the Philippines holding out on their own, it was dashed first by the naval losses at Pearl Harbor and then, through bad luck and timing, the loss of US aircraft at Clark Field from Japanese attack in the Philippines itself. The loss of air cover forced the retreat of the American Asiatic Fleet from the Philippines, so that American forces were effectively left stranded without air or naval support except for the limited use of American submarines.

The doomed American campaign from 8 December 1941 to 8 May 1942 to defend the Philippines from the Japanese invasion, with its famous landmarks of Bataan (with the infamous Bataan Death March of American prisoners by Japan that followed) and Corregidor, may be the stuff of heroism but is more properly considered as part of the Pacific War.

Equally, the victorious American campaign from 20 October 1944 to 15 August 1945 to return to and liberate the Philippines is also more properly considered part of the Pacific War.

However, in the two and a half years between those two campaigns was the war of resistance in the Philippines. Indeed, the war of resistance in the Philippines overlapped with both. Significant parts of the resistance came from American or Filipino forces that escaped or did not surrender in the 1941-1942 campaign and instead led or fought as guerillas against Japanese occupation.

Among other American commanders, General MacArthur, who had been ordered to leave his command in the Philippines by submarine, maintained a keen interest in the maintaining or supplying the resistance there, consistent with his declaration that he would return – and indeed, the resistance would also play its part in preparing the ground by sabotage and other means for the 1944-1945 campaign.

The resistance in the Philippines was of no more small scale or effect. “Postwar studies estimate that around 260,000 people were organized under guerilla groups, and that members of anti-Japanese underground organizations were more numerous”. Also, such was their effectiveness that Japan only controlled the key or major islands in their occupation, with their control of the countryside or smaller towns often tenuous at best – “of the 48 provinces, only 12 were in firm control of the Japanese”.

Ironically, some Japanese soldiers took a leaf from the Filipino resistance, with the notorious Japanese holdouts on more remote islands throughout former occupied territory after the Japanese surrender. Many of them, as individuals or in groups, were in the Philippines. Only in Indonesia did one confirmed Japanese soldier endure longer – holding out to 1974! – but unconfirmed reports persisted after that in the Philippines, with  the last report taken seriously by Japanese officials in 2005.

As for the Philippines, while their resistance received mixed or belated recognition from the US government, it at least bore fruit with the US honoring its commitment from 1935 for the independence of the Philippines in 1946.

 

RATINGS: 4 STARS****

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Greek Civil War CIA Map – deployment of the communist “Democratic Army of Greece” in 1948. CIA Map Branch (Harry S.Truman Library, President’s Secretary’s File, Box 255 – public domain image)

 

 

(14) GREEK CIVIL WAR

(1941 / 1945-1949)

*

“In April 1941, the Axis powers conquered Greece and Yugoslavia and thereafter the real struggle for the control of those countries began”- only in the case of Greece, the struggle for control was where the Second World War became the Cold War.

Yes – I’m again quoting how H.P. Willmott summed it up in The Great Crusade, his history of the Second World War. When I quoted him for my top ten entry for Yugoslavia, I noted that Greece will earn a place in my special mentions. And here it is.

Indeed, you could argue that Greece and the civil war that originated from its rival resistance movements should outrank Yugoslavia because of the significance of the Greek Civil War not only for the Second World War but even more so for the Cold War.

The Greek resistance to Axis occupation followed similar lines to that in Yugoslavia and Albania. While the Greek resistance can’t quite claim the same as that in Yugoslavia and Albania to have liberated their nation on their own, it was able to control much of the countryside prior to the German withdrawal from mainland Greece in October 1944.

Of course, in large part the liberation of Greece was because of the German withdrawal from mainland Greece, although German garrisons remained in Greek islands and were among the German forces to hold out until the end of the war.

Like both Yugoslavia and Albania, Greece had a royal government-in-exile, with both military forces serving within British forces in the Mediterranean and resistance movements within Greece itself. However, as in Yugoslavia and Albania (as well as elsewhere), the communists emerged as predominant among the rival resistance movements.

The big difference with the communists coming out on top in Yugoslavia and Albania was that the British were having none of that in Greece – and what’s more, they were in a position to do something about it. Churchill had effectively secured Greece for Britain’s postwar sphere on influence in his “naughty document” or infamous “percentages agreement” with Stalin in October 1944 – an agreement that Stalin appears to have kept when it came to Greece. British forces landed in Greece in October 1944 on the heels of (or even in advance of) the withdrawing German forces, entering Athens on 13 October 1944 and aiding the returning Greek government in exile to suppress or disarm communist partisans. That saw British and Greek non-communist forces fighting against the Greek communist forces from December 1944, with the former very narrowly prevailing as the Fourth Indian Infantry Division were flown in as British reinforcements.

There followed a brief interlude in 1945 effectively by way of treaty between the Greek non-communist government and Greek communists, which broke down into the Greek Civil War proper from March 1946 onwards.

While the Yugoslavian and Albanian communist governments supported the Greek communists, Stalin’s Soviet Union remained ambivalent in a way often seen as sticking to its agreement with Churchill – and actively opposed to the Greek communists after the Soviet split with Yugoslavia.

Britain continued to support the non-communist Greek government re-equipping and training the Greek Army but by early 1947 had to appeal to the United States that it could no longer afford to do so. That saw the first instance of what became known as the Truman Doctrine and effectively the American role as combatant in the Cold War, with the United States taking over from Britain in supporting the non-communist Greek government.

The Western assistance to the non-communist Greek government, and isolation of the Greek communists from support elsewhere but particularly from the Soviet Union, ultimately saw the Greek communists demoralized and defeated in 1949 – something “Western anti-communist governments allied to Greece saw…as a victory in the Cold War”, indeed one of the first such victories and commitments of American aid to anti-communist regimes.

 

RATING: 4 STARS****

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UN General Assembly Resolution 181 – UN Special Committee on Palestine (3 September 1947) and UN Ad Hoc Committee (25 November 1947) partition plans. The UN Ad Hoc Committee proposal was voted on in the resolution and adopted 29 November 1947 (map – public domain image)

 

 

(15) PALESTINE – INSURGENCY, CIVIL WAR & ARAB-ISRAELI WAR

(1939 / 1944-1948)

 

And now we come to my wild-tier special mentions for conflicts or wars fought after the Second World War, but which took definitive shape during that war – above all in Asia.

Historian Ronald Spector, author of The Eagle Against the Sun, encapsulated this in the titles of his books, The Ruins of Empire and A Continent Erupts, reflecting their subject. In western Europe, the end of the war may have “marked the beginning of decades of unprecedented cooperation and prosperity…labelled the long peace”, but “east and southeast Asia quickly became the most turbulent regions of the globe”.

However, one region of western Asia soon vied as contender for the most turbulent region of the globe – the British mandate of Palestine or Mandatory Palestine, which Britain had administered since the end of the First World War as territory taken from the former Ottoman Empire.

The nascent conflict in Palestine, between Arabs and Jews, originated in the First World War – arguably in 1916-1917, with the Arab Revolt, Sykes-Picot Agreement, and Balfour Agreement in those years, although Palestine as the focus of Zionism or Jewish settlement and a Jewish “national home” originated earlier than that.

During the Mandate, there was further Jewish immigration and the rise of nationalist movements in both Jewish and Arab communities, culminating in the 1936-1939 Arab Revolt in Palestine. Britain ultimately suppressed the Arab Revolt, but in part by means of the 1939 White Paper, severely restricting Jewish immigration and land purchases – hence my choice of 1939 as starting date for this special mention.

The combination of Arab Revolt and White Paper led to the formation of Jewish underground militias, primarily the Haganah which was to become the core of the Israeli Defence Force – as well as increasing Jewish sentiment that they could not achieve their aims in cooperation with the British, particularly after the war. It also contributed to the idea of partition as solution, as it became clear that Arab and Jewish communities in Palestine could not be resolved.

The Second World War saw some suspension of this conflict, as Palestine even came under Axis air attack and within potential reach of Axis armed forces with Rommel’s victories in 1942. That saw British training of forces within the Haganah, as well as the subsequent creation of the Jewish Brigade within British armed forces.

However, the Second World War had not even ended when the Jewish insurgency in Mandatory Palestine began in 1944 and persisted through to 1948, albeit in fairness the tide of war had passed well away from Palestine when it began. The primary insurgents were the more radical Jewish militias or underground groups – Lehi (or the Stern Gang) and Irgun. Even the Haganah sought to suppress them in cooperation with Britain or at least avoiding direct confrontation with British armed forces, instead mainly supporting immigration spurred by Jewish refugees from or after the Second World War.

From there, the conflict spiralled out of British control or even its ability to do so, and like many or most of Britain’s commitments elsewhere, Britain could not (or did not want to) maintain it and instead handed it over to someone else – in this case, the newly founded United Nations, which formulated a partition plan.

The 1947 UN Partition Plan – proposing the division of Palestine between Arab and Jewish states – prompted the 1947-1948 civil war between Arabs and Jews in Palestine. In turn, the conflict escalated into the 1948 Arab-Israeli War as five Arab states – Egypt, Syria, Lebanon, Jordan, and Iraq – declared war (and lost) against the new state of Israel that Jewish leadership declared when Britain ended the Mandate and withdrew its forces.

Arab-Israeli wars, and even more so Palestinian-Israeli wars have defined the region ever since. While Jewish immigration to and settlement in Palestine predated the Second World War, it gained new impetus from the war – albeit more before and after the war than during the war itself – and it is difficult to see that the formation of the state of Israel would have had the same force or support without the events of the war, one event in particular above all, perhaps to the extent that it may not have been formed at all in Palestine.

 

RATING: 4 STARS****

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Map of the partition of India in 1947 for Wikipedia “Partition of India” under license https://creativecommons.org/licenses/by-sa/4.0/deed.en

 

 

(16) INDIA & PAKISTAN – INPEPENDENCE & PARTITION

(1942-1947)

Moving closer to the focus of my wild-tier special mentions for conflicts or wars fought in Asia after the Second World War but which took definitive shape during that war – in this case, in south Asia or the Indian subcontinent.

India may have been fortunate in it did not have to fight a war of independence and Britain effectively ceded independence to it in 1947, but that independence was on the basis of partition into two independent states along religious lines – Hindu-majority India and Muslim-majority Pakistan (the latter as west and east Pakistan, with the latter subsequently seceding as Bangladesh).

Independence may have been relatively bloodless but partition brought with it displacement and violence on a large scale – with the former estimated as 12-20 million people displaced or as refugees, and the latter estimated as anywhere between 200,000 and two million people killed by sectarian violence, with the most common estimate as a million.

Both independence and the idea of Hindu-Muslim partition originated well before the Second World War. Indian independence movements arguably originated from resistance or revolts at the very outset of British imperialism in India by the British East India Company. However, the First World War “would prove to be the watershed of the imperial relationship between Britain and India” – as Indian independence movements hoped India’s contribution to that war would be repaid by British political concessions. Indian independence movements took even more definitive shape in the Second World War and India’s contribution to it – particularly with the Quit India Movement in 1942, hence my choice of 1942 as the starting date for this special mention.

My choice of 1947 as the end date for this special mention of course derives from the year of independence for the two new nations of India and Pakistan – with all the displacement and sectarian violence that this partition involved. The former persisted until at least 1951 and while the latter may have largely subsided by 1948, it laid the foundations for hostility and subsequent wars between Indian and Pakistan as well as the 1971 secession of the former east Pakistan as Bangladesh.

While the independence and partition of British India were probably inevitable, at least from the First World War onwards, it became inevitable on an almost immediate basis from the end of the Second World War due to Britain’s inability and unwillingness to maintain its former imperial or global commitments.

 

RATING: 4 STARS****

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Map of the United States of Indonesia, December 1949 by Milenioscuro for Wikipedia “Indonesian National Revolution” under licence https://creativecommons.org/licenses/by/4.0/deed.en

 

 

(17) INDONESIAN WAR OF INDEPENDENCE

(1942 / 1945-1949)

 

And now we come to the focus of my wild-tier special mentions for conflicts or wars after the Second World War, but which took definitive shape during that war – the wars in east or south east Asia.

Of course, we’ve already seen one of the biggest such wars in my previous special mention for the Chinese Civil War, but it is also one that encapsulates many of the features of “the deadly confrontations that broke out–or merely continued–in Asia after peace was proclaimed at the end of World War II”.

“Under occupation by the victorious Allies, this part of the world was plunged into new power struggles or back into old feuds that in some ways were worse than the war itself”, compounded by the circumstance that “the U.S. and Soviet governments, as they secretly vied for influence in liberated lands, were soon at odds”.

“Within weeks of the famous surrender ceremony aboard the U.S.S. Missouri, civil war, communal clashes, and insurgency engulfed the continent, from Southeast Asia to the Soviet border. By early 1947, full-scale wars were raging in China, Indonesia, and Vietnam, with growing guerrilla conflicts in Korea and Malaya. Within a decade after the Japanese surrender, almost all of the countries of South, East, and Southeast Asia that had formerly been conquests of the Japanese or colonies of the European powers experienced wars and upheavals that resulted in the deaths of at least 2.5 million combatants and millions of civilians.”

Unlike British India, Indonesia had to fight a war of independence, also known as the Indonesian National Revolution, against the Netherlands that had ruled it as the Dutch East Indies – expanding from the original holdings of the Dutch East India Company in 1603 through to its full extent under the Dutch government until Japanese occupation in 1942.

There are some ironies here. That was the Dutch government in exile, as the Netherlands had been occupied by Germany in 1940, so the Dutch government found itself exiled twice over with the loss of the Dutch East Indies to Japan. Also, while Indonesia may not have had British India’s more “peaceful” cession of independence, it had fewer casualties from its war for independence than British India had from its partition into two states. Indeed, it was fortunate that its war for independence involved comparatively few casualties among the new or continuing wars that emerged in east or south-east Asia after the Second World War.

The Indonesian independence movement began well before the Second World War, but the occupation by Japan from 1942 to 1945 “was a critical factor in the subsequent revolution”. Firstly, Japan “spread and encouraged Indonesian nationalist sentiment”, even if more for their own advantage. Secondly, the Japanese occupation effectively “destroyed and replaced much of the Dutch-created economic, administrative, and political infrastructure”. Hence I’ve chosen 1942 as the starting date for this special mention.

And the Indonesian independence movement came out swinging straight from the end of the war, with their declaration of independence on 17 August 1945 – only two days after the announcement of Japan’s unconditional surrender (and prior to the formal ceremony of surrender on the U.S.S. Missouri).

The Dutch were able to regain some control of major towns or cities when they returned as a significant military force in early 1946. In the interim, other Allied forces occupied Indonesia or at least parts of it, primarily the British as it was assigned to Britain’s South East Asia Command.

Ironically, despite surrendering, the former Japanese occupying forces found themselves on both sides of the war. The overwhelming majority of them complied with the terms of surrender to assist the Allied forces to maintain order, albeit both Japanese and Allied forces often sought to avoid direct confrontation with Indonesian nationalists. However, some Japanese holdouts joined the Indonesian national revolutionaries – as did some defecting Indian soldiers from British forces.

Ultimately, Dutch forces were not able to extend or preserve the control they regained, partly because of the military situation facing “well-organized resistance with popular support”, but primarily because of international diplomatic and political opposition. That opposition came from neighboring Australia – where Australian maritime workers in their characteristic style boycotted loading or unloading Dutch ships – but also India, the Soviet Union, and most significantly, the United States. The opposition from the United States was the most significant because it threatened to cut off economic aid to the Netherlands under the Marshall Plan. The Dutch gave in, ceding sovereignty to Indonesia in 1949.

 

RATING: 4 STARS****

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The Malayan Emergency 1948-1960 – Men of the Malay Police Field Force wade along a river during a jungle patrol in the Temenggor area of northern Malaya in 1953, photographed by a British official photographer, created and released by the Imperial War Museum (public domain image)

 

 

(18) MALAYA – MALAYAN EMERGENCY

(1942 / 1948-1960)

 

“Communist resistance forces in Malaya settled old scores and terrorized the indigenous population, while mujahideen holy warriors staged reprisals and terror killings against the Chinese–hundreds of innocent civilians were killed on both sides”

Malaya continues the focus of my wild-tier special mentions for conflicts or wars that broke out – or continued – in east or south-east Asia after the Second World War but originated in it. As opposed to Indonesia’s war of independence that commenced even before the formal ceremony of surrender by Japan on the U.S.S. Missouri, Malaya was a growing guerilla conflict that became full-blown war after Britain declared a state of emergency on 17 June 1948.

Hence the term Emergency – although it was also used by Britain to avoid referring to it as a war, apparently for insurance purposes, at least in part (as British insurers would not pay out claims in civil wars, presumably to rubber plantations or other British economic interests).

Like most of the postwar conflicts or wars in Asia, it had its origins and got its opportunity from the Second World War – in this case, the Japanese occupation of British Malaya and Singapore. The Malayan People’s Anti-Japanese Army or MPAJA “had been the largest anti-Japanese resistance group in Malaya” – a communist guerilla army “composed mainly of ethnic Chinese guerilla fighters” which had been “trained, armed and funded by the British to fight against Japan”. Its veterans then used that against the British themselves after the war, as the core of the communist Malayan National Liberation Army or MNLA which fought for Malaya’s independence from Britain and to establish a communist state.

The insurgency had its roots in Britain’s postwar restoration of its colonial rule, as well as the economic problems that came with it. Britain declared the state of emergency following attacks on plantations and the British victory in the Malayan Emergency that followed is often upheld as a model of counter-insurgency warfare, a counterpoint to the American defeat in Vietnam, although the better comparison may well be to the French defeat in Vietnam.

I’m not so sure whether the British strategy truly serves as either a model of counter-insurgency or as a counterpoint to French or American defeat in Vietnam. Britain had a number of advantages in the Malayan Emergency that were effectively unique to that conflict or at least were not readily adapted to the conflict in Vietnam, and its strategy was equally as much a sledgehammer as the latter rather than any surgical precision, even despite those advantages.

And in the end, Britain had to grant full independence to Malaya (as Malaysia) just as France did in the First Indochina War, while the communists remained able to renew their insurgency in what is known as the Second Malayan Emergency from 1968 to 1989.

 

RATING: 4 STARS****

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Spot the difference! Map of the first month and last month of the Korean War taken in screenshots and placed together in collage by me from an animated series of maps through the war by Leomonaci98 for Wikipedia “Korean War” under licence https://creativecommons.org/licenses/by-sa/3.0/deed.en

 

 

(19) KOREAN WAR

(1945 / 1950-1953)

 

“Korea became a powder keg with the Russians and Americans entangled in its north and south.”

The Korean War may have been its own distinct war, but it directly arose from the circumstances of the Second World War before it, overlaid by the new Cold War of which it was part (and for which it was the first major conflict).

The primary circumstance which gave rise to the Korean War was the occupation of the northern and southern halves of Korea by the Soviet Union and the United States respectively – similarly to the eastern and western halves of Germany in Europe.

Ironically, Japan itself was fortunate to avoid the division of Germany into Europe, because of its sole occupation by the United States (and selected western allies), but its former imperial territory of Korea was not. Indeed, Korea was doubly unfortunate in that, unlike Germany, war was fought along the lines of that division.

Of course, the key distinction between Korea and Germany was that any war along the lines of division in Germany would have involved war directly between the United States and the Soviet Union – the very thing that they sought to avoid in the Cold War, with its potential escalation to nuclear war after 1949.

In Korea, however, the Soviet Union could wage war by proxy – firstly the North Korean communist regime that was already fighting low-level warfare across the border with its non-communist counterpart in South Korea from 1945 onwards, and secondly the new communist government in China on North Korea’s behalf.

The Korean War was also “largely fought by the same commanders and with the same doctrines, weapons, and equipment as the Second World War” – including strategic bombing on the same scale, dropping more bombs than in the whole Pacific War, ranking North Korea as one of the most heavily bombed countries in history.

Some of those weapons were developed from their versions introduced or tested in the last days of the Second World War. Notably, jet aircraft – while the Allies had eschewed replacing their propellor-driven prop counterparts in service at that late stage of the Second World War, they came into their own in the Korean War. Jet aircraft confronted each other in air-to air combat for the first time in history and it was the first war in which jets played the central role in air combat. Similarly, the Korean War also featured the first large-scale deployment of helicopters, which had been developed during the Second World War.

It was also the closest the United States came to using nuclear weapons against an adversary in war since the Second World War, actively contemplating or planning their use against China, or North Korean and Chinese forces.

The Korean War also featured General Macarthur’s daring amphibious invasion behind enemy lines for the Battle of Inchon as the closest comparison to Normandy since the Second World War. The Battle of Inchon has commonly been considered among historians and military scholars as a strategic masterpiece or one of the most decisive military operations in modern warfare, a particularly distinctive accolade for an amphibious operation – “a brilliant success, almost flawlessly executed,” which remained “the only unambiguously successful, large-scale US combat operation” for the next 40 years.

That said, but for its first year which did resemble the more mobile warfare of the Second World War, the Korean War mostly resembled the First World War and the conventional static stalemate of the Western Front, albeit crammed into the narrower space of the Korean peninsula.

Ironically enough, the war stabilized at or close to the original border between South and North Korea. That is where the fighting largely stayed for the next two years – and also where it ended at ceasefire.

In this the Korean War again more closely resembled the First World War than the Second, with their inconclusive armistices or ceasefires that are far more typical of modern war than the Second World War with its decisive victories. The Korean War is still very much with us – with the ceasefire division of the Korean peninsula into opposing North and South Korea, still technically at war with each other, in a frozen conflict like bugs preserved in some strange Cold War amber.

 

RATING: 4 STARS****

X-TIER (WILD TIER)

 

 

CIA map of “dissident activities” in French Indochina as at 3 November 1950, Page 8 of the Pentagon Papers – public domain image

 

 

(20) INDOCHINA WARS / VIETNAM WAR

(1940-1979)

 

“In Indochina, a nativist political movement rose up to oppose the resumption of French colonial rule; one of the factions that struggled for supremacy was the Communist Viet Minh led by Ho Chi Minh.”

You knew this one was coming – the iconic twentieth century war after 1945 and second only to the Second World War itself as visual image in popular culture or imagination, and as metaphor or archetype in history or politics.

Of course, it serves as the counterpoint to the Second World War in those things, particularly in moral terms, highlighted by the defeat of the United States and its allies in Vietnam, with the diminished number of its allies as further counterpoint to the Second World War.

It also serves as counterpoint in its nature, both as a limited war and as insurgency or guerilla warfare, contrasting with the Second World War as both unlimited and as more straightforward conventional warfare. Indeed, a common criticism of American military proficiency or strategy in the Vietnam War is that it essentially sought to fight an unconventional war by conventional means more suited to the Second World War and hence entirely misplaced in the Vietnam War, resulting or at least contributing to defeat.

Few things encapsulate the unconventional Vietnam War wrongly fought by conventional Second World War strategy in popular culture or imagination more than American bombing during the war, usually seen as futilely dropping bombs on jungle.

In popular culture or imagination, the Vietnam War is typically that involving the United States in varying levels of engagement from about 1954, with the height of its military engagement from about 1965 to 1972. However, that war was actually the Second Indochina War, which followed almost directly from the First Indochina War from 1945 to 1954 against the French colonial regime – and the First Indochina War commenced immediately as the last shots were fired in the Second World War.

The First Indochina War in turn took shape in the Second World War itself. The Vietnamese resistance to French colonial rule predated the Second World War but took its definitive shape in that war – as the Vichy French colonial administration effectively had to concede control to Japanese occupation from 1940 onwards until Japan “had extended its control over the whole of French Indochina”.

Interestingly, the Japanese occupation and control of French Indochina was the trigger point for the United States to embargo Japan, which in turn led to war with the Japanese attack on Pearl Harbor. Interestingly that is, because it illuminates Vietnam as another American trigger point for the Cold War in Asia.

During the Pacific War, however, the United States placed little weight on French Indochina – with President Roosevelt even offering it to Chiang Kai-Shek. In fairness, this may have reflected the predominant role of China for Vietnamese resistance – “most of the Vietnamese resistance to Japan, France, or both, including both communist and non-communist groups, remained based over the border, in China”.

One exception was Ho Chi Minh and the underground communist resistance he led within Vietnam from 1941 onwards – gaining mass support from the effects of the 1945 Vietnamese famine on the populace.

In March 1945, the Japanese effectively sought to salt the earth of the remnants of the French colonial administration – which the Japanese revoked, imprisoning French administrators and taking full control of Indochina, nominally under Vietnamese emperor Bao Dai who proclaimed the Empire of Vietnam.

As Japan lurched to its surrender, the communists or Viet Minh under Ho Chi Minh launched firstly their August Revolution from Hanoi and secondly declared Vietnamese independence. The latter had little real effect as the Allies had agreed to China occupying north Vietnam while the British occupied the south.

The Viet Minh remained largely intact under Chinese occupation of the north – such that they were even able to purge non-communist nationalist resistance – but British occupation of the south was another matter. I always recall reading how the British, having accepted the surrendering Japanese garrisons laying down their arms, then immediately rearmed them to keep order in Vietnam – which essentially translated to keeping order for the return of French colonial rule.

However, the Vietnamese communist resistance under Ho Chi Minh came out swinging against the restoration of French colonial rule from the outset and the First Indochina War took shape, along similar north-south lines as the postwar occupation and the subsequent Second Indochina War with the United States, with the Third Indochina War against China in 1979 echoing the postwar Chinese occupation of northern Vietnam.

 

RATING: 4 STARS*****

X-TIER (WILD TIER)

 

TL;DR TIER LIST RANKINGS

 

S-TIER (GOD TIER)

 

(1) WW1 – GREAT WAR 1914-1945

(2) COLD WAR – LONG WAR 1914-1991

(3) APPEASEMENT – AXIS COLD WAR 1931-1945

(4) PARTISANS & RESISTANCE – UNDERGROUND WAR 1931-1945

(5) HOLOCAUST 1933-1945

 

A-TIER (TOP TIER)

 

(6) CHINESE CIVIL WAR 1911-1949

(7) ITALO-ABYSSINIAN WAR / NE AFRICA CAMPAIGN 1935-1937 / 1940-1941

(8) SPANISH CIVIL WAR 1936-1939

 

B-TIER (HIGH TIER)

 

(9) ALBANIA – OCCUPATION & RESISTANCE 1939-1944

(10) ANGLO-FRENCH WAR 1940-1942

(11) GREEK CIVIL WAR 1941 / 1945-1949

(12) ANGLO-IRAQI WAR 1941

(13) ANGLO-SOVIET INVASION OF IRAN & IRAN CRISIS 1941-1946

(14) PHILIPPINES – OCCUPATION & RESISTANCE 1941-1945

 

X-TIER (WILD TIER)

 

(15) PALESTINE – INSURGENCY, CIVIL WAR & ARAB-ISRAELI WAR

1939 / 1944-1949

(16) INDIA & PAKISTAN – INDEPENDENCE & PARTITION 1942-1947

(17) INDONESIA – WAR OF INDEPENDENCE 1942 /1945-1949

(18) MALAYA – MALAYAN EMERGENCY 1942 / 1948-1960

(19) KOREA WAR 1945 / 1950-1953

(20) INDOCHINA WARS & VIETNAM WAR 1940 /1945-1979

 

 

Top Tens – Mythology: Top 10 Books (Special Mention: Subject) (7) Arthurian Legend

 

 

(7) ARTHURIAN LEGEND:

THOMAS MALORY – LE MORTE D’ARTHUR

(PETER ACKROYD – THE DEATH OF KING ARTHUR 2010)

 

For mine is the grail quest –

round table & siege perilous

fisher king & waste land

bleeding lance & dolorous stroke

adventurous bed & questing beast

 

In my Top 10 Mythologies, I nominate one strand of Celtic mythology as foremost in familiarity and fascination for me – the legend of King Arthur, as part of the so-called Matter of Britain or legendary history of the Kings of Britain.

And one source of that legend stands foremost among them all – Le Morte d’Arthur by Sir Thomas Malory (or Mallory) in the fifteenth century, as “the definitive version of Arthurian legend in popular culture, at least for the English-speaking world”, or dare I say it, the once and future king…of Arthurian legend.

That’s pretty impressive for a version written about a millennium or so after the legendary historical setting of its subject in sub-Roman Britain. In large part that was because it was effectively a codification – what TV Tropes calls an adaptation distillation – of the works of its “many, many literary predecessors, including multiple layers of retcons and crossovers”.

Among those predecessors were the various French texts, from which surprisingly many elements we now associate with Arthurian legend originated – and which I’m sure is the Arthurian in-joke behind the obnoxious French soldiers in Monty Python and the Holy Grail.

That might account for the gratuitous French title – or more precisely medieval Anglo-Norman French title – translating to The Death of Arthur. Despite that title, the books otherwise “in a form of Late Middle English virtually indistinguishable from Early Modern English (if you modernize the spelling, what you get is virtually indistinguishable from the Elizabethan English of Shakespeare’s day)” – although pronounced very differently due to the great vowel shifts between medieval and modern English.

In turn, Malory’s Le Morte d’Arthur has been almost endlessly adapted since, although my favorite adaption remains cinematic rather than literary – the 1981 film Excalibur, just narrowly ahead of the aforementioned Monty Python and The Holy Grail (which funnily enough still remains one of the most faithful adaptations to Arthurian legend).

So once again of course I rank Arthurian legend in general and Malory’s Le Morte d’Arthur in particular as special mention by subject for my Top 10 Mythology Books. Books on the subject already feature as entries in my top ten or special mentions by book. There’s the second volume of Bulfinch’s Mythology for the Age of Chivalry. More generally, Barbara Walker’s Women’s Encyclopedia of Myths and Secrets as well as the Penguin Dictionary of Symbols have numerous entries on subjects of Norse mythology.

And yes – I don’t claim to have read Malory in his Late Middle English but instead prefer the adaptations to Modern English, of which there is a long list. Just to name my personal favorites – Alfred Lord Tennyson’s Idylls of the King, and T.H. White’s The Once and Future King.

Hence also the keynote entry for this special mention – Peter Ackroyd’s The Death of King Arthur.

 

RATING:
A-TIER (TOP TIER)

Top Tens – History (WW2): Top 10 Second World Wars (Special Mention) Revised entry (18) Malaya – Malayan Emergency

The Malayan Emergency 1948-1960 – Men of the Malay Police Field Force wade along a river during a jungle patrol in the Temenggor area of northern Malaya in 1953, photographed by a British official photographer, created and released by the Imperial War Museum (public domain image)

 

 

(18) MALAYA – MALAYAN EMERGENCY

(1942 / 1948-1960)

 

“Communist resistance forces in Malaya settled old scores and terrorized the indigenous population, while mujahideen holy warriors staged reprisals and terror killings against the Chinese–hundreds of innocent civilians were killed on both sides”

Malaya continues the focus of my wild-tier special mentions for conflicts or wars that broke out – or continued – in east or south-east Asia after the Second World War but originated in it. As opposed to Indonesia’s war of independence that commenced even before the formal ceremony of surrender by Japan on the U.S.S. Missouri, Malaya was a growing guerilla conflict that became full-blown war after Britain declared a state of emergency on 17 June 1948.

Hence the term Emergency – although it was also used by Britain to avoid referring to it as a war, apparently for insurance purposes, at least in part (as British insurers would not pay out claims in civil wars, presumably to rubber plantations or other British economic interests).

Like most of the postwar conflicts or wars in Asia, it had its origins and got its opportunity from the Second World War – in this case, the Japanese occupation of British Malaya and Singapore. The Malayan People’s Anti-Japanese Army or MPAJA “had been the largest anti-Japanese resistance group in Malaya” – a communist guerilla army “composed mainly of ethnic Chinese guerilla fighters” which had been “trained, armed and funded by the British to fight against Japan”. Its veterans then used that against the British themselves after the war, as the core of the communist Malayan National Liberation Army or MNLA which fought for Malaya’s independence from Britain and to establish a communist state.

The insurgency had its roots in Britain’s postwar restoration of its colonial rule, as well as the economic problems that came with it. Britain declared the state of emergency following attacks on plantations and the British victory in the Malayan Emergency that followed is often upheld as a model of counter-insurgency warfare, a counterpoint to the American defeat in Vietnam, although the better comparison may well be to the French defeat in Vietnam.

I’m not so sure whether the British strategy truly serves as either a model of counter-insurgency or as a counterpoint to French or American defeat in Vietnam. Britain had a number of advantages in the Malayan Emergency that were effectively unique to that conflict or at least were not readily adapted to the conflict in Vietnam, and its strategy was equally as much a sledgehammer as the latter rather than any surgical precision, even despite those advantages.

And in the end, Britain had to grant full independence to Malaya (as Malaysia) just as France did in the First Indochina War, while the communists remained able to renew their insurgency in what is known as the Second Malayan Emergency from 1968 to 1989.

Top Tens – Mythology: Top 10 Books (Special Mention: Subject) (6) Beowulf

I will never tire of this promotional still featuring Grendel’s hot mother with heels from the 2007 Beowulf film. Or in other words – phwoah! Well, he’ll certainly slay something

 

 

(6) BEOWULF:

SEAMUS HEANEY – A NEW VERSE TRANSLATION (1999)

 

The most enduring mythic character – along with antagonists Grendel and his mother (with the subsequent dragon tending to be overlooked for that more intriguing mother and son duo) – from “the oldest surviving work of fiction in the English language, written sometime between 700 and 1000 AD”.

Indeed it’s so old – how old is it? Older than yo momma! – “that the language it’s written in is barely recognizable as English” and it is more correctly described as Old English.

Like the Iliad and Odyssey earlier in these special mentions, it is an epic poem, but in Beowulf’s case it is “in the tradition of Germanic heroic legend”. The story, set in pagan Scandinavia, is reasonably well known, at least in outline, and is in an effective three-part structure that perhaps has added to its enduring appeal.

Beowulf, a “hero of the Geats” (in southern Sweden), “comes to the aid of Hrothgar, the king of the Danes” (once again gloomy Denmark pops up in classic literature), “whose mead hall Heorot has been under attack by the monster Grendel for twelve years”. In the first part, Beowulf faces off with Grendel, tearing off his arm and slaying him. In the second, Beowulf faces off against Grendel’s monstrous mother out for vengeance and slays her too. Yass hero, slay! Although he slays her in a very different sense in the 2007 film adaptation – not surprisingly given she appears as a golden form of her voice actress Angelina Jolie, complete with high heels! In the third, Beowulf, now a king in his elderly years, faces off and defeats a dragon, but “is mortally wounded in the battle”.

And now, in a posthumous fourth act, Beowulf wins special mention as subject for my books of mythology – reflecting its status as one of the most translated works of Old English literature (in poetry and prose) as well as one of the most adapted and interpreted works of English literature in general. Not bad for a poem over a millennium in age, even going on a millennium and a half.

One such translation is my keynote book for this special mention, the “new verse translation” by Nobel Prize-winning Irish poet and playwright Seamus Heaney. It was widely acclaimed by critics, albeit not universally – perhaps not surprisingly as no less than J.R.R. Tolkien wrote on the difficulty of translating Beowulf in an essay (“On translating Beowulf”).

On the subject of J.R.R. Tolkien, here’s a shoutout to him as an enduring influence on adapting or interpreting Beowulf through his study, in lecture or essay, as well as Beowulf as an enduring influence on Tolkien (“Beowulf is among my most valued sources”) – and through him on modern literary fantasy.

You might know Beowulf’s influence on Tolkien and modern literary fantasy through a little book Tolkien wrote called The Lord of the Rings. Although personally I tend to see more of the direct overlap through The Hobbit – with Bilbo as Beowulf, Gollum as Grendel, and Smaug as, well, the dragon. Sadly, no Grendel’s mother though.

Top Tens – Top 10 Fantasy & SF Films (Complete Top 10)

Promotional art for the 1982 fantasy film, The Beastmaster. Amazingly, it became a cult classic. Even more amazingly, it became a franchise, with two sequel films and a television series. The film was shown on HBO so often that comedian Dennis Miller joked HBO stood for “Hey, Beastmaster’s on!”. And yes – it’s not that good but it’s a guilty pleasure of mine.

 

 

“Fantasy isn’t just a jolly escape: It’s an escape, but into something far more extreme than reality, or normality. It’s where things are more beautiful and more wondrous and more terrifying.” – Terry Gilliam

That’s how I introduced my Top 10 Fantasy Books and it’s even more apt for my Top 10 Fantasy & SF Films, given I feature Terry Gilliam in my special mentions as one of my favorite directors of fantasy or SF films.

Although, the definition of fantasy might be less apt as my Top 10 Fantasy & SF Films overwhelmingly leans towards SF, with eight entries as SF and only two entries as fantasy. As such, I will note each entry as either fantasy or SF.

In fairness, I might well have ranked more films as fantasy, or SF for that matter. When I compiled my top ten ‘non-genre’ films, I noted those with fantasy or SF elements. The same applies to my top ten comedy films. The distinction is that the fantasy or SF elements did not predominate in those films so as to rank them within the fantasy or SF genres but the elements are still there.

More substantially, I also have separate top tens for animated films, films adapted from comics, and horror films – each of which predominantly consist of films that could be ranked within the fantasy or SF genres. Animated films lean towards fantasy, films adapted from comics lean towards SF (albeit often functionally or outright fantasy for superheroes), and I have deliberately leaned my top ten horror films towards fantasy or supernatural horror.

Ironically, at least three of the SF entries in this top ten could be ranked as horror or more precisely SF horror (a sub-genre also reflected in the special mentions for my Top 10 Horror Films). Given the overlap of both fantasy and SF with horror, I will also note where an entry might have also been ranked as horror or arguably has elements of horror.

Anyway, here are my Top 10 Fantasy & SF Films. Just a quick note – if you’re looking for The Lord of the Rings or Star Wars, I rank them in my special mention entries. The former is because as much as I love that film trilogy, it is eclipsed by my love of the book trilogy, ranking it in top spot in My Top 10 Fantasy Books. The second is because I have a complicated love-hate relationship with the original Star Wars film trilogy – and that trilogy has been somewhat diminished by them running the franchise into the ground since. Which, to be honest, they’ve also pretty much done with The Lord of the Rings franchise, what with the Hobbit film trilogy and the Rings of Power TV series.

 

Promotional artwork from the 2024 Dune film as the cover for the Frank Herbert book

 

 

(10) SF: DUNE

(2021-PRESENT: DUNE PARTS 1-2+)

 

“Walk without rhythm, you won’t attract the worm”

That is of course the lyric from Fatboy Slim’s Weapon of Choice, but like this ongoing film series, it is adapted from Frank Herbert’s SF novel Dune. The music video famously featured actor Christopher Walken dancing through a hotel lobby – and much to my delight of happy synchronicity, he was also in Dune Part 2, and as the God-Emperor no less! I might have squealed a little in my delight at that – although they sadly missed the opportunity for him to re-enact that dance scene in the film.

This is perhaps stretching my usual rule for wildcard tenth place entry as best of 2024 but I’m running with it. For one thing, the sequel film Dune Part 2 was released in that year and it easily was the best fantasy or SF film of 2024. For another, I didn’t actually see the first film when it was released but watched it shortly before seeing the sequel film at the cinema – so in effect both films were in 2024 for me.

And for yet another, with two films under its belt and another on the way, with consummate direction by Denis Villeneuve and a star-studded cast, it is easily the best fantasy or SF film franchise at the moment and the closest thing as successor to the epic Lord of the Rings fantasy film trilogy, particularly as that trilogy is offset by subsequent releases from what is now an expanding film and TV franchise.

As a fan of literary as well as cinematic fantasy and SF, I have to confess that I have never read Frank Herbert’s Dune or any of its sequels, although it is impossible to be a fantasy and SF fan without being aware of its plot or elements, at least in broad outline – archetypal space opera with an archetypal Galactic Empire, desert planet Arrakis, Paul Atreides and the House Atreides, Baron Harkonnen and House Harkonnen, the Fremen, spice, the sandworms, and the Bene Gesserit.

Or for that matter, its influence on subsequent fantasy or SF – it’s hard not see Dune’s Galactic Empire in Star Wars, or Arrakis in Tatooine, or even Paul Atreides in Luke Skywalker (although Star Wars could definitely have done with more Bene Gesserit).

The two Dune films seem to adapt the plot and elements well from what I know of them, particularly given the daunting scale and scope of the literary source to adapt to film (not unlike Lord of the Rings), and in stunning visual style to boot.

 

FANTASY OR SF?

 

Well, it’s obviously classic SF space opera…but like that other classic SF space opera, Star Wars, it has distinct elements of space fantasy.

 

HORROR

 

Like most SF or fantasy, it has some elements of horror – the sandworms can be terrifying – but not predominant or thematic enough to rank the films in the horror genre.

 

RATING: 4 STARS****

X-TIER (WILD-TIER) – BEST OF 2024

 

 

 

(9) SF: JURASSIC PARK

(1993+ Yes I know there’s an ongoing franchise but I’m only counting the first film for this entry)

 

Everything’s better with dinosaurs!

We all love dinosaurs, ever since we started digging up their bones – and we particularly love them in cinematic form. I’d argue that there is not one film that would not be improved by a dinosaur (or dinosaurs). Citizen Kane would have been MUCH improved by a dinosaur.

Anyway, Jurassic Park is the pure awesomeness you get when you combine dinosaurs with Steven Spielburg’s mastery of cinematic action and visual effects. Does it need any further introduction? You all know it. You probably can all quote it, from some point or other in the film or franchise.

I actually read the book first. Michael Crichton might have gotten a bit…controversial in his later years, but he sure knew how to craft a story – and Jurassic Park was one of his finest and certainly his most successful. Of course, there are the usual differences between the book and the film – the former had a starring role for the T-Rex’s tongue and the lawyer Gennaro was much more heroic (as lawyers should be), punching out a velociraptor and surviving rather than sniveling in a toilet before being slurped down by the tyrannosaur like the film’s lawyer.

Spielberg’s magic was of course to bring the book to life. The plot is the same – scientists discover how to recreate dinosaurs through a complex cloning process, involving dinosaur blood from mosquitoes fossilized in amber and filling in the gaps with other animal DNA, most notably transsexual frogs. Naturally, they come up with a dinosaur theme park to profit from this discovery, and equally as naturally, everything that can go wrong does go wrong – usually in the form of sharp pointy teeth.

Or in the words of character Dr. Ian Malcolm “Oh yeah, ‘oooh aaah’. That’s how it always starts. Then later, there’s the running and the screaming” – neatly summarizing each of the movies in the series, as TV Tropes pointed out. The same quotation might arguably apply to diminishing returns of the sequels, albeit with marginally less running and screaming. To which I offer the counter-argument – shut up, there’s dinosaurs! Even so, I’ll stick with just the first film for this entry – the franchise has been trying to capture the same magic ever since.

Of course, when it comes to the dinosaurs, there is only one true star. Despite the franchise’s effort to focus on the velociraptors (which I understand they beefed up from their actual and less imposing size of chickens), there’s only one true king (or more precisely, queen) of the prehistoric jungle – the tyrannosaurus rex.

 

FANTASY OR SF?

 

Well, it’s obviously SF – genetically engineered dinosaurs! Although I do like it when dinosaurs pop up in fantasy, which they do surprisingly often. Everything’s better with dinosaurs!

 

HORROR

 

Elements of survival horror from animal predators – the tyrannosaurus rex and velociraptors in particular.

 

 

RATING: 4 STARS****

A-TIER (TOP TIER)

 

Classic promotional poster art for the first film

 

 

(8) SF: BACK TO THE FUTURE

(1985-1990: BACK TO THE FUTURE 1-3)

 

“If my calculations are correct, when this baby hits 88 miles per hour, you’re gonna see some serious sh*t.”

Alternatively, “McFly!”

One of the two definitive SF time travel franchises of all time – as per South Park, “Terminator rules” are that time travel is “one way only and you can’t go back”, in contrast with “Back to the Future rules, where back and forth is possible”. The other distinction is the mutability of time in the latter as opposed to the former – or to put it simply, you can change the past in the latter, for better or worse. Which in my opinion makes for the more entertaining franchise for the actual time travel – combining “fish out of water comedy with high-stakes drama, making deft use of threatened temporal paradox” (not to mention running gags based on similar events across time) and shuttling back and forth 30 years before and after 1985 as well as a century into the past.

The first film in the trilogy is the best, setting the basic themes and tropes for the sequels to follow:

“Marty McFly, a teenager from 1985, accidentally sends himself to 1955 in the time machine Doc Brown built out of a DeLorean, and requires 1.21 gigawatts of power to return home. After initial confusion, the 1955 Doc Brown agrees to help Marty get back home by striking his car with 1.21 gigawatts of lightning, giving Marty a week to make his parents fall back in love at a dance and put bully Biff Tannen in his place”

Not to mention inventing rock ‘n’ roll…

 

FANTASY OR SF?

 

Again, it’s obviously SF – one of the definitive SF time travel film franchises! Although time travel can work as a fantasy trope – and I do like it whenever it pops up in fantasy, although it is perhaps more limited in fantasy use because of its potential story-breaking power if done by means of magic controlled by a character or protagonist.

 

HORROR

 

Unusually for fantasy or SF, virtually no element of horror – unless you count the existential horror of erasing yourself from existence by changing the past….

 

RATING: 4 STARS****

A-TIER (TOP TIER)

 

The iconic poster image of the first film

 

(7) FANTASY: STEVEN SPIELBERG – INDIANA JONES

(1981-1989: INDIANA JONES 1-3 – yeah I don’t count Crystal Skull or Dial of Destiny)

 

“You call this archaeology?”

Indiana Jones is the pure awesomeness you get when you mix George Lucas and Steven Spielberg in a bowl of serials – the adventure cliffhanger serial films of the 1930’s. The centerpiece of that awesomeness is the film trilogy of the 1980’s, although there is a media franchise or expanded universe extending to books, comics and television. For Indiana Jones, archaeology was adventure – racing Nazis for mystical artefacts such as the Ark of the Covenant or the Holy Grail, as opposed to the much less adventurous reality of dusting off and sorting one piece of broken pottery from another, barely above watching paint dry in excitement. Who’d have thought that a bullwhip and pistol were such indispensable archaeological tools? In fairness, Indiana does actually teach archaeology at a university, but even then his classes are full of hot coed groupies, who spend their time writing love messages to him on their eyelids rather than studying.

It is hard to choose between the three films of the original cinematic trilogy (ignoring, as I do, the fevered dreams of a fourth movie nuking the fridge two decades later, let alone the hallucinations of a fifth film, hence my entry only extends to the first three films), but it is equally hard to beat the introduction in Raiders of the Lost Ark to the character and his historical world much cooler than ours. I assume it needs no further introduction? From the iconic opening scene in the South American tomb of terror to the equally iconic finale, it is a masterpiece of cinematic adventure. The plot of course revolves around the archaeological arms race between the United States and Nazi Germany for the titular Ark of the Covenant. (That’s right – they’re going Old Testament on each other). Indiana Jones is enlisted by the United States government to thwart the Nazi recovery of the Ark. (“Nazis! I hate those guys!” We all do, Indy, we all do). Which explains why Nazi Germany lost the war – well, that and they lost too many men in Castle Wolfenstein.

 

FANTASY OR SF?

 

It’s fantasy – the first film depends on its literal deus ex machina. There are rumors of a fourth or fifth film with SF elements but I don’t credit any such rumored films beyond the trilogy.

 

HORROR

 

And how! For adventure film fantasies, there’s surprisingly many elements of horror. Each film has a room full of horror – spiders or snakes, bugs, and rats. Also the second film has quite pronounced elements of horror with its cult of Kali led by Mola Ram.

 

RATING: 4 STARS****

A-TIER (TOP TIER)

 

Nigel Terry as King Arthur in the 1981 film Excalibur directed by John Boorman – still the best cinematic adaptation of Arthurian legend

 

 

(6) FANTASY: EXCALIBUR

(1981)

 

“Forged by a god

Foretold by a wizard

Found by a king…

Excalibur!”

 

Yes – that’s the cheesy blurb from the theatrical release poster.

Yes – the film itself can be cheesy at points, or messy, reflected by Roger Ebert calling it both a wondrous vision and a mess.

Yes – it conflates various elements of Arthurian legend, although perhaps necessarily so for adaptation to film and not unlike the adaptations made by the various texts of Arthurian legend. In particular Perceval does some heavy lifting here, conflating in his character (at least) the roles of Galahad and Bedivere in Arthurian legend. He’s not the only one – the film also conflates Morgana and Morgause.

I know all these things but I still love it anyway. I can trace my fascination for and love of Arthurian legend directly to this one film.

 

For mine is the grail quest –

round table & siege perilous

fisher king & waste land

bleeding lance & dolorous stroke

adventurous bed & questing beast

 

And most of it is here. Well, except for the questing beast. Arthur Pendragon himself, the once and future king. His flawed father Uther. The wizard Merlin, played by Nicol Williamson in arguably the film’s best performance. The Lady in the Lake. The titular Excalibur, conflated here with the sword in the stone. Queen Guinevere. The enchantress Morgan Le Fay, conflated with Morgause as the mother of usurper Mordred. The knights of the Round Table – most famously Lancelot but also Gawain and Perceval. The Holy Grail. Avalon – and so on.

That’s of course just the characters – despite its limited budget, the film’s cast is a veritable who’s who of actors who would rise to stardom. Helen Mirren. Liam Neeson. Patrick Stewart. Gabriel Byrne. Ciaran Hinds.

Then there’s its visual style and lighting, used to best effect to convey the ethereal nature of the mythic (and mystical) otherworld that overlaps with our own throughout Arthurian legend. Apparently there’s a study by Jean-Marc Elsholz that “demonstrates how closely the film Excalibur was inspired by the Arthurian romance tradition and its intersections with medieval theories of light, most particularly in the aesthetic/visual narrative of Boorman’s film” – and I’d say it shows.

And the music! It’s again used to much the same effect for the ethereal otherworld, but also for the heroic scenes of battle – I can trace my love of Carl Orff’s Carmina Burana to this film, even if I was disappointed to subsequently learn that work is essentially about drunk monks singing.

Intriguingly, the film apparently started as an unproduced adaptation of The Lord of the Rings – and it makes me wonder what director John Boorman might have done with that property. Perhaps not quite as good as the Jackson film trilogy but I’d be prepared to bet it would have been the next best thing.

As it is, the film is still the single best cinematic or screen adaptation of Arthurian legend, although Monty Python and the Holy Grail comes in a close second. Although that may also say something about the adaptability of Arthurian legend, particularly to the sensibilities of modern directors or producers of film and television – and that it takes something like lightning in a bottle for a director such as Boorman (who after all made films such as Zardoz) to make it work.

 

FANTASY OR SF?

 

Fantasy obviously. The film that is most fantasy in my top ten fantasy or SF films – not a shred of SF to be seen here.

 

HORROR

 

As with much mythology or legend, there’s elements reminiscent of horror, although perhaps less so than in the Arthurian legend from which it was adapted.

 

RATING: 4 STARS****

A-TIER (TOP TIER)

 

 

 

(5) SF: THE MATRIX

(1999. There are no sequels).

 

The Matrix is perhaps the next most definitive cinematic Robot War after another entry on this list, and like that entry, it works best by combining the Robot War with another trope, in this case that of virtual reality. As such, it is the direct descendant of H. G. Wells’ The Time Machine, consistent with my pet theory that the heart of science fiction is still all Martians and Morlocks.

We’ll be looking at Martians later, but the Machines and their software Agents in the Matrix are Morlocks, except that it’s cyberspace travel rather than time travel. The original Morlocks were one of two evolutionary descendants of humanity, evolved from the working class – maintaining the advanced technology of the future for the Eloi, the other descendants of humanity evolved from its leisured upper class.

The dark twist of Wells’ novel is that the Morlocks eat the Eloi, “farming” them like livestock. This theme of evolution endures in the Matrix, albeit transformed from Wells’ unrealistic biological evolution (without genetic engineering or mutation) to cybernetic evolution – involving artificial intelligence and robots as machine Morlocks that rise up against their human Eloi, particularly as the machine Morlocks do actually farm us for their food or energy.

Ultimately however, this makes no sense – humans don’t produce more energy than they consume. The Machines would obviously use more energy keeping us alive than they would ever extract from us – and that’s aside from programming and maintaining the Matrix itself. My theory is that the human resistance have no idea what the Matrix is for and the Machines actually use the Matrix for entertainment, like television (or the internet) – “Let’s see what the humans are doing on the Matrix tonight!”

And for a Robot War against humanity, the Machines are actually quite nice to us, whatever the purpose of the Matrix. Morpheus lets slip that humans fought a genocidal war with the Machines, in which we nuked the sun (NUKED the SUN!) to deprive the Machines of their solar energy (and you know, hopefully wipe them out). It didn’t work and we lost the Robot War, but instead of the Machines exterminating us like cockroaches, they keep us in our own cozy virtual dream world. Indeed, Agent Smith (who, unlike Morpheus, tells it straight) says that the Machines even tried to make it a perfect utopia for us, but human psychology wouldn’t accept it.

As I see it, the Machines’ only mistake was not advertising the Matrix to sign people up for it as your own programmable (and not necessarily permanent) reality (like, say, the Playboy Mansion or World of Warcraft) – I should be so lucky to lose a Robot War! “Seriously, you feed me and take care of me in a pod while I live it up in any number of dream worlds of my own design and all you want is my body heat? Sign me up!”

 

FANTASY OR SF?

 

Yeah – the virtual reality world maintained by the Machines to farm humanity for energy after a Robot War? It’s obviously SF. Or is it? Well, yes, it is – but it does have substantial elements of fantasy, what with its mystical trappings of the Oracle and Neo as the (chosen or messianic) One.

And yes – I know there are no sequels, but if there had been a second film it at least might have the interesting spin on fantasy with fantasy creatures such as vampires and so on as leftover programs or perhaps glitches from previous versions of the Matrix.

 

HORROR

 

One can’t really rank it as horror but it has elements of SF horror and could well have been written more in that direction.

 

RATING: 4 STARS****

A-TIER (TOP TIER)

 

 

 

(4) SF (HORROR): THE THING

(1982+: I only count the John Carpenter film)

 

My fourth place entry is The Thing – not the original 1951 The Thing from Another World or the 2011 prequel but John Carpenter’s classic 1982 film. Once again, we’re back to Wells’ Martians and Morlocks, with some Lovecraftian Mythos a la At the Mountains of Madness thrown in for extra horror, because The Thing is at its core a horror film. Of course, in this case, we’re dealing with a Martian – not literally Martian but alien. And holy crap – every other alien in cinematic science fiction (including those of another entry on this list) are positively cuddly compared to the alien…thing in The Thing. That…thing doesn’t just invade our bodies – it assimilates them. Violently. The Thing is a shapeshifter, absorbing its victim’s body into itself, yet able to retain the appearance of (and mimic) that victim, seemingly extending to any lifeform.

Fortunately The Thing is confined to an American Antarctic research base, but then so are its targets subject to the body horror of the thing itself – it takes the hostile environment and inescapable isolation of the setting and raises it with a full house of paranoia, as the Americans desperately try to figure out which of them have been assimilated (against the background of the grim calculation that if the Thing should escape the isolation of Antarctica, then all of humanity will be consumed), an uncertainty that continues to the ending itself.

Apparently, it’s an annual tradition for viewing by the winter crew at the Amundsen-Scott South Pole Station during the first evening of winter.

 

FANTASY OR SF?

 

SF obviously, from the very opening sequence of an alien spacecraft crashing to Earth – although arguably like the Lovecraftian or Cthulhu Mythos it resembles, it borders on fantasy, albeit not as much as beings like Cthulhu or other elements of the Mythos. I sometimes muse how it could work as supernatural rather than SF horror – with the Thing as something akin to a vampire or the demons in the Evil Dead films, except with shapechanging assimilation abilities.

 

HORROR

 

One of my three top ten entries which are also my holy trinity of SF horror – perhaps the most classic SF horror entry in my top ten, which has inspired or been referenced by films and other works of popular culture ever since. Like all good classic horror, it is essentially haunted house horror, substituting an alien for the ghost, and neatly solving the so-called haunted house problem – why don’t the characters just leave the house? – by virtue of its Antarctic setting effectively confining their characters to their base and isolating them from the outside world, the latter being something the more astute characters realize they have to maintain to protect the world from the Thing.

 

RATING: 4 STARS****

A-TIER (TOP TIER)

 

 

 

(3) SF: MAD MAX

(1979-2024: MAD MAX 1-5 – yeah, I’m counting Furiosa as a fifth Mad Max film)

 

And now for some classic Australian post-apocalyptic cinema – let’s face it, Mad Max defined the post-apocalypse or at least post-apocalyptic chic, the apunkalypse or biker leather with a bit of BDSM kink thrown into the mix. (Hmmm…maybe a LOT of BDSM kink).

The only issue is which Mad Max film to choose? The correct answer is, of course, all of them – yes, the whole franchise. Even Thunderdome. Even Furiosa as “a Mad Max saga”. They all have something to offer the post-apocalyptic genre, particularly as the apocalypse shifts somewhat in each one.

Although overshadowed by its immediate sequel (so much so that the American audience was generally unaware that there was prior movie and the movie was instead titled The Road Warrior), the first Mad Max is arguably the purest of the films. Part of the latter is that it was shot on a shoestring budget – so much so that director George Miller paid extras in beer.

However, it is not purely a post-apocalyptic film – it also combines elements of ‘buddy cop’ movies and revenge movies, falling squarely within the so-called Ozploitation subgenre of contemporary films at that time (the Australian or ‘Oz’ version of exploitation films). Indeed, these elements predominate in the film – Max Rockatansky or Max is mad because a biker gang, led by Toecutter, burnt his cop buddy ‘Goose’ as well as running down his wife and infant child.

Oh the apocalypse is there somewhere in the background, but it has happened offscreen. Something has caused central governmental authority to decline, but it is still present in Max’s police highway patrol. What’s more – life and society are still relatively intact in the Australian country towns, and there’s even commercial traffic on the roads. This apocalypse reminds me of the proverbial decline and fall of the Roman Empire – too few legions and too many barbarians, the latter represented by the biker gangs emerging in the towns. Indeed, the parallel to the Roman Empire is even closer – just as the legions themselves were increasingly comprised by barbarian Germans, the police force in Mad Max resembles the leather-clad biker gangs. When the highway patrol arrests one of the bikers, the biker even has the mainstay of cop movies, a sleazy defense lawyer, show up and get him out. I mean, come on – what self-respecting post-apocalyptic world has lawyers?! Man, lawyers – they’re hardier than cockroaches! I might have to revise my post-apocalyptic job criteria…

It’s in the second film with the higher budget that the post-apocalyptic scene really gets into gear. And how – the opening narration speaks of oil running out and global (presumably nuclear) war. Long gone is the highway patrol – Max is now a lone survivor, albeit still in his iconic police super-charged V8 Pursuit Special. The plot revolves around an island of semi-barbarized civilization in the form of an oil refinery in an armed compound, besieged by the barbarian marauders. And what intriguing marauders in their leather bondage gear – led by the masked Lord Humungus (“the warrior of the wasteland, the ayatollah of rock-and-rollah” as he is announced) and his lieutenant Wez in those ass-less chaps.

The third film sees the last semblance of former civilization replaced by the barbarian Bartertown and its Thunderdome, ruled by an uneasy diumvirate of Aunty Entity and Master Blaster (although the latter is actually two people).

Personally, however, I can’t go past the visual splendor of the fourth film, Mad Max: Fury Road, which resets the apocalyptic story back to somewhere about the time of the second movie. Indeed, it probably works best as a retelling of the second film, but ramped up to eleven – the fourth film makes the apocalypse in the second film look positively cosy, while Immortan Joe and his War Boys makes the Lord Humungus and his retinue look like a polite picnic party. The plot, characterization and dialogue are all pared down, but who needs them when the film is this visually spectacular? John Keats basically wrote the plot in His Ode on a Grecian Urn:

 

“What men or gods are these? What maidens loath?

What mad pursuit? What struggle to escape?

What pipes & timbrels? What wild ecstasy?”

 

Basically, that is, if Keats were to replace pipes and timbrels with flame-throwing electric guitar – and wild ecstasy with balls to the wall insanity. As I’m sure he would if he saw Mad Max Fury Road. Ode on a Fury Road, perhaps?

Furiosa is Miller’s belated return to the world of Fury Road with the prequel story of Imperator Furiosa, which sadly underperformed at the box office – despite Chris Hemsworth’s memorable addition to the Mad Max rogues gallery with the warlord Dementus.

 

FANTASY OR SF?

 

SF obviously – and the cinematic trope codifier for that SF subgenre we’ve all come to know and love, post-apocalyptic SF. Although it would be intriguing to see more post-apocalyptic fantasy – I’ve read books that are arguably literary post-apocalyptic fantasy but you just don’t see it in film (or at least, very little of it).

 

HORROR

 

Mad Max is not horror as such, although it arguably has elements of slasher and survival horror, not to mention the sheer existential horror of a post-apocalyptic world and the occasional body horror of the ravages of the wasteland on its warlords. As such, it wouldn’t take too much to switch it up for horror.

 

RATING: 5 STARS*****

S-TIER (GOD TIER)

 

 

(2) SF (HORROR): THE TERMINATOR

(1984-1991+: THE TERMINATOR 1-2 – Yeah – I only count the first two films)

 

“I’ll be back”

The Terminator franchise is the definitive cinematic Robot War franchise, a science fiction trope that seemingly works best when combined with another science fiction trope. In the Terminator franchise, the Robot War is combined with that other compelling science fiction trope of time travel.

In this, it is the direct descendant of H. G. Wells’ The Time Machine – the heart of science fiction is still all Martians and Morlocks. We’ll be looking at Martians soon, but Skynet and its Terminators are Morlocks. The original Morlocks were one of two evolutionary descendants of humanity, evolved from the working class – maintaining the advanced technology of the future for the Eloi, the other descendants of humanity evolved from its leisured upper class. The dark twist of Wells’ novel is that the Morlocks eat the Eloi, “farming” them like livestock. This theme of evolution endures in the Terminator, albeit transformed from Wells’ unrealistic biological evolution (without genetic engineering or mutation) to cybernetic evolution – involving artificial intelligence and robots (or cyborgs) as machine Morlocks that rise up against their human Eloi. This descent from The Time Machine is doubly so for involving time travel, except in the other direction – almost as a direct sequel, as if the Morlocks had reverse engineered the Time Machine to travel back to the present.

Of course, at its core, the original Terminator is a horror film of relentless nightmare pursuit, literally evolved from James Cameron’s own nightmare vision of a metallic skeleton dragging itself from fire – which perhaps explains the franchise’s law of diminishing returns with each sequel away from its horror origins. Yes, even Terminator Judgement Day, which started the rot by breaking the rules of the original – although the action was so cool, we overlooked that. The original allowed time travel for only two ‘people’, the Terminator itself and Kyle Reese sent to stop it. The sequel allowed two more – a good cyborg Terminator and a bad liquid metal Terminator – and so on, until that Skynet time machine must be like a commuter train station with all the robots and humans going back and forth.

People bemoaned Terminator Genisys because it messed up the timeline, but that timeline was messed up from the very first sequel – if not implicitly in the original itself. It’s always bemused me that Skynet is smart enough to build an actual time machine, but not smart enough to work out the implications of it – either you simply can’t change the past (because it includes your time travel already) or you can but it becomes a different timeline from your existing timeline (nice for the new timeline, but not your original timeline which you still haven’t changed). Terminator Genisys simply took the changing timelines already in the franchise in their logical direction from Skynet’s point of view – a timeline-hopping Skynet, because the only way it can actually win by time travel is for itself to do the time travelling, like Skynet crossed with Marty McFly in Terminator meets Back to the Future. Then again, Skynet is just too much of a d!ck – it also bemused me exactly why Skynet’s plan always involves killing humanity rather than making a killing on the stock exchange or otherwise using its artificial intelligence to become rich and powerful, ruling the world rather than destroying it.

 

FANTASY OR SF?

 

One of the biggest cinematic SF film franchises – the Robot War and time travel really give the genre away as SF. Although you probably could adapt it to magic in fantasy. There was a real missed opportunity not to do a Terminator-type storyline with time travel in epic fantasy. Think a mashup between The Lord of the Rings and the Terminator – with Sauron for Skynet…

 

HORROR

 

As I said, at its core (and in its origin) the Terminator films are SF horror – which essentially is slasher horror in this case, except with a robot killer.

 

 

RATING: 5 STARS*****

S-TIER (GOD TIER)

 

 

 

(1) SF (HORROR): ALIEN

(1979-1986+: ALIEN / ALIENS 1-2. That’s right – I mostly just count the first two films. Mostly)

 

Whereas Terminator is the definitive robot war franchise, Alien is the definitive, well, alien franchise – the direct descendant of H. G. Wells’ The War of the Worlds.

As I said in my previous entry, the heart of SF is still all Martians and Morlocks to me (or evolution and entropy, those recurring themes in Wells). We’ve looked at the machine Morlocks of the Terminator (and the Matrix) – the aliens in the Alien franchise are Martians. Not literally Martians of course, unlike the original Martians in The War of the Worlds, but still the sharp edge of evolution (Wells’ penultimate true villain), red in tooth and claw, pitted against humanity in the backdrop of cold, dead space (or Wells’ ultimate true villain of entropy).

And holy crap – the Martians are positively cuddly compared to their cinematic descendant aliens, or xenomorphs, in the Alien franchise! Sure, the original Martians may have been space vampires, sucking down human blood, but the Alien xenomorphs take it to a whole new level of body horror, with every possible bodily fluid and organ of Freudian subtext thrown in for kicks. Whereas the original Martians invaded our world, the xenomorphs invade our very bodies – in the most face-hugging, throat-thrusting, chest-bursting way possible.

Like the original Terminator, the original Alien was at its core a horror film – the body horror of the alien itself in the claustrophobic intensity of a spaceship – and subject to a similar law of diminishing returns with each sequel away from its horror origins, although the intensity of action compensated for it in the immediate sequel.

 

FANTASY OR SF?

 

Pretty much pure SF – although some aspects of the xenomorph biology verge on fantasy. Acid blood, anyone? It would be interesting to see a magic xenomorph in a fantasy setting.

 

 

HORROR

 

As I just said, the original Alien was at its core a horror film, arguably the SF horror film, and although the franchise moves away from that at times, it always retains some element of that SF horror, combining body and cosmic horror. Like The Thing, it’s another film that solves the haunted house problem but does The Thing one better by having the haunted house IN SPACE! Although, really, the xenomorph more resembles your classic slasher than your average ghost.

 

 

RATING: 5 STARS*****

S-TIER (GOD TIER – OR IS THAT ALIEN-TIER?)

 

 

 

 

TL;DR – TOP 10 FANTASY & SF FILMS (TIER LIST)

 

S-TIER (GOD TIER)

 

(1) SF (HORROR): ALIEN

(1979 – 1986+. ALIEN / ALIENS 1-2 – I mostly just count the first two films. Mostly)

*

(2) SF (HORROR): THE TERMINATOR

(1984-1991+: THE TERMINATOR 1-2 – I only count the first two films)

 

(3) SF: MAD MAX (1979-2024: MAX MAX 1-5. I’m counting Furiosa as a fifth film).

*

If Alien is my Martian Old Testament of cinematic fantasy & SF, then The Terminator is my New Testament – and Mad Max is my apocalypse.

*

A-TIER (TOP TIER)

*

(4) SF (HORROR): THE THING (1982+: I only count the John Carpenter film)

(5) SF: THE MATRIX (1999+. There are no sequels)

(6) FANTASY: EXCALIBUR (1981)

(7) FANTASY: INDIANA JONES (1981-1989+. INDIANA JONES 1-3. I only count the original trilogy)

(8) SF: BACK TO THE FUTURE (1985-1990: BACK TO THE FUTURE 1-3)

(9) SF: JURASSIC PARK (1993+: I only count the first film)

 

X-TIER (WILD TIER) – BEST OF 2024

 

(10) SF: DUNE (2021-PRESENT: DUNE PARTS 1-2)

 

So to tally up my Top 10 Fantasy & SF Films, 8 are SF and 2 are fantasy.

3 are definitive SF horror – Alien, The Terminator and The Thing. Although I think you can argue for SF or fantasy horror elements in all the others except Back to the Future (unless you count the existential horror of erasing yourself from existence), albeit not enough to rank them within the horror genre.